Europe - Art

Details: Title: Modernist Windows Medium: Acrylic on Watercolor Paper Size: 40x55.2 inches total (100x140 cm). Each panel measures 40x28 inches (100x70 cm) Year: 2026 Artist: Natal...

The Loose Horse – British Steeplechase Horse Racing Scene By Thomas Ivester Lloyd (1873–1942) Medium: Oil on canvas Signature: Signed T. Ivester Lloyd (lower right) Dimensions: 1...

A beautiful signed and dated 1937 French post impressionist oil on canvas portrait of a woman peeling apples. A superbly painted post Impressionist portrait by an artist likely wor...

Details: Title: Sweet Harmony Medium: Acrylic Painting on Watercolor Paper Size: 100x 140 cm (40x 55.3 inches). Year: 2026 Artist: Alberto de Blobs Artist's signature: Right corner ...

Details: Title: Tulips in Sequence Medium: Acrylic on canvas Size: 130x130 cm (51.2x51.2 inches) Year: 2026 * Certificate of authenticity provided. * Painting is shipped carefully...

This linocut was inspired by a visit to my favourite national trust garden in Devon, National trust Coleton Fishacre. It's looking down the bay to the sea. It's a reduction linocut, ...

'Abstract Composition', oil on board, by Pierre-Yves Beltran (1984). A dense, richly textured abstract composition rendered in a palette of deep blues, emerald greens, and earthy bro...

Sina rises with graceful poise. Her arms extend horizontally to create a sense of openness and vulnerability. Light plays across the textured surface, highlighting the contrast betwe...

Always Believe The painting Always Believe, from the Becoming series, explores belief as a state of inner resource one that fills us with energy and awakens the desire to act, creat...

Spanish School – Saint Raphael the Archangel – Oil on Canvas – An impressive late 18th-century religious oil painting depicting Saint Raphael the Archangel, traditionally associate...

A vivid explosion of color defines this composition. The artist employs a rich, textured approach to capture a lush bouquet. Rhythmic brushstrokes build a dense tapestry of floral fo...

Madonna in Sorrow Italian School, mid 19th century after the 17th century Old Master oil painting by Sassoferrato (Uffizi, Florence) Oil on canvas, unframed Canvas: 29.5 × 25 inches ...

Color lithograph by Salvador Dalí (1904–1989), Don José’s Final Appearance: the Bats Symbolizing Death, from the celebrated Carmen suite inspired by Georges Bizet’s opera. The work i...

Abstract Interior By Laure Noetzlin-Azam (French, 1929–2024) Pupil of André Lhote Gouache and pencil on artist paper, unframed Artist paper: 21.75 × 15 inches Provenance: from the ar...

"In a Hurry From the series “Infinity Map” We all journey through our own inner world. Along the way, we encounter images that cannot be explained literally. They may evoke fear, hop...

Lord Byron Standing on the Shore British School, circa 1919 Oil on panel, framed inscirbed/ signed? lower left and indistinctly dated Frame: 7 × 8 inches Panel: 6 × 7 inches Provenan...

Radiant Heart YP x Keith Haring Date of creation: 2025 Medium: PVC or Silicon piping with LED lights mounted on recycled acrylic board Edition: Open Size: 70 x 70 cm Condition: Bran...

"She's Walking Through the Clouds" is a vibrant abstract seascape and sky painting in blues, yellow, and gold. It is a dramatic, jewel-like ode to the bluest blue of the Mediterranea...

“Summer Pulse” is a contemporary expressive abstract landscape painting in acrylic on canvas by French artist Natalya Mougenot, measuring 80 × 80 × 1.5 cm (31.5 × 31.5 × 0.6 in), tra...

Portrait of a Gentleman in Riding Dress by Paul Knight (exh. 1883–1904) oil on canvas, framed (*read important notes at the end of this listing) Signed lower right Approximately 83 ...

This oil painting captures a moment of timeless elegance. The composition radiates warmth and vitality. Lush dahlias and delicate roses bloom in a vibrant dance of pinks and creams. ...

"A celebration of feminine beauty, abundance and the pleasure of surrounding oneself with beautiful things. Flowers, ornamental vessels and geometric patterns come together like frag...

Artist: John Speirs (1942-2022) South African / British Title: "Sour Cherries Add Wings To Them Red Dragonfly" Medium: oil on canvas Size: 97cm x 78cm inclusive of frame Condition...

A charming seventeenth century devotional work depicting the Madonna and Child, rendered in an appealing naïve style. The Virgin is shown seated with the Christ Child on her lap, eac...

Because Love, I think, is not finding someone Who saves you from the darkness It is finding the one whose hand you would recognize inside it This oil painting celebrates the fleeti...

Figures Resting in an Expansive Mountain Valley Landscape 19th Century British School, indistinctly signed Medium: oil on canvas, framed. Framed: 29 × 41 inches. Canvas: 24 × 36 inch...

Prize Bay Horse By Albert Clark (British, 1821–1909) Oil on canvas, framed. Framed: 17 x 21 inches Canvas: 12 x 16 inches Provenance: private collection, UK. Condition: overall good ...

34 Colour Screenprint Somerset Tub Sized 410gsm Paper, 2023 hand-sgned and numbered on the back Edition of 125 76 x 56 cm published by Jealous and comes with COA David Shrigley (bo...

Hackney Horse in a Country Landscape By Albert Clark (British, 1821–1909) Oil on canvas, framed. Framed: 17 x 21 inches Canvas: 12 x 16 inches Provenance: private collection, UK. Con...

Giuseppe Faccin (Schio 1874 - Vicenza 1916) - View of the interior of the Basilica of St. Mark, Venice. 75 x 57 cm (without frame) - 89.5 x 71 cm (with frame). Oil on canvas, in a ...

Andy WARHOL and Keith HARING Jazz, Dancing on Music Sheet, 1986 Screenprint Printed signature in the plate On heavy paper 100 x 70 cm (c. 40 x 28 in) Created by Haring for the Montr...

In Trust II Part of the Becoming series, In Trust II explores acceptance as an alternative to the constant need to choose, compare, and give preference. The work reflects a state in ...

'Hidden Portraits XXXII', acrylic on canvas mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an intermediary of an agein...

Catalan Post-Impressionist Mountain Landscape, El Montmell Spain Artist: Mossèn Ramon Gimbert Canals Title: Font de Volta, Montmell Medium: Oil on canvas Dimensions: 60 x 73 cm / 23.62 x 28.74 in Signature: Signed lower right, “R. Gimbert” Date: 1965 Frame: Unframed Condition: Good vintage condition, consistent with age. Please see photographs for full details. Inscription: Inscribed, titled and dated on the reverse: “Font de Volta – Montmell – 1965” Origin: Catalonia, Spain Description Atmospheric 1965 Catalan Post-Impressionist landscape by Mossèn Ramon Gimbert Canals, depicting the mountainous surroundings of El Montmell in the Baix Penedès region of Tarragona, Catalonia. The painting is specifically identified on the reverse as “Font de Volta – Montmell – 1965”. The Font del Montmell is located in the recreational area of La Joncosa del Montmell, a mountainous landscape in southern Catalonia traditionally associated with the walking route known as the Volta al Montmell. Gimbert presents the landscape through an intensely Mediterranean palette of emerald greens, turquoise blues, ochres and luminous whites. The composition opens from a secluded foreground garden bordered by stone walls and dense vegetation toward the monumental mountain range beyond. A large tree rising at the right edge acts almost as a natural architectural element, framing the view and creating a powerful sense of depth. The handling of the paint is especially attractive. Areas of broad, vigorous brushwork alternate with thicker passages of impasto, particularly across the mountains, vegetation and cloudy sky. Rather than describing every detail literally, Gimbert builds the landscape through colour, texture and light, giving the scene a distinctly modern and expressive character. Painted in 1965, only four years before the artist’s death, the work belongs to Gimbert’s late period and shows the confidence of a painter deeply familiar with the Catalan countryside. El Montmell was not an isolated subject in his production. Other documented works by the artist depict the same area, confirming its importance within his landscape painting. The combination of identifiable location, original reverse inscription, strong Mediterranean character and substantial 60 x 73 cm format makes this a particularly representative example of mid-20th-century Catalan landscape painting. Biography Mossèn Ramon Gimbert Canals was born in Sant Quirze del Vallès on 25 May 1882 and died in Barcelona on 31 July 1969. He was ordained as a Catholic priest in 1908 while simultaneously developing a sustained career as a painter. These biographical dates are recorded by the Arxiu Diocesà de Barcelona. His artistic production concentrated principally on landscape, especially views of Catalonia, rural architecture, gardens, mountain scenery and coastal subjects. El Montmell appears repeatedly among his known works, alongside subjects including Horta, Camprodon and maritime scenes. Gimbert participated actively in the Barcelona art world. His most significant documented exhibition was a solo presentation at the prestigious Galeries Laietanes in Barcelona from 28 December 1935 to 10 January 1936. The exhibition is recorded in the Institut d’Estudis Catalans repertory of individual art exhibitions in Catalonia and included a catalogue listing the exhibited works and their prices. His paintings belong to the broader tradition of 20th-century Catalan landscape painting, combining naturalistic observation with increasingly free brushwork, expressive colour and a distinctly Mediterranean sensitivity to light. Artistic Inspiration The work belongs to the rich tradition of Catalan modern landscape painting developed from the late 19th century onward. Its expressive treatment of colour and vegetation recalls the Mediterranean landscapes of Joaquim Mir, while its luminous atmosphere and direct observation of nature can also be related to painters such as Eliseu Meifrèn, Santiago Rusiñol and Joaquim Sunyer. Rather than suggesting direct stylistic dependence, these comparisons place Gimbert within the wider Catalan and Spanish tradition in which landscape became a vehicle for colour, atmosphere and personal expression. Landscape Paintings Mountain Paintings Post-Impressionist Paintings Spanish Paintings Catalan Art Modern European Paintings Mediterranean Landscape Paintings Post-Impressionism Catalan Modernism Spanish Modern Art Mediterranean Landscape Painting Catalan landscape, Spanish landscape painting, El Montmell, Baix Penedès, Tarragona landscape, Catalonia painting, Mediterranean landscape, mountain landscape, Post-Impressionist landscape, Spanish Post-Impressionism, Catalan Post-Impressionism, 1960s Spanish painting...

A charming nineteenth-century oil after Rembrandt's (1606–1669) 1645 'Girl at a Window'. Leaning on a stone ledge, the girl wears a white blouse, her curls tucked under a small cap. ...

Pablo PICASSO Ballet : The Dancer, 1954 Original lithograph Printed signature in the plate Unnumbered On light vellum 31 x 22 cm (c. 12,2 x 8,7 in) REFERENCES : - Catalog raisonne...

Louise Bourgeois (1911-2010) Landscape with a Mountain Lake Original etching with aquatint Unsigned On vellum 60.5 × 73.5 cm (c. 24 x 29 in) Authenticated with the blind stamp of C...

Fauvist Spanish Wildflower Landscape in Jaén, Mediterranean Oil Painting Artist: Rafael Duran Benet (Spanish, 1931–2015) Title: Campos de Jaén Medium: Oil on canvas board Dimensions...

Il San Pietro di Positano, 1984 is a Limited Edition Estate Stamped Digital C-Type Print by 20th Century American Photographer Slim Aarons. 16" x 20" print. Limited Edition Estate S...

Joan MIRO Garden Under the Moonlight, 1973 Original lithograph (Mourlot workshop) Printed signature in the plate Unknown edition run, unnumbered as issued, apart from a numbered run...

Figure beside a Bridge on the Seine Paris French Modernist Cubist Charcoal Drawing Laure Noetzlin-Azam (French, 1929–2024) Pupil of André Lhote. Medium: charcoal on artist paper, unf...

Pablo PICASSO (1881–1973) (after) Maternal Love Colour lithograph Signed on the plate On vellum 48 x 40 cm (18.8 x 15.7 in) Copyright Mouvement pour la Paix / Picasso Estate Excel...

DAVID SHRIGLEY - Black Cats Everywhere Date of creation: 2021 Medium: 12 colour screenprint on Somerset satin paper Edition: 125 Size: 75 x 56 cm Condition: Brand new, in mint cond...

This original exhibition poster by the renowned Catalan artist Joan Miró, titled “Barcelona 1972”, was created to commemorate the artist’s exhibition held at Sala Gaspar in Barcelona...

ARTIST: Unsigned mid/late 20th Century English School TITLE: "Portrait Of A Seated Lady" MEDIUM: oil on board SIZE: 105cm x 75cm inclusive of frame CONDITION: very good NOTES: A ve...

Figures Walking Through Cottages Nestled in the Rolling English Countryside By Sidney Watts (English, fl.1890-1910) Oil on canvas, framed Signed Framed size: 21 x 28.5 inches Canvas ...

CARLOS CRUZ-DÍEZ - CROMOVELA 21 Date of creation: 2018 Medium: Polychrome ceramic Edition: 20 Size: 80 x 21 x 16 cm Condition: In mint condition This sculpture belongs to one of the...

A finely painted profile portrait of a Miniature Pinscher by Richardis Sörvik, executed during the early 20th century. Oil on panel. The present painting depicts a black and brown Mi...

Yves GANNE (1931–2019) Picking Poppies Original lithograph Signed in pencil Inscribed EA (Artist’s Proof) Numbered out of 30 copies On Arches vellum, 76 x 54 cm (29.92 x 21.25 in) ...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Abstract Landscape of Pendle Hill in the English Countryside by British Artist, Angela Wakefield. Art measures 24 x 18 inches Frame measures 30 x 24 inches A striking original abst...

The painting depicts a bouquet of flowers in a vase. It is a spring still life. The artist has depicted this bouquet, which conveys a cheerful mood. In this work, the artist sought t...

Posture (2022) by Julien Guarneri Sanded stainless steel sculpture, 42 × 11 × 13 cm / 16.5 × 4.3 × 5.1 in. (Can be produced on a monumental scale - contact us for further information...

Figures on a Sofa in a Colourful Modernist Interior Jacques Courtade (French, mid-20th century) Signed. Medium: oil on board, unframed. Double-sided image Board: 19.5 × 39.5 inches. ...

Praying Hands in Violet, Large Spanish Expressionist Figurative Artwork Artist: Vicent Calbet Riera (Spanish, 1940–1994) Title: Praying Hands (Descriptive Title) Date: 1993 Medium: Mixed media on paper, oil painting and watercolor Dimensions: 98 × 68 cm / 38.6 × 26.8 in Framed Dimensions: 120 × 90 cm / 47.2 × 35.4 in Signature: Hand-signed and dated by the artist in the upper right corner Framed: Yes, presented in an elegant black frame with gold detailing and black mat Condition: Very good condition Style: Expressionism, Abstract Expressionism, Figurative Expressionism Period: Late 20th Century Origin: Spain, Ibiza, Balearic Islands Subject: Praying hands, spirituality, human expression, emotion Exceptional large-scale expressionist painting by Vicent Calbet Riera (1940–1994), one of the most significant figures in the development of contemporary art in Ibiza, Spain. Created in 1993, just one year before the artist's death, this striking original mixed-media composition belongs to the final and mature period of his artistic career. The painting depicts two monumental hands joined in an evocative gesture of prayer, contemplation, or spiritual devotion. Executed in a powerful combination of oil and watercolor, the composition merges expressive figuration with lyrical abstraction, creating a deeply emotional visual experience. At the center of the painting, the hands emerge from an atmospheric violet background, their forms defined by fiery shades of orange, vermilion, crimson, and brilliant yellow. Energetic touches of turquoise blue, white, and charcoal black introduce movement, contrast, and remarkable visual intensity. The artist's sophisticated handling of different media is particularly compelling. Thick, expressive applications of oil emphasize the hands, giving them an almost sculptural presence, while the watercolor background produces a soft, atmospheric field of purples and blues. This extraordinary interplay between materiality and transparency creates a fascinating tension between the physical and the spiritual, the tangible and the intangible. The hands appear to rise from the composition, transforming a recognizable human gesture into a universal symbol of hope, vulnerability, meditation, and transcendence. Rather than pursuing traditional anatomical realism, Calbet dissolves the boundaries of the human form through vigorous brushwork, gestural abstraction, and an exceptionally expressive use of color. The resulting image possesses an almost mystical quality, encouraging viewers to discover their own emotional and symbolic interpretations. The painting exemplifies the mature artistic language of Vicent Calbet, whose work progressively evolved from figurative representation toward a highly personal synthesis of expressive gesture, abstraction, color, and psychological intensity. Its creation in 1993 is particularly noteworthy. That same year, the artist was the subject of an important retrospective exhibition, *Vicent Calbet. Trenta anys de pintura*, organized in Ibiza and Palma de Mallorca, celebrating three decades of artistic production. Measuring an impressive 98 × 68 cm (38.6 × 26.8 inches), the original painting has a commanding vertical presence. Its elegant black and gold frame brings the overall dimensions to 120 × 90 cm (47.2 × 35.4 inches), making it an outstanding statement piece for sophisticated contemporary interiors. The remarkable combination of vibrant color, emotional expression, and spiritual symbolism makes this original Spanish painting...

After Amaldus Nielsen (1838–1932) Norway Evening at Fredrikstad, 1918 signed indistinctly, possibly “Hj. U…”, and dated “18” lower right oil on board unframed 42 × 55 cm (16.5 × 21.7 in) framed 53 × 65 cm (20.9 × 25.6 in) Comparative work: Amaldus Nielsen, Aften ved Fredrikstad (Evening at Fredrikstad), 1909, oil on canvas, present location unknown. Condition report: Very good condition with bright and clear colors. Ready to hang. Please contact the gallery for a detailed condition report. Essay: This atmospheric evening seascape was painted in 1918 by an as yet unidentified artist and closely follows Amaldus Nielsen’s Aften ved Fredrikstad of 1909. The relationship between the two compositions is unmistakable. In both, a sailing boat occupies the central waters beneath an expansive and dramatically clouded sky, while a narrow strip of intense evening light separates sea from horizon. Smaller vessels recede into the distance, establishing both scale and a sense of stillness across the broad surface of the water. The present painting is nevertheless not a mechanical copy. The unidentified artist has altered several details and developed the scene through a more concentrated and chromatically intense palette. The central vessel is brought into sharper prominence, its sails forming a strong silhouette against the illuminated horizon. Deep blues dominate the foreground water and the upper sky, while streaks of orange, ochre and pale turquoise register the last light of sunset. The sky occupies approximately two thirds of the composition and becomes almost a subject in itself. Heavy clouds gather above the tranquil water, their dark masses opening intermittently to reveal passages of luminous blue and warm reflected light. The model for the composition was created by Amaldus Nielsen, one of the most important Norwegian painters of the coast during the nineteenth and early twentieth centuries. Born at Halse near Mandal in 1838, Nielsen studied in Copenhagen before continuing his training with Hans Gude at the Düsseldorf Academy. Gude’s emphasis on close observation of landscape remained fundamental to Nielsen, but he gradually moved away from the constructed romantic landscape towards an increasingly direct study of nature. Nielsen became especially associated with the coastlines of southern and western Norway and has often been described as one of Norway’s earliest naturalist landscape painters. From the 1860s onward he frequently completed paintings outdoors before the motif, an unusually direct working method in Norwegian art of the period. Light, weather and changing atmospheric conditions became central to his practice. The same location might be returned to repeatedly under different conditions of morning, evening, mist or changing weather. Fredrikstad and its surrounding archipelago formed part of this geography. Nielsen is documented working at Arisholmen near Fredrikstad as early as 1884, and surviving paintings demonstrate his continued interest in the coastal landscape of Østfold. By the time he painted Aften ved Fredrikstad in 1909, the theme of boats at rest or moving quietly across evening water had become deeply embedded within his art. The 1909 painting...

Archival pigment ink print, produced in a limited edition of 9 // Gallery ID: 11756 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

This is a unique handmade monotype cyanotype representing a functional stone tool set inspired by the magical forms of early human tools. Created through the cyanotype process using ...

An impressionist landscape painting by Mieze Mardner-Klaas (1884-1950), depicting a tranquil canal scene dominated by a mature tree in full foliage. The artist employs loose, express...

Weeping Plum Tree II is a painting by contemporary Franco-Japanese artist Lumi Mizutani. In Weeping Plum Tree II, Lumi Mizutani depicts a blossoming weeping plum tree, its delicate c...