Europe - Art

Screenprint in colours, on Arches paper, with full margins Edition 81 of 120 38 x 32.5 cm (15 x 12.8 in) Framed 47 x 44 x 2 cm, 18.5 x 17.3 x 0.8 in Signed, numbered, dated and title...

A beautiful 1930's French impressionist oil on board portrait of a young lady wearing a yellow blouse, by Jeane Besnard-Fortin. Charming figurative work by an interesting female arti...

Title: French Impressionist Oil Painting of Boats at Low Tide By Fanch Lel (French b. 1930) Size: 6 x 8.5 inches (height x width) Signed: Yes Oil painting on board, unframed Conditio...

Archival pigment ink print, produced in a limited edition of 9 // Gallery ID: 21041 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Portrait of a Young Woman French artist, mid 20th century signed oil on board, frames Framed: 29 x 23 inches Board : 22 x 15 inches Provenance: private collection, France Condition:...

The great art historian Federico Zeri said that painting snow-covered landscapes was one of the most complicated things for an artist. Well, in this landscape of the Piedmont country...

Pastoral Landscape English School, late 19th century signed oil on board, framed framed: 19 x 25 inches board: 18 x 24 inches Provenance: private collection, UK Condition: the painti...

Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They depend on the season of year, the ti...

A beautful early 20th century French imprressionist oil on panel depicting a wooded river landsape with a wonderful dappled light. The work is superbly executed, very atmospheric an...

Artwork signed at the bottom left. Jean Krillé’s paintings are known for their expressive use of color and dynamic, abstract forms, blending realism with abstraction in his depictio...

'NOMAD III (Film Rebate)', New York. Richard Heeps has photographed the iconic Empire State building in the mist. The NOMAD sequence of photographs capture the art deco architecture ...

Portrait of a Pug Dog French School, 19th century, unsigned inscribed verso possibly with the artists name/ former owner oil on canvas, framed framed: 26 x 22 inches canvas : 22 x 19...

In Syntaxe, Sophie Dumont constructs a visual language in which curves, vertical planes and fragmented geometric forms interact like elements of an abstract grammar. The composition ...

En Amore II is a bronze figurative sculpture about love and companionship by Nando Kallweit. The sculpture is of two elongated, abstract figures in close communion. The minimalist...

Claude Sauthier was born in Geneva, Switzerland, in 1929 and passed away in the same city in 2016. He studied at the Geneva School of Decorative Arts and initially worked as a graphi...

Nickel Plated 24 Element Puzzle Sculpture, 1968-1969, realized by Miguel Berrocal. Signature and number engraved. Edition of 9500 pieces.  Ref. Catalogo General/Obras Recientes,197...

Untitled, from the Horizon series, handwoven landscape, linen yarn, organic cotton, wool, 60 x 80 cm, 2024. Canvas is entirely constructed on a weaving loom. Each of the steps of t...

This artwork will be shipped rolled in a dent-resistant tube. German artist Petra Schott translates human emotions, memories, and sensory experiences into expressive, lyrical abstr...

A remarkable work by Charles Nicolas Etienne Mayre, an academic painter born in Choisy le Roi near Paris in 1819. He studied with the masters Michel-Martin Drolling and Leon Cogniet...

Title: Canyelles Artist: Ramon Sanvisens i Marfull (Barcelona, 1917 – 1987) Technique: Oil on canvas Dimensions: 60 × 73 cm — (23.6 × 28.7 in) Support / Mounting: Canvas on stretcher...

This artwork vividly captures two swimmers emerging from the sea, encapsulating the essence of a serene seaside moment. The painting's use of color is striking, with the bright blue ...

Castlewellan Lake in Northern Ireland by 20th Century British Landscape Artist, Spencer Coleman. Unique Vintage Original, Oil on Canvas...

Portrait of a Pomeranian Dog English artist, late 19th century oil on canvas, framed Framed: 14.5 x 12.5 inches Canvas: 10 x 8 inches Provenance: Private collection, Surrey, England ...

The White Terrier English School, 19th century oil painting on board, gilt framed framed: 12 x 11 inches board : 9 x 7 inches Provenance: private collection, Cotswolds, England Condi...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...

Artist: Marilina Marchica Title: Blue Landscape Year: 2026 Medium: Oil on canvas Dimensions: 60 × 90 × 2 cm (23.6 × 35.4 × 0.8 in) Signature: Signed on the back Certificate of Authen...

Oil on masonite plate sold with original framing Total size with the frame 102x122 cm Jean Krillé is a Swiss artist from Geneva, recognized for his significant contributions to co...

Silence I’m making noise (Silence je fais du bruit, 2021) by Julien Guarneri Stainless steel sculpture, 315 × 430 × 106 cm / 124 × 169.3 × 41.7 in. For Julien Guarneri, creating monu...

RAMÓN SANVISENS MARFULL (Barcelona, 1917–1987). Landscape. Hand-signed and dated 1978. Oil on canvas. Dimensions: Canvas: 25.2 × 31.5 in. (64 × 80 cm) Framed: 36.2 × 42.1 in. (92 × 1...

'Sailors in the Port of Nice', mixed media - gouache, pastel and oil on paper, by Alfred Salvignol (circa 1950s). The Port of Nice is one of the key hubs of Nice and, in fact, of the entire French Riviera, standing out as one of the main harbours for the boats which sail across the Mediterranean Sea. It accommodates both the ships operated by ferry companies and the private yachts of visitors who come to Nice by sea. The artist here depicts a group of crusty sailors watching...

A beautiful large signed and dated 1978 oil on canvas depicting the famous Horse Guards building in London, as viewed from Whitehall. Built in the mid 18th century, Horse Guards wa...

Colourful French Interior with Fireplace and Flowers Modernist Oil Painting Laure Noetzlin-Azam (French, 1929–2024), pupil of André Lhote Canvas: 13 x 9.5 inches Medium: Oil on canva...

Inverted pocket-sized figurative head sculpture in polished bronze with dark oxidised details, individually cast, sanded and hand-finished by Spanish artist Óscar Aldonza Torres. Or...

Screenprint Edition 25 of 50 62.5 x 62.5 cm (24.6 x 24.6 in) Framed: 71.5 x 70.5 x 3cm, 28.2 x 27.8 x 1.2 in Signed, dated and numbered on the lower right Artwork and frame in mint c...

This intimate studio interior from 1930 belongs to the more psychologically engaging side of Carlo Hornung Jensen’s oeuvre. A seated woman has paused beside her easel and turned towa...

Chronos is a bronze sculpture by contemporary artist Romain Langlois, dimensions are 64 × 66 × 50 cm (25.2 × 26 × 19.7 in). The sculpture is signed and numbered, it is part of a lim...

New York City Subway Car interior photograph by Richard Heeps. This atmospheric photograph of a New York City Subway Car captures the cinematic essence of riding the subway. The pers...

“Warm Touch” A peaceful wave unfolds across the canvas — not forceful, not fierce, but gently wrapping the space in tenderness. Its shifting shades of blue flow softly, like the brea...

Thomas Spencer (c.1740-1756) The Famous racehorse 'Flying Childers' held by a groom Oil on canvas Not Signed Canvas size 25 x 30 in Framed size 33 x 38 in Flying Childers was one of...

Se presenta enmarcada la obra El estado de conservación de la obra es bueno Medidas obra: 100 cm de altura x 76 cm de ancho Medidas marco: 110 cm de altura x 85 cm de ancho

This contemporary expressive impressionist floral piece with a touch of abstract and art brut, Morning’s Rose Bloom, was created by French artist Natalya Mougenot in her Lyon studio ...

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 21394 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Gallery service: Complimentary worldwide shipping is offered, with Signet Contemporary Art covering all tariffs, customs duties and import taxes, making international collecting simp...

Pierre Coquet - Tin cans Reference number F455 Framed with a natural oak floated frame 35 x 40 cm frame included (30 x 35 cm without frame) This work is painted with oil on a paper t...

River Landscape by Charles Martin-Sauvaigo (French 1881-1970) * see notes below French Impressionist painter oil painting on wooden panel unframed size: 13 x 16 inches condition: ve...

This striking mid-century oil on canvas by listed École de Paris painter Georges Émile Capon (1890–1980), signed in the lower left, 'Capon', masterfully captures the contemplative es...

Charming Garden Path Mid 20th Century signed by Regine David (French mid 20th century, female) oil on canvas, framed framed: 21 x 25 inches canvas: 19.5 x 24.5 inches Provenance: private collection, Paris Condition: very good condition Description: This vibrant oil painting by Régine...

Pablo Picasso (1881-1973) - Dans l'Atelier de Picasso Lithograph from 1957. The edition 153/275. Dimensions of work: 44.5 x 33.5 cm Publisher: Fernand Mourlot Éditeur, Paris. Re...

In Pulsation of Time, the artist turns to the technique of impulsive gesture, intertwining it with delicate, translucent glazing. The multilayered texture forms a space that seems to...

At Night at Maxims Artist: Pierre Neveu (French b.1929) Medium: oil on canvas, unframed Canvas: 45 x 57.5 inches Titled verso Condition: Good and sound condition with slight small pa...

The Highland Loch (Loch Lomond) signed by Prudence Turner, British b. 1930, signed. oil painting on canvas, framed. framed: 29.5 x 41 inches canvas: 24 x 36 inches Provenance: pri...

Joseph MASWIENS Leuven, 1828 – Leuven, 1880 Interior of Saint Gummarus in Lier, Belgium Oil on canvas 64 x 52 cm (88 x 75 cm with frame) Signed lower right: "J. MASWIENS" Fine 19th-c...

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

Pocket Hedgehog 244 (canvas size 5x5cm) is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, with a no...

This painting explores an intimate and imaginative relationship with nature, transforming tropical flora into expressive, living forms. Rather than depicting a specific landscape, th...

18th century oil on canvas chinoiserie scene painted 'en Camaïeu Bleu'. Originally part of a decorative scheme in a dining room as an overdoor set into panelling. Provenance: From ...

La obra va firmada por el artista en la parte inferior En la parte trasera, va nuevamente firmado y titulado Se presenta bien enmarcada la obra Medidas de la obra: 38 cm. de altur...

A wonderful 19th century pastoral landscape depicting figures near a large body of water, framed by dense foliage and rustic cottage buildings. The composition employs careful attent...

Type II Tutti Frutti, from the Heidler & Heeps Tape Collection - The B Sides. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, p...

Give Me a Flower While I'm Alive Diptych, two works. Acrylic and mixed media on paper, each 42 × 30 cm. Two female figures are surrounded by flowers, leaves and delicate ornamental ...