London

An elegant pair of giltwood glazed frames enclosing seventeen Grand Tour plaster intaglios dating from the early 19th Century. The shaped ...

Japan, circa 1890 A pair of late nineteenth century Japanese bottle vases of square form, decorated with a profusion of polychrome flowers, now converted as lamps with giltwood bases...

The Uhura III pendant is designed by Andrew in the Mid-Century modern style and made exclusively for Andrew Kornat Designs by an historic Spanish Lighting manufacturer with over 100 ...

The Model OWM1 - refined handcrafted nightstand (or end table) with integrated storage drawers, meticulously constructed from the very finest solid English quarter-sawn oak. Architec...

Antique English Art Nouveau Carved Oak Wall Mirror C.1900 A shaped oak mirror from the Art Nouveau period. The oval bevelled plate set within a sinuous, scroll-cut frame carved with...

This magnificent late 1950s or early 1960s Hardy Aimes couture silk organza occasion dress is a fantastic example of this celebrated designer's artful tailoring and use of structured...

Giving a nod to the celestial and celebrating the elegance and exuberant glamour of 1970s postmodernism. The pendant incorporates a hand-spun, aged brass shade and Rosso Levanto r...

▪ Brand: Christian Dior ▪ Creative Director: John Galliano ▪ Collection: Fall-Winter 2003 ▪ Fabric: Fox, Leather, Silk ▪ Size: FR38 - UK10 - US6 ▪ Made in: France ▪ Condition: Very G...

This contemporary three-tier chandelier by Margit Wittig features sculptural components with organic and subtle textures, all cast and treated with multiple layers of patina in her L...

This is a fine antique Victorian burr walnut twin pedestal desk, Circa 1860 in date. It is made from fabulous burr walnut. The rectangular top with a fabulous inset gold tooled gre...

Beautifully hand-turned and handcrafted in solid American black walnut, this side table is a sculptural study in form, texture, and material. Designed and made by our craftsman in En...

France, circa 1840 A mid nineteenth century burr maple veneered occasional table, with quarter veneered top, with gothic niches to the central pedestal, all supported on a triform b...

Contemporary front illuminated ceiling suspended Orbis™ round mirror with a handcrafted solid brushed brass frame and two arms. Designed and handcrafted in London, UK. This mirror is...

Graceful bronze tray, vide-poche, inspired by Wabi-Sabi, the ancient Japanese philosophy that views and embraces the world for its imperfections and transient nature. It translates i...

This is an elegant antique George III Regency Period flame mahogany twin pedestal extending dining table, Circa 1820 in date. The table top is of beautiful flame mahogany with a mou...

Graceful bronze tray, vide-poche, inspired by Wabi-Sabi, the ancient Japanese philosophy that views and embraces the world for its imperfections and transient nature. It translates i...

Quadris™ rectangular antiqued mirror with a bronze patina finish brass frame made with 12 antiqued mirror panels. Dimensions: H 97cm x W 48cm x D 1.8cm / H 38.1in x W 18.1in x D 0.7...

A sculptural boutonnière brooch depicting a finely modelled hand holding a delicate floral motif, crafted in sterling silver with a dark ruthenium finish and gilded details. Inspire...

This Set of 2 Oil impasto and Goldleaf on oil Papers, named Peony Summer, is a part of Summer Bloom Series by Award winning British artist Shizico Yi. She created these paintings i...

This is a fine large antique French Ormolu and Sevres Porcelain jewellery casket, circa 1860 in date. This magnificent casket is rectangular in shape with the lid and each side exce...

Add a playful touch to your décor with this unique spiked lamp base. Featuring a pink underglaze and bold red polka dots, it combines whimsy with modern edge. The striking spikes mak...

This is a fantastic English vintage giltwood love seat or conversation "Sociable Settee" mid 20th century in date. It is of clover leaf outline and has four individual seats with...

Invoke strength, protection and timeless style with this solid gold St. Michael Talisman Pendant. Meticulously handcrafted from 9k yellow gold, this precious pendant features the pow...

Swan In A Car (1936) - Silver Gelatin Fibre Print (Photo by Fox Photos/Getty Images) 6th April 1936: A tame swan named Leila is given a lift in the back of a car. Additional Info...

Dating to the 1970s, this white slip dress was made by Komar Lingerie, the longstanding American lingerie and sleepwear company founded in New York in 1908. The surviving label reads...

Omalo™ Special Edition Mirror with a Delicately Handcrafted Brass Frame. Constructed with multiple layers of solid brushed brass. Designed and handcrafted in London, UK. Shipped worl...

Exquisite vintage series N.7 mirror with an elegant bevel and a solid brass full frame with a handcrafted bronze patina finish. Made and designed in London, UK. Dimensions and frame ...

This is a superb and rare antique  burr walnut Victorian Revival twin pedestal partners desk, Circa 1900 in date. It is made from beautiful burr walnut. The shaped rectangular top i...

Modern capsule shaped mirror with a minimalist solid brushed brass frame. Designed and handcrafted in London, UK. This mirror is fully customisab...

'Ramunės' London, United Kingdom 2022 Limited edition of 20. Photograph printed on heavyweight fine art paper. Photograph is shipped fast and flat in secure thick cardboard packa...

Pair of feline brass vides-poches (20th century). Quite charming, small, weighty dishes which can either be utilitarian or decorative. One of the cats has a shiny patina, the other i...

Graceful bronze bowl, vide-poche, inspired by Wabi-Sabi, the ancient Japanese philosophy that views and embraces the world for its imperfections and transient nature. It translates i...

This is an elegant Antique French Empire Flame Mahogany dressing table, circa 1870 in date.   The shaped rectangular mirror is flanked by cylindrical columns and adorned with gilded ...

This is a fabulous antique Queen Anne Revival burr walnut dining table by the renowned retailer and cabinet maker Maple & Co, and bearing their engraved brass label. Ther table d...

Designed by Andrew and produced by hand with care and attention to detail, the Double Swing Arm Library Light was introduced to the collection in 2013 and has been one of our best se...

This is a magnificent antique William IV mahogany dining table which can seat sixteen diners in comfort, Circa 1835 in date. This beautiful table is in stunning flame mahogany and...

Yoshitomo Nara Harmless Kitty Offset lithograph on paper Sheet size: 51.5 x 36.4 cm Stamped with title, artist's name, copyright and year published by N's Yard, Japan

George Trollope and Sons. Exhibited at the Paris Universal Exhibition in 1878 winning a Gold Medal for Excellence. The set forms the four sides of a complete panelled room that was exhibited as a boudoir room or petit salon at the Paris Exhibition 1878 . The main feature and centrepiece of this boudoir room is the Rosso Antico marble fireplace surmounted by an open display niche carved in cedar wood. Each side of the room is composed of various panels and are as follows: One side with a grand Rosso Antico marble fireplace flanked by two doorways. One side with French doors originally opening onto a balcony, flanked by two large bookshelves. One side with a window flanked by two mirrors. The opposite side with three large mirrors. The complete room measures: 21 ft / 6.4 m wide, 17 ft / 5.18 m deep, and 12 ft / 3.65 m high. It could also be used in a number of different combinations to suit various room layouts. The mirrors could be replaced with windows or further bookcases. Each side is decorated with various sizes of finely carved panels and holds ornate Corinthian style columns surmounted with cherubim's on the capitals. Three cherubs are formed at the top of each corner with three columns, at the column bases there are circular carved pedestals to display statues. Published & illustrated in the ‘Illustrated Catalogue of the Paris International Exhibition’. The main part of this room, the Rosso Antico marble fireplace is surmounted by a large open display niche carved in cedar wood are illustrated with a line drawing in the Paris Universal Exhibition catalogue on page 209. The whereabouts of the seminaked caryatids and the marble bust of Alexander Pope are unknown. The bust of Alexander Pope was copied from the original one in Westminster Abbey, London. The Corinthian columns now flanking the niche above the fireplace are also in cedar wood having the identical carved fluting to the rest of the room and were made to replace the caryatid figures. Those Corinthian columns are period to the room and can only have been made shortly after it arrived back to London and before it was reassembled and fitted into the house built by George Trollope and Sons in the 1880's, and where we removed it all from. George Trollope made clever use of Alexander Pope's early 18th-century poetical successes in Great Britain and France by using ‘The Rape of Lock’, a mock-heroic narrative poem Pope wrote in 1712 about Petre who cut off a lock of Arabella’s hair without her permission, as the theme of the boudoir room or petit salon at the 1878 Paris Exhibition. In the original exhibition display of the room set, tapestries depicting the Rape of Lock were hung where the mirrors are now positioned. Alexander Pope's The Rape of the Lock is a humorous indictment of the vanities and idleness of 18th-century high society. Basing his poem on an actual incident among two families of his acquaintance, Pope intended his verses to quench hot tempers and to encourage his friends to laugh at their own foolishness. The poem is an outstanding example in the English language of the genre of mock-epic. The 'epic' was considered one of the most serious of literary forms; it had been applied, in the classical period, to the trivialities of love and war. Pope’s mock-epic is not to mock the form itself, but to mock his society in its very failure to rise to epic standards, exposing its pettiness by casting it against the grandeur of the traditional epic subjects and the bravery and fortitude of epic heroes: Pope’s mock-heroic treatment in The Rape of the Lock underlines the ridiculousness of a society in which values have lost all proportion, and the trivial is handled with the gravity and solemnity that ought to be accorded to truly important issues. The 18th-century society in this poem fails to distinguish between things that are important and things that are not. The poem mocks the men it portrays by representing them as unworthy of a heroic culture. Therefore the mock-epic follows the epic in that its main concerns are serious and moral. The point that the theme must now be satirical rather than earnest is symptomatic of how far the culture has fallen. Retaining the original exhibition label The back of the panelling still retains two original labels printed with the 'Union Jack' and printed adjacent to it, 'The Secretary Royal British Commission for the Universal Exhibition 1878 Champ de Mars Paris'. Adjacent to that and below, printed and written in ink vertically: Exhibitor: (and signed in ink) George Trollope & Sons. Address: (written in ink) Halkin Street West. London. Allotment in Block: (written in ink) a2. In the printed floor plan 'a2 square' is in the very first line to the right of the floor plan and handwritten in ink with a 'diamond shape' also written with '101' within it. This pin points where George Trollope's stand was located. With thousands of items being displayed at the Exhibition, this label would have been the floor plan for the craftsmen, so they knew the correct place to install the boudoir room or petit salon. The firm continued expanding house building and interior decoration side of the business and by 1849 was also trading as an estate agency, letting and controlling property for the Grosvenor Estates. A separate branch of cabinet-makers, bearing the family name, was opened at West Halkin Street, London. becoming known as 'The Museum of Decorative Arts' (looked after by George Robinson). Here Trollope and Sons also sold high-class antique furniture made by other makers. In 1851, the firm became formally known as George Trollope and Sons. West Halkin Street, London. The address was recorded in the listing for the firm in The Furniture Gazette Directory, 1876 & 1877. Period Press Coverage & Art Critic Review. everal newspapers also thoroughly describe George Trollope and Son's stand including the different tapestries that were hung where the mirrors are now, illustrating the poem 'The Rape of Lock', by Alexander Pope. Marius Vachon, a French Art Critic and journalist, who wrote for the journal ‘La France’ published an extensive review of the Trollope and Sons stand in a book called Les Merveilles de l'Exposition de 1878 (The Wonders of the 1878 Exhibition). Note: In the World Fairs translation it states door frame, Marius Vachon had originally written ‘chambranle’ in French, 'chambranle' loosely translates to a frame around something, and should read in its correct context: ‘fireplace in rosso antico’. We have taken the extract below written by Marius Vachon in its translated form from: Les Merveilles de l'Exposition de 1878, (The Wonders of the 1878 Exhibition). This puts into perspective the importance of this fine quality room interior when he viewed it at the exhibition in 1878: Marius Vachon: English furniture is very curious to observe; irreproachable from the point of view of execution, the furniture of our neighbours always reaches the last degree of respectability and comfort. One thing to be noticed is that for large pieces of furniture, the English upholsterer is transformed into a sort of architect; everything he makes takes on a monumental aspect. The first object that catches the eye when one enters the furniture class is the beautiful boudoir-salon exhibited by Mr. Trollope. The boudoir (or petit salon), of carved cedar wood, is an attempt to reproduce the style which prevailed in England during the first decade of Queen Anne's reign, and all the details have been studied, but not copied, from examples of decorative work of the time. The fireplace is in "rosso antico" movement, and the ceiling is in portable plaster. The panels painted on canvas represent scenes from the heroic-comic poem "The Abduction of the Hairpin," (The Rape of Lock) written by Alexander Pope in 1712, the eighth year of Queen Anne's reign, in which the customs and mores of the time are satirized in a pleasing manner. The apotheosis of the Loop and its sidereal transformations will form the decoration of the ceiling. In these illustrations of Pope's charming poem, the costumes and accessories have been taken from models of the time; and the bust of the poet, copied from his tomb in Westminster Abbey, occupies the niche in the centre of the mantelpiece. M. Marius Vachon, the period writer of the above continues with: Now we shall mention at random the magnificent dining table of Messrs. Johnston and Co., their oak mantelpiece, their boudoir table; Mr. Watt's drawing-room mantelpiece stepped in the old style and imitating the Japanese; Mr. James Shoolbred's great The Decorative Arts Society on Trollope and Sons The boudoir or petit salon is mentioned again in the Decorative Arts Society: Trollope did not exhibit such highly rated objects at the 1878 Paris Exhibition as at previous exhibitions; items included a large mirror frame carved in limewood in Renaissance style and a satinwood cabinet in Adam revival style, with a similar armchair (illus. Meyer (2006), p. 242) and probably two rooms; one was a boudoir in cedar wood in Queen Anne style and the other was a boudoir decorated by the firm in the theme of Pope’s The Rape of Lock. In the above extract, it is quite clear that the two rooms mentioned are in fact the very same room, because the fireplace and niche are illustrated in The Paris Universal Exhibition catalogue on page 209 and Marius Vachon describes the rest of the room set in the above… Trollope and Sons exhibition pieces listed and described by Meyer in an article he wrote for: The Decorative Arts Society 1850 to present, Journal 25 in 2001., where he points out the importance of George Trollope and Sons and mentions a table by Trollope exhibited at the 1867 exhibition that sold for £40,000 in 1996. He also mentions a cabinet exhibited by Trollope at the International Exhibition of 1862 that sold at Sotheby's in 1997 for £150,000. Interest was not as strong in the 1990's as it is today for rare exhibition pieces, high quality items were abundant back then, it was a golden era when the most beautiful works of art just kept coming onto the market. But there are exceptions as in this instance, when a unique, gold medal-winning exhibition work of art comes onto the market for the very first time. Meyer continued researching and writing about the great exhibitions and released his book in 2006, 'The Great Exhibitions, London, New York, Paris and Philadelphia 1851- 1900, where he mentions only in passing, The Boudoir Room or Petite Salon exhibited by Trollope, he even states that an image was not reproduced and that Trollope's exhibits in 1878 were not up to the quality and class of the items Trollope exhibited in London in 1862 and Paris in 1868. This is probably because Meyer didn't know of the line drawing illustrating the Roso Antico Fireplace, Niche and Panelling reproduced in The Illustrated Catalogue of the Paris International Exhibition 1878 shown in the above which Geering recently uncovered. John Meyer continues in the DAS journal: Undoubtedly they (Trollope) are a firm worthy of further research as they were right at the forefront of the furniture business in London from 1860 to 1880. Our research shows that the Petite Boudoir was awarded the gold medal for excellence in 1878 (see Journal La Liberté 23-10-1878 with the list of all medals attributed), something George Trollope and Sons did not achieve at the London 1862 and the Paris 1867 exhibitions. Jonathan Meyer joined Bonham's in 1977. He was Director at Sotheby's in charge of 19th Century Furniture from 1994 to June 2007. He was also chairman of the Fine Arts Faculty for The Royal Institute of Chartered Surveyors. In the original description from the article in Les Merveilles de l’exposition de 1878, M. Marius Vachon states: The first object that catches the eye when one enters the (English) furniture class is the beautiful boudoir-salon exhibited by Mr. Trollope. Suggesting, it was in his opinion the very best on display in the English section, and being awarded the gold medal for excellence can only add weight to this. Adjacent to the original label that was printed by The Secretary - Royal British Commission for the Universal Exhibition 1878 in stencil ‘TO BE KEPT’, i.e. ‘to be returned’. This confirms why it came back to London. We removed the Boudoir Room or Petite Salon from a Trollope house, part of a grand high-class housing estate in London which around the time of the exhibition Trollope and Sons were in the process of building, and where the room set was installed directly after it returned from the exhibition in 1878 until now. Worthy of note is the machines that did the carving for the Boudoir Room or Petite Salon and also did all of the decorative carving (most of which was linenfold carving) for the Houses of Parliament, London. This machine, the engraving and description of which we copy from Engineering, was specially designed by its inventor, Mr. Jordan, for assisting in the production of the vast amount of carved decorations required for the walls and ceilings of the Houses of Parliament, London, and it was so employed during the entire progress of the work. The late Sir Charles Barry was so well satisfied with it, that he frequently declared it would have been impossible to have accomplished the work without it. The Department of Woods and Forests employed five of the machines at the Government Works, Thames Bank, for several years; and the machines have now passed into the hands of Messrs. George Trollope and Son, and are still used in the same building. They also exhibited the new technique of xylatechnography and sgraffito, methods of impressing coloured design into soft wood and engraving veneer to reveal the base wood. The newspaper, La Liberte October, 23rd 1878 listing the medal winners of the Paris 1878 exhibition. Third column, ''GROUPE III MOBILIER ET ACCESSOIRES'', (GROUP III FURNITURE AND ACCESSORIES). Medailles d'or. (Gold Medals) where G Trollope et fils (G Trollope and Sons...

A superb elegant example of a Ethiopian head rest from the Oromo tribe. Carved in hard wood in Crescent shape with cut sections Matured aged used patina height 15 cm Period: Early-...

No castle would be complete without a wardrobe in which to keep your royal robes (aka your pyjamas). A majestically beautiful addition to your dream bedroom, this piece is handcrafte...

This captivating lapis lazuli sphere from Afghanistan features a deep, royal blue body accented with delicate veins of golden pyrite and soft white calcite. Place of origin: Afghani...

"The Weaver" Series inviting viewers into a world where memory and present interweaving in a mesmerizing display of visual creativity. - An Artist Proof's of only Three is offered as...

Modern freeform ceiling hanging suspended mirror with a minimalist aluminium powder coated black frame. Designed and handcrafted in London, UK, our unique ceiling suspended mirrors a...

Beautifully hand-turned and handcrafted pair of solid English ash side tables. Designed and made by our craftsman in England, the piece explores the expressive traditional turning t...

Sunset Song with Blue and Green is part of Sunset Song Series, a major new body of work created by British awarded artist Shizico Yi for her solo exhibition Modern Ancient. Painted e...

This is an unique one-off Artist Proof, in a rare Extra-Large square format. A special Proof that only 3 have been made with hand gilded Gold Leaf. The outstanding hand-painted qual...

This is a beautiful antique pair of Louis Revival French shabby chic cream painted fauteuils, or open armchairs, late 19th century in date. They each feature a flower carved cres...

This is a fabulous high quality antique flame mahogany Regency Period metamorphic triple pillar dining table that can seat 10 people in comfort, dating from Circa 1820. It is raised on three bases, each with four sabre legs that terminate in brass cap castors. The table can easily be converted from a ten seater dining...

Giving a nod to the celestial and celebrating the elegance and exuberant glamour of 1970s postmodernism. The pendant incorporates a hand-spun, aged brass shade and Rosso Levanto r...

Handmade cast brass shallow bowl with a bronze patina on the outside and textured polished brass on the inside. Each of those original and elegant bowls are handmade individually. C...

This contemporary 21st century four-tier, twelve arm chandelier by Margit Wittig features sculptural components with organic and subtle textures, all shapes are cast individually and...

This is a stylish antique Victorian oak brass and cedar lined tabletop cigar humidor circa 1860 in date. The rectangular box features a lift out tray and adjustable divisions with sunken handles to the sides and a hinged lid with a central brass shield. Complete with the original Bramah lock and key. It would make a beautiful gift to any connoisseur of fine cigars. Condition: In excellent condition. As an antique items, the humidor shows signs of use commensurate with age, these minor condition issues are mentioned for accuracy and, as seen in the accompanying photographs, it displays beautifully. Dimensions in cm: Height 19.5 x Width 44 x Depth 29 Dimensions in inches: Height 8 inches x Width 1 foot, 5 inches x Depth 11 inches Humidor is any kind of box or room with constant humidity that is used to store cigars, cigarettes, orpipe tobacco. For private use, small wooden or acrylic glass humidor boxes for a few dozen cigars are used, while cigar shops may have walk-in humidors. Humidors can be used to store other goods for which a certain level of humidity is desirable; the Colorado Rockies Major League Baseball team stores game balls in a large humidor at their home stadium, Coors Field, to counteract the effects of Denver's high altitude and generally low humidity. Humidors of all sizes use hygrometers to keep track of the humidity levels. Classification of humidors Walk-in humidor - most common in cigar bars or stores. One room is built as or converted to a humidor where all the cigars are stored. Cabinet humidor - usually placed on the floor as a piece of furniture. Typically holds 1000-5000 cigars. Table humidor - often quite heavy, though portable in theory, it's usually kept in one location. Capacity ranges from three hundred to a few thousand cigars. It usually comes with a polished wood exterior, marble, leather or combination of exotic elements, and glass top. Personal humidor - semi-regular cigar smokers will sometimes keep a small humidor in their homes for personal storage, special events, or aesthetic characteristics of the humidor itself . Usually contains 20-75 cigars. This may also be known as a "Desktop Humidor". Travel humidor - portable and made for carrying cigars enough for the outing or event, usually 2 to 10 cigars. Oak is a tree or shrub in the genus Quercus - Latin "oak tree" having approximately 600 extant species. Oak wood has a density of about 0.75 g/cm3, great strength and hardness, and is very resistant to insect and fungal attack because of its high tannin content. It also has very appealing grain markings, particularly when quartersawn. Oak wood is very durable, easy to maintain and resistant to wear and tear which is why it can be easily handed to the next generations if taken well care of. Oak wood virtually lasts forever and you can still admire oak furniture in museums and palaces even if it was made many centuries ago. Oak has been prized since the Middle Ages for use in interior panelling of prestigious buildings such as the debating chamber of the House of Commons in London and in the construction of fine furniture. Bramah is London's oldest security company. Established at 124 Piccadilly, London in 1784, and today based in Marylebone, London and Romford, Essex. Bramah made their first lock in 1784 and the patent was awarded in 1787. The designer was Joseph Bramah. Joseph Bramah was a leading inventor of the industrial revolution, patenting over 18 new ideas, including a new valve for the water closet (toilet), the hydraulic pump, a fountain pen, and a fire engine. Bramah also introduced a beer hand pump for use at the bar, to prevent fluid loss when barmen went downstairs to pour a new jug! Due to the quality of his manufacturing, his name became a by-word amongst British Engineers for engineering excellence and many of his inventions are on display in the Science Museum in London. You can find one of his original toilets still working in Osborne House, Queen Victoria's home on the Isle of Wight. The Bramah lock was unique and advanced property and valuables protection enormously. Indeed it was 50 years ahead of any Chubb lock...

A very elegant faux leather and cotton velvet damask three piece suite, comprising of a pair of armchairs and two seater sofa. Sold as a set. Minor scratches and wear to the faux lea...

Exquisite modern Orbis™ ceiling suspended double sided round mirror with an elegant solid brushed brass frame and two arms. Our unique collections of ceiling suspended mirrors...

Britt Ekland 1969 - Slim Aarons Estate Stamped Film star Britt Ekland (Britt-Marie Eklund) in Porto Ercole, Italy. 1969. 30 x 30" inches / 76 x 76 cm paper size Estate Stamped Co...

This exquisite choker style necklace, crafted by Cartier, is a masterpiece in yellow gold, showcasing a stunning arrangement of diamonds and golden South Sea pearls. The necklace fea...

'The Seated Nude', pencil on paper, by French artist, Guillaume Dulac (circa 1920s). An artist known for his exquisite drawings - many are sketches for his larger oil paintings or ot...

Antique Northeastern Woodlands Native American Beaded Bag A striking antique Native American beaded bag from the Northeastern Woodlands, l...

This is an absolutely fantastic vintage set of twelve balloon back dining chairs dating from the late 20th Century. These chairs have been masterfully crafted in beautiful solid ma...

A striking Taraxacum pendant light designed by Achille and Pier Giacomo Castiglioni, featuring a sculptural steel framework enveloped in a translucent cocoon-like resin diffuser. The...