Manhattan - Art

Raymond Pettibon Black Flag 1982: Flyer / handbill for gig by Black Flag, Circle One, Saint Vitus, the Nig-Heist featuring artwork by Raymond Pettibon at Dancing Waters; August 6, 19...

Buky Schwartz House in Motion, 1986 Welded steel 10 1/2 × 6 1/4 × 6 1/2 inches This is a unique work The sculpture is an upside down house with two human figures. It is ingeniously ...

Jim Dine has expertly sketched the accomplished French poet and coffee trader Arthur Rimbaud. A vignette of dark brown surrounds his thin, fine features, which are defined with a flu...

Donald Sultan's 'Seven Silvers Jan. 24, 2024' is a masterful color silkscreen featuring enamel inks, flocking, and tar-like textures, limited to an edition of 30. Donald Sułtan Seve...

Archival pigment print Signed, titled, numbered, and dated, verso 22 x 17 inches, sheet (Edition of 15) 44 x 32 inches, sheet (Edition of 9) This photograph is offered by ClampArt...

Sam Francis Untitled Abstract Expressionist print for the 1984 Olympics, 1982 Offset Lithograph on Parsons Diploma Parchment paper, hand signed with COA from publisher for Olympic Co...

Title: Guoliang Village Medium: Oil on canvas Size: 19.5 x 27.25 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: Th...

Elevation 41 x 59" Ed. of 10, Unframed We can frame it in a white wood shadow box. The frame price is 400$. A resolutely minimalist and suggestive approach to get to the essential. ...

Kathy Grayson explores how day-to-day transitions from analog to digital media affect traditional painting. Fascinated by the transformations of meaning that occur when pictorial tec...

Former fashion model Helen Dzo Dzo Kaptur (in white lace) and Nelda Linsk (in yellow), wife of art dealer Joseph Linsk, at the Kaufmann Desert House in Palm Springs, California, Janu...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Archival Pigment Print 18 x 18 inches Limited Edition of 25 Signed by the Artist COA included by Real Always Art Message us for framing options

Leandro Franco 30 × 24 in. (75 × 60 cm) Edition of 10 Archival Pigment Print Unframed Certificate of Authenticity included Framing available upon request Other Available Sizes 16 ...

Richard Haas Villard Courtyard, St. Patrick's Cathedral, New York City, 1983 Color lithograph 29 1/2 × 41 1/2 inches Edition 23/50 Hand signed, numbered, and dated with publisher's b...

This image is an extravaganza of modernist motifs. The monogram 'D.D.' is at the lower right.

With layers of bright oils and whisking brush strokes, the paint is able to shine and shimmer in a very unique pattern. The artist uses thick textured oils and glass to add a very co...

Gigi Mills utilizes oil paint to create works that prompt the viewer to contemplate the beauty in everyday things. By reducing each moment to its essential components, Mills subtract...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

KAWS Companion 2016, Complete Set of 8 works. Each new and sealed in original packaging. Published by Medicom Japan in conjunction with the exhibition, KAWS: Where The End Starts at ...

Anne Youkeles Persian Garden, ca. 1970 3D Color Silkscreen w/ Arches paper backing Hand-signed by artist in pencil, titled and numbered 37/100 on backing sheet of Arches paper. 23 x ...

ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California. His pictures of California's iconic architecture and beaches carry the same romantic feel of a...

Daniel Garber (American, 1880-1958) Balderstons, c. Early 20th Century Pencil on paper 7 x 9 in. Framed: 12 x 4 x 1/2 in. Titled and initialed lower right: Balderstons, D.G. Proven...

40 x 32 x 2 inches Oil paint, cold wax and marble dust on canvas Signed, ready to hang Framing not necessary because painting wraps around canvas, framing available on request Vide...

This bronze anthropomorphic sculpture is part of the "Canopo" series. With a modern interpretation, Canevari revisited the sacred vases of the ancient Etruscan civilization from the regions of Tuscany and Umbria in Italy. The Etruscans were a polytheistic civilization that believed that all visible phenomena were a manifestation of divine power. Canevari interprets the theme's secrecy and mysteriousness in this monumental yet intimate piece. The curved anthropomorphic and totemic shape of the sculpture opens into a magical inside, hiding more secrets and sacred objects. The two sides open like embracing arms, revealing a star-shaped medallion and a glass pendulum. The use of rings and solid bronze blocks hanging and protruding from the surface creates a theatrical play of light and shadows. Angelo Canevari is an Italian sculptor from a long lineage of artists active in Rome since the 17th century. He has been commissioned several works by the Vatican, including the Bronze Doors of the Cathedral of Belluno and the Vatican Coins...

Archival pigment print Signed and numbered on label, verso 12 x 18 inches (Edition of 10) 24 x 35.5 inches (Edition of 8) From the series, "Another November" This artwork is offer...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a French Blue background with thick use of paint. I...

Venaria Reale VII, 2016 C print Edition of 5 180 x 225 cm mounted on aluminum (production, framing, and shipping takes approximately 4 weeks) Total edi...

Title: Floating Jelly Series I Medium: Oil on canvas Size: 29 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: ...

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial imag...

40x60 inches (100 x 150 cm) Edition of 15 Archival Pigment Print Unframed Certificate of Authenticity Signed by the artist Ask us for framing options. Björn Persson is an internat...

Anthony Padovano Untitled Abstract Expressionist drawing, 1971 Ink wash on paper drawing Signed and dated in ink wash Provenance: Graham Gallery, NY Unique Original (unique) signed A...

Title: Diverse Elements VI Medium: Oil on canvas Size: 23.5 x 23.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: ...

Fire and Rain, abstract sculpture, copper, unique, geometric, blue red, brown PUBLIC COLLECTIONS U.S. Embassy, Tokyo,Japan Mountain Bell Corporate Of...

Francesco Spicuzza (American, 1883-1962) Untitled Landscape, 20th century Pastel on paper Sight size: 24 x 30 in. Framed: 26 1/4 x 32 3/8 in. Signed lower right: Spicuzza Italian-born Francesco Spicuzza was primarily a Wisconsin painter who did portraits, still-lives and local landscapes. He spent the first part of his life in near-poverty to become a painter. An eternal optimist, in 1917, the artist reported: "I am happy and my only ambition now is to paint better and better until I shall have reached the measure of the best of which I am capable." (Spicuzza, 1917, p. 22). His predilection for beach scenes germinated early: reportedly, the five-year-old boy first drew the outlines of his father's fishing boat in the sand on the seashore near their home in Sicily. After setting himself up as a fruit peddler in Milwaukee, Spicuzza's father sent for his family when Francesco was eight years old. For the following six years the boy was unable to attend school because of his job in his father's fruit and vegetable business. The poor lad suffered a caved-in shoulder from carrying a heavy wooden crate. The young Spicuzza was aided by moral and financial support from a sympathetic Milwaukee businessman named John Cramer, publisher and editor of the Evening Wisconsin, who raised Spicuzza's salary as a newspaper assembler so that he could attend school. In 1899 or 1900, Spicuzza began studying drawing and anatomy under Robert Schade (1861-1912), a painter of panoramas who had been trained in Munich under Carl Theodor von Piloty. Spicuzza was also taught by Alexander Mueller (1872-1935), a product of the Weimar and Munich academies. Mueller realized Spicuzza was a colorist and encouraged that orientation (Madle, 1961). Spicuzza found it beneficial to accept an apprenticeship in a lithographic studio for $8 a week, which demanded most of his time. During the St. Louis Universal Exposition in 1904, still a struggling student, Spicuzza attended the fair, thanks to Cramer. It was not long before Spicuzza received a twenty-five dollar portrait commission, and this inaugural success led to new commissions and allowed him to continue as a painter. The earliest influences in his work appear to be from Edward H. Potthast and Maurice Prendergast, though Spicuzza never mentioned either artist. Already in August 1910, Spicuzza was described in a newspaper as "one of the most talented of Milwaukee's rising workers." He undoubtedly received lasting inspiration from his one summer study period in 1911 with John F. Carlson at the Art Students League's Summer School in Woodstock, New York. Certainly Spicuzza would have picked up spontaneity in handling the brush from Carlson. Although he executed numerous still-lives and an occasional religious work, Spicuzza is best known for his Milwaukee beach scenes populated with frolicking bathers in multi-colored attire, not unlike the images of Potthast, who used a similar technique. Many of these are small, preparatory works on canvas board executed between 1910 and 1915. Frequently with even greater animation than Potthast, Spicuzza produced moving images of youthful energy and uninhibited child's play. These beach genre scenes reflect the attitude of American impressionists who depicted the more pleasant side of life. Spicuzza manipulated a successful balance of rich pigment applied in varying degrees of impasto texture with subtle nuances of hue. Working all'aperto, he sought "the soft enticing shades of yellow, blue, green, pink and lavender . . . to get the effects of bright glistening summer air." (L.E.S., n.d.). As a painter whose color not only derived from direct observation but also from a personal theory of color symbolism, Spicuzza traded the linear approach of lithography for dynamic patches of brilliant color. Like Prendergast, he would often tilt the angle of the picture plane to bring the viewer's position above the scene. Spicuzza was unable to enter the 1913 Armory Show or the Panama-Pacific International Exposition two years later but he did submit work to the annual exhibitions of the Pennsylvania Academy of the Fine Arts and those of the Art Institute of Chicago. His first important award was the bronze medal presented by the St. Paul Institute in 1913, which was followed by the silver medal two years later. Before long, Spicuzza had acquired a greater sense of security in his profession and was described by a writer in International Studio (April 1917) as "an independent artist with an assured future. His pastels and water-colours are poetic and joyous bits of nature with a genuine out-of-door feeling." In 1918, his Spirit of Youth, exhibited at the National Academy of Design, sold for $112.50. Four years later, the artist achieved his greatest local recognition by winning the gold medal from the Milwaukee Art Institute. Spicuzza spent a great deal of time painting en plein air and by 1925 he began summering at Big Cedar Lake, near West Bend, Wisconsin to gather his subject matter. Easter Morning (1926) owes something to the Symbolist movement, with its figure of Christ appearing over a seascape. During the difficult era of the Depression, patrons came to Spicuzza's aid and during the 40s, he taught housewives, businessmen and students at the Milwaukee Art Institute, the Milwaukee Art Center, and in his private studio. In the following decade, although his kind of art was no longer popular in the "make-it-or-break-it" New York gallery world, Spicuzza enjoyed regular patronage and sales. His beach scenes became more static and he would experiment with modernist techniques. Spicuzza died at the age of seventy-eight. Sources: L.E.S., "Do Colors Change a Person's disposition? Experiments of a Milwaukee Artist...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS ARTIST: Desert born and raised, fashion photographer Natasha Wilson...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

Title: Distant Red House Medium: Oil on canvas Size: 23 x 31 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This p...

Waiting for Fidel Castro, 1959 by American photographer Burt Glinn is a series of (2) photos, each photo is 9.5" x 12” - they are gelatin silver RC press prints, authenticated by the...

Al Hirschfeld A & E Biography 10th Anniversary, ca. 1994 Lithograph on Arches cover paper Signed and numbered 173/400 in graphite pencil on the front 19 × 15 inches Unframed This undated print was published on the occasion the 10th Anniversary of A & E's (the Arts & Entertainment network) acclaimed "Biography" documentary series. It is hand signed and numbered 173/400 by the legendary Al Hirschfeld. This lithograph depicts Marilyn Monroe, Muhammad Ali, Leonardo Da Vinci, New York's Governor Nelson Rockefeller, President Ronald Reagan, F. Scott Fitzgerald, General George C. Patton, Jacqueline Kennedy Onassis, Peter...

A monumental KPM Porcelain Portrait Plaque after Angelo Asti: Lebensfreude (Joy of Life)  Origin: Germany circa 1900 Signed: Müller Marks: (scepter) KPM, S, 538 387 21.13 x 15.5...

Jean-Gabriel Domergue (1889-1962) French, Bordeaux, France - Paris, France Portrait of a Lady Oil on panel 21 ½ x 18 inches unframed (54.61 x 45.72 cm) 31 ¼ x 27 ¾ inches framed (79...

Christo and Jeanne-Claude Wrapped Portrait of Jeanne-Claude, 1963 (Hand Signed), 1988 Offset lithograph postcard Boldly signed by Christo on blue crayon Provenance: Gifted by the art...

Thelma Appel French Hill Spring, 2010 Acrylic and Oil on Canvas painting Hand signed and titled on the back Frame included This unique painting is signed, titled and dated on the bac...

ABOUT THIS ARTIST: Merve Türkan and Ulaş Kesebir, are a self taught photography duo based in London. They have been working professionally since 2014 and in the end of the 2020 they ...

KAWS GONE Grey & KAWS Pink BFF Companions (set of 2 works 2017-2019): Medium: Vinyl paint & Cast Resin (applies to each work). Published 2017 & 2019, respectively. GONE: 14.25 x 7 i...

Moshekwa Langa Sweetness Flying, 2000 Original Acrylic, enamel, and India ink painting on paper Signed and dated 2000 in marker on the back Unique Frame included Provenance: The Good...

Ashes of Roses is Rene Ricard's mauve-colored map of Rivington Street between Suffolk and Clinton Street, with a white arrow pointing to the word mofongo, indicating a Puerto Rican r...

With layers of bright oils, whisking brush strokes, and thrown paint, Shaoul captures a love story through her paint pallet and abstract expression. The artist explores something new...

Shot by Barry Kramer (1921- 1984), one of the most prolific photographers of his time, captures the essence of 1950's Hollywood movie star, Jane Mansfield...

Title: Unnamed Paper Plane II Medium: Oil on canvas Size: 19.5 x 15.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is unstretched Year: 2011 Artist: Mingjun Wang...

This is a World War II drawing of the Missouri artist Joe Jones (1909-1963) by the New York artist Edward Laning (1906-1981). A typed note reads “Drawn in th...

ABOUT THIS PIECE: Colour, form, space and time are the main elements in the work of Johan Van Oeckel. In search for new compositions he always starts ...

Title: Mexico Medium: Oil on canvas Size: 15.75 x 19.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This paintin...

Evan Venegas studied at the San Francisco Art Institute and earned his BFA in Painting in 1998. Evan Venegas creates artwork that lives at the intersection of geometry and atmosphere...

A whimsical depiction by Martha Walter of an interior morning scene of white and pink roses arrangement in a glass vase on top of a table, and fruit on a decorated plate. In the background, the window overlooking the backyard, with the use of bold colors and strong contrasts makes Walter's work so striking and captivating. The flowers are executed with bold petals and exciting colors and this depiction is a wonderful scene done in her home. As an acclaimed American Impressionist painter and one of the premier female artists to be recognized within the fine arts community of the time, she was known for her bright plein-air beach scenes and domestic portraits. Martha Walter studied under William Merritt Chase and was greatly influenced by the then-established French Impressionists Edgar Degas, Camille Pissarro, Claude Monet, and Eugène Boudin. Walter's works took on a looser style; she also used black paint, a color often excluded by other Impressionists. The painting is on canvasboard with the Martha Walter Estate stamp on the reverse, and it comes housed in an antiqued champagne color...

Originally from Illinois, Ann Michalov worked in Spokane, Seattle and Portland, where she finally settled. This lithograph however really looks very like ...

Hugo Demarco Relation Couleur, 1973 Silkscreen on velincarton Hand signed and numbered 62/200 on lower front. Bears the publisher's blind stamp on the fro...

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial imag...

River Phoenix Signed, titled, dated, numbered, and inscribed, recto Gelatin silver print (Edition of 5) 24 x 20 inches This work is offered by ClampAr...

"Fins whistling below the surface" depicts a surreal underwater view of the fins of a surfboard slashing through cold water waves. Telling a story of Uni's own experiences riding the...