Malmo - Decorative Objects

A beautiful art deco candle holder for large candles. Designed by Just Andersen in 1930s and produced by his own company in Denmark. Made from Disko metal (an alloy of different meta...

A set of three beautiful porcelain crown window bowls. Designed by Gunnar Nylund for Rorstrand, Sweden, 1933. Excellent condition. First sorting. Stamped 'Rörstrand' and 'Sweden'....

Rare vase designed by Ivar Ålenius Björk. Produced by Ystad Metall in Sweden.

Beautiful and rare stoneware vase designed by Gertrud Lönegren. This studio piece was created at Rorstrand in Sweden between 1936-1941. Excellent condition. Impressed 'Rörstrand ...

Large stoneware vase with amazing brown-black glaze. Designed by Carl-Harry Stålhane at Rörstrand, Sweden, 1950s. Good condition. First sorting. Slightly oblique. Signed 'CHS' and m...

A grand Scandinavian Modern urn with amazing off white crackle glaze. Designed by Eva Jancke-Björk for Bo Fajans, Sweden, 1940s. This urn (model 3428) was in production 1943-1951. ...

A pair of beautiful stoneware vases with identical relief pattern and amazing glaze. Designed by Gunnar Nylund for Rorstrand, Sweden, 1950s. Great condition. Incised signature "G...

Glass Vase by Gunnel Nyman, 1950's Additional Information: Material: Glass Style: Mid century, Scandinavian Produced by Nuutajärvi in Finland Di...

Unique stoneware vase with amazing relief decor and glaze. Made by Carl-Harry Stålhane at Rörstrand Ateljé, Sweden, 1960s. Good condition. Marked as factory second due to glaze blis...

Unique stoneware vase with amazing relief decor and glaze. Made by Carl-Harry Stålhane at Rörstrand Ateljé, Sweden, 1960s. Great condition. Signed 'C-H S' and makers mark 'R' with ...

A beautiful and unique stoneware vase with amazing glaze. Made by Stig Lindberg in Gustavsberg Studio, Sweden. 1960s. Excellent condition. Incised "Stig L" and Gustavsberg studio ha...

Unique stoneware lidded urn with amazing relief decor and glaze. Made by Carl-Harry Stålhane at Rörstrand Ateljé, Sweden, 1960s. Great condition. First sorting. There is a chip from...

Sculpture ‘Stenblomman 3’ by Christian Berg. Casting stamp E. Pettersson Fud. Provenance: Rolf Schmitz.

A beautiful stoneware vase with amazing glaze. Designed by Gunnar Nylund for Rorstrand, Sweden, 1940s. Great condition. Incised makers mark, Rörstrands three crowns. Gunnar Nylun...

A pair of rare and beautiful stoneware bowls with amazing glaze. Made by Carl-Harry Stålhane at Rörstrand, Sweden, 1950s. Excellent condition. Signed 'CHS' and makers mark 'R'. Car...

Beautiful stoneware vase made by master ceramists Erich and Ingrid Triller. This piece was created at their workshop in Tobo, Sweden, 1950’s. Excellent condition. Signed on the base with their customary "Triller Tobo" signature. The ceramists Erich and Ingrid Triller were educated in Germany 1929-32, married in 1934 and moved to Sweden the same year. Together they ran the Tobo stoneware...

A large and beautiful stoneware vase with amazing hare’s fur glaze. Made by master thrower Berndt Friberg, in the artist's studio at Gustavsberg, Sweden, 1971. Great condition. Slig...

A beautiful and unique stoneware vase with amazing glaze. Made by Rolf Palm, in the artist's studio, Mölle, Sweden, 1985. Great condition. Incised ’Palm / Mölle / H5’. Rolf Palm (...

A beautiful and unique stoneware vase with amazing white glaze. Made by Stig Lindberg in Gustavsberg Studio, Sweden. 1963. Great condition. Incised "Stig L" and Gustavsberg studio h...

Pair of bronze Swedish Grace candlesticks with amazing patina. Made by GAB Guldsmedsaktiebolaget, Sweden, 1930s. Great condition. Stamped 'BRONS' and makers mark.

Unique, large stoneware vase with amazing relief decor and glaze. Made by Carl-Harry Stålhane at Rörstrand Ateljé, Sweden, 1960s. Great condition. Signed 'CHS-e', 'ATELJÉ' and make...

A beautiful vase by Anna-Lisa Thomson for Gefle / Upsala Ekeby, Sweden, 1930s. Excellent condition. Signed 'Thomson' on the side of the vase and stamped 'Gefle' underneath. Anna-L...

Unique stoneware vase with amazing relief decor and glaze. Made by Carl-Harry Stålhane at Rörstrand Ateljé, Sweden, 1960s. Great condition. Signed 'CHS', 'ATELJÉ' and makers mark '...

Beautiful and rare stoneware vase designed by Gertrud Lönegren. This studio piece was created at Rorstrand in Sweden between 1936-41. Excellent condition. Impressed 'Rörstrand / ...

A unique and beautiful stoneware vase with amazing glaze. Made in 1950 by Carl-Harry Stålhane at Rörstrand, Sweden. Excellent condition. Signed 'CH Stålhane -50' and makers mark 'R'...

Pewter Jar Designed by Sylvia Stave, 1929 Additional Information: Material: Pewter Produced by C.G. Hallberg in Sweden Dimensions: (W x D x H): 9 x 9 x 11 cm Condition: Good vintage...

A beautiful stoneware vase with amazing glaze. Made by Annikki Hovisaari for Arabia, Finland, 1960s Great condition. Incised signature 'AH' and 'ARABIA'. Annikki Hovisaari (1918–20...

Three stunning 'Surrea' stoneware bowls with 'Carrara' glaze. Made by Wilhelm Kåge at Gustavsberg Studio in Sweden, 1940s. Excellent condition. Stamped 'Gustavsberg'. This is a ...

Stunning 'Surrea' stoneware vase and bowl with 'Carrara' glaze. Made by Wilhelm Kåge at Gustavsberg Studio in Sweden, 1940s. Excellent condition. Stamped 'Gustavsberg / SURREA'. ...

Beautiful and rare vase made by Vicke Lindstrand at Upsala-Ekeby, Sweden, 1943. Excellent condition. Impressed 'EKEBY / 358' and signed 'Vicke' on the side of the base. One of the...

A beautiful 'Karneval' faience vase. Designed by Stig Lindberg in Gustavsberg Studio, Sweden, 1950s. Excellent condition. Signed with the Gustavsberg studio hand. Stig Lindberg and...

A beautiful stoneware vase made by Claes Thell, in the Artist's studio, Höganäs, Sweden. Large with amazing glaze! Excellent condition. Signed Thell '82. Claes Thell is a Swedi...

A beautiful stoneware vase with amazing glaze. Made by Marianne Westman for Rorstrand, Sweden, 1960s. Great condition. Incised signature "MW" and "R" för Rörstrand. Marianne Westm...

A beautiful 'Surrea' stoneware vase with 'Carrara' glaze. Made by Wilhelm Kåge at Gustavsberg in Sweden, 1950s. Excellent condition. Stamped 'Gustavsberg / SURREA'. Wilhelm Kåge...

A beautiful lidded stoneware bowl. Made by Birger Åström (1931-2020) in his studio in Örnsköldsvik, Sweden, 1960s. Excellent condition. Signed 'BÅM'. T...

A beautiful faience bowl with amazing geometric pattern. Designed by Stig Lindberg in Gustavsberg Studio, Sweden, 1950s. Good condition (there is a small mark in the glaze shown in ...

A beautiful stoneware vase with amazing glaze. Made by Stig Lindberg in Gustavsberg Studio, Sweden. 1950s. Excellent condition. Impressed "Stig L.", "Drejargods" and Gustavsberg stu...

A beautiful stoneware bowl with amazing glaze. Made by Tyra Lundgren. Executed during the artist's time spent at Sèvres, between 1934-1939. Excellent condition. Impressed with artist's name and maker's marks. Tyra Lundgren (1897-1979) was one of the most multifaceted artists and modernists of the twentieth century. She was a painter, drawer, sculptor, ceramist, glass- and textile designer, as well as an author and an art critic. She was the first woman who designed glass for Paolo Venini at Murano in Venice and she also served as the artistic leader at Arabia in Helsinki at a time when men tended to hold those kinds of positions. Tyra Lundgren grew up in Djursholm, near Stockholm. Her parents were John Petter Lundgren, professor at Veterinärinstitutet (institute of veterinary sciences) in Stockholm, and Edith Lundgren née Åberg, who was a housewife and raised their six children. The bourgeois home also comprised a nanny and a female cook. The family were very socially active, travelled often, and enjoyed the outdoor lifestyle. Tyra Lundgren’s schooling began at Djursholm coeducational school, where her teachers included Natanael and Elsa Beskow and Alice Tegnér. Her school friends included Greta Knutson-Tzara, Stellan Mörner, and Ingrid Rydbeck-Zuhr. Tyra Lundgren knew from the time she was five years old that she wanted to be an artist. She first became aware of the profession through Axel Fahlcrantz, who rented a studio on the plot of land where she lived with her family. In 1913 she began to attend Högre konstindustriella skolan (HKS, now known as Konstfack, college of arts, crafts and design) where she studied decorative art as well as handicrafts in various forms until 1917. One of her fellow students and friends there was Estrid Ericson, who later founded Svenskt Tenn AB in 1924. Whilst attending HKS Tyra Lundgren also took painting lessons at the Althin school of painting. In 1917 she was accepted as a candidate at the Royal Swedish Academy of Fine Arts where, apart from breaks during which she undertook studies abroad, she remained until 1922. She spent a couple of months taking lessons from Anton Hanak in Vienna and from 1920–1923 she was a student of André Lhote in Paris. Tyra Lundgren was primarily active in four countries: Sweden, Finland, France, and Italy. She spent much of her professional life travelling and considered herself to be a European. Greece and Mexico also formed important centres in her artistic life, as did the USA. She had an extensive social network which included focal individuals within twentieth century-European and American artistic and cultural circles. Tyra Lundgren’s main artistic motifs were birds, fish, and people which she depicted through different techniques and materials. Her artistic expression involved a variety of different directions and styles. She was a pioneer of the 1920s Swedish Grace style, the name of which had been coined by the art critic Morton Shand at the Stockholm Exhibition of 1930. This was a Swedish Art Deco style, characterised by elegance and traditional art which contrasted with the current artistic ideals of functionalism. Tyra Lundgren made her debut at a group exhibition held at Kungliga Akademien för de fria konsterna in 1921. She went on to show her work at various exhibitions throughout the 1920s. After that period she only very rarely exhibited her paintings. Tyra Lundgren’s painted output can be divided into different periods or stylistic directions. The first of these, and the most extensive, was her post-Cubist period which began in 1920 on her arrival in Paris. Her paintings from this time and right up to the mid-1930s typically comprise portraits, self-portraits, live-model painting, still-lifes, interiors, and landscapes in the Cubist style. Many of the great number of self-portraits she painted were produced in the New Objective style, displaying broad variation in terms of clothes, poses and techniques. Two of these – Huvud med vit duk and Självporträtt both from 1921 – can be seen at Moderna Museet in Stockholm, although the majority of these works are at Gotlands Museum. Tyra Lundgren’s second artistic period comprises the years of 1927 to 1929 and is characterised by the New Objective style inspired by medieval techniques and materials (Giotto, Piero della Francesca). Her motifs were still-lifes and landscapes. At this point she was living in Rome and was close to the circle involved in the Valori plastici: rivista d’arte art journal. This period saw a breakthrough in her development as a painter. From the 1950s through the 1970s her work can almost be described as belonging to the Concrete style. Using light pastel colours her paintings sought light in a sometimes non-figurative expression, but often depicting abstract bird-shapes or other nature-inspired imagery. Her paintings from this period are outsized and display powerful colours, in yellows, reds, and blues. Tyra Lundgren maintained a constant production of drawings, both in terms of individual artworks and sketches for patterns and designs. She also produced the illustrations for her book Fagert i Fide. Årstiderna på en gammal gotlandsgård, published in 1961. During her early years she also produced advertising illustrations. She spent the final years of her life primarily working with lithographs which were printed at Galleri Prisma and depicted images of doves, swallows, magpies and crows. Tyra Lundgren is meanwhile best known for her work as a ceramist and in this sphere she was one of Sweden’s leading exponents. She worked in the porcelain industry as a designer and as an artisan and ceramic sculptor. Her first job was at St Eriks Lervarufabrik in Uppsala from 1922–1924, she then worked at Arabia from 1924–1937, and at Rörstrand and Lidköping Porslinsfabrik. She was the artistic leader at Arabia ahead of the 1930 Stockholm Exhibition and she exhibited her work at the World’s Fairs. During the 1934–1938 period she was connected to the Manufacture nationale de Sèvres porcelain factory in Paris. Tyra Lundgren was a pioneer when it came to giving ceramic art a public space in Sweden. She produced around 20 outsized reliefs in stoneware, so-called monumental reliefs. One of these is Märkeskvinnor, from 1947, for the former girls’ school at Bohusgatan in Stockholm. From the 1940s onwards Tyra Lundgren produced sculptural objects in Chamotte clay and stoneware, with various glazings. Her small birds are well-known and popular with many. When her ceramic efforts became too much for her during the 1970s she then produced models for sculptures in bronze. There are six of these in various places around the globe, including Solfågel in Almedalen, Visby. Tyra Lundgren began to work as a glassware designer at Moser in Karlsbad in 1922 where she designed new table services and modernised older ones. She also worked freelance for Riihimäki factory in Finland during the 1924–1929 period. From 1934 to 1938 she was employed by Kosta glass factory where she mainly designed thick-walled bowls and vases, engraved with classical motifs. She was introduced to the glassmaker Paolo Venini at Murano during the Triennale di Milano of 1936 and they began a collaboration that lasted into the 1950s. As part of this collaboration Tyra Lundgren became the first woman to design glassware and, in conjunction with the glassblower Arturo Biasutto, she developed new techniques of glass production. Her motifs at this point were birds, fish, snail-shaped designs and leaf-patterned bowls using traditional techniques as well as in new designs. It was during this time that she created the so-called tissue-shaped bowls and it remains unclear as to who specifically came up with the design but Tyra Lundgren claimed it was of her making. Tyra Lundgren was active as textile designer for Licium (now HV Licium), the sacred textiles...

A large and beautiful stoneware vase with amazing glaze. Designed by Gunnar Nylund for Rorstrand, Sweden, 1940s. Excellent condition. Incised signature "NYLUND" and makers mark "...

Rare Kantarelli glass vase designed by Tapio Wirkkala. Produced by Iittala in Finland.

Set or 2 beautiful stoneware vases with amazing glaze. Designed by Carl-Harry Stålhane at Rörstrand, Sweden, 1950s. Excellent condition. Signed 'CHS' and makers mark 'R'. Carl-Harr...

A beautiful stoneware vase with amazing hare’s fur glaze. Made by master thrower Berndt Friberg, in the artist's studio at Gustavsberg, Sweden. Great condition. Incised signature "F...

A beautiful and rare stoneware vase with amazing glaze. Designed by Gunnar Nylund for Rorstrand, Sweden, 1950s. Excellent condition. Incised signature 'G.N.' and makers mark 'R' ...

A beautiful stoneware vase with amazing glaze. Made by Stig Lindberg in Gustavsberg Studio, Sweden. 1950s. Excellent condition. Impressed "Stig L.", "Drejargods" and Gustavsberg stu...

A beautiful 'Swedish Modern' stoneware vase with 'Carrara' glaze. Made by Wilhelm Kåge at Gustavsberg in Sweden, 1930s. Excellent condition. Impressed 'Gustavsberg / KÅGE / HANDDR...

A set of 2 beautiful 'Surrea' stoneware vases with 'Carrara' glaze. Made by Wilhelm Kåge at Gustavsberg Studio in Sweden, 1940s. Great condition. Wilhelm Kåge was a Swedish artis...

A beautiful stoneware vase with 'Carrara' glaze. The fascinating design is a combination of two of Kåge’s best known lines of stoneware, “Surrea” from 1940 and “Våga” from 1949. Exc...

A beautiful 'Karneval' faience vase. Designed by Stig Lindberg in Gustavsberg Studio, Sweden, 1950s. Excellent condition. Signed with the Gustavsberg studio hand. Stig Lindberg and...

Ceramic vase designed by Carl-Harry Stålhane. Produced by Rörstrand in Sweden.

Beautiful and large floor vase made by Jerk Werkmäster for Nittsjö, Sweden, 1950s. Excellent condition. Stamped 'Nittsjö, Sweden'. Jerk Werkmäster was born in Rättvik. He graduate...

Sculpture ‘Boy with apple’ by Anders Jönsson. Founded mark Erik Pettersson fud. In Sweden.

Beautiful vase made by Wilhelm Kåge at Gustavsberg Studio in Sweden, 1940s. Celadon glazed stoneware. Excellent condition. Impressed 'Gustavsberg / CELADON / KÅGE / HANDDREJAD...

Set of 2 beautiful vases made by Vicke Lindstrand at Upsala-Ekeby, Sweden, 1944. Great condition. One of the masters of Scandinavian Art Deco and Mid-Century design in the 1930s, ...

A beautiful stoneware vase with amazing hare’s fur glaze. Made by master thrower Berndt Friberg, in the artist's studio at Gustavsberg, Sweden. Excellent condition. Incised signa...

Set of 2 beautiful stoneware vases with amazing glaze. Made by Hertha Bengtson for Rörstrand, Sweden, 1950s. Excellent condition. Signed 'Bengtson' / 'HB' and 'R' för Rörstrand. Hertha Bengtson (1917-1993) is one of the well-known representatives of the illustrious Swedish ceramic design of the 20th century. She was one of the leading designers for the Rörstrand factory in the 1950s. Bengtson is represented at the Swedish National Museum of Art and Design. Hertha Bengtson was born in Ysane in Blekinge and grew up on a farm with her four brothers. Her parents were Henning and Asta Bengtson. Her father was a jack-of-all-trades and ran both a mink farm and a shop alongside his farm, which was the least of his interests. Her mother, to whom Hertha Bengtson was very close, was a skilled weaver. Hertha Bengtson's interest in textiles and handicrafts came from her mother. From her grandmother she inherited Scanian country textile knowledge and from her grandmother’s neighbour she learned to tat the Scanian way, without patterns. Upon completing her education at a girls’ school, Hertha Bengtson wanted to become a drawing teacher. However, there was no money to continue her formal education. Hertha Bengtson achieved top marks in drawing and handicrafts and therefore gained a place as a handicrafts teacher at one of the region’s elementary schools. During her time at the girls’ school, she had also taken evening classes in porcelain painting. In 1937 she applied to Hackefors’ porcelain factory in Linköping where she became employed as a pattern designer. Hertha Bengtson was interested in all aspects of the factory and when the men were called up for military service at the outbreak of the Second World War, she became head of her department at age 22. Hertha Bengtson wanted to create her own porcelain. She applied to and became employed at Rörstrand’s porcelain factory in 1941, where she started as a pattern designer but quickly became a master designer. Hertha Bengtson’s ability to combine beauty with function was fundamental to her success as a designer. Her breakthrough came with the innovative blue-and-white tableware...

Large and Beautiful Urn made by Wilhelm Kåge at Gustavsberg Studio in Sweden, 1930s. Argenta glazed stoneware. Excellent condition. Impressed 'Gustavsberg' and "HANDDREJAD". Wilhel...

A large handcrafted oval bowl made from pine in Sweden during the early 1970s. In very good condition. Excellent for serving bread or fruit out of for instance. Well represents the S...

A beautiful stoneware vase with amazing glaze. Made by Marianne Westman for Rorstrand, Sweden, 1960s. Excellent condition. Incised signature "MW" and "R" för Rörstrand. Marianne W...

Beautiful and rare vase made by Wilhelm Kåge at Gustavsberg Studio in Sweden, 1940s. Carrara glazed stoneware. Excellent condition. Stamped 'Gustavsberg / KÅGE / CARRARA / Swe...

A beautiful stoneware bowl with amazing glaze. Made by Stig Lindberg in Gustavsberg Studio, Sweden. 1950s. Great condition. Impressed "Stig L.", "Drejargods" and Gustavsberg studio ...