Victor Thall

"Couple Holding a Baby" Colorful expressionist painting

c.1940

This artwork "Mother and Child" c 1940 is an oil painting on hardboard by noted American artist Victor Thall, 1902-1983. It is signed at the lower right corner by the artist. The board size is 23.5 x 15.5 inches, framed size is 37 x 28.5 inches. Framed in original gold wash frame, with fabric liner. The painting is in excellent condition, the frame has some minor restorations. About the artist: Victor Thall belongs to that unique American brand of rugged individualist. Working closely for a time with such painters as Gorky and de Kooning, Thall wasn't content to join the burgeoning American clique of Abstract Expressionism. Instead, on the eve of its international recognition, he abandoned New York, making a worldwide tour of indigenous cultures attempting to find a solution to the crisis of abstraction. Thall felt that painting needed to communicate in a way that Abstract Expressionism could not. Using parts of its vocabulary, Thall created work that was modern in spirit but based on fundamental traditions that he believed connected the whole history of art. In this way he resembled his contemporary Max Beckman, and it is fitting that Thall was chosen with Beckman by The New Yorker art critic Robert Coates as the best painter of the 1949 Whitney Annual. Fiercely uncompromising in his opinions, Thall sadly fell into obscurity in his later years. Yet it was a willful obscurity. But America does eventually honor her difficult individualists, even if sometimes years after their deaths. Victor Thall was born in New York in 1902. He studied at the Art Students League under Arthur B. Davies, George Bellows, George Luks, and John Sloan. Further studies were at the Pennsylvania Academy of Fine Arts. He left for Paris in 1924 continuing his studies at the Ecole des Beaux Arts and the Academie Julien. Returning to the United States in the early 1930's, he became friendly with Willem de Kooning and Arshile Gorky. He participated in the WPA New Deal Art Project of New York City between 1935 and 1939. He taught at the Art Students League in the late forties and was represented in the Whitney Annual of 1949 and 1950. His paintings are in numerous private collections in the United States and Europe. He died in 1983. Education: 1914 -1927 Art Student's League - Studied with:Arthur B. Davies, George Bellows, George Bridgman, George Luks, Von Schlegel, Robert Henri, John Sloan, Frank Vincent du Mond. Pennsylvania Academy of Fine Arts - Studied with:Arthur B. Carles, Henry McCarter Ecole des Beaux Arts - Paris; Grande Chaumiere - Paris; Academie Julien, Paris Teaching: 1947 -1949 Art Students League Selected Bibliography: Falk, Peter Hastings , ed. The Annual and Biennial Exhibition Record of the Whitney Museum of Art 1918-1989. (New York): Sound View Press, 1991. Levick, L.E., "A Guide to the Art Galleries," New York Journal American, May 23, 1964. Review of one-man show at Southampton Gallery. 1950 Annual Exhibition of Contemporary American Painting. New York: Whitney Museum of American Art, 1950. Coates, Robert M., "The Art Galleries: Paul Klee, The Whitney Annual, and John Marin, The New Yorker, December 31, 1949, pp. 42-43. 1949 Annual Exhibition of Contemporary American Painting. New York: Whitney Museum of American Art, 1949. Lansford, Alonzo, "Thall at Binet," The Art Digest, December 15, 1947, ill. Upton, Melville, "George Binet Gallery," Sun, December 13, 1947. Devree, Howard, "Victor Thall at the Binet Gallery," New York Times, December 10, 1947. "Victor Thall at Binet Gallery," Art News, December 1947, p. 59. Oil Paintings by Victor Thall, New York: George Binet Gallery, 1947. Burrows, Carlyle, "Art of the Week," Herald Tribune, 1946. Review of group show at the Chinese Gallery. Coates, Robert M., "The Art Galleries: Past and Present," The New Yorker, May 27, 1944, pp. 68-69 Victor Thall at Puma Gallery," Art News, November 1-14, 1943, p. 22. Devree, Howard, "Victor Thall," New York Times, October 24, 1943. Burrows, Carlyle, "Victor Thall at the Puma Gallery," Herald-Tribune, October 24, 1943 Upton, Melville, "Victor Thall at Puma Gallery," Sun, October 23, 1943. Lansford, Alonzo, "Varied Shows of the Week," The Art Digest, October 1943. Review of Puma Exhibition. Victor Thall Oil Paintings, New York: Puma Gallery, 1943. Art News, "Our Own Exhibition Gallery," June-july 1943, ill. MacLeod, Norman. Thanksgiving Before November. New York, 1936. Book ill. Selected Public and Private Collections: Brooklyn Museum Desmond Child, Los Angeles Robert Crewe, Los Angeles Sidney Lumet, New York Newark Museum Billy Steinberg, Los Angeles 1968 DePoliolo Gallery, Palm Springs 1965 Studio Gallery, Naples, Florida 1964 L’lnstitute Francais d’Haiti 1964 Summit Gallery, New York City 1964 Southampton Gallery, New York City 1963 Guildhall Gallery, Chicago 1961 Leicester Gallery, London 1950 Whitney Museum , New York City 1949 Whitney Museum, New York City 1947 Binet Gallery, New York City 1946 Chinese...

Untitled (Cityscape) is an oil on canvas created by Gregory Kondos (American, b. 1923), one of the world's most prominent California landscape artists. The artwork is signed in the lower right corner and was created circa 1950. The canvas size is 24 x 47.75 inches. Overall in good condition. Framed in a gold wooden frame. The size including frame is 33 x 56.75 inches. Gregory Kondos has spent decades depicting California’s unique, majestic beauty, from its rolling farmland to its varied coastline, to the forests and peaks of Yosemite, where he has often served as artist-in-residence. He has been drawn as well to the deserts around Santa Fe, and to Europe, especially Greece, the country from which his parents emigrated. Now in his nineties, he is celebrated as one of the world’s foremost landscape painters, known for his light-filled palette and intuitive, organic forms that seem like effortless extensions of nature. Kondos describes his paintings as possessing a sense of quietude and cleanliness while maintaining a necessary lonely quality: “Less is more…and what is left out makes the picture more understandable.” His distilled images tend to feature a solitary element—a lone boat, a mountain peak, a house standing away from the others—that projects a contemplative sense of being alone in thought. His simple yet lively palette and elegant lines, influenced by artists like Willem de Kooning, Cezanne, and Gauguin, allow us to place ourselves within the space of the painting. Chief curator and associate director at Sacramento’s Crocker Art Museum, Scott A. Shields, who organized “A Touch of Blue: Landscapes by Gregory Kondos” at the museum in 2013, remarks: “His paintings simultaneously celebrate the terrain's inherent formal, abstract properties, as well as the beautiful possibilities of the paint itself." Kondos’ lifelong achievements place him in the great tradition of American landscape painters such as Albert Bierstadt, Edward Hopper, and Georgia O’Keefe. He has won numerous prizes and awards, including a lifetime achievement award from International Bienniale in Florence, Italy, and has been elected to the National Academy of Design in New York. Collections of Kondos’ work are displayed in museums around the world, including the Shanghai Art Museum in China, the Phoenix Art Museum, and the Corcoran Gallery of Art in Washington, D.C. The gallery at Sacramento City...

Artist: Julius Njau – Tanzanian (1961- ) Title: Untitled Year: 1987 Medium: Acrylic on Canvas Sight size: 27.5 x 36.5 inches. Framed size: 29 x 38 inches Signature: Signed, dated lower right Condition: Very good Frame: Framed in original frame. Frame in fair condition This colorful painting of figures is by the well-known Tanzanian artist Julius Njau. It is in very good condition and signed “Julius N” and dated 1987 in the lower right. The frame is simple unfinished wood. It has a few small scratches Tanzanian artist Julius Njau was born in 1961 Marangu, Moshi in Tanzania. He attended the Primary School Kilimanja. In 1972, a serious fracture of the leg caused him to spend two years in hospital where he began to paint and his career as an artist commenced. Julius was encouraged by a Finnish radiology specialist who supplied him with material and purchased his works. She also organized his first exhibition in Finland in 1983. The first works of Njau are very representative, inspired by the nature and the traditional aspects of his country. In 1984 his technique changed and his style transformed. Julius Njau paintings are characterised by the interaction of primary colors and the mixture of forms. Julius Njau's artworks works are part of the collection of Osaka Prefecture and Toyama Museum of Modern Art in Japan. They are also in the Frankfurt Museum of Ethnology (fur Volkerkunde), in the ZAK Gallery (Zeitgenossische afrikanische Kunst), Furth in Germany, in the Amos Anderson Helsinki Gallery, Finland, and in the 5th British Museum in England. In 2002, Julius Njau received a Nagoya City Hall Award and in 2003 the Grand Prize at the Toyama Prefecture International Competition at the "Sukiyaki Encounter the World" Poster Design Festival. Julius Njau is President and a founding member of the Marafiki group. EXHIBITIONS 1983 'Julius Njau One Man Show' Amos Anderson Museum, Helsinki, Finland 1984 'Group Exhibition' Gallery of Denmark 1985 'Julius Njau One Man Show' Danish Volunteer Training Centre, Tanzania 1985 'Julius Njau One Man Show' Tynset, Norway 1985 'Julius Njau One Man Show' Gallery of Sweden 1986 'Julius Njau One Man Show' Danish Volunteer Training Centre, Tanzania 1987 'Julius Njau One Man Show' Gallery Watatu, Nairobi, Kenya 1988 'Julius Njau One Man Show' Vogue Gallery, Nairobi, Kenya 1988 'Julius Njau One Man Show' Centre culturel francais, Nairobi, Kenya 1989 'Julius Njau One Man Show' National Museum of Kenya, Nairobi, Kenya 1990 'Into the Nineties' Gallery Watatu, Nairobi, Kenya 1990 'Portraits of Kenya' Gallery Watatu, Nairobi, Kenya 1991 'Gallery Artists' Gallery Watatu, Nairobi, Kenya 1991 'The Custodian's View' Gallery Watatu, Nairobi, Kenya 1991 'Julius Njau One Man Show' Nairobi Safari Club, Kenya 1991 'Julius Njau One Man Show' Nagoya City Network Centre, Nagoya, Japan 1991 'Julius Njau One Man Show' National Museum of Kenya, Nairobi, Kenya 1991 'Julius Njau One Man Show' The German Culture Centers, Goethe Institut, Nairobi, Kenya 1992 'Julius Njau One Man Show' International Gallery, Madrid, Spain 1992 'Through the Artists' Eyes' Gallery Watatu, Nairobi, Kenya 1992 'Rafiki wa zamani' Gallery Watatu, Nairobi, Kenya 1992 'Kenya Art...

This artwork titled "Red Forest" c.1960 is an oil painting on canvas by noted California artist Clifford Holmes 1876-1963. It is signed at the lower left co...

Ralph Rosenborg (American, 1913-1992) "American Landscape, Sky and Shore, 1973" Oil on canvas. Signed 'Rosenborg' (lower right). Titled (verso). 30 x 40 in Ralph Rosenborg (1913–1992) was an American artist whose paintings were described as both expressionist and abstract and who was a colleague of the New York Abstract Expressionists in the 1940s and 1950s. Unlike them, however, he preferred to make small works and tended to explicitly draw upon natural forms and figures for his abstract subjects. Called a "highly personal artist," he developed a unique style that was considered to be both mystical and magic. His career was exceptionally long, covering more than 50 years. Rosenborg was born in Brooklyn, New York, on June 9, 1913. In 1929, while he was a high school student, he began to work with the designer, artist, and instructor, Henriette Reiss. When Rosenborg encountered her, Reiss was serving as an instructor for the School Art League in the American Museum of Natural History. She was then engaged in instructing both students and their teachers in the city school system by a method she called Rhythmic Design. She believed inspiration for abstract designs could be found in rhythms—rhythms that could be perceived in ordinary perceptions much as they are when listening to music. In May 1930 Reiss selected a drawing by Rosenborg to be shown in an exhibition of creative design by City high school students. From 1930 to 1933, aged 17 to 20, Rosenborg studied with Reiss in what Vivien Raynor of the New York Times called a "pupil-apprentice" relationship. During this time she instructed him in music appreciation, literature, and art history as well as giving technical training in art. In April 1934 Rosenborg was one of 1,500 artists to participate in the annual Salons of America exhibition, which was held that year in Rockefeller Center RCA Building. Each paid two dollars for the privilege of hanging up to three works and none was given prominence over the others. The New York Times reported that by the time the show closed a month later, some 30,000 people had viewed it. The following year he was given a solo exhibition (his first) at the Lounge Gallery of the Eighth Street Playhouse. The year after that he participated in a group show held by the Municipal Art Committee and in 1937 was given a second solo exhibition, this time in the Artists Gallery. That year he also became a founding member of and participated in a group show held by American Abstract Artists, a loose assembly of artists that aimed to promote abstract art and artists in New York. Its founders included Josef Albers, Ilya Bolotowsky, Werner Drewes, Ibram Lassaw, Mercedes Matter, Louis Schanker, Vaclav Vytlacil and Rudolph Weisenborn. At roughly the same time Rosenborg associated himself with a group of abstractionists that called itself "The Ten" (It included Ben-Zion, Mark Rothko, Adolph Gottlieb and Joe Solman) and in May 1938 joined with its other members in what would be his first appearance in a commercial gallery: the Gallery Georgette Passedoit. In 1938 he his work appeared in a group show at the Lounge Gallery, in 1939 in group shows at the Artists Gallery and at the Bonestell Gallery with David Burliuk, Earl Kerkam, Karl Knaths and Jean Liberte...

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