Berlin - Abstract Paintings

Golden Hour (The Meeting) is a luminous contemporary impressionist painting that explores the emotional power of human connection through expressive brushwork, radiant color, and atm...

And Water Was First And Water Was First is part of Olena Kishkurno’s ongoing Inner Landscapes series - a body of work situated between abstract landscape and abstract impressionism,...

shipped in roll “Spring. Awakening” reflects the first quiet shift of the season — a moment when light, color, and space begin to open. Soft layers of pale tones, subtle pinks, and g...

Soft Morning in Venice from the Inner Landscapes series Abstract impressionist painting inspired by the quiet atmosphere of Venice in the early morning - a moment when the city app...

Where Water Holds the Evening From the series Inner Landscapes There are evenings by the water you never quite let go of. Where Water Holds the Evening is painted from exactly that ...

The work is created in the fluid art technique using acrylic on canvas. The composition is built on the soft, flowing interweaving of pink, coral, and milky white tones, creating a s...

This artwork is created with acrylic on canvas and enhanced with gold leaf. On a deep emerald-green background, stylized tulips are depicted. Their petals and leaves are rendered in...

Morning in the Garden from the Gardens series Acrylic on canvas Morning in the Garden captures the quiet atmosphere of a garden at dawn, when the first light begins to reveal the co...

Ev Grüger (1928 Altenburg - 2017 Hofheim), Still Life with Bottles, 1956. Oil on canvas in gallery stretcher, 80 cm x 60 cm (image size), signed “Grü[ger]” lower left and dated “[19]...

shipped rolled in a tube. The Air Feels New from the series “Inner Landscapes” This painting is part of the Inner Landscapes series, where landscape becomes a reflection of memory, ...

SOUND AND VISION – You called me mellow yellow (9 pieces, B) is a unique oil on vinyl installation by German contemporary artist Doris Marten, dimensions are 100 × 100 cm (39.4 × 39....

Freedom is always about pure energy and inner strength, and since ancient times, the horse has been its most powerful archetype. In this work, the image of the horse becomes a condui...

Pilgrim No. 37 is a unique oil on vinyl painting by German contemporary artist Doris Marten, dimensions are 30 × 30 cm (11.8 × 11.8 in). The artwork is signed, sold unframed and com...

A delicate close-up of a blooming pink peony, built on a subtle play of light and tonal transitions. The petals appear to glow from within, shifting from pale blush to richer raspber...

shipped in roll Apple Garden Latte (from the Inner Landscapes series) This work is a visual embodiment of a May morning, a moment when space fills with light, fragrance, and movement...

Superposition from the series “Zero Thinking” This work explores the state where opposite realities coexist. “Superposition” is a moment before the mind chooses. Before logic separat...

Oil on Alu-Dibond, 80 x 200 cm. German artist Doris Marten explores the visual effects created by the harmony between light and color. Lines and the light are the main components of ...

An abstract composition is presented on the canvas, created using the fluid acrylic technique. The painting is built on the flowing movement of paint, creating a sense of depth, text...

FPE Edition No. 5 (E) is a unique oil on vinyl painting by German contemporary artist Doris Marten, dimensions are 30 × 30 cm (11.8 × 11.8 in). The artwork is signed, sold unframed ...

Blue Edition No.02m is a unique oil on vinyl painting by German contemporary artist Doris Marten, dimensions are 25 × 25 cm (9.8 × 9.8 in). The artwork is signed, sold unframed and ...

The work is created in the fluid art technique using acrylic on canvas. The composition is built on the intense interaction of saturated pink, coral, and crimson tones, complemented ...

This circular abstract composition is created using fluid acrylic techniques combined with texture paste. The left and central parts of the artwork unfold as a vibrant flow of color ...

This painting is created with acrylic on canvas and depicts a realistic peony on a golden background. The flower is rendered in deep burgundy and crimson tones, its velvety petals u...

Acrylics, house paint, dry pressed Rose petals, dry pressed Datura flowers (4), varnish (partial) on industrial floor paper. I attempted to create a symbiosis between natural bio sh...

The painting shows an abstract composition of interwoven colorful forms set against a dark background. The background is painted in deep burgundy tones. Broad, semi-transparent brus...

shipped in roll “Spring Flowers” is built around a memory of early spring days, when the grass turns vivid and saturated, full of life. It captures that moment when everything begins...

Tenderness and Power This work reflects on the paradox of strength revealed through vulnerability. The orange blossoms, vivid and luminous against the profound blue background, embod...

Morning Passage Oil on linen canvas, 2026 shipped in roll Morning Passage explores the quiet dialogue between architecture, light, and the open sky. Framed by a monumental arch, ...

From the series Zero Thinking “Gravity” examines the moment when form begins to yield — not abruptly, but almost imperceptibly. The work exists in a state of quiet transition, where ...

Layers Object No. 16 is a unique ink drawings on Alu-Dibond painting by contemporary artist Doris Marten, dimensions are 41 × 91 cm (16.1 × 35.8 in). The artwork is signed, sold unfr...

The work is created in the fluid art technique on canvas, where the primary expressive element is the movement of paint. The composition is structured around a dynamic diagonal flow ...

An abstract painting created using the fluid acrylic technique (fluid art). The composition is built around a strong diagonal movement that runs across the canvas. A light turquoise...

The work is created in the fluid art technique using acrylic on canvas. The composition is built on smooth, flowing movements of paint, forming multilayered transitions of pink, mage...

The painting depicts a stylized silhouette of a rabbit sitting on its hind legs. The work is created with acrylic on canvas and has a strong decorative and graphic character. The bac...

The painting **"Feminine Spring"** is created in the fluid art technique, conveying a sense of lightness, movement, and renewal inherent in spring. The composition resembles a cross-...

shipped in roll "Where Birdsong Smells Like Strawberries" In this piece from the Inner Landscapes series, the aesthetics of modern impressionism merge with expressive line dynamics, ...

The work is created in the fluid art technique using acrylic on canvas. The composition is built on a harmonious combination of pink, fuchsia, and powdery tones, softly transitioning...

Ev Grüger (1928 Altenburg - 2017 Hofheim), Still Life with Sculpture, Flute, and Painting Supplies, 1956. Oil on canvas in gallery frame, 60 cm x 80 cm (image size), signed “Grü[ger]...

The painting presents a bold geometric abstract composition built on the contrast between yellow and black. Wide diagonal bands form sharp angular shapes that intersect across the ca...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

This captivating diptych celebrates the energy and fluidity of water. Flowing layers of blue and green interact in organic movement, creating depth, lightness, and a sense of natural...

An abstract canvas created with fluid acrylics, built around the rhythm of spirals and circular currents. Against a warm sand-gold ground, large swirling forms unfold in layers of tu...

The painting is created on a round canvas using the acrylic pouring technique. The composition is built on a combination of deep crimson, burgundy, and delicate pink shades. The pai...

This piece is filled with a sense of movement and crystalline depth. The liquid acrylic forms soft, wave-like layers that flow into one another, reminiscent of ocean currents. Shade...

"Daffodils for Victory" is a painting about rebirth and the power of life. It has become a symbol of the triumph of good over evil, of life over death. The daffodils depicted on the...

“Astra” is created on a round canvas using the acrylic pouring technique. The composition is built on the interplay of deep black, white, blue, and brown tones, enriched by two shad...

Ev Grüger (1928 Altenburg - 2017 Hofheim), Interior with Chair and Geometric Figures, circa 1958. Oil on canvas, 70 cm x 67 cm, unframed, signed “Grü[ger]” lower right. - In good co...

This artwork is created using the liquid acrylic technique on canvas. The color palette ranges from soft purple and lilac shades to deeper, rich burgundy and red tones. The painting ...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

It is very interesting to observe the cells that are formed in this technique. And the combination of white, pink and burgundy looks very noble. Note: This painting is painted on can...

Jürgen Möbius (*1939 Großenhain), Black form surfaces on red painterly ground. Oil on hardboard, 50 x 60 cm, 51 x 61 cm (frame), signed "Möbius" and dated "[19]81". - Small paint chip in upper right corner, otherwise good condition. Gallery frame with slight signs of wear. - The Double Origin of Painting - About the artwork In the painting black, optically dominant forms can be seen, which in their arrangement at right angles to each other have a proto-architectural character. They are, so to speak, always already given original forms. At the same time, however, the forms are surfaces of color, and thus genuine painting. In order to make the painterly character of the painting clearly visible, Jürgen Möbius has applied red-toned strokes that have preserved the brushstroke. These are traces of an act of painting. The diagonal layers of red strokes merge into the upper white area, which oscillates between brushwork and homogeneous flatness, while the central white field, into which a black bar protrudes, has a decidedly planar character. The sharp contrast between the autonomous black surface forms, reminiscent of Kasimir Malevich, and the free brushstroke, which is not bound to any motif, creates an enormous pictorial tension, which is conveyed by the white, but at the same time is intensified by the virulent black-and-white contrast. In addition to the tense contrast of form and color, there is also a contrast between the dynamic of the brushstroke and the static of the black surface forms, whereby the diagonal alignment of these forms also gives the static a dynamic, while at the same time the layered brushstrokes have something static about them. Added to this structure of tension is the fact that the painting ground, the unprepared hardboard, is clearly present as such in the picture. In this way, it becomes clear once again that we are not dealing with an autonomous cosmos of form and color, as in Suprematism, but with a painting created by the artist's hand. With this work, Jürgen Möbius explores the possibilities of painting and thematizes painting in terms of its twofold origin, the trace of the guided brush and the painterly form, which gains its independence precisely by absorbing the brushstroke into itself. About the artist From 1959 to 1965 Jürgen Möbius studied painting at the University Institute for Art and Work Education in Mainz. He also studied philosophy and art history at the University of Mainz. Afterwards he worked as a freelance artist in Mainz. At first, Möbius created material reliefs and installations, then, around 1974, he turned increasingly to conceptual art and added cinematic means. During this phase he wrote the manifesto-like essay "Principles of Supranatural Landscape" (1979). From 1981 on, Möbius concentrated on painting and searched for artistic ways to "treat intellectual and sensual perception equally in the fusion of representational and abstract pictorial elements" (Wolfgang Zemter). He found inspiration on his study trips to Thailand and Sri Lanka. "The pure painting of Jürgen Möbius flows through us as a timeless expression of memory and energy, ploughing our perception and bringing us the happiness of seeing authentic, immovable form. - Philippe Büttner Selection of solo exhibitions 1969 Galerie Würzner, Düsseldorf / Galerie Gurlitt, Mainz 1972 Städtische Galerie, Mainz 1973 Galerie Schloss Ringenberg Rathaus, Kleve 1974 Röderhausmuseum, Wuppertal 1976 Galerie Glasing, Osnabrück / Städtische Galerie, Herne 1977, 1997, 2004 Märkisches Museum, Witten 1979 Studio M, Bamberg / Staatstheater, Darmstadt 1980 Galerie Stolànovà, Wiesbaden / Mittelrheinmuseum, Koblenz 1982 Galerie Dornhöfer, Mainz 1984 Galerie Neumühle, Schlangenbad 1985 Landesmuseum, Mainz / Kunstverein, Ludwigshafen / Nassauischer Kunstverein, Wiesbaden 1986 Museum, Bochum / Galerie der Stadt Iserlohn 1987, 1990 Galerie Klaus Kiefer, Essen 1987, 2000 Galerie Ulrike Buschlinger, Wiesbaden 1988 Kunsthalle Darmstadt 1988, 1992, 1996, 1999 Galerie Leonhard, Basel 1992, 2002 Galerie Zulauf, Freisheim 1994 Galerie Remy, Vallendar 1995 Sendezentrum des Zweiten Deutschen Fernsehens, Mainz 2001 Collegium oecumenicum, Bamberg / MVB Forum für Kultur und Wirtschaft, Mainz 2006 Adam Gallery, London Selection of group exhibitions 1969 ‘International Graphic Arts’, Galerie Dalléas Bordeaux, Paris 1975 ‘Deutscher Künstler-Bund’, Dortmund 1979 ‘Man and man’s Images’, Märkisches Museum Witten 1980 ‘Love-Dokuments of our Time’, Art Hall Darmstadt and Art Association Hannover 1982 ‘Work - Progress – Position’, Nassau Art Association Wiesbaden 1983 ‘Principle Hope – Utopic Aspects in Art and Culture of the 20th Century’, Museum Bochum 1986 ‘Selfportraits’, Gallery Klaus Kiefer Essen 1987 ‘The Dying and Death’, Gallery Klaus Kiefer Essen 1989 ‘Where are You, Revolution – Freedom, Liberty, Egality, Fraternity to-day’, Museum Bochum 1990 ‘Flight – a Problem within the Memory of Man’, Kunsthalle Darmstadt ‘Art and War 1939 – 89’, House of Cultures Berlin 1991 ‘Material and Form’, Pillnitz Castle Dresden and Pfalz Gallery Kaiserslautern 1995 20 Years Exhibitions, Chrämerhuus Langenthal, Schweiz 1998 ‘Works on Paper’, Klaus Kiefer Gallery Essen 2000 ‘Acquisitions 1900 – 2000’, Mittelrhein-Museum Koblenz 2001 ‘Strange Pictures’, Klaus Kiefer Gallery Essen 2002 ‘10 Years Buschlinger Gallery’, Buschlinger Gallery Wiesbaden 2004 ‘Eternal Space – Pictures and Sculptures’, Dome of Bamberg 2005 Art Fair Chicago, Adam Gallery, London Selected Bibliography Mittelrheinisches Landesmuseum (Hrsg.): Jürgen Möbius - Neue Bilder, Mainz 1985. Kunstverein Darmstadt (Hrsg.): Jürgen Möbius. Bilder 1985 - 1988. Kunsthalle Darmstadt, 26. Juni - 14. August 1988. Red. Dorit Marhenke, Lyrik Marcus Schiltenwolf, Düsseldorf 1988. Gabriele Prusko (Hrsg.): Jürgen Möbius. Mit Texten von Philippe Büttner und Ralph Mieritz, Basel 1992. Wolfgang Zemter (Hrsg.): Jürgen Möbius - Aktuelle Arbeiten. Märkisches Museum der Stadt Witten, Bönen 1999. Wolfgang Zemter (Hrsg.): Jürgen Möbius. Flieger in meinem Zimmer und Beruhigte Zone, Bönen 2004. Dama Gallery...

This artwork is created using the liquid acrylic technique on canvas. The painting features a swirling, dynamic composition, with intricate patterns formed by the merging of various ...

The painting presents a dynamic abstract composition built from intersecting geometric shapes and rhythmic graphic elements. Wide diagonal bands and angular lines create a strong sen...

This series of paintings is part of a visual journey into our relationship with forests, jungles and the sacred Tree of Life. Through painting and sculpture, Gregory Robin conveys t...

This piece is created using the fluid acrylic technique, which produces elongated vertical streams of color that flow smoothly into one another. Against a light turquoise background,...

Born of the Sea Acrylic on canvas Contemporary abstract landscape There is a reason we are drawn to the sea again and again. Its endless movement, salt air, light and rhythm see...

Woman in the Garden from the Gardens series Acrylic on canvas shipped in roll Woman in the Garden explores the garden as a place held somewhere between memory and imagination. A fe...

Light’n’Lines No.33 is a unique oil on Alu-Dibond painting by contemporary artist Doris Marten, dimensions are 150 × 110 cm (59.1 × 43.3 in). The artwork is signed, sold unframed and...

Emerald Lake from the Inner Landscapes series Abstract landscape painting This work is inspired by the memory of an emerald lake and the emotions associated with it. Rather than de...

Patterns 150.0 x 100.0 x 1.0, 1.0 lbs Acrylic Hand signed by artist Artist's Commentary: "Patterns (2010) The collection reveals patterns that we select and follow, either consciously or subconsciously, in our life. patterns which may affect significant aspects of our life." About the Artist: "Leila Rezvani...