London

A superb heavy tribal bracelet from the Horn of Africa, attributed to the Ethiopian, Somali, or Nubian regions. Crafted from high-grade silver, this substantial piece is richly decor...

'The Pond of Flowers', oil on canvas, by Marie-Lucie Nessi-Valtat (circa 1960s). This exquisite oil painting captures the tranquil beauty of a serene pond, its delicate surface refle...

This painting [Golden Summer: Sunlit - Rosa Albertines] was painted Plein Air, in Shizico's own garden of the memorial roses she planted. This is Rosa Albertine, the first Old Engli...

The Vanguard Series Nr. V: A Collection of Postwar European Abstractions", oil on board, by JG (circa 1950s–70s). A compelling body of work emerging from the forgotten studios and at...

Vuccino And Rava 1958 - Slim Aarons Estate Edition Carla Vuccino, wearing a swimming cap, and a sunbathing Marina Rava, both wearing bikinis as they sit on the rear of a boat, on th...

George Trollope and Sons. Exhibited at the Paris Universal Exhibition in 1878 winning a Gold Medal for Excellence. The set forms the four sides of a complete panelled room that was exhibited as a boudoir room or petit salon at the Paris Exhibition 1878 . The main feature and centrepiece of this boudoir room is the Rosso Antico marble fireplace surmounted by an open display niche carved in cedar wood. Each side of the room is composed of various panels and are as follows: One side with a grand Rosso Antico marble fireplace flanked by two doorways. One side with French doors originally opening onto a balcony, flanked by two large bookshelves. One side with a window flanked by two mirrors. The opposite side with three large mirrors. The complete room measures: 21 ft / 6.4 m wide, 17 ft / 5.18 m deep, and 12 ft / 3.65 m high. It could also be used in a number of different combinations to suit various room layouts. The mirrors could be replaced with windows or further bookcases. Each side is decorated with various sizes of finely carved panels and holds ornate Corinthian style columns surmounted with cherubim's on the capitals. Three cherubs are formed at the top of each corner with three columns, at the column bases there are circular carved pedestals to display statues. Published & illustrated in the ‘Illustrated Catalogue of the Paris International Exhibition’. The main part of this room, the Rosso Antico marble fireplace is surmounted by a large open display niche carved in cedar wood are illustrated with a line drawing in the Paris Universal Exhibition catalogue on page 209. The whereabouts of the seminaked caryatids and the marble bust of Alexander Pope are unknown. The bust of Alexander Pope was copied from the original one in Westminster Abbey, London. The Corinthian columns now flanking the niche above the fireplace are also in cedar wood having the identical carved fluting to the rest of the room and were made to replace the caryatid figures. Those Corinthian columns are period to the room and can only have been made shortly after it arrived back to London and before it was reassembled and fitted into the house built by George Trollope and Sons in the 1880's, and where we removed it all from. George Trollope made clever use of Alexander Pope's early 18th-century poetical successes in Great Britain and France by using ‘The Rape of Lock’, a mock-heroic narrative poem Pope wrote in 1712 about Petre who cut off a lock of Arabella’s hair without her permission, as the theme of the boudoir room or petit salon at the 1878 Paris Exhibition. In the original exhibition display of the room set, tapestries depicting the Rape of Lock were hung where the mirrors are now positioned. Alexander Pope's The Rape of the Lock is a humorous indictment of the vanities and idleness of 18th-century high society. Basing his poem on an actual incident among two families of his acquaintance, Pope intended his verses to quench hot tempers and to encourage his friends to laugh at their own foolishness. The poem is an outstanding example in the English language of the genre of mock-epic. The 'epic' was considered one of the most serious of literary forms; it had been applied, in the classical period, to the trivialities of love and war. Pope’s mock-epic is not to mock the form itself, but to mock his society in its very failure to rise to epic standards, exposing its pettiness by casting it against the grandeur of the traditional epic subjects and the bravery and fortitude of epic heroes: Pope’s mock-heroic treatment in The Rape of the Lock underlines the ridiculousness of a society in which values have lost all proportion, and the trivial is handled with the gravity and solemnity that ought to be accorded to truly important issues. The 18th-century society in this poem fails to distinguish between things that are important and things that are not. The poem mocks the men it portrays by representing them as unworthy of a heroic culture. Therefore the mock-epic follows the epic in that its main concerns are serious and moral. The point that the theme must now be satirical rather than earnest is symptomatic of how far the culture has fallen. Retaining the original exhibition label The back of the panelling still retains two original labels printed with the 'Union Jack' and printed adjacent to it, 'The Secretary Royal British Commission for the Universal Exhibition 1878 Champ de Mars Paris'. Adjacent to that and below, printed and written in ink vertically: Exhibitor: (and signed in ink) George Trollope & Sons. Address: (written in ink) Halkin Street West. London. Allotment in Block: (written in ink) a2. In the printed floor plan 'a2 square' is in the very first line to the right of the floor plan and handwritten in ink with a 'diamond shape' also written with '101' within it. This pin points where George Trollope's stand was located. With thousands of items being displayed at the Exhibition, this label would have been the floor plan for the craftsmen, so they knew the correct place to install the boudoir room or petit salon. The firm continued expanding house building and interior decoration side of the business and by 1849 was also trading as an estate agency, letting and controlling property for the Grosvenor Estates. A separate branch of cabinet-makers, bearing the family name, was opened at West Halkin Street, London. becoming known as 'The Museum of Decorative Arts' (looked after by George Robinson). Here Trollope and Sons also sold high-class antique furniture made by other makers. In 1851, the firm became formally known as George Trollope and Sons. West Halkin Street, London. The address was recorded in the listing for the firm in The Furniture Gazette Directory, 1876 & 1877. Period Press Coverage & Art Critic Review. everal newspapers also thoroughly describe George Trollope and Son's stand including the different tapestries that were hung where the mirrors are now, illustrating the poem 'The Rape of Lock', by Alexander Pope. Marius Vachon, a French Art Critic and journalist, who wrote for the journal ‘La France’ published an extensive review of the Trollope and Sons stand in a book called Les Merveilles de l'Exposition de 1878 (The Wonders of the 1878 Exhibition). Note: In the World Fairs translation it states door frame, Marius Vachon had originally written ‘chambranle’ in French, 'chambranle' loosely translates to a frame around something, and should read in its correct context: ‘fireplace in rosso antico’. We have taken the extract below written by Marius Vachon in its translated form from: Les Merveilles de l'Exposition de 1878, (The Wonders of the 1878 Exhibition). This puts into perspective the importance of this fine quality room interior when he viewed it at the exhibition in 1878: Marius Vachon: English furniture is very curious to observe; irreproachable from the point of view of execution, the furniture of our neighbours always reaches the last degree of respectability and comfort. One thing to be noticed is that for large pieces of furniture, the English upholsterer is transformed into a sort of architect; everything he makes takes on a monumental aspect. The first object that catches the eye when one enters the furniture class is the beautiful boudoir-salon exhibited by Mr. Trollope. The boudoir (or petit salon), of carved cedar wood, is an attempt to reproduce the style which prevailed in England during the first decade of Queen Anne's reign, and all the details have been studied, but not copied, from examples of decorative work of the time. The fireplace is in "rosso antico" movement, and the ceiling is in portable plaster. The panels painted on canvas represent scenes from the heroic-comic poem "The Abduction of the Hairpin," (The Rape of Lock) written by Alexander Pope in 1712, the eighth year of Queen Anne's reign, in which the customs and mores of the time are satirized in a pleasing manner. The apotheosis of the Loop and its sidereal transformations will form the decoration of the ceiling. In these illustrations of Pope's charming poem, the costumes and accessories have been taken from models of the time; and the bust of the poet, copied from his tomb in Westminster Abbey, occupies the niche in the centre of the mantelpiece. M. Marius Vachon, the period writer of the above continues with: Now we shall mention at random the magnificent dining table of Messrs. Johnston and Co., their oak mantelpiece, their boudoir table; Mr. Watt's drawing-room mantelpiece stepped in the old style and imitating the Japanese; Mr. James Shoolbred's great The Decorative Arts Society on Trollope and Sons The boudoir or petit salon is mentioned again in the Decorative Arts Society: Trollope did not exhibit such highly rated objects at the 1878 Paris Exhibition as at previous exhibitions; items included a large mirror frame carved in limewood in Renaissance style and a satinwood cabinet in Adam revival style, with a similar armchair (illus. Meyer (2006), p. 242) and probably two rooms; one was a boudoir in cedar wood in Queen Anne style and the other was a boudoir decorated by the firm in the theme of Pope’s The Rape of Lock. In the above extract, it is quite clear that the two rooms mentioned are in fact the very same room, because the fireplace and niche are illustrated in The Paris Universal Exhibition catalogue on page 209 and Marius Vachon describes the rest of the room set in the above… Trollope and Sons exhibition pieces listed and described by Meyer in an article he wrote for: The Decorative Arts Society 1850 to present, Journal 25 in 2001., where he points out the importance of George Trollope and Sons and mentions a table by Trollope exhibited at the 1867 exhibition that sold for £40,000 in 1996. He also mentions a cabinet exhibited by Trollope at the International Exhibition of 1862 that sold at Sotheby's in 1997 for £150,000. Interest was not as strong in the 1990's as it is today for rare exhibition pieces, high quality items were abundant back then, it was a golden era when the most beautiful works of art just kept coming onto the market. But there are exceptions as in this instance, when a unique, gold medal-winning exhibition work of art comes onto the market for the very first time. Meyer continued researching and writing about the great exhibitions and released his book in 2006, 'The Great Exhibitions, London, New York, Paris and Philadelphia 1851- 1900, where he mentions only in passing, The Boudoir Room or Petite Salon exhibited by Trollope, he even states that an image was not reproduced and that Trollope's exhibits in 1878 were not up to the quality and class of the items Trollope exhibited in London in 1862 and Paris in 1868. This is probably because Meyer didn't know of the line drawing illustrating the Roso Antico Fireplace, Niche and Panelling reproduced in The Illustrated Catalogue of the Paris International Exhibition 1878 shown in the above which Geering recently uncovered. John Meyer continues in the DAS journal: Undoubtedly they (Trollope) are a firm worthy of further research as they were right at the forefront of the furniture business in London from 1860 to 1880. Our research shows that the Petite Boudoir was awarded the gold medal for excellence in 1878 (see Journal La Liberté 23-10-1878 with the list of all medals attributed), something George Trollope and Sons did not achieve at the London 1862 and the Paris 1867 exhibitions. Jonathan Meyer joined Bonham's in 1977. He was Director at Sotheby's in charge of 19th Century Furniture from 1994 to June 2007. He was also chairman of the Fine Arts Faculty for The Royal Institute of Chartered Surveyors. In the original description from the article in Les Merveilles de l’exposition de 1878, M. Marius Vachon states: The first object that catches the eye when one enters the (English) furniture class is the beautiful boudoir-salon exhibited by Mr. Trollope. Suggesting, it was in his opinion the very best on display in the English section, and being awarded the gold medal for excellence can only add weight to this. Adjacent to the original label that was printed by The Secretary - Royal British Commission for the Universal Exhibition 1878 in stencil ‘TO BE KEPT’, i.e. ‘to be returned’. This confirms why it came back to London. We removed the Boudoir Room or Petite Salon from a Trollope house, part of a grand high-class housing estate in London which around the time of the exhibition Trollope and Sons were in the process of building, and where the room set was installed directly after it returned from the exhibition in 1878 until now. Worthy of note is the machines that did the carving for the Boudoir Room or Petite Salon and also did all of the decorative carving (most of which was linenfold carving) for the Houses of Parliament, London. This machine, the engraving and description of which we copy from Engineering, was specially designed by its inventor, Mr. Jordan, for assisting in the production of the vast amount of carved decorations required for the walls and ceilings of the Houses of Parliament, London, and it was so employed during the entire progress of the work. The late Sir Charles Barry was so well satisfied with it, that he frequently declared it would have been impossible to have accomplished the work without it. The Department of Woods and Forests employed five of the machines at the Government Works, Thames Bank, for several years; and the machines have now passed into the hands of Messrs. George Trollope and Son, and are still used in the same building. They also exhibited the new technique of xylatechnography and sgraffito, methods of impressing coloured design into soft wood and engraving veneer to reveal the base wood. The newspaper, La Liberte October, 23rd 1878 listing the medal winners of the Paris 1878 exhibition. Third column, ''GROUPE III MOBILIER ET ACCESSOIRES'', (GROUP III FURNITURE AND ACCESSORIES). Medailles d'or. (Gold Medals) where G Trollope et fils (G Trollope and Sons...

A stunning 1.16ct round brilliant cut diamond ring, set in 18ct yellow gold with white rhodium head. The diamond is graded K colour, VS1 clarity, offering beautiful sparkle. Total ...

"Florentine Expressions: A Portrait Series IX", oil on canvas, mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an inter...

Wet Dreams, 2025 Giclée print on heavyweight 395gsm matte Canson Infinity PhotoArt ProCanvas, made with long-lasting Epson archival inks. Hand-stretched over FSC-certified, finger-jo...

This is a fantastic antique French Art Nouveau silver topped walking stick, circa 1890 in date.   A straight silver handle with intricately embossed fleur-de-lys pattern and the prof...

A simple brass pendant or flush mount light with decorative leaf details. First half twentieth century in art deco or Scandinavian modern style. Found in Sweden. Three available, pri...

Large Antique Indonesian Kris Dagger – Ethnographic collectible weapons A striking and authentic large antique Indonesian Kris (keris) dagger, dating to the early 20th century. This traditional Southeast Asian weapon features a dramatic curved zigzag (luk) blade, expertly forged and finely detailed, symbolizing power and spiritual energy. The blade is paired with a carved Horn hilt and shaped wooden sheath, showcasing classic Indonesian...

This is a monumental French pair of antique Louis XVI Revival gilded ormolu quadruple branch wall lights, mid-20th century in date.   A large pair of very ormolu wall sconces, each w...

'Poppy’ photographed in London, United Kingdom 2023. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. Giclée print on Hahnemühle phot...

This is a fantastic antique French Art Nouveau silver topped walking stick, Circa 1900 in date. The striking stick features an ornate silver crook head handel, on a gentle tapering ...

A comprehensive collection of Italian Grand Tour intaglios of various sizes, Circa 1820 in date. The collection comprises of 79 plaster intaglios or impronte miniature impressions i...

Delicious Versace Jeans Couture Tuileries slip dress. Worn once. Made from soft sateen with candy coloured Rocco floral bouquet print and logo print to hem. It has a square neckline,...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Jonathan Speed's "Calm Seas" invites viewers into a serene rea...

Copper Banker's Desk Lamp, with an adjustable pivoting dark green shade, England 1930's. Nice patina.

A fine vintage ormolu mounted terrestrial library globe, dating from the second half of the 20th Century. The globe is raised on a highly decorative walnut tripod stand which is fit...

Set of three mixed handmade brushed cast brass decorative bowls. Each of those original and elegant bowls are handmade individually. Cast using very traditional techniques. Slight ...

A unique and extremely elegant Paraibas Bezel Set Necklace that is gorgeous on its own or as a first or second layer necklace. It will look like you will be wearing a precious drop o...

England, circa 1940 A pair of twentieth century burr walnut occasional tables with drawers opening to the frieze, all supported on pedestal base with four splayed legs terminating i...

A huge primitive low table/coffee table in heavily patinated 18th C. Portuguese chestnut. Designed and built by us in our London workshop.

Unique in its design, this Ocean-inspired Paraiba Cigar features striking vibrant blue-green hues set in a gold bezel, offering a stunning contrast. It embodies a stylish and classic...

This is a beautifully sculpted composite marble bust of Marie Antoinette, late 20th century in date. This attractive sculpture features the Queen of France facing to dexter, wearing...

This extremely sexy silk dress walked the runway as part of Gucci’s Spring 2005 collection (look 31/41). The first collection after Tom Ford’s departure, the design does not veer too...

Permanent collection Loro Piana Traveller jacket. Bought for £2795 and unworn. Made from soft camel coloured nylon with a super soft cashmere lining. It has 4 roomy flap patch pocket...

This painted limestone relief is an exquisite example of New Kingdom relief carving from the apogee of Egyptian artistic production. Carved in raised relief - a labour-intensive tech...

'Lily at First Light' is a black and white botanical photograph capturing the delicate presence of a lily bloom as it greets the first light of day. Shot on large format film, the im...

This exceptional polished labradorite from Madagascar reveals a vibrant play of color, with radiant turquoise, green, and golden flashes dancing across its surface. The internal irid...

[Spring Duet] started in 2024, a project where Shizico explores the format of a diptych through a series of set paintings. Shizu painted all paintings en plein air in situ, capturing the landscape outside of her studio and the interiors of the studio in its entirety, depicted across sets of canvases as diptych odyssey throughout the months of spring. Each canvas represents a part of musical notes, creating a visual harmony akin to a musical duet. [Spring Duet] is part of the ongoing [Memory Landscape Series], started in 2015. Shizico applies various mediums and visual languages in the project of [Memory Landscape], ranging from installations, sculptures to paintings, from impressionism, expressionism to abstract forms. In [Spring Duet] chapter, she focuses on the delicate hues of soft green and creamy white and the pinkie apricot, evoking the early spring light characteristic of Northern Europe, where the series unfolds. Details for Measurement and Arrangement: 50 x39.5 CM /each canvas, x 2 of the total set total measure of the set would be 50 x 79 x1.5 CM ( all measurements without frame) the arrangement is flexible for your wall spaces around the home, you can hang them as a diptych set, side by side; or you can also hang these 2 paintings on different walls to create punctuation in home to bring different areas together. -Artist's Lifetime Warranty for the original artwork. -Guarantee End to end tracking Delivery Worldwide by Royal Mail Worldwide at lowest flat Rate £22. About the artist: Dr. Shizico Yi is a London-based artist working across installation, film, and painting. Her practice explores themes of loss, repetition, the everyday, and the significance of memory. Drawing on a background in design and film, she creates works that weave personal experience into wider social and human narratives. Yi holds a PhD in Fine Art from the University of East London (2017), an MFA, and a BA in Womenswear from the University of the Arts London. ​ Her practice also includes plein air painting from spring to autumn and studio-based work in winter, allowing place and season to inform the energy, scale, and materiality of her pieces. Her work has been exhibited internationally in the UK, Korea, and Italy, and is held in private collections across the USA, Canada, Australia, Japan, Taiwan, and the UK. Notably, Shizico Yi secured the title of Winner of the Women Film Makers: Best Shorts Competition in 2013 in Los Angeles, USA. She also serves as a guest jury member at the 14th-16th Annual New York City Independent Film Festival from 2022 to 2024 and is a curator and founder of no barking aRt...

Absolutely incredible, super rare unworn vintage Chanel coat from the Fall 1996 runway. Made from thick bright red wool with a smooth red silk lining with stunning gilt Gripoix butto...

Jardin d'Hiver Series is Shizico Yi's latest collection, created in her winter studio while longing for the summer left behind. Reflecting on the vibrant days spent painting en plein...

This is a beautiful antique English gentleman's hardwood sword stick with a carved bone pommel and a sterling silver mount, with hallmarks for Birmingham 1896 and makers marks for th...

Sunset Song Series stands as one of the most iconic works featured in the upcoming Summer Exhibition UK, 2025—a rare and luminous collection of latest artworks we’re thrilled to pres...

Poppy No.7 printed on archival Hahnemühle Photo Rag Baryta fine art paper, this limited edition piece measures 40 x 32 cm and is part of an exclusive series of 20 prints, each hand-s...

Contemporary ceiling hanging Quadris™ rectangular bevelled mirror with an exquisite nickel plated full frame and mirror backing. Designed and handcrafted in London, UK, our unique ce...

This is a beautiful pair of antique English hand carved giltwood six light chandeliers, circa 1920 in date.   Each six-arm giltwood chandelier is elaborately carved in the Regency st...

"Florentine Expressions: A Portrait Series III", oil on canvas, mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an inte...

Lerici '25 is an original black and white Polaroid photograph captured on SX-70 film along the Ligurian coastline of Italy. The image is part of a limited edition of 20, hand-signed ...

Let your room bloom with ARTEMIS, our wildly beautiful floral print. In muted neutrals against a plaster pink backdrop, our Jacobean-inspired wildflowers unfurl amongst climbing vine...

This is an elegant pair of vintage French ormolu and glass table lamps, mid 20th century in date. These elegant lamps have a sophisticated moulded glass body with splendid  high-lig...

llusory Star is an acrylic painting on canvas by artist René Gonzalez. It depicts a fox gazing at the reflection of the stars in a river meandering through the heart of the forest. D...

"Florentine Expressions: A Portrait Series VII", oil on canvas, mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an inte...

Modern Orbis Vorso™ wall attached round mirror with a rotating feature and a bronze patina brass finish frame. Designed and made in London, UK. The two arms are designed to fix the ...

Brighten up your space with this charming table lamp, featuring a playful dotted texture and a satin glaze that catches the light beautifully. With its unique handcrafted design, thi...

Print on paper with broken glass Framed with glass 33 x 44.5 cm Signed & numbered edition of 250 Each artwork is hand-finished so there will be variations in broken glass Andrew Scott...

Playful yet modern, this handcrafted ceramic lamp pairs a two-tone green checkered base with a frosted globe bulb for a cozy glow. Its glossy finish and organic design make it the pe...

A perfectly imperfect handmade one of a kind statement Emerald Cigar ring that features a bezel set beautiful Colombian Emerald of 1.48 Cts certifie...

Our shimmering Kyanite and Pearl Drop Necklace from the Santorini Collection is a wonderful choice for those looking for elegant beach-inspired jewellery. The Necklace features a bea...

This is a fine antique pair of Italian Grand Tour solid bronze busts of Dionysus  and Ariadne, circa 1860 in date. The pair feature black patinated finely cast busts which are mount...

Elegant mid-century style ceiling suspended mirror with a high quality handcrafted solid brass full frame inspired by the celebrated work of Italian designer Gio Ponti. The detailing...

A hand carved pine framed mirror of organic form.

We are delighted to offer this enchanting antique Georgian 14ct gold citrine ring made c.1800. The ring presents a lovely cluster design with the most wonderful faceted citrine in t...

This is a beautiful Vintage pair of Georgian Revival burr walnut bedside chests with slides, dating from the late 20th Century. The chests are masterfully crafted from gorgeous burr...

This is a fantastic English set of eight antique  William IV barback dining chairs, circa 1830 in date. The set comprising six side chairs and a pair of armchairs with drop in seats...

Poppy No.4 printed on archival Hahnemühle Photo Rag Baryta fine art paper, this limited edition piece measures 32 x 32 cm and is part of an exclusive series of 20 prints, each hand-s...

This spectacular polished slice of the Lunar meteorite Gadamis 004, reveals a mosaic-like interior, evoking the surface of the Moon as seen by the eye on a clear night. Weighing 149 ...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. “Canadian Perennials” by Ann Goldberg is a masterful display o...