Berlin - Figurative Paintings

This work is part of the Inner Landscapes series, in which the landscape becomes part of a memory, a lived state, or emotions that cannot be expressed in words and can only be felt. ...

This work emerges at the intersection of a personal journey through Italy and the universal image of the garden as a space of harmony and inner order. The Mediterranean garden here i...

(Series: Le Jardin Privé / Your Private Paradise) “Some doors lead not to rooms, but to states of grace — hidden havens where the soul finally feels at home.” This contemporary paint...

La Promenade shipped in roll (Series: Le Jardin Privé / Your Private Paradise) “Some paths are not meant to lead us somewhere, but to bring us back to ourselves.” This work, titled ...

George Morland (1763 London - 1804 Brighton). Sheltering from the Storm. Oil on canvas, relined, 37.5 x 29.5 cm (visible size), 53.5 x 45.5 cm (...

shipped in roll “Spring Bloom II” captures a quiet moment of connection between two young women surrounded by blooming spring trees. Soft dresses, fresh greens, and gentle light crea...

This emotionally rich painting portrays the quiet presence of a beloved dog beside a woman, capturing a moment of stillness, trust, and unspoken connection. The work reflects the dee...

In this work, naive playfulness meets quiet resilience. The heroine, dressed in polka dots, seems to have stepped out of an old film — part actress, part observer of her own life. "P...

This artwork is part of the series Return to Herself, dedicated to a woman and her body as a place of return to oneself, to an inner rhythm, rest, and silence. It explores a state in...

shipped in roll Spring Picnic is a contemporary painting portraying a quiet moment of closeness between two women resting together in a spring garden. Rendered in soft pastel tones, ...

Ev Grüger (1928 Altenburg - 2017 Hofheim), Still Life with Sculpture, Flute, and Painting Supplies, 1956. Oil on canvas in gallery frame, 60 cm x 80 cm (image size), signed “Grü[ger]...

Works from the Blue series have received international recognition, including First Place in the “True Blue” Competition at Blue Koy Gallery (2025) and finalist recognition in the Sc...

This work was exhibited on Algarve Art Fair 2025 shipped in roll The artist's most authentic responses, his own works. In them, as in an open book, you c...

Quiet Grace from the series Reflections Quiet Grace unfolds as a hymn to feminine tenderness and inner strength. The gentle gesture near the face becomes a symbol of self-care, grati...

“Island Hours” captures a suspended moment when time softens and the world feels gently out of focus. The work carries a quiet tropical mood, shaped by warm sunset light and a relaxe...

shipped in roll We Were Happy That Day This painting is not a statement, but a memory. It speaks not about constant happiness, but about a moment when happiness already existed — qu...

Simply Precious from the series Reflections Simply Precious is the emotional heart of the series — a clear and intimate hymn to feminine value. It speaks of a woman as precious not t...

acrylic on canvas shipped in roll Two bouquets left after the evening. They carry traces of conversation, the breath of night, the freshness of air that still remembers warmth. A few...

Quiet Elegance from the series Reflections Quiet Elegance is a visual hymn to womanhood — to feminine beauty understood as inner balance, dignity, and calm self-confidence. As part o...

Alla Victorovna Kraschina-Shadov (*1958), Small Box, 1999. Oil on canvas, 59 cm x 59 cm (image size), 63 cm x 63 cm (frame), monogrammed and dated 1999 on the lower right, also signe...

Just Be Happy This painting is a warm and sincere wish from the artist — a visual expression of joy, lightness, and inner freedom. It is created not for analysis, but for feeling: a...

Ev Grüger (1928 Altenburg - 2017 Hofheim), Still Life with Bottles, 1956. Oil on canvas in gallery stretcher, 80 cm x 60 cm (image size), signed “Grü[ger]” lower left and dated “[19]...

shipped in roll A New Adventure She knows how to draw attention — red dress, stockings, veil. Too bold? Exactly as planned. Naivety is a carefully staged role, and mystery is part ...

shipped in roll This work speaks about the state when love lifts us above the ordinary and fills life with lightness. When love inspires, it gives us wings even across the miles. It ...

shipped in roll Secret Spot explores the theme of hidden desires and memories that often remain in the shadows of consciousness, waiting for the moment to be revealed. The artistic f...

"Day Dream" is a world where fantasies and dreams shape reality. Within a flow of soft lines and translucent ornaments, a space of solitude emerges — a place where one can simply be....

“You & Me” tells a story that belongs to someone — perhaps to those who once shared quiet afternoons by the water, where time seemed to pause. These four paintings capture fragments ...

Wilhelm Feldmann (1859 Lüneburg - 1932 Lübeck), Sunny forest landscape, c. 1900. Oil on canvas, marouflaged on wood, 37 cm x 48 cm (inside dimensions), 42.5 cm x 53.5 cm (frame), sig...

shipped in roll “Dreamline” captures the moment a woman steps into a journey driven not by directions, but by desire. She’s not following a map — she’s drawing her own invisible lin...

The painting depicts an elegant woman in a light jacket with voluminous hair, sitting in a relaxed pose. Her image is rendered in muted shades of gray, turquoise, and pink, which len...

"The Birth of the New Moon" is a story of love, intimacy, and new beginnings. Two bodies embrace in a moment where there is no clear boundary — only warmth, reciprocity, and a quiet ...

"Leave Me Alone" is a manifesto of inner freedom and the beauty of personal emotions. Painted in vivid, lively colors, the work captures the richness of feelings that arise when one ...

Gertrude Degenhardt (1940 New York - 2025 Greifswald), Two Fantastic Scenes, 1970. Oil on hardboard, each 27.5 cm x 22.5 cm (pictures), 38 cm x 33 cm (frame), each signed “G. Degenha...

Wilhelm Feldmann (1859 Lüneburg - 1932 Lübeck), Impressionist autumn landscape with lake, around 1905. Pastel on cardboard, 46 cm x 31 cm (inside dimension), 52 cm x 37 cm (frame), s...

Signed and dated. Dimensions are without frame. Including certificate of authenticity. Frame has slight damage in places.

Judith with the head of Holofernes, antique oil painting after Cristofano Allori. Painting has been restored. Dimensions without f...

Albert Dumoulin, around 1900, "La Curieuse", interior scene with a young lady Enchanting interior oil painting. Portrayal of an inquisitive young lady...

Attributed to MILLOT, Henri. Portrait of a Lady. Oil on canvas. Unsigned, inscribed Millot on the reverse. 18th century. 85 x 69 cm. Framed. 85 x 69 cm. Portrait of a young woman in ...

Impressive and monumental maritime oil painting on canvas by Franz Müller-Gossen (German, 1871–1946), signed and dated ’08 lower right. Depicted is a dramatic scene of sailing vesse...

Karin Hauke, Desert Goddess, 1976. Oil on wood, 70 x 50 cm (image size), 73 cm x 53 cm (frame), signed “K. HAUKE” lower right and dated “[19]76.” - Small flaking in the lower area, o...

Decorative baroque painting, oil on canvas. Princely dance in the castle. Dimensions including frame 94 cm x 77.5 cm Dimensions without frame 79cm x 63cm.

"One More Day to Go" is a painting about the quiet moment before an inner journey begins. In stillness, movement is already forming. The woman in the frame stands as a symbol of some...

"On the Wave of My Soul" is a painting about memories and faith in dreams. While creating it, I revisited my childhood — those moments when the future seemed endlessly bright, filled...

Decorative oil painting, fishing boat and sailing ship. Dimensions with frame in cm 81 x 96

Frederick Vezin (1859 Torresdale Philadelphia - 1933 Düsseldorf), Autumn Landscape in the Sunlight, oil on canvas, mounted on cardboard, 32 x 41 cm (inside measurement), 44 x 51 cm (frame), signed and dates lower right "F. Vezin. [19]05". - Cardboard slightly curved, small inconspicuous retouch at the centre of the upper edge of the picture. About the artwork Although the painting appears to be a sketch, Frederick Vezin considered it to be a finished work of art, as evidenced by his signature on the lower right. And it is precisely this sketchy quality that leads to an understanding of the painting, which was certainly created in the landscape itself: the natural phenomena were to be depicted artistically at the moment of their observation. This is not done by meticulously sketching nature, but - and here Vezin follows the teaching of French Impressionism - by illustrating nature in its visual fullness. The artist's eye is, as it were, immersed in the visuality of nature, which is made visible by his hand. The painting is therefore not a reflection of the landscape, but its artistic intensification. This intensification also includes the fact that the foreground of the painting - corresponding to the field of vision - eludes a detail-oriented close-up view. Instead, the spatula-like application of paint, the vertical structure of which corresponds to the structure of the floral growth, has the effect of making nature tangible in its colourful substance. At the same time, the foreground, which remains indeterminate in its concrete objectivity, creates an atmospheric space that connects with the actual protagonist of the picture, the group of trees, which flares up in shades of red and brown. Here, too, the leaves are more speckled than clearly outlined. It is precisely this 'sketchiness' that opens up a visual experience that makes the landscape accessible in its visual fullness, thus revealing its essence. In addition to this abundance, the landscape is presented as a structure of order in that the composition of the picture makes the composition of the landscape visible. For example, the group of trees forms a distinct dark green shadow, which is repeated in the shadows cast by the trees behind it. A patterned diagonal axis is created in the picture, which is composed in this way by the landscape itself. Strictly speaking, this is a cultivated landscape: a fence at the bottom and a low stone wall at the top, running from left to right, are two elements that also have a strong compositional effect. And on the top of the hill, a stone house is embedded in the landscape as the brightest surface in the picture. Nature and culture here form a harmonious synthesis, giving the painting an Arcadian touch. In order to give the landscape as much space as possible, the horizon line is raised, but the design of the sky is also crucial. The clouds, combined with the shapes of the trees, create a bright blue sky. To the European eye, such a sky is reminiscent of a summer landscape. Accordingly, within the seasonal cycle, the blue sky is reserved for summer, and French Impressionism is also primarily an ode to summer. In Vezin's painting, however, the brilliant blue sky stands above an autumnal landscape, some of the trees even defoliated. It can therefore be assumed that the painting was made not in Europe but in the United States, and that it illustrates the proverbial Indian summer, making Frederick Vezin a pioneer of American landscape painting. About the artist Frederick Vezin was the son of a French immigrant to the United States and a German-born mother. This predestined him to promote artistic exchange between the old and new worlds. Having spent part of his schooling in Germany, in 1876, at the age of 20, he enrolled at the Düsseldorf Academy of Art, where he studied with Peter Janssen the Elder, Eduard von Gebhardt and Wilhelm Sohn, among others. He graduated in 1883, settled in Munich and returned to Düsseldorf in 1895, where he lived until his death in 1933. A native of the United States, he travelled to the country frequently and became a popular portrait and society painter. His artistic talent, however, was most evident in his landscape paintings. Trained in French Impressionism, he developed a virtuoso use of colour and a free brushwork that remained tied to the landscape motif, opening up the landscape itself in a new way. Frederick Vezin turned his attention primarily to the landscape of his homeland, becoming a pioneer of modern American landscape...

This work brings together two rhythms — the pulse of the outside world and the stillness within. Good Vibes is a visual meditation on the power of memory: how a fleeting scent, a war...

Large, enticing and very decorative painting. Oil on canvas. Signed Imre Goth 1931. 1931. Motif of an elgant, young girl with her doll. Beautiful painting in impressionist style. ...

Painting, 19th Century, Portrait of an African Boy, signed, oil on canvas. Dimensions with frame 65cm x 73cm

Charles Wilton, Buskers in Paris, decorative painting. violin player. Dimensions WITHOUT frame in cm 40 x 50 Dimensions WITH frame in cm 53 x 63

Painting, 19th century, women portrait, oil on canvas. Dimensions with frame 63cm x 77.5cm

Rudolf Hellwag (* 14. September 1867 in Innsbruck; † 24. Februar 1942 in Berlin Oil on cardboard, signed lower right R. Hellwag A warmly coloured Venice street scene with strollers...

Painting, 19th century, oil on canvas, "Young woman with flower basket" Signed, F.Bach. Dimensions with frame 52cm x 72.5cm

Flemish Baroque painting. Romantic scene. Signed and dated. J. HOREMANS 1760. This 100% authentic painting captivates with its powerful colors. A real eye-catcher. Dimensions witho...

18th century, antique painting, oil on canvas, old master. Mother with child. Relined canvas. Stretcher frame also renewed. Artist unknown.

J.Strebele oil on canvas signed lower left 110 x 98 cm The raising of Lazarus is one of the best-known and most significant miracle stories in the New Testament. Source: It is...

Very decorative, 17th century, old master painting, oil on canvas, King Alexander Magnus, the great. Illustration of two children, putti, with wreaths of flowers on a board (or maus...

The picture is oil on canvas. baroque picture Catherine II the Great (born Sophie Auguste Friederike von Anhalt-Zerbst-Dornburg, in Orthodoxy Yekaterina Alekseyevna, April 21 [May ...

Huge and very decorative castle painting. Antique oil painting. Probably 18th century. "Kings from all over the world in Bethlehem". Christian scene. Canvas relined. Big, heavy fr...

Antique oil painting. Oil on canvas. 19th century. "The ceremony". Pretty and amusing scene. Little children, who probably stage a ceremony in a play...

Painting, around 1910, oil on cardboard. Romantic love scene in the forest. Signed, Gaston Bussiere. With beautiful (original) Art Deco frame. Frame has minimal damage in places. Dimensions with frame 67cm x 86cm This painting is offered here for the first time exclusively on 1stdibs! From private, German estate. Gaston Bussière (April 24, 1862 in Cuisery – October 29, 1928 or 1929 in Saulieu) was a French Symbolist painter and illustrator. Bussière studied at l'Académie des Beaux-Arts in Lyon before entering the école des beaux-arts de Paris where he studied under Alexandre Cabanel and Pierre Puvis de Chavannes. In 1884, he won the Marie Bashkirtseff...