Continental Europe - Decorative Objects

Large pair of carved and lacquered black wooden bookends, depicting two black Labrador dog heads. England, late 19th century.

An exceptional and entirely unique Murano glass vessel inspired by Venetian beadmaking and its use in Africa to decorate vessels. This glass object was hand-crafted circa 2015 by the...

A striking Murano glass sculpture by master Giuman, depicting a rearing horse rendered in a brilliant golden–topaz (“citrine”) accents. The warm yellow tones—applied to the mane, tai...

Superb and large empty pocket designed and made by the artist David Marshall around the 80s, spain. Structure in bronze and aluminum. Beautiful design object that will decorate your...

This delightful set of three vintage brass dodo bird figurines dates to the 1960s and was discovered at an estate sale in Berlin, Germany. Each figure represents the iconic, flightle...

Magnificent heart-shaped, glass bowl or ashtray in a lovely Blu and Red crystal "sommerso" Murano artglass, that was produced in Italy during the 1960s. This wonderful piece is a pe...

Sculpture of a black horse's head. This sculpture, taken from an original bronze statue created by Monti in the early 19th century, reveals all the animal's finesse and power. This ...

Sculpture Samuraï all in stoneware, hand-crafted piece with subtle engraved details and decorated with enamels.

Oval Pewter Bowl on Foot designed by Just Andersen in the 1920s. * Oval pewter bowl on foot * Designer: Just Andersen * Model: 1007 * Year: 1918-1929 * Condition: Good vintage cond...

Carved and partially polychromed wooden sculpture of a Franciscan monk with raised arms and an upward gaze, likely representing Saint Francis of Assisi. Fragmentary condition; the ar...

The Pizzicato collection features a wonderful exploration of contrasts, masterfully blending traditional Murano techniques with a distinctly modern aesthetic. These exquisite vases a...

Vintage porcelain vide-poche bowl by Thorkild Olsen for Royal Copenhagen. Warm ginger orange and light grey colored crackle glaze and simple decorative black and gilded bands around ...

Nice vase from Bitossi by Aldo Londi. The pattern is Stambecchi or Caprone (goat), designed by Aldo Londi. A sgraffito and glazed pattern of goats in grey, brown and orange on a brus...

Wonderful and unique small hand carved oak lion sculpture holding a coat of arms. Beautiful patina. France circa 1650-1750 Weathered. measurements include the wooden pedestal. H:12cm...

Sculptural yet subtle, this elegant tall vase will be a dynamic accent for a modern living or dining room. Reminiscent of a blooming flower, the tall silhouette with flared-out sides...

Magnificent series of 6 Murano glasses in Venetian blown glass. This set is called "Goti De Fornasa". Tradition wants that the Murano glass master wit...

Angelo Mangiarotti Rare Ceramic Object 'Tremiti Formalibera' for Danese Milano 1964 A very rare avant garde ceramic object by Angelo Mangiarotti (1921 – 2012) for Danese Milano. 196...

A late 20th century Empire style beaded crystal basket chandelier with a classical circular brass structure and three E27 lights inside.Light bulbs can be replaced unscrewing the bro...

Around the world, Döttling luxury safes find homes among select connoisseurs and enthusiasts of the finest locksmith artisanry. They originate from the Döttling manufactory in Sindel...

A unique and large Swedish mid century "Farsta" stoneware urn vase in a decorative brown green glaze designed by Wilhelm Kåge and produced by Gustavsberg in Sweden, 1940. In good or...

Armored jewelry armoire with pull out necklace bar. Available in malachite or white bird's eye maple. See below for more details about finishin...

Very rare French mid century box with a lid by Alexandre Noll produced in France 1950s. In good original condition and signed by the artist. Dimensions: H: 6,5 cm / 12.55" W: 14 cm...

Jewelry box in briar and mahogany, matte finish, ultra suede lining. 24-karat gold plated brass accessories. With removable tray and necklace bar.

Monumental art glass vase by Luca Vidal, murano. A large art glass vase handmade by glass master Gianluca Vidal early 2000s. Free formed clear glass bo...

Fun marble sculpture painted with colorful geometric figures.

Large Chinese Lacquer Vase From the 1960s-1970s With Mother-Of-Pearl Inlays A large Chinese lacquer vase on a five-legged base, decorated with...

Stunning polychrome enameled ceramic vase designed and signed on the bottom by Claudio Pulli, one of the greated Sardinian artists of the 20th century. This charming vase was realize...

Article: Murano glass bowl, ashtray element Origin: Murano, Italy Decade: 1970s This original glass shell bowl was produced in the 1970s in Murano, Italy. An ...

Art Deco sculpture, French figurative sculpture, 1920s decorative art – this original piece by Max Le Verrier captures the masculine ideal in motion. Titled Spartiate, the dynamic ar...

Unique and large pair of neoclassical altar candleholders with traces of their original silver and gold, Italy, circa 1760-1780. Weathered, small losses and old repairs. Measurement ...

French Art Nouveau Inkwell by Pierre-Adrien Dalpayrat, France, circa 1890. A rare and exquisite Art Nouveau inkwell by renowned French ceramist Pierre-Adrien Dalpayrat (1844–1910). This finely crafted piece showcases Dalpayrat’s signature red copper-glazed stoneware, especially rich and luminous near the base. Elegantly mounted in pewter, the design exemplifies the organic flow and refined detail of the Art Nouveau period. Dimensions: Height: 3.54 in. (9 cm) Diameter: 5.12 in. (13 cm) Materials: Stoneware with pewter mount Condition: Excellent+++++, museum-quality preservation Markings: Incised signature "Dalpayrat 1500" under the base (see photo) This inkwell is a collectible example of French ceramic art at the turn of the century—perfect for collectors of Art Nouveau, 19th-century French ceramics, or the works of Dalpayrat. Adrien Dalpayrat (1844–1910): A Pioneer of French Ceramic Innovation Adrien Dalpayrat was a French ceramicist and researcher who played a key role in the revival of stoneware at the end of the 19th century. Born in 1844 in Limoges, Dalpayrat studied drawing and porcelain painting in his hometown before beginning his professional career at the Jules Vieillard faience factory in Bordeaux. There, he met his wife, Marie Tallerie, with whom he had two sons—Albert and Adolphe—who would later become his primary collaborators. Throughout his early career, Dalpayrat worked for several major ceramic manufacturers, including Ashwin (Valentine), Fouquet (Toulouse), François Blanc (Monaco), and Léon Sazerat (Limoges). In 1889, seeking greater independence, he moved to the Paris region and established his own studio in Bourg-la-Reine. Collaborations and Artistic Evolution Dalpayrat’s creative vision expanded through his collaboration with sculptor Alphonse Voisin-Delacroix. Together, they explored neo-Gothic and Palissy-inspired motifs, creating a remarkable ceramic bestiary. Following Voisin-Delacroix’s death in 1893, Dalpayrat partnered with Adèle Lesbros, which marked a shift in his work toward simpler, more refined vase forms influenced by Japonism. Japanese art had been introduced to France during the 1867 Universal Exhibition, but it wasn’t until the 1878 Exhibition, particularly through the ceremonial stoneware used in the Japanese tea ceremony, that Japonism truly captivated French artists. This influence led Dalpayrat to create vessels with organic, vegetal, and animal-inspired forms. Technical Mastery: The Secrets of Copper Red Among all the ceramists of his time who sought to replicate the elusive Chinese “sang de boeuf” (oxblood) glaze, Adrien Dalpayrat was arguably the most successful. He didn’t simply reproduce the legendary copper red—he transformed it. By manipulating glaze thickness, firing temperature, atmosphere, and copper oxide content, he developed a unique palette of flamed and mottled red glazes that became his signature: the renowned Dalpayrat red. He further enriched his pieces by introducing streaks and inclusions of turquoise, blue, green, and yellow—freeing the red glaze from monochromy and turning it into an expressive, living surface. His work pushed stoneware beyond function into expressive art, merging form and glaze in bold, sculptural harmony. Beyond Ceramics: Bronze Mounts and Architectural Works Dalpayrat also collaborated with renowned jewelers such as Ernest Cardeilhac and Keller to produce pieces mounted in gilt bronze, blending ceramics with decorative arts at the highest level. In an effort to make his work more accessible, he opened a second faience workshop focused on simpler, more affordable pieces inspired by Nevers and Rouen ware. However, this venture faced financial difficulties and closed by 1900. The main family studio followed in 1906 as the popularity of Art Nouveau declined. Dalpayrat then returned to Limoges, devoting his final years to painting and drawing until his death in 1910. Legacy and Recognition Despite financial struggles during his lifetime, Dalpayrat’s ceramics were widely acclaimed at major international exhibitions: Bronze medal, World's Columbian Exposition, Chicago (1893) Silver medal, Antwerp International Exhibition (1894) Gold medal, Exposition Universelle, Paris (1900) Today, his work is part of prestigious museum collections. In 2020, the Petit Palais in Paris acquired a large bird motif vase created in collaboration with Voisin-Delacroix, now on view in Room...

Rosenthal Art Deco porcelain figurine. Ballerina. 1930s. Measures: 23.5 x 11.5 cm. In excellent condition. Stamped.

Vase "Rampillon" made in opalescent glass with blue patina by René Lalique in 1927. Engraved signature. Perfect condition. Great opalescence ! height: 12.7 cm Félix Marcilhac, Re...

Japanese cloisonné vase from the Meiji period. Brass body decorated with polychrome enamel in blue, green, white and iron red on a turquoise ground. Ornamented with floral and foliat...

Portugese Caldas da Rainha Palissy lobster wall plaque, circa 1930. Decorated with mussels, shells and seaweed. Has no structural issues and is...

Decorative Italian glass vase from the 1970s, designed in the refined spirit of Venini style glassmaking. The piece features a rounded cylindrical body with soft shoulders, a short n...

Antique French Églomisé Casket - Souvenir from Verdun, France, circa 1900 A charming French antique casket from circa 1900 with gilt brass fittings and clear glass panels. The hinge...

Blue and white porcelain bowl realized in China late Ming or early Qing dynasty period. The interior is delicately painted in cobalt blue...

**Pair of French Campana-Style / George IV-Style Brass Urns, 19th to Early 20th Century, Small** Add a touch of timeless elegance to your space with this exquisite pair of French ...

Murano Art Glass 'Spira Aurata Striato Vase' by Ercole Barovier, Barovier e Toso, Italy, 1966. Spira Aurata series oval-section drop vase in blown green-blue glass with polychrome ga...

This vintage glass candleholder from the 1970s, named Vulcano by Pertti Kallioinen for Muurla is a classic example of Scandinavian design. Crafted from heavy, textured clear glass, i...

Antique Danish Brass Candlesticks. Set of 5. Set of five candle holders in solid brass from Denmark circa 1900-1910. This set consists of two pairs and a single bell candlestick. H...

A rare and beautifully crafted stoneware pumpkin by renowned Swedish designer Paul Hoff, produced by Gustavsberg in 1989. This striking piece comes from a limited edition of only 15...

This exquisite handmade Sicilian ceramic pine nut is a timeless symbol of prosperity, good fortune, and Mediterranean heritage. Crafted by skilled artisans in Sicily, each piece is m...

The Millemiglia watch case is an elegant box that combines ebony and leather and can hold 3 watches. The exterior is made of Macassar Ebony, a fine dark-colored wood with dense amber...

Vase "Lilas" (Lilac) made in frosted glass with green patina by René Lalique in 1930. Engraved signature on bottom. Perfect condition. Great patina. Height : 21 cm Félix Marcilh...

BEAUTIFUL ROMAN TORSO IN WHITE CARRARA MARBLE 21th Century Reproduction of roman torso. White Carrara marble. Height 68 cm Max height 94 cm Width 40 cm Depth 23base cm Base of t...

Dolium Vase in Stoneware, Slip & Oxydes by Robin Kerr Unique Piece Dimensions: D 51 x W 51 x H 92 cm. Materials: Stoneware, slip, and oxydes. Robin Kerr is a Swiss ceramic artist li...

Elegant table bell in solid 925 sterling silver. The bell is smooth and features some circular lines that make the object balanced and increase the sound of the bell. The wooden h...

Stunning candlestick in solid 800 silver made with the fusion technique. The round base, finely engraved and chiseled with beaded and wave motifs, has a diameter of 17.5 cm (6.9 in.)...

Article: Murano glass bowl, element Origin: Murano, Italy Design: Flavio Poli attrib. Decade: 1970s This original vintage glass shell bowl element w...

Great pair of very old wrought iron candleholders. Unique pieces, Spain circa 1500-1700. Weathered. H:68-78cm W:19-23cm

Rare Danish mid century paper waste bin in patinated leather produced around 1960s. In good original condition. Dimensions: H: 29 cm / 11.40" Diameter: 24 cm / 9.45"

We kindly invite you to read the entire description, as we provide detailed technical and historical information to ensure the authenticity of our objects. These stunning vases display clear Art Deco influences, evident in the geometric lines and squared, decorative handles adorned with elegant gilding. The tapered, symmetrical shape is typical of the 1920s and 1930s when Art Deco was at its peak. The predominant color is a deep cobalt blue, characteristic of high-quality ceramic production from that era, associated with a refined decorative style. The gilded handles create a striking and luxurious visual contrast with the rest of the design. The geometric gilded handles, distinctive in their elegance, reflect neoclassical influences reinterpreted through the lens of Art Deco. The decorative details on the handles were applied by hand, a hallmark of fine ceramic craftsmanship. The ceramic used is glazed earthenware. The glossy finish suggests the use of vitreous glazes, applied to achieve a shiny, even surface. The gilding on the handles may have been done using the ceramic lustre technique, where gold is applied at a low temperature after an initial firing, resulting in a durable, shiny finish. The vases date to the period between 1925 and 1930, as indicated by the stamps on the bottom. The Orchies pottery factory was one of the leading French manufacturers specializing in ceramics, located in Orchies, in the Nord-Pas-de-Calais region. Founded in 1886 by Désiré Leroy, the company quickly gained a reputation for the quality of its products and its distinctive trademark, often featuring the silhouette of a windmill, a typical symbol of that region of France. Initially focused on decorative ceramics and household items, the factory later expanded by merging with other local manufacturers, broadening its range of products. A key figure in the company's growth was Jules Auguste Hamin, who helped drive its expansion and brand development. Orchies products were renowned for their craftsmanship and the high quality of materials used. The ceramics were produced using a variety of techniques, including terracotta and glazed stoneware. Orchies excelled in the creation of decorative vases, tableware, pitchers, and other ornamental objects. Bright colors and glossy finishes were characteristic of many of their works, which blended elements of local tradition with Art Nouveau influences. During its golden age, Orchies not only dominated the French market but also exported its ceramics to several European countries and beyond. Its quality craftsmanship and refined design made its products highly valued by both the general public and collectors of art ceramics. The Orchies factory played a major role in the French ceramic industry from the late 19th to the early 20th century, contributing significantly to the development of the Nord-Pas-de-Calais ceramic tradition. However, like many factories of the time, Orchies faced increasing industrial competition and the economic crises of the 20th century, ultimately ceasing operations in the mid-1900s. Today, Orchies ceramics are highly sought after by collectors for their beauty and rarity. The windmill silhouette, imprinted on many of their pieces, remains a distinctive mark of quality and elegance. This pair of vases is a beautiful example of French Art Deco ceramics...

Beautiful hand forged Iron candleholder in Gothic style. Although the Gothic period was already over this style stayed popular for a long time in the French country side. Very beaut...

Uranium glass has become a collector’s item over the years The uranium was added for the fluorescent effect it created. It soon became incredibly popular and started to be manufactu...

Large Diskometal Vase designed by Just Andersen in the 1930s. • Diskometal metal vase with curvy opening • Designer: Just Andersen • Style: D1873 (often referred to as the 'Margre...

An elegant and architecturally refined Argenta vase designed by Wilhelm Kåge for Gustavsberg, Sweden, dating to the 1930s. This sculptural piece exemplifies the timeless sophistication of Scandinavian Modern design, combining restrained form with rich surface detail. The vase features a tall, tapering cylindrical body resting on four subtle feet, giving it a distinctive, almost columnar presence. It is finished in the iconic deep green Argenta glaze, beautifully mottled and layered, and adorned with finely executed vertical silver inlay striping that enhances its rhythm and height. The wide, disc-shaped top with a central opening adds a strong geometric contrast to the vertical body, creating a balanced and highly collectible design. The underside bears the Gustavsberg Argenta mark along with model number, confirming authenticity. Wilhelm Kåge’s Argenta...

Art Deco inkwell, circa 1920. Portor marble base surrounded by a wrought iron frieze decorated with leaves. Stamped E. Brandt. In perfect condition. Height: 7.5 cm Width: 13.5 cm Le...

Signed at the base Original stoneware ceramic vase by French artist GB Midcentury ceramic vase design Brown and black stoneware ceramic glazes colors and effects Original...