Manhattan - Mixed Media

Niki de Saint Phalle Niki de St Phalle Bespoke LOVE Shopping Bag, ca. 1982 Silkscreen on paper bag 9.5 x 8 inches Unframed The edition is unknown but we h...

"Various questions have led me to where my work is today. Primarily, what is the nature of a specific thing if it can be represented in various ways, even in opposing ways? Essential...

Linda Turner, raised both in NYC and Northern Virginia, resides in Brooklyn, NY. She achieved a BFA in Surface Design/Textile Design from the Fashion Inst...

This vivid circular mixed media on paper by Jose Palacios, showcases his signature abstract pop art style, blending vibrant colors and dynamic forms. This painting feels like a playf...

Laura Bidwa Pink Thought 7, 2022 oil and spray paints on panel 9 x 8 1/2 in (Bid011) Bidwa’s recent paintings are composed of layers of oil, latex, and spray paints on panels that t...

Larry Zox Study for Scissors Jack Series, 1965 Mixed media and colored ink drawing on draft paper Hand signed and dated on lower right recto (front). Bears Forager House Collection s...

Lolli by Courtney Kinnare 2025 Resin, Acrylic, Ink, & Pigment Powder on Mirrored Glass Dia 36" These functional art pieces build a color story through multiple layers of transluc...

MAN RAY Hands, 1966 Mixed Media: Silkscreen on Plexiglass Published by Gemini GEL Measurements: Image: 20"h x 16"w sheet plexi: 25.5"h x 19.5"w overall (with frame): 26.75"h x 20.75...

Jeff Koons Monkey Train beach towel 2008: A highly decorative limited edition 2008 Jeff Koons Monkey Train towel. Measuring 70x60 inches - this work would look outstanding framed. This outstanding Jeff Koons Monkey Train collectible...

1960s Joan Miró vinyl album art: Raimon and Joan Miró were close friends that first collaborated on the 1966 album Cançons de la roda del temps. In 1979, Miró designed a cover for t...

In this original acrylic paint and vinyl on paper from Art Angler Gallery, Jose Palacios depicts an abstract pop art style. This painting bursts with playful energy. Swirls of pink, ...

Laura Bidwa Cover, 2024 oil and latex paints on panel 22 x 17 in (Bid005) Bidwa’s recent paintings are composed of layers of oil, latex, and spray paints on panels that the artist a...

"I marvel at the fundamental forces of nature, the laws that determine the structure and behavior of matter, the ways and means of how the world looks the way it does. This interest in the science of the natural world led me to read deeply into the physics behind mechanisms of pattern generation. My painting language is based in these wonderments of systems and outcomes and the mathematics that describe them. These new paintings take form with an underlying grid of commercial paint sample cards. This allows me a spontaneous, interchangeable surface to explore color relationships and interactions within given parameters. The layers of acrylic matrix elements come next, all handwork applied line by line. As with numbers in equations, the quantities, sequences, repetitions, and rhythms all contribute to a rich optical blend of color combinations. A given set of colors results in an exponential number of different perceptions. Along with these pure abstractions of form and color come cultural references to histories of art and design with immediate associations to sumptuous textiles and complex architectural mosaics. The evolution of this work is ongoing, it will change and develop as each new mutation moves the morphology forward. These paintings are not illustrations of specific laws that shape the universe and ourselves but an artist’s answer to their implicit resonances. The paintings translate scientific inspirations into a visual, multilayered landscape that in layer after layer enfold one gradient of reality on another." - Peter Stephens

Rolph Scarlett Untitled Mid-Century Modern Geometric Abstraction, ca. 1950 Gouache on paper painting Hand signed on lower right front This is a stunning original, signed vintage 1950...

Mr. Brainwash Spiderman Spray paint Can/Mr. Brainwash x Marvel: This much decorative limited edition Mr. Brainwash Spiderman spray paint can was born out of the artist’s 2019 collabo...

Alan Shields Alice in Grayland, 1979 Mixed media collage: Etching, aquatint, screen print with stitching and collage on hand made paper Hand signed, dated, titled and numbered 1/13 by Alan Shields on the front Unique variant This very unique and imaginative mixed media paper collage with stitching and fabric is floated and framed in a museum quality white wood frame with UV plexiglass. It is hand signed, dated, titled and numbered from the limited edition of 13 - but each is a unique variant. Frame included: Measurements: Frame: 27.75 x 22.5 x 2 inches Artwork: 23.5 x 18 inches Catalogue Raisonne: K. Tyler Tyler Graphics: Catalogue Raisonné, 1974-1985, New York: Abbeville Press, 1987. p. 289. Alan Shields came of age artistically in the late 1960s in New York. Expanding the boundaries of Minimalism, he became known as a master of aesthetic invention through his wide-ranging exploration of materials and techniques. His mixed media works often contain combinations of traditional silkscreen processes combined with found materials. New York Times critic Roberta Smith wrote in her 2005 obituary for the artist: "Mr. Shields's work combined expanses of gorgeous stained color, reminiscent of Helen Frankenthaler's canvases, with the humbler crafts and a Gypsy sense of portability." Critic Robert Hughes has described Shields as a brilliant bricoleur who could, and often did, make art out of just about anything. He became an innovative printmaker, experimenting with handmade paper and turning out editions in which each print was unique. After his passing, Shields was awarded a Judith Rothschild Foundation grant given to recently deceased abstract artists whose work is of the highest quality but merits further recognition. About Alan Shields: Alan Shields (b. 1944, Herington, KS; d. 2005, Shelter Island, NY) created unique, imaginative, and theatrical structures using unconventional materials and vibrant color. His three-dimensional paintings convey a playful, deconstructive impulse through the incorporation of un-stretched hand-dyed canvas, rope, yarn, beads, and wood. Shields moved to New York City in 1968, where he showed with Paula Cooper...

Marie Laforey is a self-taught artist based in New York, US who maintains a sustainable art practice using primarily organic material. Laforey enjoys the tactility of working with or...

Metamorphosis I is the first piece in Kiva Ford's "Metamorphosis" series exploring the life cycles of various animals. Drawing from his training as a scientific glassblower, Ford e...

Erin Vincent is a Toronto based-artist whose work draws on a variety of repetitive and labor intensive processes and materials. Things and common objects have always fascinated Vinc...

Nancy Cohen Rose Lines, 2024 paper pulp, kozo fiber and handmade paper 17 x 49 in (coh109)

Eric Blum Untitled No. 1065, 2025 ink, silk, and beeswax on panel 72 x 48 in. (blum100)

“My art explores the similarity between seemingly disparate cultures through the lens of my African American ancestry. I examine my family’s plight shaped by the history of racism a...

Henry Rayburn Table 2, Couple 1 (unique framed collage by beloved Texas artist), 1995 Acrylic and Mixed media collage on paper Signed in graphite pencil on the front Unique Frame inc...

Beyond Oblivion by Courtney Kinnare 2024 Resin, Acrylic, Ink, Alcohol Ink & Pigment Powder on Mirrored Glass 24" x 36" These functional art pieces build a color story through mul...

ABOUT THIS PIECE: 24" W x 24" H Original collage on paper UNFRAMED ABOUT THIS ARTIST: Anthony Zinonos is a British collage artist and illustrator based in the city of Orange, Califo...

Abstract Mid 20th Century WPA Non Objective American Modernism New Hope Modern.mixed media. 21 x 16 (sight). Housed in a hand carved frame. Louis King Stone ...

Sannio is an 82 x 69-inch abstract landscape oil painting on canvas. The colors have the delicacy of pastels. The composition has an ephemeral feeling to it. It creates a distinctive...

Benjamin Mendoza (Bolivian, 1935-2014) "Untitled: Reptile", Mixed Media signed in Pencil on Cardboard, 11.25 x 10.25, Late 20th Century Colors: Black, Brown, Green, Yellow

Anna Kruhelska is a visual artist and architect working across fields of art and design. She creates abstract, three-dimensional paper wall reliefs that startle in their intricacy an...

As an artist, I am a storyteller wielding visual art as my medium. My creative journey is fueled by a relentless thirst for knowledge acquired through both hands-on experience and ke...

ABOUT THIS PIECE: 23" W x 18" H Original collage on paper UNFRAMED ABOUT THIS ARTIST: Anthony Zinonos is a British collage artist and illustrator based in the city of Orange, Califo...

Y.A., 2025 by Isabelle Schneider is a contemporary photographic mixed-media work. The photograph is of window blinds, highlighting the dichotomy between green window glass and sky re...

Andy Warhol Record Art: 1983 1st pressing, Miguel Bose, Mad In Spain Vinyl Album featuring Original Cover Art by Andy Warhol. Catalogue Raisonne: Paul Mare...

Yayoi Kusama Love Forever Ceramic Bowl (VIP Gold Edition), 2017 Limited Edition Porcelain Bowl Signature, titled and date fired into bowl on the underside 4.5 x 4.5 x 1 inch Limited...

HOWARD HODGKIN Blue Skies, Nothing but Blue Skies, 2002 Screenprint in Colors, Scrunched Up and Presented in a Box 5 3/25 × 6 3/10 x 2 inches Edition of 500 (unnumbered) Momart is a British company specialising in the storage, transportation, and installation of works of art. Today, the company is best known for two things: its annual artist Christmas Card, and a 2004 warehouse fire that destroyed irreplaceable art works including Tracey Emin's famous "Everyone I Have Ever Slept With. Momart's clients include the Royal Academy of Arts, Victoria & Albert Museum, National Gallery, Tate Modern, Tate Britain and Buckingham Palace. The tradition of the MOMART "Christmas card" (which would later morph into actual artist-designed work) goes back to 1984 when the first object – a festive card – was designed for the company by Bruce McLean. Since then Momart collaborated on this project with many of the top British and international artists. The complete series of Momart Christmas cards is now part of the permanent collections of the Victoria and Albert Museum and the Tate. The present item is the vintage 2002 MOMART Christmas card, designed by Howard Hodgkin. It is a rich blue screenprint, scrunched up in a box - with the printed text MOMART CHRISTMAS CARD 2002 inside the box, the artist's name and work title, "Blue Skies, Nothing But Blue Skies" and a credit at the bottom "With thanks to Gagosian Gallery London and Peter B. Willberg." And that's the MOMART "gift". Very cool and collectible! Unnumbered, but known to have been issued in an edition of 500 About Howard Hodgkin For an artist, time can always be regained . . . because by an act of imagination you can always go back. —Howard Hodgkin One of England’s most celebrated contemporary painters, Howard Hodgkin (1932–2017) was deeply attuned to the interplay of gesture, color, and ground. His brushstrokes, set against wooden supports, often continue beyond the picture plane and onto the frame, breaking from traditional confines. Embracing time as a compositional element, his work is testament to his immersion in the intangibility of thoughts, feelings, and fleeting private moments. Hodgkin was born in London and grew up in Hammersmith Terrace. During World War II he was evacuated to Long Island, New York, for three years. In the Museum of Modern Art, New York, he saw works by School of Paris artists such as Henri Matisse, Édouard Vuillard, and Pierre Bonnard, which he could not easily have seen then in London or Paris. Back in England in 1943, Hodgkin ran away from Eton College and Bryanston School, convinced that education would impede his progress as an artist, though he encountered inspiring teachers at both schools. He then attended Camberwell School of Arts and Crafts (1949–50) and Bath Academy of Art, Corsham (1950–54). Hodgkin never belonged to a school or group. While many of his contemporaries were drawn to Pop or the School of London, he remained independent, initially marking his outsider status with a series of portraits of contemporary artists and their families. His first solo exhibition was at Arthur Tooth and Sons in London in 1962. Two years later he first visited India, following his interest in Indian miniatures, which began during his time at Eton. Collecting Indian art would remain a lifelong passion, which he initially supported by dealing in picture frames. In 1984 Hodgkin represented Britain at the Biennale di Venezia. His exhibition Forty Paintings reopened the Whitechapel Gallery, London, in 1985, and he won the Turner Prize the same year. In 1998 Hodgkin joined Gagosian, and the gallery presented his first show in the United States since his critically acclaimed 1995–96 exhibition at the Metropolitan Museum of Art, New York, which had traveled to the Modern Art Museum of Fort Worth, Texas; Kunstverein für die Rheinlande und Westfalen, Düsseldorf; and Hayward Gallery, London. His first full retrospective opened at the Irish Museum of Modern Art, Dublin, in 2006 and traveled to Tate Britain, London, and Museo Nacional Centro de Arte Reina Sofía, Madrid. In the autumn of 2016 Hodgkin visited India for what was to be the last time, completing six new paintings before his return to London. These works were shown at England’s Hepworth Wakefield in 2017, in Painting India, a show that focused on the artist’s long-standing relationship with the Indian subcontinent. Starting in the 1950s, Hodgkin maintained a parallel printmaking practice, translating his visual language into works on paper. Exploring the interactions of color and space on a grander scale, he produced theatrical set designs for Ballet Rambert, the Royal Ballet, and the Mark Morris Dance Group...

Francisco Fernández, Claudia Fernández, Diego Toledo, Hector Quinones Corpse Drawing #47, The Return of the Cadavre Exquis, 1993 Ink, graphite, acrylic, and watercolor, with collage ...

Nam June Paik Untitled, Plate Six from Novecento, 1992 Mixed Media: Color offset lithograph with unique chalk pastel drawing 13 3/10 × 18 inches Hand signed, Edition 104/130 Pencil numbered 104/130, hand signed in pastel chalk on the front Edizioni Carte Segrete, Rome, Italy Excellent condition; held in matting which can be easily removed The matting measures 18" x 21" This was part of a series of works produced for the Nam June Paik retrospective at the Palazzo delle Esposizioni, Rome, 1992, Nam June Paik: Arti Elletroniche. This is one of the editions which bears unique hand coloring with pastel chalk. A comparable work sold at auction in 2015 for US $12,583. (see details below): Nam June Paik Title Novecento Description Nam June PAI K Novecento 1930-1940, 1992 Pastel sur offset en couleurs, épreuve signée et numérotée 104/130 Edizioni Carte Segrete, Rome 23,5 x 39,5 cm EH Oeuvre réalisée a l'occasion de la rétrospective Paik au Palazzo delle Esposizioni, Rome, 1992, Nam June Paik: Arti Elletroniche, cinema e Media Verso il XXI Secolo Medium pastel Year of Work 1992 Size Height 9.3 in.; Width 15.6 in. / Height 23.5 cm.; Width 39.5 cm. Misc. Signed Sale of Millon & Associés: Monday, June 22, 2015 [Lot 00090] Design Sold For 11,057 EUR Hammer (12,583 USD) Nam June Paik Biography Nam June Paik was born in 1932 in Seoul. He received a BA in aesthetics from the University of Tokyo in 1956 where he also studied music and art history. After graduating, he studied for a year with composer Thrasybulus Georgiades Georgiades at the University of Munich and for two years with composer Woflgang Fortner at the International Music College in Freiburg. He attended the International Summer Courses for New Music in Darmstadt in 1957, when he met Karlheinz Stockhausen, and in 1958, when he met John Cage. Cage, and through him Marcel Duchamp, had a significant influence on Paik as he became a major force in the avant-garde through performances. In Hommage à John Cage (1959), Paik employed audiotape and performance to attack traditional musical instrumentation and compositional practices, splicing together piano playing, screaming, bits of classical music, and sound effects. Realizing that taped sound was not enough, he decided to move into performance, first by introducing performative actions into his audio works. In 1961 Paik performed Simple, Zen for Head and Étude Platonique No. 3, in which he became a volatile figure, thrashing about in unexpected patterns and sudden movements to his signature soundtracks. In 1962 Paik participated in the Fluxus International Festival of the New Music in Weisbaden. Paik's first exhibition, entitled Exposition of Music - Electronic Television, in 1963 at Galerie Parnass at Wuppertal, launched his transition from composer and performance artist to the inventor of a new art form: an engagement with the material site of television as an instrument. In the exhibition, thirteen televisions lay on their backs and sides with their reception altered; for example, Zen for TV (1963) reduced the television picture to a horizontal line and Kuba TV (1963) shrank and expanded the image on the television set according to the changing volume. In 1964 Paik traveled to the US. He quickly settled in New York and became a leading innovator among an emerging generation of artists seeking new modes of artistic expression and distribution. That same year, Paik collaborated with Shuya Abe to create Robot K-456 (1964), a remote controlled robot that played audiotaped speeches by John F. Kennedy and defecated beans in Paik's Robot Opera (1964). In the interactive work Magnet TV (1965), Paik invited viewers to modify the television's output into swerving abstract lines through the movement of a magnet over the TV. In 1967 Paik and frequent collaborator Charlotte Moorman were arrested when Moorman performed Paik's Opera Sextronique (1967), a striptease as she played the cello at the Filmmakers' Cinematheque in New York. Paik's TV Bra for Living Sculpture (1969), which Moorman wore in performances, featured two television tubes...

Alan Shields Untitled double sided mixed media work, 1974 Mixed media: watercolor, string, and torn paper held in custom standing frame Signed, dated, and numbered lower edge '10/12 ...

Unidentified/ Unknown Artist, "Untitled: White House" , Mixed Media (Charcoal, Oil Paint) Landscape Drawing on Paper, 17.75 x 23, Mid to Late-20th Century ...

This substantial and sculptural Mid-Century Modernist Textural Abstract Mixed Media Painting on Board signed Juan Almoril originates from Spain, C.1967. This piece features a square ...

"After years of nature-based artwork, in Spring 2020 I became an Anthomaniac. Covid was raging in NYC so I retreated with my family Northwest Connecticut. Nature, for so many of us, ...

In this radiant encaustic work, Joanne Ungar transforms a flattened cardboard box—originally packaging from the health and beauty industry—into a luminous, layered composition. Satur...

This is a 1/1 original currency with wood cutout framed - It's all hand done with spray paint and resin and wood cut outs framed. TBOY is a British artist who's meteoric rise has p...

This vibrant circular acrylic painting, “Skylight 15,” by Jose Palacios exemplifies his distinctive pop art style. The artwork features bold and dynamic tropical-inspired shapes and patterns in a striking palette of yellow, blue, pink, white, green, black, and red. The composition is divided into sections, each containing abstract geometric forms that evoke a sense of movement and energy. The interplay of solid, vibrant colors and curved lines creates a harmonious yet electrifying visual effect. The round shape of the canvas enhances the modern and playful feel of the piece, making it stand out as a captivating centerpiece. The painting measures 27.5 inches in diameter and comes with a white circular mat that complements its clean, contemporary aesthetic. Palacios’s mastery of geometry and precision is evident, as is his ability to infuse his work with both structure and spontaneity. Jose Palacios, born in Spain in 1970, is a self-taught artist who began his career in comic books and illustration. He later transitioned into graphic design and street art, drawing inspiration from the “Movida Madrileña,” an explosive cultural movement of the 1980s during Spain’s transition to democracy. This vibrant cultural era also shaped renowned artists such as Ceesepe, Fernando Vicente, Ana Juan, Ouka Leele, and Javier de Juan...

Oil on C-print (Unique) Signed and dated, verso This work is offered by ClampArt, located in New York City. Informed by major events in his own life, Gaz’s “Ensnared” series explore...

Between September 2018 and April 2019, I created 100 small paintings consecutively. I endeavored to make nothing else and viewed the project as an opportunity to experiment and solid...

Yayoi Kusama Love Forever, 2016 Ceramic (Porcelain) Dish and Cover Stamped Yayoi Kusama on bottom 4 1/2 × 4 1/2 × 1 1/2 inches Unframed Limited edition (exact number created is unkno...

About the Artwork: “The World Connection” is a captivating mixed-media artwork designed to convey the concept of a globally connected world that beautifully captures the essence of a world united through invisible bonds and shared experiences. The artist’s use of color, texture, and symbolic forms creates a dynamic and engaging composition that encourages viewers to reflect on their place within the global community. This piece is a celebration of diversity, unity, and the profound connections that link us all, transcending geographical and cultural boundaries. The painting is on canvas and will be professionally packaged and shipped in a secured box. About the Artist: Bandji Fall...

Marilla Palmer Inspired by Rainbows, 2021 watercolor, pressed flowers, Durabrite print, mulberry paper on Arches paper 30 x 40 in. overall 4 panels at 15 x...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

Keith Haring Original Album Cover Art: a set of 15+ works (1983-1988): A rare collection of 16 individual 1980s Keith Haring illustrated record c...

Chellis Baird Flirt, 2021 plaster cast, 20 x 24 x 4 inches, edition of 10 American artist Chellis Baird blurs the intersection of painting, sculpture and textiles. Baird explores the elements of painting by reconstructing canvases from a unique perspective. Her bespoke process begins with woven structures as her base. Each canvas starts with neutral toned materials that are then painted, dyed and sculpted into dimensional brushstrokes. She creates compositions through a series of twists, knots, and upcycled textiles. Baird’s background in dance and women's fashion allows her to dress the canvas with imagination. Not unlike a garment, she uses color to emphasize the authenticity and body of each piece. Baird received her BFA in textiles from Rhode Island School of Design and studied studio art at the Art Students League in New York City. Baird’s first solo museum exhibition, TETHERED, was held at the Myrtle Beach...

Debra Smith Holding Light, Large #2, 2022 pieced vintage silk 48.4 x 72 in. (smi129) This original artwork by Debra Smith consists of black and cream-colored pieces of cut vintage ...

This is a 1/1 original currency with wood cutout framed - It's all hand done with spray paint and resin and wood cut outs framed. TBOY is a British artist who's meteoric rise has p...

Samuelle Green’s work has always been multidisciplinary. Throughout all her mediums; painting, drawing, sculpture, and installation, there is a common thread of subject matter – tha...

Susan Mastrangelo Reflection, 2025 upholstery cord, acrylic paint, monoprint on board 10 x 8 in. (mas010)

1983 Keith Haring Dancing Figures drawing on Keith Haring World Tour hat: A rare, historic Keith Haring collectible featuring a sharply executed black mar...

Keith Haring, Run DMC Christmas 1987: Rare sought-after Run DMC "Christmas In Hollis" featuring Original Artwork by Keith Haring. Truly vibrant colors that make for stand-out wall ar...

Linda Turner, raised both in NYC and Northern Virginia, resides in Brooklyn, NY. She achieved a BFA in Surface Design/Textile Design from the Fashion Inst...

Frank Stella Homage, 1997, 1997 Mixed media with paper collage Signed, dated and inscribed " "Homage" to Dieter Honisch and many many good wishes, cheers again and again Many Many th...