Continental US - Art

Few painters of the Orientalist school brought such theatrical precision to their work as Ludwig Deutsch. Trained in Vienna and later based in Paris, Deutsch became one of the great ...

Stunning abstract stone sculpture, ca. 1990. Carved and polished black/grey granite. Measuring 21.75 inches diameter. 3.75 inches width. Weighs approx. 125 lbs. Will require a st...

Moments in Time (Sidewinder) - 2008 40x80cm including white frame, Edition of 10, Archival C-Print, based on the 2 original Polaroids. Certificate and Signature label. Artist I...

Photo-realist still life painting of lush green lotus plants on a soft grey sky background "Lotus Number Twenty-Eight", painted by Frank DePietro in 201...

Original Oil Painting signed by the Artist in the lower right corner.

Paper Size: 23.5 x 19.5 inches ( 59.69 x 49.53 cm ) Image Size: 19.25 x 17.25 inches ( 48.895 x 43.815 cm ) Framed: No Condition: A: Mint Additional Details: Not signed and not...

An incredibly rich albumen silver print mounted to a two-toned board with a typeset title underneath the image.

'Composition with Tumbling Vases - Screen I', by Gary Bukovnik. Watercolor on mulberry, 28 1/2 x 68 inches, 2019. Hand painted folding screen created with watercolor on mulberry pape...

Large-Scale Multicolored Color Block Abstraction in Acrylic on Canvas Abstract composition by Ellis Hopkins (American, b. 1952). In this exuberant abstract composition, Hopkins orch...

'Lily Study III' by master watercolorist Gary Bukovnik, who fuses sensual vitality with fluid yet powerful colorations to create floral images of great depth, intensity, and size. I...

Wonderful representation of historic Delaware scene. 29.5" x 35.5" framed Signed lower right

A wonderful depiction of an Autumn landscape in Kent, Connecticut from the Mid-20th Century with puffed trees by the country side. For this beautiful depiction, we find distinct elements that are unique to the earlier works of George Lawrence...

Pablo Picasso (1881-1973) - Picador Original lithograph from 1964. The edition of 6/245 on Arches paper. Dimensions of work: 35 x 26 cm. Dimensions of frame: 52 x 42 cm. Publishe...

Modernist Portrait of St. Francis, Oil on Canvas, Signed Compelling modernist oil on canvas portrait of St. Francis by Dr. Tarmo Pasto (American, 1906-1986). Presented in a taupe pa...

Artist Comments
This still life celebrates the simple beauty of homegrown produce. With warm tones and detailed brushwork, artist Steve Boggs captures the essence of his summer...

Provenance Acquired by the gallery directly from the artist Signed "McVicker" on lower left Artist Statement "I painted this work on location above Luffenholtz Beach in Trinidad Ca...

Claire Burch (American, 1925-2009) Untitled, 20th century Oil on canvas 24 x 30 in. Framed: 31 2/3 x 37 3/4 x 1 1/2 in. Signed lower right: Claire Burch After attending grade school in Brooklyn, Burch completed a commercial art course at Washington Irving High School in Manhattan and received her B.A. in English from NYU. In the suburbs of Great Neck, New York, she first began writing poetry and articles which were published in Life magazine, The New Republic, Mademoiselle, McCall's, Saturday Review, Redbook, Good Housekeeping, and numerous literary quarterlies and anthologies.[1] Burch also developed a career as a psychiatric writer, publishing two books on the subject: Careers in Psychiatry and Stranger in the Family. In the early 1970s Burch became a playwright and painter. Her play Ten Cents a Dance was optioned to be directed by José Quintero, the famous O'Neill interpreter. Burch wrote a total of seven plays and several folk operas, but eventually moved on to filmmaking and video anthropology—she was an early adapter of video as a medium. In 1978, Burch moved to California with her longtime companion Mark Weiman, publisher and owner of Berkeley's Regent Press. She had endured a series of illnesses and wanted to escape the harsh climate of Manhattan. Burch gained insight and inspiration from insanity and the often unexpected behavior associated with it. She would often videotape homeless people in People's Park and Telegraph Avenue in Berkeley, which were collected in her film People's Park in Berkeley: Then and Now. The film documented the dispute between homeless activists and the University of California from the riots of 1969 through 1996 by interviewing park "regulars," and profiling the events surrounding the deaths of park supporters James Rector and Rosebud Denovo.[2] She also produced documentaries on noted cultural figures such as James Baldwin (whom she knew as a teenager), Timothy Leary and Country Joe McDonald. Also of note was Oracle Rising, a film about the legendary psychedelic newspaper The SF Oracle published in the Haight-Ashbury district during the Summer of Love. Her last completed film was Elegy for the Naked Guy...

American artist born in 1937, Peter Max is associated with the visual arts and culture of the 1960s, specifically with the psychedelic and pop art movements. Max is known for his use...

Medium: original etching. This impression on laid paper was printed in London in 1868 for the rare first volume of Philip Gilbert Hamerton's "Etching and Etchers". In addition to bei...

Artist Comments
Multiple layers of color characterize this abstract piece. Shades of orange, yellow, and cream are applied dynamically, creating a vibrant composition. Bold b...

Artist Statement: I've been working in pastel full-time for the last twenty-nine years and have been teaching workshops for the past fifteen. My artistic influences range from Paleol...

Judd Mercer's (US based) "074 - Plein Air-Lafayette, CO" is a gouache painting depicting a landscape. Artist bio/statement Judd Mercer is a contemporary landscape painter and Color...

Wonderful Hudson River School painting, oil on canvas. Obviously painted by a talented artist, unsigned and a mystery for you to solve. Canvas stamped Edward Dechaux NY. An amazing...

In 2015 I visited many ancient olive groves in Italy. The Province of Lecce is known for having the oldest trees. The groves, only accessible by stone paths or mule tracks, give a se...

This artwork "Couple Holding a Baby" c 1940 is an oil painting on hardboard by noted American artist Victor Thall, 1902-1983. It is signed at the upper right corner by the artist. The board size is 10.75 x 17.25 inches, framed size is 22.25 x 27,75 inches. Framed in original gold wash frame, with fabric liner. it is in excellent condition. About the artist: Victor Thall belongs to that unique American brand of rugged individualist. Working closely for a time with such painters as Gorky and de Kooning, Thall wasn't content to join the burgeoning American clique of Abstract Expressionism. Instead, on the eve of its international recognition, he abandoned New York, making a worldwide tour of indigenous cultures attempting to find a solution to the crisis of abstraction. Thall felt that painting needed to communicate in a way that Abstract Expressionism could not. Using parts of its vocabulary, Thall created work that was modern in spirit but based on fundamental traditions that he believed connected the whole history of art. In this way he resembled his contemporary Max Beckman, and it is fitting that Thall was chosen with Beckman by The New Yorker art critic Robert Coates as the best painter of the 1949 Whitney Annual. Fiercely uncompromising in his opinions, Thall sadly fell into obscurity in his later years. Yet it was a willful obscurity. But America does eventually honor her difficult individualists, even if sometimes years after their deaths. Victor Thall was born in New York in 1902. He studied at the Art Students League under Arthur B. Davies, George Bellows, George Luks, and John Sloan. Further studies were at the Pennsylvania Academy of Fine Arts. He left for Paris in 1924 continuing his studies at the Ecole des Beaux Arts and the Academie Julien. Returning to the United States in the early 1930's, he became friendly with Willem de Kooning and Arshile Gorky. He participated in the WPA New Deal Art Project of New York City between 1935 and 1939. He taught at the Art Students League in the late forties and was represented in the Whitney Annual of 1949 and 1950. His paintings are in numerous private collections in the United States and Europe. He died in 1983. Education: 1914 -1927 Art Student's League - Studied with:Arthur B. Davies, George Bellows, George Bridgman, George Luks, Von Schlegel, Robert Henri, John Sloan, Frank Vincent du Mond. Pennsylvania Academy of Fine Arts - Studied with:Arthur B. Carles, Henry McCarter Ecole des Beaux Arts - Paris; Grande Chaumiere - Paris; Academie Julien, Paris Teaching: 1947 -1949 Art Students League Selected Bibliography: Falk, Peter Hastings , ed. The Annual and Biennial Exhibition Record of the Whitney Museum of Art 1918-1989. (New York): Sound View Press, 1991. Levick, L.E., "A Guide to the Art Galleries," New York Journal American, May 23, 1964. Review of one-man show at Southampton Gallery. 1950 Annual Exhibition of Contemporary American Painting. New York: Whitney Museum of American Art, 1950. Coates, Robert M., "The Art Galleries: Paul Klee, The Whitney Annual, and John Marin, The New Yorker, December 31, 1949, pp. 42-43. 1949 Annual Exhibition of Contemporary American Painting. New York: Whitney Museum of American Art, 1949. Lansford, Alonzo, "Thall at Binet," The Art Digest, December 15, 1947, ill. Upton, Melville, "George Binet Gallery," Sun, December 13, 1947. Devree, Howard, "Victor Thall at the Binet Gallery," New York Times, December 10, 1947. "Victor Thall at Binet Gallery," Art News, December 1947, p. 59. Oil Paintings by Victor Thall, New York: George Binet Gallery, 1947. Burrows, Carlyle, "Art of the Week," Herald Tribune, 1946. Review of group show at the Chinese Gallery. Coates, Robert M., "The Art Galleries: Past and Present," The New Yorker, May 27, 1944, pp. 68-69 Victor Thall at Puma Gallery," Art News, November 1-14, 1943, p. 22. Devree, Howard, "Victor Thall," New York Times, October 24, 1943. Burrows, Carlyle, "Victor Thall at the Puma Gallery," Herald-Tribune, October 24, 1943 Upton, Melville, "Victor Thall at Puma Gallery," Sun, October 23, 1943. Lansford, Alonzo, "Varied Shows of the Week," The Art Digest, October 1943. Review of Puma Exhibition. Victor Thall Oil Paintings, New York: Puma Gallery, 1943. Art News, "Our Own Exhibition Gallery," June-july 1943, ill. MacLeod, Norman. Thanksgiving Before November. New York, 1936. Book ill. Selected Public and Private Collections: Brooklyn Museum Desmond Child, Los Angeles Robert Crewe, Los Angeles Sidney Lumet, New York Newark Museum Billy Steinberg, Los Angeles 1968 DePoliolo Gallery, Palm Springs 1965 Studio Gallery, Naples, Florida 1964 L’lnstitute Francais d’Haiti 1964 Summit Gallery, New York City 1964 Southampton Gallery, New York City 1963 Guildhall Gallery, Chicago 1961 Leicester Gallery, London 1950 Whitney Museum , New York City 1949 Whitney Museum, New York City 1947 Binet Gallery, New York City 1946 Chinese...

Medium: original lithograph. Printed in 1971 for the art revue Derriere le Miroir (issue number 190) and published in Paris by Maeght. Size: 15 x 11 inches (380 x 278 mm). There is p...

Troy Walker is an acclaimed American contemporary neo-expressionist, veteran character designer, and modern outsider artist whose work bridges the boundaries between high-energy popu...

SCHOMBURG LIBRARY is a hand drawn, limited edition lithograph by the renowned African American artist Jacob Lawrence, printed using traditional hand ...

This piece depicts famous British model Kate Moss. Done with beautiful expressive colors and a distinctive street art design, this piece pops with energy and romantic beauty. Its com...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Golden Hour (Brightly Colored Square Abstract Expressionist Painting in Light Pink, Grey, and Yellow) by Ragellah Rourke made in 2024 oil on panel 60 x 60 inches, unframed The sides ...

From the Vanishing Vernacular series. Vanishing Vernacular features a selection of color works by photographer Steve Fitch focusing primarily on the distinctive, idiosyncratic, and evolving features of the western roadside landscape including topologies of neon motel signs, drive-in movie theaters, radio towers...

Artist Comments
Soft pink and beige hues create a calming visual effect in this minimalist abstract painting. Executed using a dripping technique, the composition exudes spon...

Surrounded by limestone cliffs sunbathers take in the midday sun along the Portugal coast. An elevated view of one of the country's most iconic beaches – The Praia de Marinha where ...

Resurrect Studio, “Lotus,” Vintage Glass Sculpture, 11 x 11 x 8.5 in. “Lotus” is a delicate vintage glass sculpture by Resurrect Studio, the collaborative practice of Nancy Wu and J...

Figurative art, portrait oil Painting on Canvas Artist: Anna Privaloff Title: Eve Medium: Oil on Canvas Year: 2025 Style: Impressionism Dimensions: 64 x 51" x 1" inch (163 x 130 x 3c...

Christa Capua says of her work... As a female artist working in the American South, I’ve always been intrigued by the contradictions that exist here and my relationship to them: the...

Colorful urban street scene of Brooklyn Bridge, NYC City Landscape Painting by William Clutz "Roebling's Dream, The Great East River Bridge", 1990 oil on canvas 40 x 70 inches, 41 3/...

A lone house with a simple a-frame design is bathed in evening coastal light. An atmospheric landscape still-life painting that features a blue sky, pink house, green grass. A contemplative work of original art by Willard Dixon, who is one of the finest American contemporary realist painters who has painted western landscapes for 35 years, capturing the undeniable beauty of the West with its grand and humble spirit. Dixon’s work can be found in numerous distinctive private and public collections, as well as the San Francisco...

Encaustic on panel. It's simple; I create art because it makes me happy. I try not to overthink the process of what I’m painting and let my intuition be my guide. I love laying do...

Large vintage American modernist oil painting. Oil on canvas. Signed. Framed. Provenance from a Sag Harbor, NY collection. Handsomely framed. Excellent condition, ready to hang and ...

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Part of artist Patrick O'Boyle's ongoing Ethereal Abstraction series. He demonstrates an abstract expression of vivid colors. "I paint standing up with the pa...

Medium: original lithograph. Printed in 1960 for the art revue XXe Siecle (No. 14) and published in Paris by San Lazzaro. Size: 12 1/8 x 9 1/8 inches (308 x 230 mm). Not signed. Con...

Surrounded by artistic inspiration from a very early age, Kate Salenfriend learned most of her technical skills from her great-grandfather, Stewart Robertson, the registered Californ...

Artist Comments
A robot elephant balances an heirloom tomato and a pot of daisy flower on its head. This is artist Diane Flick's first painting using AI-generated reference p...

Post War Berkeley Hills Victorian House Original Watercolor Painting, Signed Original 1947 watercolor painting of Berkeley home in the featuring an iconic Queen Anne Victorian house...

Signed and numbered from an edition of 25, this simple elegant image captures the grace of a single Calla Lilly against a black background. Based in San Francisco, Mark Jenkins has ...

A lively 1950s Mid-Century Modern Western landscape painting with cowboys wrangling cattle by famed Chicago artist, Francis Chapin. Most likely a working study for a larger painting...

Paul Serrusier (1864-1927) La Fin Du Jour (The End of the Day) Color lithograph printed on canary yellow paper, 1893 Signed and numbered in pencil lower left (see photo) Edition 100...

Offset lithograph from a portfolio of five Andy Warhol prints published by te Neues, now long out of print and highly collectible. This work reflects Warhol's fascination with the in...

Rare Limited Edition Serigraph of John Lennon's handwritten lyrics for the song "Bungalow Bill" first released on the Beatles "White Album" in 1968. This limited edition was release...

The Runaway by Norman Rockwell, (1894 - 1978) Date: 1982 Medium: Collotype Poster Size: 31.5 in. x 28 in. (80.01 cm x 71.12 cm) Publisher: Circle Gallery, Ltd Printer: Max Jaffe, Vienna

American actress Raquel Welch relaxes at her home in Beverly Hills, 1970s. Raquel Welch Relaxes at Home, 1970 Silver Gelatin Print Posthumous Estate signature stamped and numbered e...

Julia Scheuer’s "Flowers" is an exuberant meditation on resilience and the emotional promise of spring. Created after a long winter, the painting channels the artist’s anticipation o...

Konstanty Swewczenko (1910-1991), signed oil Judaica Oil Painting, Polish. Konstantin Shevchenko studied at the Institute of Fine Arts in Warsaw in the years 1927 - 1928. Then, in 19...

Laurence Perratzi is a French figurative artist exploring the expression of the body and the depth of the human soul, an endless journey she returns to daily. Her work is a reflectio...

Artist: Damien Hirst Title: Nūr Jahān (H10-2) Medium: Laminated giclee print with screenprinted glitter on aluminum composite panel Date: 2022 Edition: 1946/3041 Sheet Size: 39 3/8" ...

“Still Life, 1936” by Katharine "Kitty" Duff Church (British, 1910-1999). This large, early painting by Katherine Church is among her finest canvases of the period. Characterized by its bold color palette, simplified forms, and expressive brushwork, this composition centers around a tabletop adorned with various objects: potted plants, a ceramic dish, bottles, and what appear to be books or papers. The two potted plants provide contrasting elements: on the left, what appears to be a cyclamen with red blossoms and delicate leaves, and on the right, a lush green plant with darker foliage. These plants, painted with loose, textured strokes, add an organic quality to the otherwise structured arrangement. The tabletop is cluttered yet thoughtfully composed, featuring additional objects like a clear, faceted glass bowl, a small bottle, and books or pads in striking red and green. The dynamic use of color blocks and the juxtaposition of shapes (round pots against rectangular books) create a sense of rhythm and harmony. The background is darker and less defined, emphasizing the brightly lit tabletop. Church's brushwork is gestural and modernist, leaning toward abstraction, challenging traditional still life conventions. This painting reflects Church’s interest in balancing everyday objects with bold artistic expression. It conveys both the simplicity and complexity of daily life, transforming an ordinary moment into a vibrant and engaging work of art. This work is oil on canvas and is signed and dated in the lower right. It is housed in its original gessoed frame and retains various labels and inscriptions on the reverse. Size: 28.25 inches tall by 36 inches wide (painting) 34 inches tall by 42 inches wide by 2 inches deep (frame) Provenance: Private collection, NY; Acquired from the above About the artist: Born in Highgate, north London, Katharine Church, known as ‘Kitty’ amongst friends and family, always wanted to paint. She trained at the Royal Academy of Arts between 1930-1933 and at the Slade between 1933 and 1934. In her early years Kitty exhibited regularly at the Royal Academy. Her first solo exhibition was in 1933 at the Wertheim Gallery. Other artists who exhibited there included Christopher Wood, Victor Pasmore and Cedric Morris. Kitty also showed with the New English Art Club, the London Group and between 1937-1947 her work was exhibited at the influential Lefevre Gallery, which supported avant-garde artists such as Henry Moore, Ben Nicholson and Barbara Hepworth. In 1954 the artist was invited to take part in the Figures in their setting exhibition held at the Tate Gallery. Henry Tonks and Philip Wilson Steer had a strong influence on Kitty’s early work, but it was her friendship with Ivon Hitchens that liberated her painting technique. In 1936 Kitty married Anthony West, the son of writers Rebecca West and H.G. Wells. The couple initially lived in London before moving to Quarry Farm, Chicksgrove, Tisbury, near Salisbury, where they brought up their children Caroline and Edmund. There they hosted many of their friends, including the New Zealand painter Frances Hodgkins. Other regular visitors before the War included John and Mywafany Piper, Ralph and Frances Partridge, Noel and Catharine Carrington, Julian Trevelyan and Mary Fedden. For many of those who visited Kitty would organise painting expeditions. After the war Kitty and Anthony separated, with Anthony moving to the United States. Anthony West moved to the United States to work as a journalist for The New Yorker. In the early years after their parting Kitty visited most years with the children. In the 1960s Kitty purchased Sutton House and ran the Hambledon Gallery at Blandford Forum. There she promoted the work of her early art-school friends Mary Fedden and Julian Trevelyan, alongside work by the Pipers, John Craxton...

A strong Post-Impressionist oil on canvas painting by André Roubaud depicting the Market in Martigues in France, executed in wonderful colors and gestural brush strokes. With magnifi...

Glass Sculpture, Art for Modern Interior, Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2022 Style: Contemporary Art, Subjec...