Madrid - Paintings

DAMIEN HIRST - THE CURRENCY: 6274. NOBODY SHOULD HEAR IT Date of creation: 2016 Medium: Enamel paint on handmade paper Edition: 5.149 unique works on paper Size: 21.5 x 30 cm Conditi...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

SECUNDINO HERNÁNDEZ (1975-) "Untitled, 2016" signed and dated "S H. 16" (lower left) signed and dated "S H. 16" (on the reverse) oil, acrylic, gouache and alkyd on canvas 85 x 75 inc...

In this sketch entitled “Camel Beach”, the artist transports us to the shores of Santander through carefully placed brushstrokes. With a palette of cold tones, the painting captures ...

This painting captures the quiet magic of an autumn night, where the endless expanse of a starlit sky meets the golden glow of illuminated trees. It draws the viewer into a world of ...

This painting unveils the quiet enchantment of a winter night bathed in the gentle radiance of a full moon. Soft hues of delicate pink caress the trees and snow, weaving warmth into ...

EDOUARD LÉON CORTÈS French, 1882 - 1969 PLACE DE LA RÉPUBLIQUE signed "EDOUARD CORTÈS." (lower right) oil on canvas 25-3/4 x 36-1/4 inches (65 x 91.5 cm.) framed: 33-1/2 x 44-1/4 inches (85 x 112 cm.) PROVENANCE Private Collection, Chicago, US Edouard Léon Cortès (1882–1969) was a French post-impressionist artist of French and Spanish ancestry. He is known as "Le Poète Parisien de la Peinture" or "the Parisian Poet of Painting...

EDOUARD LÉON CORTÈS French, 1882 - 1969 PARIS EVENING signed "EDOUARD CORTÈS" (lower right) oil on canvas 25-3/4 x 36-1/4 inches (65 x 91.5 cm.) framed: 31-3/4 x 42-1/2 inches (80.5 x 108 cm.) This work is accompanied by a certificate of authenticity issued by "Comité Édouard CORTÈS" PROVENANCE Private Collection, France Edouard Léon Cortès (1882–1969) was a French post-impressionist artist of French and Spanish ancestry. He is known as "Le Poète Parisien de la Peinture" or "the Parisian Poet of Painting...

Inflatable tropical fish painting with coral reef imagery, marine life motifs and deep ocean colors on linen canvas. The Fish II is an original acrylic painting by Sofía Cristina Ji...

EMILIO GRAU SALA Spanish, 1911 - 1975 PADDOCK, 1961 signed "Grau Sala" (lower right) signed again, titled & dated "GRAU SALA / PADDOK / 1961" (on the reverse) oil on canvas 21-3/...

GASPAR MIRÓ I LLEÓ Spanish, 1849 - 1914 ANIMATED BOULEVARD, PARIS signed "gmiró" (lower right) oil on canvas 15-1/8 x 22-3/8 inches (38.2 x 56.5 cm.) framed: 21-1/2 x 28 inches (54.2...

EDOUARD LÉON CORTÈS French, 1882 - 1969 NOTRE-DAME VIEW FROM THE QUAYS signed "EDOUARD CORTÈS." (lower right) oil on wood panel 6-1/8 x 8-3/4 inches (16 x...

This painting immerses you in the mesmerizing stillness of an autumn night, illuminated by the gentle radiance of a full moon. Golden trees, like intricate lacework, stand gracefull...

Damien Hirst – Skull Spin Painting, 2009 Acrylic on paper, mounted in a museum-grade acrylic case with fluorescent-colored sides. This vibrant work by Damien Hirst belongs to his re...

A colorful metallic seahorse floats above a coral reef in this vertical acrylic painting, contrasting brilliant orange and pink with deep ocean blue. Created by Spanish artist Sofía...

Inflatable unicorn cloudscape painting combining fantasy imagery, balloon animal aesthetics and luminous blue sky atmosphere on Belgian linen. This original acrylic painting by Sofía Cristina Jiménez belongs to the Air series, a body of work in which inflatable figures occupy open skies, cloud formations and weightless atmospheric environments. Depicting a silver unicorn transformed into a floating balloon-like object, the painting combines fantasy art, cloudscape painting and pop surrealist imagery within a composition defined by light, openness and visual suspension. At the center of the work, the unicorn appears as a reflective inflatable figure drifting through a brilliant blue sky. Its metallic silver surface captures and reflects surrounding light while contrasting with the soft textures of the clouds. The segmented construction of the form recalls balloon sculptures and inflatable toys, transforming a mythical creature into an object shaped by contemporary visual culture. Throughout the Air series, Sofía Cristina Jiménez investigates the relationship between fantasy, representation and material transformation. Familiar symbols are displaced from their traditional contexts and reimagined through synthetic forms. Here, the unicorn remains recognizable as a mythical figure associated with imagination, wonder and storytelling, yet its inflatable construction subtly shifts its meaning toward contemporary image culture and manufactured fantasy. The expansive cloudscape creates a sense of freedom and spatial ambiguity. Layers of white clouds establish depth and movement while the saturated blue sky provides a powerful chromatic field that reinforces the sensation of elevation and lightness. Rather than presenting a narrative scene, the painting captures a suspended moment between reality and imagination. Executed in acrylic on Belgian linen, the work combines precise rendering of reflective surfaces with atmospheric painterly passages. The result functions simultaneously as a fantasy painting, cloudscape artwork and contemporary figurative composition, making it particularly suitable for collectors interested in pop surrealism, contemporary fantasy imagery and uplifting architectural interiors. Medium: Acrylic on Belgian linen canvas Series: Air Condition: Excellent original condition Frame: Unframed Installation: Ready to hang Authenticity: Unique original artwork This work is particularly suited for collectors interested in unicorn painting...

Crocodile wildlife painting depicting a balloon-like reptile with a colorful crest, combining animal portraiture, humor and pop surrealist imagery on linen canvas. Sir Tori I is an ...

In this piece, I set out to evoke the quiet mystery of a spring night illuminated by moonlight. A glowing full moon hovers above, casting golden highlights that shimmer through the s...

ESTEBAN VICENTE (1903-2001) "Composition" signed, described, titled and dated "Esteban Vicente / oil on canvas / 42" x 52" / Composition / 1997" (on the reverse) oil on canvas 42 x 5...

Balloon peacock portrait painting combining wildlife imagery, pop surrealist aesthetics and metallic inflatable surfaces on raw linen canvas. Lady Phasi II is an original acrylic pa...

This artwork captures the stillness and serenity at a train station after a snowfall, presenting itself as a window to a world of winter beauty. The artist transports us to a place w...

Face II (Aquiles) is a large format work that is part of the classical series, continuing its exploration of the iconic figures of mythology. In this Rostro II, the protagonist is Ac...

JUAN USLE (1954-) "Lee" (díptico) each: signed, dated and described "Uslé 81 - / díptico" (on the reverse) acrylic on canvases each: 70-5/8 x 39-3/8 inches (179.5 x 100 cm.) unframed...

MANUEL HERNÁNDEZ MOMPÓ Spanish, 1927 - 1992 CASA DE LECHERA signed "H. Mompó" (upper left) & inscribed "Rotterdam 55" (upper right) with inscrip...

This painting captures the essence of refuge—a quiet sanctuary amidst the vast, indifferent expanse of winter. The snow-covered landscape stretches endlessly, evoking both tranquilit...

ROGELIO DE EGUSQUIZA Spanish, 1845 - 1915 A REVERIE DURING THE BALL signed and dated "Rog. Egusquiza 1879" (lower right) oil on canvas 21-3/4 x 33-5/...

This work is an initial exploration of the iconic Venice canal, conceived as a preliminary study with the intention of developing it into a larger format in the future. In this study...

EMILIO GRAU SALA (1911-1975) "Paddock at Deauville" signed, located and dated "Grau Sala / Deauville 56" (lower right) signed again, located & dated "Grau Sala / Deauville 1956" ...

"Detrás", Behind, it is a work that invites reflection and contemplation. Its square format and careful composition divide the space into two vertical strips, each with its own sym...

Acrylic painting focusing on a partial, close-up view of an inflatable peacock figure, emphasizing gesture, construction lines, and the visibility of the raw linen support. This wor...

Polar bear and puffin wildlife painting combining Arctic imagery, balloon animal aesthetics and ecological reflection on raw linen canvas. The Polar Bear and the Puffin – Plastic Nature VIII is an original acrylic painting by Sofía Cristina Jiménez from her ongoing Plastic Nature series. The work presents a polar bear and a puffin transformed into inflatable figures, positioned within an Arctic seascape where floating ice, reflective water and distant frozen horizons establish an atmosphere of stillness and vulnerability. Combining wildlife painting, balloon animal imagery and contemporary ecological themes, the work explores the increasingly complex relationship between nature, representation and environmental awareness. At the center of the composition stands a monumental pale-blue polar bear rendered as an inflatable structure. Its segmented surface recalls balloon sculptures and manufactured objects, creating a deliberate contrast between the symbolic weight of the animal and its apparently artificial form. Nearby, a puffin appears both perched and in flight, introducing scale, movement and narrative tension while reinforcing the fragile balance of the Arctic ecosystem. Throughout the Plastic Nature series, Sofía Cristina Jiménez transforms wildlife subjects into inflatable figures that occupy landscapes associated with environmental vulnerability. Rather than illustrating ecological issues directly, the artist creates subtle visual displacements that encourage viewers to reconsider familiar animal imagery. The balloon animal aesthetic introduces a layer of cultural mediation, suggesting how contemporary society increasingly encounters nature through images, symbols and representations. A significant feature of the painting is the use of raw linen. The upper portion of the composition remains intentionally unprimed, allowing the natural texture and color of the linen support to remain visible. This material decision activates the surface of the painting while establishing a striking contrast between the synthetic appearance of the inflatable animals and the tactile reality of the painted landscape. The restrained palette of icy blues, whites and natural linen tones reinforces the Arctic setting while creating a sophisticated chromatic balance suitable for contemporary interiors and collections focused on wildlife art, environmental themes and contemporary figurative painting. Medium: Acrylic on linen canvas Dimensions: [insert dimensions] Year: [insert year] Series: Plastic Nature Condition: Excellent original condition Frame: Unframed Installation: Ready to hang Authenticity: Unique original artwork This work is particularly suited for collectors interested in polar bear paintings...

This artwork invites you into the secret garden of the soul, bathed in the soft, mystical glow of an emerald moon. Two figures gently intertwine in a quiet, tender embrace, their for...

JOSÉ VILLEGAS CORDERO Spanish, 1844 - 1921 THE BARBER OF SEVILLE signed & dated "J. Villegas. / Junio 1913." (lower left) oil on canvas 19-3/8 x 28-3/4 inches (49 x 73 cm.) framed: 27-1/2 x 36-3/4 inches (69.5 x 93 cm.) PROVENANCE Private Collector, Seville, Spain José Villegas Cordero (Seville, August 26, 1844-Madrid, November 9, 1921) was a Spanish painter. He directed the Prado Museum between 1901 and 1918. He was the brother of the painter Ricardo Villegas Cordero. He began his apprenticeship very young with José María Romero, with whom he remained for two years until entering the School of Fine Arts in Seville, where he was under the tutelage of Eduardo Cano. In 1860, when he was only 16 years old, he sold his work Little Philosophy for 2,000 reais at the Seville Exhibition. In 1867 he traveled to Madrid, where he entered Federico Madrazo's studio. There he established friendship with painters Eduardo Rosales and Fortuny. He went regularly to the Prado where he copied Velázquez, from whom he acquired spontaneity and the use of color for his technique. Finally, and out of admiration for Fortuny's orientalist painting, he returned to Seville and organized an excursion to Morocco. At the end of 1868 he decided to travel to Rome accompanied by the painters Rafael Peralta and Luis Jiménez Aranda...

RAMÓN CASAS Spanish, 1866 - 1932 CORRIDA signed "R. Casas" (lower left) oil on canvas 15 x 18-1/8 inches (38 x 46 cm.) framed: 23-1/4 x 26 inches (59 x 66 cm.) PROVENANCE The artist...

ANTONIO REYNA Spanish, 1859 - 1937 SAINT MARKS SQUARE signed and located "A. Reyna / Venezia" (lower right) oil on canvas 15-1/2 x 21-3/8 inches (39 x 54 cm.) framed: 25-1/4 x 31-1/4 inches (64 x 79 cm.) PROVENANCE Galería Blanchard, Madrid Private Collection, Madrid Antonio Reyna Manescau...

Untitled 5 (Abstract painting) Acrylic on canvas — Unframed. Fluctuating between illustration and expressionism, connecting the geometric and biomorphic worlds, Perea communicates t...

JOAQUÍN DOMÍNGUEZ BÉCQUER Spanish, 1817 - 1879 DANCERS IN A COURTYARD signed, located & dated "Joaq. D. Becquer. Sevilla 1849." (lower right)...

ISMAEL DE LA SERNA Spanish, 1898 - 1968 HARLEQUIN AND HIS DOG signed and dated "I DE LA SERNA 55" (upper left) oil on cardboard 42-1/8 x 27-1/2 inches (107 x 70 cm.) framed: 49-3/8 x...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

EMILIO GRAU SALA Spanish, 1911 - 1975 ESPAGNOLES, 1971 signed "Grau Sala" (lower left) signed again, dated and titled "Grau Sala, 1971, espagnoles" (on the reverse) oil on canvas 1...

EMILIO GRAU SALA Spanish, 1911 - 1975 BOULEVARD OF PARIS signed “Grau Sala” (lower right) oil on canvas 25-1/2 x 32 inches (65 x 81 cm.) framed: 36-1/4 x 42-1/2 inches (92 x 108 cm.) Emilio Grau Sala came from a family of artists. He was born in Barcelona in 1911 and his father, a good cartoonist, had been one of the promoters of the "Salon des Humanistes" and made his exhibitions normally in the Parés Hall. His first works were exhibited at the Salon des Independents, in the years 1930-33. Grau Sala was essentially a Mediterranean painter, son of post-impressionism and enriched with French painting of the last fifty years. In this work Grau Sala has a loose, subtle brushstroke, in which the color shapes the entire work. The bright and transparent whites that give life to young schoolgirls contrast with the brushstrokes of blacks from the nun who accompanies them. The explosion of greens is refreshing, it surrounds us and transports us to an idyllic place, even if it is a citizen boulevard, which becomes friendly and beautiful. His works can be found in the Museums of the Villa de Paris, L'Ile de France Museum, at the Château de Sceaux, Honfleur Museum, La Rochelle Museum, Barcelona Museum, Tossa de Mar...

ANTONIO REYNA Spanish, 1859 - 1937 PALACES BY A CANAL, VENICE signed and located "A. Reyna / Venezia" (lower right) oil on canvas 29-1/8 x 57-7/8 inches (74 x 147 cm.) framed: 34-1/4...

EMIILIO GRAU SALA Spanish, 1911 - 1975 LE MOULIN DE LA GALETTE signed "Grau Sala" (lower right) oil on canvas 59-1/4 x 67-1/4 inches (150.5 x 170 cm.) framed: 62-1/2 x 70-1/4 inches...

This painting is an imaginary landscape but inspired by the mountains in the Alps. In this series of paintings, the artwork has a physical and abstract character seen up close with ...

MARIANO ALONSO PÉREZ Spanish, 1857 - 1930 ELEGANT FIGURES SEATED IN A PARK signed, located and dated "Alonso Pérez, Paris ´91" (lower right) oil o...

Large original abstract painting. It was painted in multiple layers with palette knife and brushes. The artwork is signed on the back and includes a Certificate of Authenticity. T...

In this painting, I aimed to capture the quiet magic of a moonlit orchard. A radiant silver moon rises above distant hills, casting a soft, ethereal glow and scattering stars like pe...

Untitled 9 (Abstract painting) Ink and perforantions on indian paper — Unframed. Fluctuating between illustration and expressionism, connecting the geometric and biomorphic worlds, ...

JOSÉ MANUEL CAPULETTI Spanish, 1925 - 1976 LAS DAMAS signed "Capuletti" (lower right) oil on cardboard 21-1/4 x 25-5/8 inches (54 x 65 cm.) framed: 22-5/8 x 27 inches (57.5 x 68.5 cm...

GASPAR MIRÓ I LLEÓ Spanish, 1849 - 1914 JARDIN DES TUILERIES signed "gmiró" (lower right) oil on canvas 23 x 45-1/2 inches (58.5 x 115.6 cm.) framed: 26 x 49 inches (66 x 124 cm.) P...

In Theories, the viewer is confronted with an enigmatic scene where time and space seem to dissolve. Two sculptures float suspended in a dark, earthy-toned environment, divided by a ...

JOSÉ MONGRELL Spanish, 1870 - 1937 VALENCIAN FLOWER PICKERS signed “J. Mongrell” (lower left) oil on canvas 29-1/4 x 45 inches (74 x 114 cm.) framed: 42-...

JOAQUÍN DOMÍNGUEZ BÉCQUER Spanish, 1817 - 1879 OUTSIDE THE TAVERN signed, located & dated "Joaq. D. Becquer. Sevilla 1849." (lower right) oil...

ATTRIBUTED TO LAUREANO BARRAU Spanish, 1863 - 1957 UNDER THE PARASOL unsigned oil on canvas 35-1/2 x 26 inches (90 x 66 cm.) framed: 44-1/4 x 35-1/2 in...

It is important to note that this work consists of three separate canvases, each one of 70x70x2. They make up a work of 210x70x2. The scene depicted is purely imaginary, where two wi...

Damien Hirst – Dot Spin Painting, 2009 Acrylic on paper, presented in a museum-grade acrylic case with transparent sides and gold leaf wooden backing. Created in 2009 to celebrate t...

CELSO LAGAR Spanish, 1891 - 1966 PAVILLON DE CIRQUE signed "Lagar" (lower right) oil on canvas 15 x 18 inches (38 x 46 cm.) framed: 21-1/2 x 24-1/2 inches (54 x 62 cm.) NOTE: THIS W...

"Theories II" is a surrealist work that explores human theories through time. In the center, two heads of classical sculptures emerge against a divided background. The head of Dionysus, in earthy tones, projects a vision that distorts reality, symbolizing man's illusory perspective. From this vision emerge colorful forms that converge towards a floating book...