Madrid

Bold, interlocking color planes animate this dynamic abstract composition by C. Riboud, in which simplified, dark ovoid forms suggest two stylized figures in movement. Saturated reds...

Collection of twelve Italian archaeological engravings depicting monumental antique candelabra from celebrated classical collections, including references to the Villa Albani, the Mu...

Unique Table Top Beautiful 17/18th century Panel Loose Pieces Portuguese Tiles 3.00 m x 1.00 m good conditions Panel of Portuguese Baroque Tiles, Portuguese School, 17th–18th Centur...

Modern square Italian stool. Made of black lacquered iron structure finished in brass details legs. Square seat made of solid wood upholstered in lime green plain cotton velvet. Eve...

Elegant decorative sculpture depicting a stylized deer head, crafted in metal with a dark patinated finish and mounted on a marble base. The piece is defined by its clean lines and e...

Elegant pair of greyhound sculptures cast in patinated bronze in Italy during the 1970s. Renowned for their grace, speed, and noble appearance, greyhounds have long been favored subj...

An unusual and remarkable 19th-century Victorian snuff box decorated with a mounted ram's head. It is topped with a lidded silver-plated bronze container for storing snuff. The ram'...

Striking and highly decorative pair of 19th century neoclassical engravings depicting iconic classical sculpture models. One engraving represents the dramatic biblical group of The ...

This contemporary ring from the 20th century is crafted in 18K gold and features diamonds. It has a weight of 4.80 grams. The ring is adorned with brilliant-cut diamonds, totaling 1...

SANDSTONE CHIMERA, Italy, 20th Century In Greek mythology, harpies are monstrous creatures, half woman and half bird of prey. The origin of their myth may be traced back to a person...

Elegant set of six French engravings dating from the 18th century, each depicting views of some of the most important formal gardens in France. These prints reflect the refined lands...

This 19th century French Louis XV style commode features beautifully detailed multi-wood inlay marquetry - including a large floral design on the top which is of note, as many of the...

Certification: IGI Certified – Report No. 10J1964025 Diamond Details: Total Carat Weight: 0.45ct Center Diamond: Cut: Round Brilliant Dimensions: 4.20 x 4.20 x 2.50 mm Ca...

Sculptural pair of Murano glass and brass wall sconces, composed of vertically stacked oval elements creating a refined rhythmic composition. Each sconce features alternating translu...

Elegant and monumental bronze sculpture depicting Aphrodite, known to the Romans as Venus, inspired by the celebrated classical representations of the goddess adjusting her sandal or...

A one-of-a-kind ring designed in-house by our company and handmade in solid 14k yellow gold. Centers a 0.67-carat round brilliant-cut natural ruby framed by fourteen round brilliant ...

PAIR OF GROOVED IONIC TERRACOTTA COLUMNS H 248 CM WITH TWO CAPITALS 21th Century Hand made in Italy. Modular columns in four pieces, on request we provide customized height. Two cap...

Bracelet in gold, emerald and brilliant. It has 5 emeralds and 4 brilliants. 18k gold. Measures 20 cm length and weight 20g Very good condition. Measure: 20cm.  

Largest collection of Portuguese tiles in the world 18th century Portuguese "Vase" Measures: 126cm x 126cm 81 tiles Important note: This panel is with the tiles restored 17th cent...

Impressive classical sculpture of Hercules, carved in reddish Italian marble during the 1950s. Inspired by the heroic figures of Greco-Roman antiquity, the sculpture depicts the lege...

Handcrafted in France, this modern sculptural concave mirror is a stunning wall hanging artwork made from pink molded glass adorned with colored lenses...

Mahogany Scandinavian Modern cabinet with four frontal doors, behind which are shelves and pull-out trays, circa 1960. Two trays lined with blue fabric. Keys included. Labeled on the...

Transform your garden into a serene haven with this enchanting set of four garden stone sculptures, each beautifully representing a cherub. These charming pieces, standing at 100 cm ...

THE EMPRESSES - WU ZETIAN - H10-1 Date of creation: 2022 Medium: Laminated giclée print on aluminium composite and screen printed with glitter. Edition number: 2.853 (1.284 physical ...

DAMIEN HIRST: THE EMPRESSES - TAYTU BETUL H10-5 Date of creation: 2022 Medium: Laminated giclée print on aluminium composite and screen printed with glitter. Edition: 2.814 (1.288 ph...

Pair of Italian sideboards made of solid oakwood. Composed of two folding doors with snake-shaped handles made of brass, Italy. Our main ta...

Magnificent pair of monumental bronze urns, richly decorated and hand-chiseled with intricate details throughout. Made in the 20th century, these palatial vases feature classical mot...

IMPOSING ENGLISH ARMCHAIR early 20th Century Made of teak wood, early 20th century, profusely carved and openwork, decorated with vegetal motifs, with arms representing lion heads a...

BEAUTIFUL ROMAN TORSO IN WHITE CARRARA MARBLE 21th Century Reproduction of roman torso. White Carrara marble. Height 68 cm Max height 94 cm Width 40 cm Depth 23base cm Base of t...

Minimalist sofa with clean lines that can easily be transformed into a bed. Manufactured in Italy in the 1960s by IPE. The structure of the sofa is made of iron, upholstery in soft w...

A striking Spanish Colonial polychrome carved wood sculpture depicting the Immaculate Conception, dating from the late 18th The Virgin is represented standing with open arms in a w...

JESUS CHRIST CRUCIFIED 19th Century Italian Sculpture in ivor... Christ and table in carved ivory. Cross in Brazilian rosewood, carved...

Magnificent pair of malachite obelisks, Russia, 20th century. Material: malachite, silver, gilt Height: 59 cm Condition: good

AMAZING PAIR OF NAPOLITAN TERRACOTTA MASTIFF 21st Century 1:1 Neapolitan mastiffs in terracotta ~ The breed is a direct descendant of the big Assyro-Babylonian molosses, then spread...

Pair of “Sapporo” armchairs by Mario Marenco for Mobil Girgi, Italy, 1970s. Original butter-colored leather upholstery and solid walnut frame. Length: 87 cm Depth: 85 cm Seat height...

Square center table made of solid quared brass tube and glass.

A magnificent Art Deco garden fountain in beautifully patinated terracotta, created circa 1920 by the distinguished Italian sculptor Ezio Ceccarelli (1865–1927). Representing the All...

IMPORTANT AND RARE LITURGICAL PSALTER, Spain, 16th Century (1550-1750) Psalterium iuxta Romanum (Liturgical Psalter according to the Roman Rite) Latin (with Spanish additions), illu...

IMPORTANT PORTUGUESE ORATORY WITH CALVARY 18th Century Portuguese, from the 18th century in carved Brazilian rosewood. Decoration with interrupted pediments, volutes, floral motifs...

Polar bear and puffin wildlife painting combining Arctic imagery, balloon animal aesthetics and ecological reflection on raw linen canvas. The Polar Bear and the Puffin – Plastic Nature VIII is an original acrylic painting by Sofía Cristina Jiménez from her ongoing Plastic Nature series. The work presents a polar bear and a puffin transformed into inflatable figures, positioned within an Arctic seascape where floating ice, reflective water and distant frozen horizons establish an atmosphere of stillness and vulnerability. Combining wildlife painting, balloon animal imagery and contemporary ecological themes, the work explores the increasingly complex relationship between nature, representation and environmental awareness. At the center of the composition stands a monumental pale-blue polar bear rendered as an inflatable structure. Its segmented surface recalls balloon sculptures and manufactured objects, creating a deliberate contrast between the symbolic weight of the animal and its apparently artificial form. Nearby, a puffin appears both perched and in flight, introducing scale, movement and narrative tension while reinforcing the fragile balance of the Arctic ecosystem. Throughout the Plastic Nature series, Sofía Cristina Jiménez transforms wildlife subjects into inflatable figures that occupy landscapes associated with environmental vulnerability. Rather than illustrating ecological issues directly, the artist creates subtle visual displacements that encourage viewers to reconsider familiar animal imagery. The balloon animal aesthetic introduces a layer of cultural mediation, suggesting how contemporary society increasingly encounters nature through images, symbols and representations. A significant feature of the painting is the use of raw linen. The upper portion of the composition remains intentionally unprimed, allowing the natural texture and color of the linen support to remain visible. This material decision activates the surface of the painting while establishing a striking contrast between the synthetic appearance of the inflatable animals and the tactile reality of the painted landscape. The restrained palette of icy blues, whites and natural linen tones reinforces the Arctic setting while creating a sophisticated chromatic balance suitable for contemporary interiors and collections focused on wildlife art, environmental themes and contemporary figurative painting. Medium: Acrylic on linen canvas Dimensions: [insert dimensions] Year: [insert year] Series: Plastic Nature Condition: Excellent original condition Frame: Unframed Installation: Ready to hang Authenticity: Unique original artwork This work is particularly suited for collectors interested in polar bear paintings...

Portapaz. Silver in its color and gilded. Century XVI. Portapaz made of silver that has a handle (decorated with delicate plant motifs similar to those of the pilasters) and a female and a male bust at the bottom, as well as other architectural elements on the back, and, on the front, an architectural composition classicist basement (with busts flanking a flower and a cross), two pilasters (vegetal decoration and capital recalling the composite order) with entablature (flowers flanking an angel's head; moldings), and a semicircular arch finish with elements veined in relief under cross and flanked by two architectural motifs in the upper part. This composition frames and enhances a gilt silver relief where you can see the Lament or Cry over the Body of Christ, with the Virgin holding the head of Jesus, Saint John at her side, the Magdalene and other characters, a cross following the group and a landscape background with houses and plant elements. This architectural structure mentioned is similar to the one present in other 16th century portapaces, such as that of the Magdalena de Dos Hermanas parish (Hernando de Ballesteros el Mozo, around 1575); or that of the Galaroza parish (same author and date); or that of the portapaz of San Miguel de Jerez de los Caballeros (in some details); etc. As for the relief, it is possible to clearly see a strong Italian influence, and the similarity between it and important pieces such as the Portapaz known as “de Cisneros by Juan de Burgos (1493-1497; MuseoCatedralicio de Alcalá de Henares), as well as in paintings and reliefs. Also noteworthy are both the male and female busts in the lower area and the Maltese cross (or Saint John's) that appears in this area. This symbol was used since the 12th century as an insignia by the Knights Hospitallers of the Order of Saint John of Jerusalem, also known as the Order of Malta...

Tabletop Surtout. Date: Around 1900. Author: Émile Froment-Meurice (Paris, 1837 – 1913). Material: Silver and gold-colored. With hallmarks. Glass. Set of silver pieces for decorativ...

Calvary XVIIth century, religious 17th Century Calvary, religious Ancient Calvary from the 17th century carved in boxwood Boxwood is characterized by its hardness and difficult pruning. It has traces of polychromy and gold. Measure: 65x45...

Cameo or intaglio. Glass. Possibly Italy, 19th century. Blue glass cameo that presents a scene of marked classical influence in which a man with a diadem can be seen, semi-naked an...

ANCIENT MARBLE SINK began 20th Century Original antique white marble sink. Height 77 cm Width 38 cm Inside the basin depth 10 cm good condition

Set of 4 chairs in turned wood simulating bamboo with ivory chenille upholstery - Chippendale style - 20th century Dimensions: 93 x 57 x 60 cm

Pair of wall/ceiling lights with gilt brass frames and amber and clear glass accessories - Spain - c. 1970

Wall Sconce Made of Translucent Murano Glass with Organic Shape – Handcrafted in Italy with Brass Structure and Integrated LED Light Source. These elegant and timeless sconces showca...

JAN BRUEGHEL School "VELVET" 17th Century "Infant Bacchus". Oil on copper. Minor flaws in the paint. Dimensions: 17 x 21 cm with frame: 32cm x 36cm Note: Label with the following ...

Carrara marble sculpture depicting two wrestlers - 20th century Beautiful Carrara marble sculpture depicting a pair of wrestlers. Exclusive work of refined quality. From Venice, p...

Cameo or intaglio, portrait. Glass. Possibly Italy, 19th century. Profile of a young man, dressed in what appears to be a tunic, with no other elements that allow us to identify hi...

ANTIQUE 19TH CENTURY PLASTER OF THE DIANA OF GABI FROM THE LOUVRE Ancient plaster with identical measurements to the original Greek marble exhibited at the Louvre. Diana of Gabi, di...

Set of six dining chairs, model 62S, with hardwood frames designed by Arne Vodder circa 1960., Tiltable backs and seats reupholstered in off-white / cream colored fabric. Produced by...

Post Antonio Allegri di Correggio (1489-1534) "Adoration of the Child", oil on cardboard with carved and gilded frame. Dimensions: 20 x 15 cm without frame 40cm x 35cm with frame Or...

Altarpiece. Wood carved and gilded. Baroque, towards the second half of the 17th century. The Solomonic column was an element already known in the Renaissance (and before) that was popularized in art, in large part, thanks to the Baldachin of St. Peter's Basilica of the Vatican by Gian Lorenzo Bernini (1624-1633), where he presented branches. In Spain, this type can already be seen in the Silver Tabernacle of the Cathedral of Seville (Juan de Alfaro, 15931596), used in altarpieces from the 1620s; nevertheless, the apogee of the Solomonic column will come from the hand of José Benito de Churriguera, whose altarpieces have an extraordinary importance since the second half of the 17th century and already at the beginning of the 18th century (note similarities and differences between the present altarpiece and that of the Convent of San Esteban...

Inflatable unicorn cloudscape painting combining fantasy imagery, balloon animal aesthetics and luminous blue sky atmosphere on Belgian linen. This original acrylic painting by Sofía Cristina Jiménez belongs to the Air series, a body of work in which inflatable figures occupy open skies, cloud formations and weightless atmospheric environments. Depicting a silver unicorn transformed into a floating balloon-like object, the painting combines fantasy art, cloudscape painting and pop surrealist imagery within a composition defined by light, openness and visual suspension. At the center of the work, the unicorn appears as a reflective inflatable figure drifting through a brilliant blue sky. Its metallic silver surface captures and reflects surrounding light while contrasting with the soft textures of the clouds. The segmented construction of the form recalls balloon sculptures and inflatable toys, transforming a mythical creature into an object shaped by contemporary visual culture. Throughout the Air series, Sofía Cristina Jiménez investigates the relationship between fantasy, representation and material transformation. Familiar symbols are displaced from their traditional contexts and reimagined through synthetic forms. Here, the unicorn remains recognizable as a mythical figure associated with imagination, wonder and storytelling, yet its inflatable construction subtly shifts its meaning toward contemporary image culture and manufactured fantasy. The expansive cloudscape creates a sense of freedom and spatial ambiguity. Layers of white clouds establish depth and movement while the saturated blue sky provides a powerful chromatic field that reinforces the sensation of elevation and lightness. Rather than presenting a narrative scene, the painting captures a suspended moment between reality and imagination. Executed in acrylic on Belgian linen, the work combines precise rendering of reflective surfaces with atmospheric painterly passages. The result functions simultaneously as a fantasy painting, cloudscape artwork and contemporary figurative composition, making it particularly suitable for collectors interested in pop surrealism, contemporary fantasy imagery and uplifting architectural interiors. Medium: Acrylic on Belgian linen canvas Series: Air Condition: Excellent original condition Frame: Unframed Installation: Ready to hang Authenticity: Unique original artwork This work is particularly suited for collectors interested in unicorn painting...

Impressive garden fountain hand-carved from Vicenza stone during the early 20th century. Combining architectural grandeur with the timeless beauty of natural stone, this monumental f...

Modular “Gronda” coat rack with black plastic frame, designed by Luciano Bertoncini and manufactured by Elco. The upper parts of the four modules can be pushed back which turns them ...

"Terracotta Apple Sculpture – Tuscany, 1950s" Materials: Terracotta and bronze Origin: Tuscany, Italy Period: 1950s Dimensions: 44 x 35 x 18 cm Unique decorative sculpture in the sh...

Designed by Marco Calhau in 2026, the "Sand" Triburete is part of the TRIBURETES series, a collection of three-legged stools developed from reclaimed offcuts generated in the artist'...