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Item Ships From: Hudson
Nocturnal Nature: Painted Cyanotype Still Life of Hibiscus and Rose on Indigo
By Julia Whitney Barnes
Located in Hudson, NY
Hand-painted cyanotype still life of pink flowers on indigo with custom frame Nocturnal Nature (Double Hibiscus, Rose) — painted cyanotype by Julia Whitney Barnes 2024 watercolor, go...
Category

2010s Contemporary Hudson - Photography

Materials

India Ink, Watercolor, Gouache, Archival Paper

"Van Cortlandt Park, Bronx, NY, 2022" photograph "HOOPS" series, 17"x20.5"
By Sean Hemmerle
Located in New York, NY
35" 42"" fine art photograph, hand signed by the artist. This color photograph depicts a basketball court in Van Cordlant Park, Bronx, NY. The photo show a basketball court, shiny, a...
Category

2010s Contemporary Hudson - Photography

Materials

Archival Pigment

Mere Mortal #4 (Archival Photograph of Male Nude in Islamic Window)
By Newbold Bohemia
Located in Hudson, NY
Mere Mortal #4 (Archival Photograph of Male Nude in Islamic Window) 30 x 18 inches archival pigment print, unframed Limited edition of 10 Inspired by the story of Icarus in Greek my...
Category

2010s Contemporary Hudson - Photography

Materials

Digital Pigment

Untitled 13 (Mark Beard Polaroid Transfer of Young Male Nude on Rives BFK)
By Mark Beard
Located in Hudson, NY
image size: 10 x 8 inches Young male sitting against dark background Polaroid Transfer on 22 x 15 inch Rives BFK paper, unframed signed SM Beard in pencil on bottom right corner. ed...
Category

1990s Contemporary Hudson - Photography

Materials

Archival Paper, Polaroid

Male Nude with Head Down (Sepia Toned Figurative Photograph by David Halliday)
By David Halliday
Located in Hudson, NY
Contemporary figurative sepia toned photograph of nude male model Sepia toned silver gelatin print, edition 3 of 25 Image size: 8 x 8 inches 17.5 x 16.5 x 1 inches framed with 8-ply white mat and non reflective glass. Signed and dated below image with atelier stamp This contemporary figurative photograph was taken by David Halliday in 1998. The sepia toned silver gelatin print beautifully captures a standing male model on a simple monotone background. The nude model's flawless skin complements the similarly toned sepia backdrop, while contrasts in light and shadow accentuate his toned back and shoulder muscles. The figure's casual pose lends a serene atmosphere to the image. This print, 3rd in the edition of 25, is framed in a custom brown wood Larson Juhl frame with an 8 ply white mat and non reflective glass. The print is signed with an atelier stamp on the lower right. About the Artist: David Halliday's photographs are about beauty, pure and simple. His primary subjects are carefully composed still lifes, portraits and landscapes which he shoots in black and white film with only natural light. He is a purist behind the lens, rarely manipulating his negatives in any way, and a master in the darkroom. His work has an ethereal quality that's translated not only through the subject, but also by the warm colors and sepia tones he uses in his printing. More about the work: A master of light, David Halliday produces lush and elegant images that are both classical and modern. Celebrated for his ‘purist’ eye, he poetically captures the nude male body in a selection of sepia-toned prints from 1996. Rarely revealing the model's face, Halliday prefers to focus on the natural drape of limbs, soft folds of flawless skin, and curvature of the spine. Overall, a stunningly intimate portrayal of the male form done with elegance and charm. Resume: Born 1958, Glen Cove, New York Lives in Schodack Landing, NY EDUCATION 1998 Penland School of Crafts, Penland, North Carolina 1988 The Maine Photographic Workshops, Rockport, Maine 1976-79 Syracuse University, New York 1974-76 Wooster School Community Art Center, Danbury, Connecticut SELECTED SOLO EXHIBITIONS 2013 Threadbare/New Photographs, Arthur Roger Galley, New Orleans, LA McMurtrey Gallery, Houston, TX 2012 The Past Still Present, Ogden Museum of Southern Art, New Orleans, LA 2010 Arthur Roger Gallery, New Orleans, LA Wessel+O’Connor Fine Art, Lambertville, NJ Julie Heller...
Category

1990s Contemporary Hudson - Photography

Materials

Silver Gelatin

Untitled 28 (Polaroid Transfer Drawing of a Reclining Male Nude by Mark Beard)
By Mark Beard
Located in Hudson, NY
Polaroid transfer drawing of a reclining male nude on Rive BFK paper by Mark Beard 9.5 x 7 inch image size 22 x 15 inch paper size Ed. 5/6, Polaroid Transfer on Rives BFK paper, unfr...
Category

1990s Contemporary Hudson - Photography

Materials

Archival Paper, Polaroid

Radishes (Contemporary Still Life Study in Light Box with Diffused Light)
By David Halliday
Located in Hudson, NY
11.25 x 11.25 inches unframed Archival pigment print edition of 12 Some of David Halliday's most engaging works are those from his Box Series in which he merges traditional ideas about light and composition with contemporary experiments. In this series an empty cookie tin becomes a tiny studio for food objects. Halliday carefully styles his photographic subjects inside and, allowing only natural light to seep in through a circular window. The results feel less like still lifes and more like intimate portraits of human sustenance. In these photographs, the fleshy curves of a fig, the slick bodies of sardines, even the homeliest porcini mushrooms possess a degree of nobility, providing a refreshing contrast to the compulsive relationship we so often have with food, reminding us to slow down and savor with gratitude. In this particular image, a bunch of radishes with their deep pink skins are are gently brushed with the natural diffused light, echoing techniques associated with a Vermeer painting! About the work: The Past Still Present: A master of light, New Orleans photographer David Halliday produces lush and elegant images that are both classical and modern. Using window...
Category

Early 2000s Contemporary Hudson - Photography

Materials

Archival Pigment

Arranged Turkey Tails (Contemporary Still Life Photograph of Earth Toned Moss)
By Lisa A. Frank
Located in Hudson, NY
Modern still life photograph of earth toned brown and green moss Archival digital scanograph 18 x 13 inches, edition of 75 Additional sizes available This contemporary, archival di...
Category

2010s Modern Hudson - Photography

Materials

Archival Ink, Digital

Lampshade, New York
By Patricia Heal
Located in Hudson, NY
Edition # 1/10 This is the framed price listed. The photograph is also available unframed in the two additional sizes listed. Heal disguises her contemporary characters in a fict...
Category

1990s Modern Hudson - Photography

Materials

C Print

Grey & Green Patchwork (Aerial Landscape Photograph of Farm Fields in Spain)
By John Griebsch
Located in Hudson, NY
Contemporary aerial landscape photograph of blue, gray, green and teal farm fields captured from the photographer's plane over La Mancha, Spain Archival digital print, edition 5 of 2...
Category

2010s Contemporary Hudson - Photography

Materials

Archival Ink, Archival Paper, Digital Pigment

Raggy (Circular Color Photograph of Red Mythical Figure in an Arctic Landscape)
By Nicholas Kahn & Richard Selesnick
Located in Hudson, NY
Circular color photograph a red mythical figure in an icy Arctic landscape Archival pigment print, ed. of 5 10 inch diameter image on 22 x 17 inc...
Category

2010s Contemporary Hudson - Photography

Materials

Archival Pigment

Cloud Horse
By Benjamin Heller
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Edition of 5. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced ...
Category

21st Century and Contemporary Hudson - Photography

Materials

Silver Gelatin

Five Fish (Color Food Still Life Photograph of Fish on Tabletop with Mint Green)
By David Halliday
Located in Hudson, NY
Formalist style color still life photograph of five sardine fish on a white marble tabletop with a mint green background "Five Fish", 2007 Archival pigment print, edition of 25 Image size: 11 x 14 inches 17 x 21 inches with light wood frame with non-glare glass and 8-ply white mat Excellent condition, ready to hang as is Halliday captures the beauty of a traditional still life with a contemporary spin. Here 5 fish lay on a table against a light green background. The print is part of an edition of 25, is currently framed in a light wood frame with non-glare glass and an 8-ply white mat. The artist's signature is located on the back and front. About the Artist: David Halliday's photographs are about beauty, pure and simple. His primary subjects are carefully composed still lifes, portraits and landscapes which he shoots in black and white film with only natural light. He is a purist behind the lens, rarely manipulating his negatives in any way, and a master in the darkroom. His work has an ethereal quality that's translated not only through the subject, but also by the warm colors and sepia tones he uses in his printing. More about the work: A master of light, David Halliday produces lush and elegant images that are both classical and modern. Celebrated for his ‘purist’ eye, he poetically captures the nude male body in a selection of sepia-toned prints from 1996. Rarely revealing the model's face, Halliday prefers to focus on the natural drape of limbs, soft folds of flawless skin, and curvature of the spine. Overall, a stunningly intimate portrayal of the male form done with elegance and charm. Resume: Born 1958, Glen Cove, New York Lives in Schodack Landing, NY EDUCATION 1998 Penland School of Crafts, Penland, North Carolina 1988 The Maine Photographic Workshops, Rockport, Maine 1976-79 Syracuse University, New York 1974-76 Wooster School Community Art Center, Danbury, Connecticut SELECTED SOLO EXHIBITIONS 2013 Threadbare/New Photographs, Arthur Roger Galley, New Orleans, LA McMurtrey Gallery, Houston, TX 2012 The Past Still Present, Ogden Museum of Southern Art, New Orleans, LA 2010 Arthur Roger Gallery, New Orleans, LA Wessel+O’Connor Fine Art, Lambertville, NJ Julie Heller Gallery, Provincetown, MA Graficas Gallery, Nantucket, MA 2009 Culinary Delights, San Antonio Museum of Art, San Antonio, TX Two Decades: David Halliday, Carrie Haddad Photographs, Hudson, NY 2008 Arthur Roger Gallery, New Orleans, LA Still-Life, Stephen Cohen Gallery, Los Angeles, CA Carrie Haddad Gallery, Hudson, NY Watermark Gallery, Houston TX Strange Fruit: David Halliday and Greg Kuharic...
Category

Early 2000s Modern Hudson - Photography

Materials

Archival Pigment

Untitled 19 (Polaroid Transfer of Young Nude Man in Bed on Rives BFK)
By Mark Beard
Located in Hudson, NY
image size: 8 x 10 inches Young Nude Man in Bed Unique Polaroid Transfer on 22 x 15 inch Rives BFK paper, unframed signed SM Beard in pencil on bottom left...
Category

1990s Contemporary Hudson - Photography

Materials

Archival Paper, Polaroid

Capitol Theatre Lobby (Contemporary Photograph of an Abandoned Interior)
By Elliott Kaufman
Located in Hudson, NY
Contemporary color photograph of the interior of an abandoned theater 35 x 25 inches unframed 41.5 x 31.5 inches in white wood frame with AR non-glare glass This contemporary photograph of an abandoned theater interior was captured by New York based photographer, Elliott Kaufman, in 2005. Here the artist highlights the beautiful fading facade of the once renowned Capitol Theater in New London, CT. The photograph is complimented with a custom white wood frame measuring 41.5 x 31.5 inches. There is wiring on the back for installation. About the series: Elliott Kaufman conveys the haunting magnificence of forgotten buildings in the Abandoned series. Architectural marvels once home to heartbreaking operas, spectacular gatherings, or a loving family now sit vacant and linger in fading memories of the past with each new crack of paint, crumbling brick, or falling beam. Through his lens, Kaufman captures the remnants of these majestic structures, romanticizing what once was for viewers in the present day. This series won 2nd place in the ASMP National Competition. Exhibitions: 2014 Carrie Haddad Gallery: Water Pictures : December 18th thru January 2015. 2014 International Center of Photography, Juried Group Faculty Show: Photographs in the Social Landscape 2013 Carrie Haddad Gallery, Hudson, NY. Group Show: Street Dance Series 2012 Carrie Haddad Gallery, Hudson, NY. Group Show : Time Transformations 2012 The Hudson Studio, Hudson, NY.: Solo Show : Abandoned Architecture. 2011 Garrison Art Gallery, Juried Group Show 2010 Alan Klotz Gallery, Group Show on the 400th Anniversary of the Hudson River. 2009 Through the Eyes of Others Photographs of India...
Category

Early 2000s Contemporary Hudson - Photography

Materials

Archival Ink, Archival Paper, Digital

Mark Dancing (Polaroid Transfer of a Nude Man Smoking in Socks on Rives BFK)
By Mark Beard
Located in Hudson, NY
image size: 10 x 8 inches Standing Nude Male Flexing in Socks and Shoes Smoking a Cigarette Polaroid Transfer on 22 x 15 inch Rives BFK paper, unframed signed SM Beard in pencil on...
Category

1990s Contemporary Hudson - Photography

Materials

Archival Paper, Polaroid

Beach Samba, New York
By Patricia Heal
Located in Hudson, NY
Edition #8/15 This is the framed price listed. The photograph is also available unframed in the two additional editioned paper sizes listed. In her most recent collection of photo...
Category

1990s Modern Hudson - Photography

Materials

C Print

Lily Pond (Realist Black & White Landscape Photo of Floating Botanicals)
By Betsy Weis
Located in Hudson, NY
Minimalist landscape photograph of black and white lilies on water "Lily Pond", photographed by Betsy Weis in 2006 archival inkjet print on watercolor paper 20 x 30 inches, 27 x 37 inches in white frame with white mat & anti-reflective non-glare glass Wire backing for easy installation, ready to hang as is Photographed at the Brooklyn Botanic Garden, this black and white archival pigment print by Betsy Weis captures a cluster of water lilies afloat on a glassy, onyx-like body of water. Looming clouds are reflected in the pond's serene surface. Crisp, moody, and rich in texture, the photograph can stand on its own as a quiet glimpse at nature, or can be juxtaposed with others in the series to form a more complete vision. This photograph is available unframed, $1700. The image measures 20 x 30 inches, and the paper measures 24 x 26 inches. Artist statement: Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain. I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...
Category

Early 2000s Contemporary Hudson - Photography

Materials

Archival Pigment, Archival Paper

Autumn Magnolia (Delicate Photograph on Rice Paper of Plum Colored Blossoms)
By Jeri Eisenberg
Located in Hudson, NY
"Autumn Magnolia No. 1" Abstract still life photograph of deep plum Magnolia petals and green leaves against a white sky background Photograph printed on Japanese Kozo paper infused ...
Category

2010s Contemporary Hudson - Photography

Materials

Wax, Encaustic, Archival Paper, Mulberry Paper

Nature's First Green is Gold: Abstract Still Life Photograph of Green Plants
By Lisa A. Frank
Located in Hudson, NY
Colorful, Maximalist style floral still life photograph of green plants and flowers with gold lights and fireworks Archival digital print, made to order 48 x 40 inches, edition of 15...
Category

Early 2000s Modern Hudson - Photography

Materials

Archival Ink, Digital

Bobbers (Contemporary Nautical Still Life Photo of Fishing Bobbers on White)
By David Halliday
Located in Hudson, NY
Nautical color still life photograph of colorful fishing bobbers on a white background archival pigment print, edition of 10 20 x 20 inch paper size with 16 inch diameter image size ...
Category

2010s Contemporary Hudson - Photography

Materials

Archival Pigment

Beach Samba, Hamptons, NY, 1998
By Patricia Heal
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Edition of 15. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: This photograph is currently on exhibition at Robin Rice Gallery's 2018 Summertime Salon. It depicts a woman in a statement red straw hat...
Category

1990s Hudson - Photography

Materials

C Print

Chet
By Jose Picayo
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Edition of 40. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...
Category

21st Century and Contemporary Hudson - Photography

Materials

Photographic Paper

Mirrored Lake (Sepia tone Landscape Photograph taken in Louisana)
By David Halliday
Located in Hudson, NY
sepia toned silver gelatin print, edition 1 of 25 17.5 x 17.5 inches unframed, 30.5 x 30.5 inches framed Frame is dark brown wood molding, 8 ply antique white mat and glass Sepia toned silver gelatin print of a serenely still lake in Louisiana When Time Stands Still. The Photographs of David Halliday Whether traveling to a foreign land, wandering through a neighborhood marketto shop for food, or engaging in convivial conversation with a friend at his home,David Halliday is easily charmed, intrigued, excited, or amused by all that surroundshim. An artful documenter of life, Haliday uses his camera as a tool for recording themultitudinous special moments that capture his attention. Once in the darkroom, heeditorializes his finds, subtly embellishing each image until it somehow evokes thesensation that led him to photograph a subject in the first place. With the exception of a series of platinum print portraits, Halliday produces all of hisphotographs as sepia toned silver gelatin prints. Both processes are highly trad-itional and, in requiring that the artist avoid the use of any color other than sepia,they stand in sharp contrast to splashier modes such as Cibachrome, Polaroid, or digitally produced Iris prints […]. For Halliday, the warm tones afforded by age-old processes reflect his desire to reclaim the past or cherish the present in the form of soft, tranquil, frozen moments...
Category

1990s Contemporary Hudson - Photography

Materials

Silver Gelatin

Baroque Back (Polaroid Transfer of Standing Young Nude Man on Rives BFK)
By Mark Beard
Located in Hudson, NY
image size: 8 x 10 inches Standing Young Nude Man Polaroid Transfer on 22 x 15 inch Rives BFK paper, unframed signed SM Beard in pencil on bottom left corner. ed. 1/6 This is one i...
Category

1990s Contemporary Hudson - Photography

Materials

Archival Paper, Polaroid

Untitled 17 (Polaroid Transfer of Standing Young Nude Man on Rives BFK)
By Mark Beard
Located in Hudson, NY
image size: 10 x 8 inches Standing young nude male with dark background Polaroid Transfer on 22 x 15 inch Rives BFK paper, unframed signed SM Beard in pencil on bottom right corner....
Category

1990s Contemporary Hudson - Photography

Materials

Archival Paper, Polaroid

Garden Chair: Modern Still Life Photograph of Domestic Objects by David Halliday
By David Halliday
Located in Hudson, NY
Contemporary still life photograph of domestic objects and gardening tools by David Halliday "Garden Chair", ed. 1 of 7, archival pigment print 29.75 x 20 inches unframed, 34 x 24.5...
Category

2010s Contemporary Hudson - Photography

Materials

Archival Pigment

Dusk Lilies (Black & White Landscape Still Life Photograph of Water Lilies)
By Betsy Weis
Located in Hudson, NY
Minimalist landscape photograph of black and white lilies on water "Dusk Lilies", photographed by Betsy Weis in 2006 archival inkjet print on watercolor paper 20 x 30 inches, 27 x 37 inches in white frame with white mat & anti-reflective non-glare glass Wire backing for easy installation, ready to hang as is Photographed at the Brooklyn Botanic Garden, this black and white archival pigment print by Betsy Weis captures a cluster of water lilies afloat on a glassy, onyx-like body of water. Looming clouds and nearby trees are reflected in the pond's serene surface. Crisp, moody, and rich in texture, the photograph can stand on its own as a quiet glimpse at nature, or can be juxtaposed with others in the series to form a more complete vision. This photograph is available unframed, $1800. The image measures 20 x 30 inches, and the paper measures 24 x 26 inches. Artist statement: Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain. I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...
Category

Early 2000s Contemporary Hudson - Photography

Materials

Archival Pigment

The Sky is Wide Open: Abstract Still Life Photograph of Purple & Green Flowers
By Lisa A. Frank
Located in Hudson, NY
Bright, Maximalist style still life photograph of purple and green flowers and yellow lights against a black background Archival digital print, made to order 24 x 24 inches, edition ...
Category

2010s Modern Hudson - Photography

Materials

Archival Ink, Digital

Chicago, 2002
By Robin Rice
Located in Hudson, NY
Robin Rice is a successful gallerist and photographer having spent the past 40 years living and working in New York City and Bridgehampton. While still the owner of the Robin Rice Ga...
Category

Late 20th Century Contemporary Hudson - Photography

Materials

Archival Pigment

Tulip Mania (Circular Color Photograph of Figures & Flowers)
By Nicholas Kahn & Richard Selesnick
Located in Hudson, NY
Circular color photograph of figures in a white landscape with red and white tulips Archival pigment print, ed. of 5 10 inch diameter image on 22 x 17 inch archival paper Made to order, unframed This circular photograph...
Category

2010s Contemporary Hudson - Photography

Materials

Archival Pigment

Summer Lilies: Black and White Archival Pigment Print on Watercolor Paper
By Betsy Weis
Located in Hudson, NY
Betsy Weis (Photography) Summer Lilies, 2006 20" X 30" $1,700.00 archival inkjet print on watercolor paper (Also available with 27 x 37 inches in white frame with white mat & AR non-glare glass, $2,000) Image: 20 x 30 inches Paper: 24 x 36 inches Photographed in Wellfleet in Cape Cod, this black and white archival pigment print by Betsy Weis captures a cluster of water lilies afloat on a glassy, onyx-like body of water. Crisp, moody, and rich in texture, the photograph can stand on its own as a quiet glimpse at nature, or can be juxtaposed with others in the series to form a more complete vision. This photograph is available unframed. The image measures 20 x 30 inches, and the paper measures 24 x 26 inches. Artist statement: Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain. I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...
Category

Early 2000s Contemporary Hudson - Photography

Materials

Archival Pigment

Rockface 27: Still Life of Graphic Jagged Rock Cliff in Black and White)
By Andrew Buck
Located in Hudson, NY
Rockface 27 by Andrew Buck archival pigment print, edition of 5 44 x 44 inches framed Print is dry mounted without glazing (no glass). Black metal frame is approx 1/2 inch face widt...
Category

2010s Contemporary Hudson - Photography

Materials

Archival Pigment

Lily Pond: Black and White Archival Pigment Print on Watercolor Paper
By Betsy Weis
Located in Hudson, NY
Betsy Weis (Photography) Lily Pond, 2006 20" X 30" archival pigment print on watercolor paper (Also available 27 x 37 inches in white frame with white mat & AR non-glare glass, $2,...
Category

Early 2000s Contemporary Hudson - Photography

Materials

Archival Pigment

Quarry Near Louisburg (Industrial Aerial Grey Stone Landscape Photograph)
By John Griebsch
Located in Hudson, NY
Contemporary aerial landscape photograph of a light grey stone quarry with dark dramatic shadows shot by photographer, John Griebsch, while flying his plane over Louisburg, NC Archiv...
Category

2010s Contemporary Hudson - Photography

Materials

Archival Ink, Archival Paper, Digital Pigment

Tree and Pond, Ghent (Sepia Toned Pigment Print of a Sunlit Landscape)
By James Bleecker
Located in Hudson, NY
Tree and Pond, Ghent NY, 2018 pigment print on watercolor paper, signed dated and numbered on face 20 X 24, edition of 25 $2,500.00 also available in 13 x 16 inches, edition of 25 $1,500 This Black and White Sepia-toned print of a pond in upstate New York was taken by photographer, James Bleecker. The rural scene depicts a leafy tree streaming with sunlight. The pond in the background is surrounded by trees and reflects some of the golden light. Artist Statement: These photographs span the last decade of nearly four that I have worked in the Hudson River valley. While I have photographed landscapes, towns and cities, I have chosen a selection of rural scenes for this show. All are in Columbia County except “Allee,” (Tuxedo Park) and Quimby Farm (Marlborough). My photography spans four decades of living in the Hudson River Valley. While my Dutch ancestors settled here early - Bleecker and Verplanck are common place names - I don't know what, if any, pull that fact exerts. Certainly I'm attracted to the layers of time exposed here; in ancient stone walls, leaning barns, faded mansions and mill towns. The valley exudes boom and bust, love and leavings. About the Artist: James Bleecker photographs the landscapes and architecture of his native New York State. Since 1983 his work has spanned independent fine art photography and commercial architectural photography. Much of his work has been commissioned by museums and historic preservation groups in the Hudson River valley. About James’s work, Edgar Munhall, Curator Emeritus of The Frick Collection, has written, "James's work is powerful and mature. Rigorously composed and technically perfect, his photographs can reduce you to tears by their beauty." Collections: Berkshire Museum Barry Diller...
Category

2010s Contemporary Hudson - Photography

Materials

Archival Pigment

Trees in the Distance (Black and White Archival Inkjet Print of a Meadow)
By Betsy Weis
Located in Hudson, NY
archival inkjet print on watercolor paper 10 x 13 inches unframed 2016 Photographed in Maine, this black and white archival pigment print by Betsy Weis captures a trees in a meadow. The serenity of the sky and grassy meadow in soft grays are contrasted by the leafy tress in the distance. This photograph is available unframed. The image measures 10 x 13 inches. Artist statement: Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain. I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...
Category

2010s Contemporary Hudson - Photography

Materials

Archival Pigment

Untitled 30 (Polaroid Transfer Drawing of a Classical Column Base by Mark Beard)
By Mark Beard
Located in Hudson, NY
Polaroid transfer drawing of a Classical column base on Rives BFK paper by Mark Beard 7 x 9.5 inch image size 22 x 15 inch paper size Ed. 1/6, Polaroid Transfer on Rives BFK paper, u...
Category

1990s Modern Hudson - Photography

Materials

Archival Paper, Polaroid

"Nebatieh, Lebanon, 2007" HOOPS basketball court limited edition photograph
By Sean Hemmerle
Located in New York, NY
17"x20.5" fine art photograph, limited editon of 5- hand signed and editioned by the artist. This color photograph depicts a basketball court in Nebatieh, Lebanon, with the hand painted N...
Category

2010s Contemporary Hudson - Photography

Materials

Photographic Paper

Staircase (Square, Sepia Toned Vintage Photograph of a Spiral Staircase)
By David Halliday
Located in Hudson, NY
Sepia toned silver gelatin print, edition 4 of 25 Custom black stained wood molding with visible grain 8-ply antique white mat with AR non glare glass. 4.5 x 4.5 inches unframed, 17 x 17 inches framed This square sepia toned silver gelatin print of a Victorian spiraling staircase...
Category

1990s Modern Hudson - Photography

Materials

Silver Gelatin

Dusk Lilies: Framed Black and White Archival Pigment Print on Watercolor Paper
By Betsy Weis
Located in Hudson, NY
Betsy Weis (Photography) Dusk Lilies, 2006 20" X 30" archival inkjet print on watercolor paper 27 x 37 inches in white frame with white mat & AR non-glare glass Image: 20 x 30 inche...
Category

Early 2000s Contemporary Hudson - Photography

Materials

Archival Pigment

Paris 9:21PM, Paris
By Leonardo Pucci
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Edition of 20 CURRENT EXHIBITION - runs through May 6, 2018. Any framed photographs purchased during the show will be aft...
Category

2010s Contemporary Hudson - Photography

Materials

Archival Pigment

No. 47 (Framed Flower Still Life Photograph of a Pink Peony on Black)
By Chad Kleitsch
Located in Hudson, NY
Framed flower still life photograph of a pale pink peony on a solid black background “Untitled 47” by Chad Kleitsch, this image is part of th...
Category

2010s Contemporary Hudson - Photography

Materials

Archival Ink, Archival Paper

Allee, Tuxedo Park (Sepia Toned Pigment Print of Trees Along a Sunlit Path)
By James Bleecker
Located in Hudson, NY
Allee, Tuxedo Park, 2018 pigment print on watercolor paper, signed dated and numbered on face 16 1/4 X 13 edition of 4/25 $1,500 24 x 20, edition of 25, $2...
Category

2010s Contemporary Hudson - Photography

Materials

Archival Pigment

In Memory Of #10 (Abstract Monoprint)
By Birgit Blyth
Located in Hudson, NY
Unique chromoskedasic monoprint on photographic paper 22 x 18 inches framed This contemporary, abstract style chromoskedasic monoprint was created by experimental photographer Birgi...
Category

2010s Contemporary Hudson - Photography

Materials

Photographic Paper, Monoprint

Summer Lilies (Realist Black & White Landscape Photograph of Botanicals)
By Betsy Weis
Located in Hudson, NY
Minimalist landscape photograph of black and white waterlilies "Summer Lilies", photographed by Betsy Weis in 2006 archival inkjet print on watercolor paper 20 x 30 inches, 27 x 37 inches in white frame with white mat & anti-reflective non-glare glass Wire backing for easy installation, ready to hang as is Photographed at the Brooklyn Botanic Garden, this black and white archival pigment print by Betsy Weis captures a cluster of water lilies afloat on a glassy, onyx-like body of water. Looming clouds are reflected in the pond's serene surface. Crisp, moody, and rich in texture, the photograph can stand on its own as a quiet glimpse at nature, or can be juxtaposed with others in the series to form a more complete vision. This photograph is available unframed, $1700. The image measures 20 x 30 inches, and the paper measures 24 x 26 inches. Artist statement: Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain. I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...
Category

Early 2000s Contemporary Hudson - Photography

Materials

Archival Pigment, Archival Paper

Barn, New Concord (A tranquil winter scene of Barn and Evergreen in Sepia)
By James Bleecker
Located in Hudson, NY
Barn, New Concord pigment print on watercolor paper Available in the following sizes: 13 x 16, edition of 25 $1500 20 x 24, edition of 25 $2500 40x50, edition of 25 $6,500 This Black and White Sepia-toned print of a barn in the snow was taken by photographer, James Bleecker. The nearly monochromatic, picturesque landscape depicts an idealistic rural scene lit beautifully by an overcast sky. Artist Statement: These photographs span the last decade of nearly four that I have worked in the Hudson River valley. While I have photographed landscapes, towns and cities, I have chosen a selection of rural scenes for this show. All are in Columbia County except “Allee,” (Tuxedo Park) and Quimby Farm (Marlborough). My photography spans four decades of living in the Hudson River Valley. While my Dutch ancestors settled here early - Bleecker and Verplanck are common place names - I don't know what, if any, pull that fact exerts. Certainly I'm attracted to the layers of time exposed here; in ancient stone walls, leaning barns, faded mansions and mill towns. The valley exudes boom and bust, love and leavings. About the Artist: James Bleecker photographs the landscapes and architecture of his native New York State. Since 1983 his work has spanned independent fine art photography and commercial architectural photography. Much of his work has been commissioned by museums and historic preservation groups in the Hudson River valley. About James’s work, Edgar Munhall, Curator Emeritus of The Frick Collection, has written, "James's work is powerful and mature. Rigorously composed and technically perfect, his photographs can reduce you to tears by their beauty." Collections: Berkshire Museum Barry Diller...
Category

2010s Contemporary Hudson - Photography

Materials

Archival Pigment

End of Summer (Realist Black & White Still Life Landscape of Lily Pads on Water)
By Betsy Weis
Located in Hudson, NY
Minimalist landscape photograph of black and white lily pads on water "End of Summer", photographed by Betsy Weis in 2006 archival inkjet print on watercolor paper 20 x 30 inches, 27 x 37 inches in white frame with white mat & anti-reflective non-glare glass Wire backing for easy installation, ready to hang as is Photographed at the Brooklyn Botanic Garden, this black and white archival pigment print by Betsy Weis captures a cluster of water lilies afloat on a glassy, onyx-like body of water. Looming clouds are reflected in the pond's serene surface. Crisp, moody, and rich in texture, the photograph can stand on its own as a quiet glimpse at nature, or can be juxtaposed with others in the series to form a more complete vision. This photograph is available unframed, $1700. The image measures 20 x 30 inches, and the paper measures 24 x 26 inches. Artist statement: Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain. I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...
Category

Early 2000s Contemporary Hudson - Photography

Materials

Archival Pigment, Archival Paper

Fish Net Light (Sepia Toned Landscape of Net in Water and Reflection from Tonga)
By David Halliday
Located in Hudson, NY
Sepia Toned Landscape of Net in Water and Reflection from Tonga 17 x 17, edition 5 of 25 Silver Gelatin Print, unframed David Halliday's series consists of sepia-toned still lives ...
Category

1990s Contemporary Hudson - Photography

Materials

Archival Pigment

Other Desert Cities, Joshua Tree, CA, 2018
By Thomas Michael Alleman
Located in Hudson, NY
This listing is for the unframed photograph. The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...
Category

2010s Contemporary Hudson - Photography

Materials

Archival Pigment

Lactarius with Bell Flowers (Modern Digital Mushroom and Flower Still Life)
By Lisa A. Frank
Located in Hudson, NY
Archival digital scanograph 25 x 18 inches, edition of 150 Additional sizes available This contemporary, archival digital scanograph was made by fine art photographer, Lisa Frank, i...
Category

2010s Contemporary Hudson - Photography

Materials

Archival Ink, Digital

Panel with Snakes, Turtles, and Dove (Archival Digital Printed Collage Panel)
By Lisa A. Frank
Located in Hudson, NY
Panel with Snakes, Turtles, and Dove, 2010 54 x 20.75 inches, edition of 20 (Pictured Gallery view shown - 94 x 36 inches, edition of 15) archival digital print, unframed This conte...
Category

2010s Modern Hudson - Photography

Materials

Archival Ink, Digital

White Mist
By Lynda Churilla
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Edition of 5. CURRENT EXHIBITION - runs through October 30th, 2016. Any framed photographs purchased during the show wil...
Category

21st Century and Contemporary Contemporary Hudson - Photography

Materials

Archival Pigment

Log Rafts - Port of Tacoma, WA (Archival Digital Aerial Landscape Photograph)
By John Griebsch
Located in Hudson, NY
Minimalist aerial landscape photograph of golden brown logs in a midnight blue body of water Log Rafts - Port of Tacoma, Washington, USA Archival digital print, Edition of 25 (#080) Image size 21.7 x 29 inches with 2 inch border, made to order Also available in the following sizes: Image size 31 x 39 inches with 2 inch border $3200 Image size 38.5 x 48 inches with 2 inch border $4500 The aerial photographs of pilot and photographer John Griebsch capture natural and man-made landforms from a bird's-eye view and turn them into art. Employing his mature and professional sense of composition, gained from a photography career that began at the age of 12, Griebsch here photographs golden brown logs floating on a dark blue, almost black, body of water. When seen from above, the cross hatching warm brown colored logs resemble an abstract shape that can be likened to an abstract minimalist painting. Artist statement: My aerial photographs present a sense of selective design applied to an extremely small and specific area of the vast landscape over which I fly. I find the need to make geographical sense of the earth, as well as the need to make visual sense of a photograph. I work with ambiguity of scale, the graphic quality of nature and with the hand of man upon the landscape. My images have an abstract and often painterly quality. They are at once factual and interpretive. Familiar landscapes take on a fresh context when airborne. The images require the confluence of several factors. There is the subject – a minuscule segment of the landscape that has captured my interest due to its sense of pattern, order or disarray. There is the essential contribution of light. There is the position and altitude of the airplane, and there is a need to capture the stillness and composition of the moment while moving over the subject at more than seventy miles per hour. My earliest aerial photographs were of ice and farmland, made close to home. The scope of the work opened up on solo flights across the continent in my vintage 1952 Cessna 170B. Those flights are made to find images of landscapes on a grander scale as well as unfamiliar opportunities to find images that take in a small detail. In my most recent work I’ve discovered what might be regarded as historical or documentary themes – some of the images of factories and quarries present relics of the country’s industrial past, while my newer images of the landscape and agriculture denote changes in the scale of farming and open space. The existing body of work, titled Aerias is comprised of more than two hundred images. Collections of my images have been placed in corporate and business settings and in private collections. I started photographing when I was twelve years old. My father taught me to fly when I was fourteen years old. Before taking off on my first solo flight, he admonished me not to go out of sight of the airport. I was soon out of his view and yet from where I was, the airport was always in sight. Such are the perceptions of a photographer who is airborne. More about the artist: Resume John Griebsch is an aerial photographer and pilot whose aerial landscapes depict natural and man-made landforms. His images of the American landscape have been made from his vintage Cessna 170, in which he has logged more than 100,000 miles. At present there are 300 images in his series of work, titled, AERIAS. Representation Iris Gallery, Boston & Great Barrington, Massachusetts, Aspen, Colorado Carrie Haddad Photographs, Hudson, New York The Art Registry, Washington, DC Chicago Art Source, Chicago, Illinois June Bateman Fine Art, New York, New York Estro Photographics, New York, New York Susan...
Category

Early 2000s Contemporary Hudson - Photography

Materials

Archival Ink, Archival Paper, Digital Pigment

Number 11 (Black Series) (Off-White Rose on Black Background, Floral Still Life)
By Chad Kleitsch
Located in Hudson, NY
All editions are printed on Hahnemuhle Photo Rag Matte Paper with Epson archival quality inks Contemporary close-up view of a cream colored rose with on a crisp black background. P...
Category

21st Century and Contemporary Hudson - Photography

Materials

Archival Ink, Archival Paper

Woodland Night (Modern Still Life Photograph, Green Plants on Black Background)
By Lisa A. Frank
Located in Hudson, NY
Archival digital scanograph 18 x 13 inches, edition of 225 Additional sizes available This contemporary, archival digital scanograph was made by fine art photographer, Lisa Frank, i...
Category

Early 2000s Modern Hudson - Photography

Materials

Archival Ink, Digital

Floating Factory
By Nicholas Kahn & Richard Selesnick
Located in Hudson, NY
archival pigment print 24 x 24 inches unframed This contemporary, surrealist style photograph was printed by the artistic duo, Kahn & Selesnick, in 2010. The print is part of their 'Mar: Adrift on the Hourglass Sea' series which features deserted landscapes in outer space. In this image, a mysterious and otherworldly mechanism floats through the Martian landscape. It is unknown who or what is operating it. With this imagery, the artists entice an imaginative narrative where the viewer is left to conjure up their own story. About the series: "Mars: Adrift on the Hourglass Sea" is Kahn and Selesnick’s first project to feature a female protagonist; a woman finds herself alone in a wasteland that appears to be Mars. It is uncertain how she arrived in this place, via spacecraft, through a fold in the space-time continuum or perhaps the landscape is a mental projection. Either way, it is clear that she has escaped an unnamed catastrophe on Earth. In a series of hallucinatory episodes she simultaneously explores the planet and builds a mock-life for herself from a combination of high-tech and stone-age materials. Mars is revealed to have ruined artifacts and monuments from a previous, or perhaps future, civilization. The remains of massive stone listening devices are littered about the landscape, leading us to wonder: is this a colony that has collapsed and lost touch with earth? How did its occupants become stranded? Or are these the nocturnal imaginings of a post-apocalyptic survivor? About the artists: The ultimate storytellers, who have been showing with Carrie Haddad Gallery for more than 20 years, are Nicholas Kahn and Richard Selesnick...
Category

2010s Contemporary Hudson - Photography

Materials

Archival Pigment

Magnolia Leaf (Framed Sepia Toned Still Life Photograph of Single Leaf)
By David Halliday
Located in Hudson, NY
Framed still life photograph of single magnolia leaf Sepia toned silver gelatin print, vintage uneditioned print Custom black stained wood molding with visible grain 8-ply antique w...
Category

1990s Modern Hudson - Photography

Materials

Silver Gelatin

White Oar (Contemporary Nautical Still Life Photo with Neutral Palette)
By David Halliday
Located in Hudson, NY
Nautical color still life photograph of a white oar and coiled rope archival pigment print, edition of 10 20 x 20 inch paper size with 16 inch diameter image size This contemporary nautical still life photograph was made by Hudson Valley based photographer, David Halliday. The antique white oar image is part of the artist's 'Portal' series photographed in an old fish shanty...
Category

2010s Contemporary Hudson - Photography

Materials

Archival Pigment

End of Summer: Black and White Archival Pigment Print on Watercolor Paper
By Betsy Weis
Located in Hudson, NY
Betsy Weis (Photography) Dusk Lilies, 2006 20" X 30" archival inkjet print on watercolor paper (Available in 27 x 37 inches in white frame with white mat & AR non-glare glass, $2,00...
Category

Early 2000s Contemporary Hudson - Photography

Materials

Archival Pigment

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