Manhattan - Interior Paintings

An exceptional impressionistic depiction of Ballerinas in an interior scene by Jules René Hervé. Hervé is known as a painter of the scenes of Parisian life. This piece is a pertinent...

It is said that Marbling (his painting technique) originated in Japan in the 12th Century. Mikael has been able to reinvent the technique existing for more than hundreds of years li...

Title: Plant & Chair Medium: Oil on canvas Size: 23.75 x 19.75 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This...

Intimate paintings represented by unmade beds and tossed sheets, absent of any human evidence, on intentionally blank, somewhat rough backgrounds. The empty bed in these paintings represents a place for grief, isolation or healing. As such, the work speaks to our shared feeling of grief, with the understanding that while we all suffer in our individual ways, suffering is universal. Source material for this work are photographs the artist has both taken and found, and the intimate size of the paintings references the intimate nature of the subject matter. The backgrounds of the paintings are repeatedly painted and sanded, to create a frame and backdrop for the bedding that is flat, yet rough with work and time. The bedding itself is seen from different perspectives, but still indicates a scene of desolation and despair. While the series began in the fall of 2016, recent events—including the pandemic—have provided a new dimension to the work and have compelled Serpick to consider the themes in light of these events. Our forced isolation and the challenges it has brought to our physical and mental health provides an additional shared experience from which to consider grief and eventual healing. Biography Stephanie Serpick is a painter whose work explores themes of isolation, grief, and healing. Her work has been shown in various exhibitions in the U.S. and internationally, and she is a fellow at several residencies, most notably at the Florence Trust Studios in London, MASS MoCA in North Adams, Massachusetts, and the Vermont Studio Center, where she was awarded a full fellowship and stipend to attend. Recent exhibitions include solo shows at Sweet Lorraine Gallery in Brooklyn, the College of Southern Nevada, and a two-person exhibition at The Munson-Williams-Proctor Arts Institute at the Museum of Art at Pratt in Utica NY...

This painting depicts an interior scene of a woman seated at an apartment in Paris with a window that overlooks the city and an iconic church with the artist's reflection in the armo...

Intimate paintings represented by unmade beds and tossed sheets, absent of any human evidence, on intentionally blank, somewhat rough backgrounds. The empty bed in these paintings represents a place for grief, isolation or healing. As such, the work speaks to our shared feeling of grief, with the understanding that while we all suffer in our individual ways, suffering is universal. Source material for this work are photographs the artist has both taken and found, and the intimate size of the paintings references the intimate nature of the subject matter. The backgrounds of the paintings are repeatedly painted and sanded, to create a frame and backdrop for the bedding that is flat, yet rough with work and time. The bedding itself is seen from different perspectives, but still indicates a scene of desolation and despair. While the series began in the fall of 2016, recent events—including the pandemic—have provided a new dimension to the work and have compelled Serpick to consider the themes in light of these events. Our forced isolation and the challenges it has brought to our physical and mental health provides an additional shared experience from which to consider grief and eventual healing. Biography Stephanie Serpick is a painter whose work explores themes of isolation, grief, and healing. Her work has been shown in various exhibitions in the U.S. and internationally, and she is a fellow at several residencies, most notably at the Florence Trust Studios in London, MASS MoCA in North Adams, Massachusetts, and the Vermont Studio Center, where she was awarded a full fellowship and stipend to attend. Recent exhibitions include solo shows at Sweet Lorraine Gallery in Brooklyn, the College of Southern Nevada, and a two-person exhibition at The Munson-Williams-Proctor Arts Institute at the Museum of Art at Pratt in Utica NY...

Intimate paintings represented by unmade beds and tossed sheets, absent of any human evidence, on intentionally blank, somewhat rough backgrounds. The empty bed in these paintings represents a place for grief, isolation or healing. As such, the work speaks to our shared feeling of grief, with the understanding that while we all suffer in our individual ways, suffering is universal. Source material for this work are photographs the artist has both taken and found, and the intimate size of the paintings references the intimate nature of the subject matter. The backgrounds of the paintings are repeatedly painted and sanded, to create a frame and backdrop for the bedding that is flat, yet rough with work and time. The bedding itself is seen from different perspectives, but still indicates a scene of desolation and despair. While the series began in the fall of 2016, recent events—including the pandemic—have provided a new dimension to the work and have compelled Serpick to consider the themes in light of these events. Our forced isolation and the challenges it has brought to our physical and mental health provides an additional shared experience from which to consider grief and eventual healing. Biography Stephanie Serpick is a painter whose work explores themes of isolation, grief, and healing. Her work has been shown in various exhibitions in the U.S. and internationally, and she is a fellow at several residencies, most notably at the Florence Trust Studios in London, MASS MoCA in North Adams, Massachusetts, and the Vermont Studio Center, where she was awarded a full fellowship and stipend to attend. Recent exhibitions include solo shows at Sweet Lorraine Gallery in Brooklyn, the College of Southern Nevada, and a two-person exhibition at The Munson-Williams-Proctor Arts Institute at the Museum of Art at Pratt in Utica NY...

Title: Interior Scene Medium: Watercolor on paper Style: Impressionist Size: 11"" x 15"" Frame Size: 18"" x 22"" Age: 1940s Signature: William Fisher Artist: William Fisher (...

This painting depicts an impressionistic scene of luminous flowers in a white and blue ceramic vase. The work reminds us of Claude Monet, with impressions similarly captured, reminis...

A stunning jewel and pertinent example of Berthelsen's charming Still Life scenes. Here we find a white rose and two crimson flowers in a white vase set on top of a wooden glossy tab...

This painting depicts an interior scene done in Paris. The fun details are what make this painting so attractive and desirable; the living room opens out into the terrace, as we are ...

We love this piece painted in relative monochromes of midnight blues and sage greys evoking stately strength and calm. 32 x 28 x 2 inches Oil paint, cold wax on canvas, stretched on...

This beautiful painting by Jeroen Allart is part of his minimalist landscape and interior painting he did in his home country the Netherlands. 'A farm st...

An outstanding oil painting depicitng 3 figures seated around a table with flower vase. The bright colors and quick brush strokes are what makes this piece so attractive and desirabl...

Rainbow, 2025 by Roberta Fineberg (RF) is a 20" x 19.3” x 1.75" contemporary mixed-media work, photography and oil on canvas. The work is signed, titled, and dated by RF (on verso - ...

A charming oil painting depicting an interior scene of a mother and child reading together while sitting on a table round table with a mantel, and a window on the background with the...

This painting depicts an impressionistic scene of Peonies in a Blue Vase, a poetic piece with beautiful details. The work reminds us of Claude Monet, with impressions similarly captu...

This is a hand painted pop art piece by French artist Leo Manelli. Leo shows all over the world, at art fairs, auctions and galleries worldwide.

Curt Hoppe has been around so long he would hang out with Warhol, Basquiat and haring back in NYC's heyday. He used to do photorealistic 12 foot portraits but as he has gotten older...

A whimsical interior scene depicting two figures in the living room with an older person and young boy, perhaps Father and son with a door open into the background which shows Parisi...

A charming depiction of an interior scene with a woman playing the piano passionately. A cozy impressionistic scene with warmth and feeling. Whimsical details through out and beautif...

A five-bedroom, pale blue-and-turquoise country house located an hour and a half southwest of Paris, Maison de Lèves served as a lifelong laboratory for France’s maîtresse of interio...

Bernardino Luino (Latina, 27 March 1951) is an Italian painter and etcher. He is one of the founders of the group La Metacosa and teaches at the Accademia di Belle Arti di Brera in M...

A strong modernist oil painting depicted in 1969 by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wonderful representation of his bold still life paintings, with expressive use of color, shape, and form. Later in his career, Baxte explores Expressionism, infusing both European and North American stylistic trends. This piece is from later in his career, but we can feel this underlying style throughout. Art measures 21.75 x 18 inches Michael Posner Baxte was born in 1890 in the small town of Staroselje Belarus, Russia. For the first half of the 19th century it was a center of the Chabad movement of Hasidic Jews, but this group was gone by the middle of the 19th century. By the time the Baxte family immigrated to the United States at the beginning of the 20th century, the Jewish population numbered only on the hundreds. The native language of the Baxte family was Yiddish. It is likely that the death of Michael Baxte’s father triggered the family’s immigration. Three older brothers arrived in New York between 1903 and 1905. Michael and his mother, Rebecca, arrived in 1907. By 1910 Michael, his mother, and brother, Joseph, were living in New Orleans and may have spent some time on a Louisiana plantation. Around 1912, Michael Baxte returned to Europe to study the violin. In 1914 he, his mother, and Joseph moved to New York City. Meanwhile, in Algeria, a talented young woman painter, Violette Mege, was making history. Since for the first time, a woman won the prestigious Beaux Art competition in Algeria. At first, the awards committee denied her the prize but, with French government intervention, Mege eventually prevailed. She won again 3 years later and, in 1916, used the scholarship to visit the United States of America. When Violette came to New York, she met Baxte, who was, by then, an accomplished violinist, teacher, and composer. Baxte’s compositions were performed at the Tokyo Imperial Theater, and in 1922 he was listed in the American Jewish Yearbook as one of the prominent members of the American Jewish community. As a music teacher he encouraged individual expression. Baxte stated, “No pupil should ever be forced into imitation of the teacher. Art is a personal experience, and the teacher’s truest aim must be to awaken this light of personality through the patient light of science.” By 1920 Michael Baxte and Violette Mege were living together in Manhattan. Although they claimed to be living as husband and wife, it seems that their marriage did not become official until 1928. On their “unofficial” honeymoon around 1917, in Algiers, Baxte confided to her his ambition to paint. There and later in New Mexico where the wonderful steeped sunlight approximates the coloring of Algiers, she taught him his heart’s desire. He never had any other teacher. She never had any other pupil. For ten years she devoted all her time, energy, and ambition to teaching, encouraging, inspiring him. Then in 1928, their mutual strivings were rewarded, as his works were being chosen as one of the two winners in the Dudensing National Competition for American Painters. Out of 150 artists from across the country participated in the Dudensing, and Michael Posner Baxte and, Robert Fawcett...

Title: Flower And Cafe Medium: Oil on canvas Size: 23 x 19 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This pai...

Its owner unknown, this room in West London’s Mayfair neighborhood was decorated by the Iranian-born designer known as Alidad. The arrangement hints at ...

Pierre Bergian (Bruges, Belgium, b. 1965) explores the essence of space, depicting architectural interiors with an expressive line that renders them out of time. Bergian lives and wo...

A wonderful depiction of mother and child displayed in a gold round ornate frame with intricate details.

A child of the American South, Elliott Daingerfield was born in Harper’s Ferry, Virginia, and raised in Fayetteville, North Carolina, where his father, C...

Lori Larusso’s Flower Painting 25 is a striking example of her precision-based, hard-edged painting practice that explores everyday objects with conceptual depth. Rendered in acrylic...

A whimsical oil painting depicting a Venetian Powder Room Scene with Figures getting ready for the masquerade. A truly intimate scene with a ornate mirror, flowers in a vase and whit...

Around each corner of the print, a brilliant stripe of green outlines the image field, as if the viewer were looking through an eye, or peering through a frame. The back of a figure’...

A charming depiction of an interior scene with Piano and Chandelier. A cozy impressionistic scene with warmth and feeling. A sophisticated scene with stunning details and beautiful brushwork. Whisical, this piece captures the essence of a Parisian living room...

This painting depicts a whimsical portrait of a young lady washing her laundry in front of a house. This piece was most likely executed in the 1930's, as the colors are darker than Z...

When it came to decorating his residences, haute-couture iconoclast Karl Lagerfeld (1933–2019) was known for committing completely to a given style—and then dispensing with it. Follo...

Title: Piano 1 Medium: Oil on canvas Size: 47 1/4 x 35 3/4 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2000 Circa Artist: Lin Hongdan...

Intimate paintings represented by unmade beds and tossed sheets, absent of any human evidence, on intentionally blank, somewhat rough backgrounds. The empty bed in these paintings represents a place for grief, isolation or healing. As such, the work speaks to our shared feeling of grief, with the understanding that while we all suffer in our individual ways, suffering is universal. Source material for this work are photographs the artist has both taken and found, and the intimate size of the paintings references the intimate nature of the subject matter. The backgrounds of the paintings are repeatedly painted and sanded, to create a frame and backdrop for the bedding that is flat, yet rough with work and time. The bedding itself is seen from different perspectives, but still indicates a scene of desolation and despair. While the series began in the fall of 2016, recent events—including the pandemic—have provided a new dimension to the work and have compelled Serpick to consider the themes in light of these events. Our forced isolation and the challenges it has brought to our physical and mental health provides an additional shared experience from which to consider grief and eventual healing. Biography Stephanie Serpick is a painter whose work explores themes of isolation, grief, and healing. Her work has been shown in various exhibitions in the U.S. and internationally, and she is a fellow at several residencies, most notably at the Florence Trust Studios in London, MASS MoCA in North Adams, Massachusetts, and the Vermont Studio Center, where she was awarded a full fellowship and stipend to attend. Recent exhibitions include solo shows at Sweet Lorraine Gallery in Brooklyn, the College of Southern Nevada, and a two-person exhibition at The Munson-Williams-Proctor Arts Institute at the Museum of Art at Pratt in Utica NY...

Title: Dance Ball 5 Medium: Oil on canvas Size: 47 1/4 x 35 3/4 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2000 Circa Artist: Lin...

Artist Comments
This painting captures the beauty of the French countryside. I was inspired by the peaceful and vivid colors found in this quaint French village. I depicted t...

This exquisite genre painting showcases a darling slice of life for a young woman in the Belle Epoque era. Dressed in a frilly frock made of detailed lace, and wearing a v shaped pin...

Alessandro Sani (Italian, 1856-1927) A Woman and Her Suitors Signed A. Sani (lr) Oil on canvas 26 x 21.5 inches (66 x 54.6 cm) (Framed 37 x 32 inches)

Daniel Israel Austrian, 1859-1901 Great News Signed with monogrammed first initials and inscribed DIsrael Munchen (ll) Oil on panel 16.13 x 22.25 inches (41 x 56.5 cm) Frame: 25.25...

A pair of beautiful oil paintings by Fritz Zuber-Buhler, titled "The New Arrival" and "After Bath," exemplify his dedication to academic traditions in the ...

Chess Players WPA Depression Era Mid-20th Century American Scene Realism Modern. Signed upper right and verso 8 x 10 inches oil on board. BIO The son of a men's haberdasher, Mervin ...

This beautiful painting by Jeroen Allart is part of his minimalist landscape and interior painting he did in his home country the Netherlands. 'A far...

This painting depicts a whimsical scene of a figure reclining and reading. The figure is done in a quick way, where the scene almost is abstracted. The bright colors and quick brush ...

Title: Lion Medium: Oil on canvas Size: 12 x 12 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is unstretc...

WPA Mural Study 1940 American Scene Modern Social Realism Figurative Mid Century Michael Loew (1907-1985) Detail for Mural (Social Security Building Washington D.C.) 24 x 24 inches ...

"Audience" Mid 20th Century American Figurative Theatre Performance Contemporary Leon Bibel (1912 - 1995) "The Audience," 52 ½ x 41 ¼ inches. Oil on canvas, c. 1963. Signed lower right. Framed. BIO Painter, printmaker and sculptor, Leon Bibel was born in San Francisco in 1913. He trained at the California School of Fine Arts and received a scholarship to study under the German Impressionist Maria Riedelstein. He worked in collaboration with Bernard Zackheim, a student of Diego Rivera, to create frescoes for the San Francisco Jewish Community Center and the University of California Medical School. In 1936 Bibel moved from California to join the Federal Art Project at Harlem Art...

These paintings are a response to the stillness all around us that we sometimes forget to notice. In a world where we are constantly rushed and running from one thing to the next, th...

This striking still life painting presents a classic Old Fashioned cocktail with a contemporary, highly stylized sensibility. Rendered in acrylic on panel, the composition features a...

"Two Bottles" American Scene Realism Mid 20th Century Female Artist WPA 1940's Helen Clark Oldfield "Two Bottles," 1943. Signed “Helen Oldfield” lower right. Oil on canvas board, 18 x 14 inches. Provenance: Estate of the Artist. Helen Clark Oldfield was born in Santa Rosa. Her father, James E. Clark, invested in local hops farms. He was a director of the first Santa Rosa Bank. Oldfield lived at 547 Mendocino Avenue, in one of the finest custom-built homes in town. She was the oldest child of the family. They spent summers in their beach cabin at Jenner-by-the-Sea. She was a good student and graduated from DeWitt Montgomery High in Santa Rosa with college standard grades. Unfortunately, this idyllic situation tumbled down suddenly. due to a fraud scandal at the Bank, her father forfeited most of his assets in order to make good on his client's losses. At the time when her high school friends were going east to college, Oldfield followed her family to a new life of farming. She found this life frustrating as there was little time for her interests after conclusion of her daily duties. Here she developed her natural gift for sophisticated needle work. At the time she also took a correspondence course in industrial design and became an expert tailor. Her family was not happy with the farming arrangement. They decided to move to Oakland. In 1921 they purchased a home at 318...

Patron of the arts and sciences Ann Getty (1941–2020) brought the same bounteousness to her interiors as she did to her philanthropy, most notably at the 191...

An interior depiction of the patio de las Doncellas Reales Alcazares de Sevilla, the oldest royal European palace still in use today in Seville, Spain. A beautiful Orientalist rendition of this grandiose space, the viewer peers through an archway within a scalloped arcade at a covered walkway and into an interior space with a set of red horseshoe arches. Brilliant plaster of Paris decoration is rendered gorgeously in shades of cream paint. A prayer mat and floor pillow are situated in the mid ground with a small fountain footsteps away.  Fernando Liger...

Lori Larusso’s Rosemary Cocktail presents a meticulously composed still life that elevates the language of everyday indulgence into a sharply observed, contemporary visual experience...

Original oil painting by Richard Combes

Robert Petrick's paintings connect the lyricism of language with the vibrancy of urban culture, especially the rich milieu around the East Village and Alphabet City. Rendered in colo...

It took interior designer Howard Slatkin 33 months to recreate an 18th century European palace in an Upper East Side co-op. Set on the 14th floor of the...

Pierre Bergian (Bruges, Belgium, b. 1965) explores the essence of space, depicting architectural interiors with an expressive line that renders them out of time. Bergian lives and wo...

Alexander Redein (American, 1912 - 1990) At Home, 1975 Oil on board 12 x 15 3/4 in. Framed: 17 1/2 x 21 3/8 in. Signed lower right: Redein Inscribed verso: At Home 1975 Alex Redein was born on January 21, 1912 in Bridgeport, Connecticut. He was a prominent member of the New York art community for many years. He studied at Yale School of Fine Art, The Art Students League, and in Mexico City. Along with Remo Farrugio, Byron Browne, Herbert and Henry Kallem, Joseph DeMartini, Michael Lekakis...