Madrid - Paintings

DAMIEN HIRST - THE CURRENCY: 6274. NOBODY SHOULD HEAR IT Date of creation: 2016 Medium: Enamel paint on handmade paper Edition: 5.149 unique works on paper Size: 21.5 x 30 cm Conditi...

Crocodile wildlife painting depicting a balloon-like reptile with a colorful crest, combining animal portraiture, humor and pop surrealist imagery on linen canvas. Sir Tori I is an ...

Inflatable tropical fish painting with coral reef imagery, marine life motifs and deep ocean colors on linen canvas. The Fish II is an original acrylic painting by Sofía Cristina Ji...

This is a one of a kind original oil painting by San Diego artist, Julia San Roman. Its dimensions are 20x20 It is framed in neutral wooden frame. A certificate of authenticity will ...

This is a one of a kind original oil and resin painting by San Diego artist, Julia San Roman. Its dimensions are 36" x 60" It is unframed. A certificate of authenticity will follow d...

Inflatable unicorn cloudscape painting combining fantasy imagery, balloon animal aesthetics and luminous blue sky atmosphere on Belgian linen. This original acrylic painting by Sofía Cristina Jiménez belongs to the Air series, a body of work in which inflatable figures occupy open skies, cloud formations and weightless atmospheric environments. Depicting a silver unicorn transformed into a floating balloon-like object, the painting combines fantasy art, cloudscape painting and pop surrealist imagery within a composition defined by light, openness and visual suspension. At the center of the work, the unicorn appears as a reflective inflatable figure drifting through a brilliant blue sky. Its metallic silver surface captures and reflects surrounding light while contrasting with the soft textures of the clouds. The segmented construction of the form recalls balloon sculptures and inflatable toys, transforming a mythical creature into an object shaped by contemporary visual culture. Throughout the Air series, Sofía Cristina Jiménez investigates the relationship between fantasy, representation and material transformation. Familiar symbols are displaced from their traditional contexts and reimagined through synthetic forms. Here, the unicorn remains recognizable as a mythical figure associated with imagination, wonder and storytelling, yet its inflatable construction subtly shifts its meaning toward contemporary image culture and manufactured fantasy. The expansive cloudscape creates a sense of freedom and spatial ambiguity. Layers of white clouds establish depth and movement while the saturated blue sky provides a powerful chromatic field that reinforces the sensation of elevation and lightness. Rather than presenting a narrative scene, the painting captures a suspended moment between reality and imagination. Executed in acrylic on Belgian linen, the work combines precise rendering of reflective surfaces with atmospheric painterly passages. The result functions simultaneously as a fantasy painting, cloudscape artwork and contemporary figurative composition, making it particularly suitable for collectors interested in pop surrealism, contemporary fantasy imagery and uplifting architectural interiors. Medium: Acrylic on Belgian linen canvas Series: Air Condition: Excellent original condition Frame: Unframed Installation: Ready to hang Authenticity: Unique original artwork This work is particularly suited for collectors interested in unicorn painting...

More than a simple artistic representation, this painting serves as a study of the human figure, characterized by a loose and quick execution technique. The choice of ochre tones for...

Realism, figurative, flowers, pastel colors

Balloon peacock portrait painting combining wildlife imagery, pop surrealist aesthetics and metallic inflatable surfaces on raw linen canvas. Lady Phasi II is an original acrylic pa...

EDOUARD LÉON CORTÈS French, 1882 - 1969 PLACE DE LA RÉPUBLIQUE signed "EDOUARD CORTÈS." (lower right) oil on canvas 25-3/4 x 36-1/4 inches (65 x 91.5 cm.) framed: 33-1/2 x 44-1/4 inches (85 x 112 cm.) PROVENANCE Private Collection, Chicago Edouard Léon Cortès (1882–1969) was a French post-impressionist artist of French and Spanish ancestry. He is known as "Le Poète Parisien de la Peinture" or "the Parisian Poet of Painting...

A colorful metallic seahorse floats above a coral reef in this vertical acrylic painting, contrasting brilliant orange and pink with deep ocean blue. Created by Spanish artist Sofía...

EMILIO GRAU SALA Spanish, 1911 - 1975 PADDOCK, 1970 signed "Grau Sala" (lower left) signed, dated and titled "GRAU SALA / 1970 / "Paddock"" (on the reverse) oil on canvas 15 x 18-1/8...

EMILIO GRAU SALA Spanish, 1911 - 1975 PADDOCK, 1961 signed "Grau Sala" (lower right) signed again, titled & dated "GRAU SALA / PADDOK / 1961" (on the reverse) oil on canvas 21-3/...

CELSO LAGAR Spanish, 1891 - 1966 PAVILLON DE CIRQUE signed "Lagar" (lower right) oil on canvas 15 x 18 inches (38 x 46 cm.) framed: 21-1/2 x 24-1/2 inches (54 x 62 cm.) NOTE: THIS W...

ESTEBAN VICENTE (1903-2001) Untitled signed and dated "1980 Esteban Vicente” (lower right) collage, watercolor and pencil on cardboard 14 x 17 inches (35.5 x 43 cm.) framed: 19-3/4 x...

Acrylic painting focusing on a partial, close-up view of an inflatable peacock figure, emphasizing gesture, construction lines, and the visibility of the raw linen support. This wor...

Balloon llama wildlife painting set within an Andean mountain landscape, combining contemporary landscape art, animal portraiture and pop surrealist imagery on Belgian linen. Plasti...

BENJAMÍN PALENCIA Spanish, 1894 - 1980 THE PARTRIDGE signed & dated "B. Palencia, 66" (lower right) oil on canvas 25-3/4 x 21-3/8 inches (65 x 54 cm....

EDOUARD LÉON CORTÈS French, 1882 - 1969 PARIS EVENING signed "EDOUARD CORTÈS" (lower right) oil on canvas 25-3/4 x 36-1/4 inches (65 x 91.5 cm.) framed: 31-3/4 x 42-1/2 inches (80.5 x 108 cm.) This work is accompanied by a certificate of authenticity issued by "Comité Édouard CORTÈS" PROVENANCE Private Collection, France Edouard Léon Cortès (1882–1969) was a French post-impressionist artist of French and Spanish ancestry. He is known as "Le Poète Parisien de la Peinture" or "the Parisian Poet of Painting...

EMILIO SÁNCHEZ PERRIER Spanish, 1855 - 1907 ÁLAMOS EN LA ORILLA DEL GUADALQUIVIR signed "E Sanchez Perrier" (lower left) oil on wood panel 36-5/8 x 19-5/8 inches (93 x 50 cm.) framed...

ANTONIO REYNA MANESCAU Spanish, 1859 - 1937 VENETIAN CANAL signed & located "A. Reyna, Venezia" (lower left) oil on canvas 11-1/2 x 19-3/4 inche...

MANUEL HERNÁNDEZ MOMPÓ Spanish, 1927 - 1992 CASA DE LECHERA signed "H. Mompó" (upper left) & inscribed "Rotterdam 55" (upper right) with inscrip...

"Luz de Otoño". Abstract, minimalist, gestural, contemporary, acrylic, canvas

Baby ostrich bird portrait painting combining minimal surrealism, theatrical shadow and contemporary figurative art on linen canvas. Baby Ostrich is an original acrylic painting by Sofía Cristina Jiménez from her Nobody Puts Baby in a Corner series, a body of work exploring isolation, theatrical space, humor and visual ambiguity through simplified animal figures. Combining bird portraiture, minimal surrealist painting and carefully constructed light effects, the work transforms an apparently simple scene into a subtle meditation on presence and perception. At the center of the composition, a small blue ostrich occupies the corner of an undefined architectural space. The figure appears simultaneously vulnerable and self-possessed, creating a psychological tension that gives the painting much of its character. Rather than presenting a naturalistic environment, the artist constructs a stage-like setting where space remains deliberately unstable and open to interpretation. A defining element of the work is the dramatic projected shadow extending behind the figure. The shadow exceeds the apparent scale of the ostrich and becomes an active participant in the composition, suggesting an alternative presence, a hidden narrative or an amplified emotional state. This theatrical treatment of light introduces a surreal dimension while preserving the painting’s quiet and contemplative atmosphere. Throughout the Nobody Puts Baby in a Corner series, Sofía Cristina Jiménez uses isolated figures to explore ideas of vulnerability, displacement and symbolic identity. Humor and tenderness coexist with subtle psychological tension, allowing the works to operate on multiple levels simultaneously. The exposed linen surface remains visible throughout significant areas of the composition, contributing warmth, texture and material presence. The contrast between the raw support, muted background and concentrated blue figure creates a refined visual balance that reinforces the painting’s sculptural quality. Executed in acrylic on linen canvas, the work functions equally as a contemporary bird portrait, a minimal surrealist painting and a distinctive contemporary artwork for residential and design-focused interiors. Medium: Acrylic on linen canvas Series: Nobody Puts Baby in a Corner Condition: Excellent original condition Frame: Unframed Installation: Ready to hang Authenticity: Unique original artwork This work is particularly suited for collectors interested in ostrich paintings...

Polar bear and puffin wildlife painting combining Arctic imagery, balloon animal aesthetics and ecological reflection on raw linen canvas. The Polar Bear and the Puffin – Plastic Nature VIII is an original acrylic painting by Sofía Cristina Jiménez from her ongoing Plastic Nature series. The work presents a polar bear and a puffin transformed into inflatable figures, positioned within an Arctic seascape where floating ice, reflective water and distant frozen horizons establish an atmosphere of stillness and vulnerability. Combining wildlife painting, balloon animal imagery and contemporary ecological themes, the work explores the increasingly complex relationship between nature, representation and environmental awareness. At the center of the composition stands a monumental pale-blue polar bear rendered as an inflatable structure. Its segmented surface recalls balloon sculptures and manufactured objects, creating a deliberate contrast between the symbolic weight of the animal and its apparently artificial form. Nearby, a puffin appears both perched and in flight, introducing scale, movement and narrative tension while reinforcing the fragile balance of the Arctic ecosystem. Throughout the Plastic Nature series, Sofía Cristina Jiménez transforms wildlife subjects into inflatable figures that occupy landscapes associated with environmental vulnerability. Rather than illustrating ecological issues directly, the artist creates subtle visual displacements that encourage viewers to reconsider familiar animal imagery. The balloon animal aesthetic introduces a layer of cultural mediation, suggesting how contemporary society increasingly encounters nature through images, symbols and representations. A significant feature of the painting is the use of raw linen. The upper portion of the composition remains intentionally unprimed, allowing the natural texture and color of the linen support to remain visible. This material decision activates the surface of the painting while establishing a striking contrast between the synthetic appearance of the inflatable animals and the tactile reality of the painted landscape. The restrained palette of icy blues, whites and natural linen tones reinforces the Arctic setting while creating a sophisticated chromatic balance suitable for contemporary interiors and collections focused on wildlife art, environmental themes and contemporary figurative painting. Medium: Acrylic on linen canvas Dimensions: [insert dimensions] Year: [insert year] Series: Plastic Nature Condition: Excellent original condition Frame: Unframed Installation: Ready to hang Authenticity: Unique original artwork This work is particularly suited for collectors interested in polar bear paintings...

ROGELIO DE EGUSQUIZA Spanish, 1845 - 1915 A REVERIE DURING THE BALL signed and dated "Rog. Egusquiza 1879" (lower right) oil on canvas 21-3/4 x 33-5/...

"Ciruelas / Plums". Contemporary, Realism, food, figurative, hyperrealism, photorealim

Natura Displaced n.2 (Diptych) continues Julia San Roman’s exploration of nature as a living system in flux, examining the ways landscapes, ecosystems, and organic forms are altered ...

Natura Displaced n.1 (Diptych) is a compelling meditation on the evolving relationship between humanity and the natural world. Created by Julia San Roman in 2022, this mixed-media di...

JEAN GABRIEL DOMERGUE French, 1889 – 1962 "JEUNE FEMME AUX FLEURS" Signed & dated "Jean-Gabriel Domergue ´28 " (lower right) With the Atelier stamp on the stretcher and canvas on the reverse Oil on canvas 32 X 25-3/4 inches (81 x 65 cm.) framed: 39-1/2 X 33-1/4 inches (100 X 84 cm.) PROVENANCE Private Collection, Madrid Note: We are grateful to Mr. Noé Willer for confirming the authenticity of this work which is recorded in the archives of the Artist. Painter born in Bordeaux, in 1889 and died in Paris in 1962. He began painting his mother's portraits very soon. He studied at the National Superior School of Fine Arts. The artist considered his teacher and inspiring Degas. Between 1904 and 1907 he joined Fauvism. In 1905 he participated in the "Autumn Hall" and in the "Hall of Independents". In 1907 he presented his 1st individual exhibition at the Vollard Gallery. He specialized in female portraits of Parisian ladies, creating a unique, sophisticated and elegant female portrait prototype that characterized him forever. He played an essential role in the evolution of women's fashion of his time. He designed numerous dresses, hats and accessories for famous designers such as Paul Poiret and Henry Marque It goes down in history as the architect of a new type of woman, thin, with an elegant air, always with style, with unusual elongated necks, with impressive slanted eyes, that seem to look at the world in amazement, perhaps because they express a feeling of freedom towards Society and its norms. With these paintings of women, he showed the world the true French, elegant, beautiful and with a gooseneck. In 1914 he won the Rome Prize. Many celebrities of the time posed for the artist, Josephine Baker, Brigitte Bardot, etc. But although he painted numerous nude actresses...

Realism, figurative, flowers, pastel colors, Hyperrealism, linen, oil

This painting unveils the quiet enchantment of a winter night bathed in the gentle radiance of a full moon. Soft hues of delicate pink caress the trees and snow, weaving warmth into ...

In this piece, I set out to evoke the quiet mystery of a spring night illuminated by moonlight. A glowing full moon hovers above, casting golden highlights that shimmer through the s...

This painting captures the essence of refuge—a quiet sanctuary amidst the vast, indifferent expanse of winter. The snow-covered landscape stretches endlessly, evoking both tranquilit...

EDOUARD LÉON CORTÈS French, 1882 - 1969 NOTRE-DAME VIEW FROM THE QUAYS signed "EDOUARD CORTÈS." (lower right); inscribed "6728" au crayon bleu et cachet "...

It is important to note that this work consists of three separate canvases, each one of 70x70x2. They make up a work of 210x70x2. The scene depicted is purely imaginary, where two wi...

ANTONIO REYNA Spanish, 1859 - 1937 PALACES BY A CANAL, VENICE signed and located "A. Reyna / Venezia" (lower right) oil on canvas 29-1/8 x 57-7/8 inches (74 x 147 cm.) framed: 34-1/4...

This is a one of a kind original oil on canvas painting by San Diego artist, Julia San Roman. Its dimensions are 48" x 60"x 1.5". It is unframed. A certificate of authenticity will f...

CUZCO SCHOOL 18th Century CORONACIÓN DE LA VIRGEN unsigned oil on canvas 65-1/2 x 42-1/8 inches (166 x 107 cm.) framed: 66-1/2 x 43-1/2 inches (169 x 110.5 cm.) PROVENANCE Private C...

Large original abstract painting. It was painted in multiple layers with palette knife and brushes. The artwork is signed on the back and includes a Certificate of Authenticity. T...

Untitled 5 (Abstract painting) Acrylic on canvas — Unframed. Fluctuating between illustration and expressionism, connecting the geometric and biomorphic worlds, Perea communicates t...

This painting immerses you in the mesmerizing stillness of an autumn night, illuminated by the gentle radiance of a full moon. Golden trees, like intricate lacework, stand gracefull...

In this painting, I aimed to capture the quiet magic of a moonlit orchard. A radiant silver moon rises above distant hills, casting a soft, ethereal glow and scattering stars like pe...

This artwork invites you into the secret garden of the soul, bathed in the soft, mystical glow of an emerald moon. Two figures gently intertwine in a quiet, tender embrace, their for...

Impresionist woman nude figure

A view of the walkways to the Gondola services in Venice, where the painter places us at dawn with the Church of San Giorgio Maggiore in the background, submerged in the mist produce...

ATTRIBUTED TO LAUREANO BARRAU Spanish, 1863 - 1957 UNDER THE PARASOL unsigned oil on canvas 35-1/2 x 26 inches (90 x 66 cm.) framed: 44-1/4 x 35-1/2 in...

I painted this view of the Venice canal on a foggy gray morning, playing with the chromaticism of the scene to alter the colors and create a special luminosity. I used soft tones to ...

JOSÉ MANUEL CAPULETTI Spanish, 1925 - 1976 LAS DAMAS signed "Capuletti" (lower right) oil on cardboard 21-1/4 x 25-5/8 inches (54 x 65 cm.) framed: 22-5/8 x 27 inches (57.5 x 68.5 cm...

RAMÓN CASAS Spanish, 1866 - 1932 CORRIDA signed "R. Casas" (lower left) oil on canvas 15 x 18-1/8 inches (38 x 46 cm.) framed: 23-1/4 x 26 inches (59 x 66 cm.) PROVENANCE The artist...

ULPIANO CHECA Spanish, 1860 - 1916 VENICE CANAL signed, located and dedicated "A Marguerite Pinèdo / affectueusement / U. Checa / Venezia" (lower left) o...

EMILIO GRAU SALA Spanish, 1911 - 1975 PADDOCK signed "Grau Sala" (lower right) oil on canvas 21-1/3 x 25-1/2 inches (54 x 65 cm.) framed: 27-1/2 x 32 inches (70 x 81 cm.) PROVENANCE...

EMILIO GRAU SALA Spanish, 1911 - 1975 SCÈNE FAMILLIALLE signed "Grau Sala" (lower right) signed, titled, located and dated "GRAU SALA / SCÈNE FALLIALLE / PARIS 1969" (on the reverse)...

EMILIO GRAU SALA Spanish, 1911 - 1975 ESPAGNOLES, 1971 signed "Grau Sala" (lower left) signed again, dated and titled "Grau Sala, 1971, espagnoles" (on the reverse) oil on canvas 1...

Untitled 9 (Abstract painting) Ink and perforantions on indian paper — Unframed. Fluctuating between illustration and expressionism, connecting the geometric and biomorphic worlds, ...

Untitled 2 (Abstract painting) Mixed media - tapes, acrylic and resin on aluminium — Unframed. Fluctuating between illustration and expressionism, connecting the geometric and biomo...

This is a one of a kind original oil and resin quadriptych painting by San Diego artist, Julia San Roman. Its dimensions are 60" x 60" It is unframed. A certificate of authenticity w...

This work is an initial exploration of the iconic Venice canal, conceived as a preliminary study with the intention of developing it into a larger format in the future. In this study...

ANTONI CLAVÉ Spanish, 1913 - 2005 STILL LIFE signed "Clavé" (lower right) inscribed and signed "Ce tableau a ete peint par moi vers 1946. / Clavé" (on the reve...

"Aurea: A Tribute to the Golden Dot." In the fabric of the universe, mathematics reveals patterns that transcend time and space. In the fabric of art, these patterns intertwine with ...