Miami - Art

Sculpture by the Spanish artist AMANCIO GONZALEZ Artist well known for his large format works on the street. Iron and bronze. 7 copies AMANCIO Gonzalez ( Leon 1965 ) Amancio Gonzále...

Abella original still life cubist acrylic painting - Juan Jose Abella Rubio was born in Estercuel, a hamlet anchored in the Teruel mining basin in March 1944. In his painting the o...

PABLO PICASSO (1881-1973) Frise gravée (Unique) Unique plaster mould. Used in the creation of editioned ceramics at the Madoura studio in Vallauris, plaster moulds like this one we...

Agustin Gainza View of Old Havana, 2023 Ceramic 12 x 23 in

Aldo Menéndez (Cuba, 1948) 'Untitled from Portfolio Taller ultramarino', N/A silkscreen on paper 28.4 x 20.1 in. (72 x 51 cm.) Edition of 99 Unframed ID: MEN1205-010-001_5 Hand-signe...

Jesús Rafael Soto was a Venezuelan artist known for his kinetic sculptures and large-scale installations. Like Alexander Calder and George Rickey, Soto’s delicate and responsive constructions react to external stimuli and changes in the atmosphere, as seen in his work Penetrable (1990). “Artistic creation is a force which should preferably be directed towards the exploration of space, of the universe, of the infinite realities which surround us, but of which we are hardly conscious,” Soto once mused. Born on June 5, 1923 in Cuidad Bolívar, Venezuela, he studied at the Escuela des artes plásticas in Caracas from 1942–1947 and later served as the director of the Escuela de bellas artes in Maracaibo, Venezuela until his move to Europe in 1950. Settling in Paris, he associated with the Op Art artists Victor Vasarely and Yaacov Agam, as well as members of the ZERO group such as Otto Piene, Jean Tinguely, and Heinz Mack. In 1973, the Museo de arte modern Jesús...

Original acrylic painting on canvas. Hand signed on front; signed and titled on verso by Jozza. Canvas size: 30 x 24 inches. Frame size: 31.62 x 25.75 x 2 (white floating frame hand ...

The present work is a Men's Magazine testosterone-charged gag cartoon showing twirling nude pole dancers. Surprisingly, they are seen turning up the heat at the Fire Station's firema...

Original acrylic on canvas painting. Stretched. Signed in Chinese and dated on front; signed, titled in Chinese and dated on verso. Acquired from a private collector who purchased...

Alexander Calder (1898-1976, American ) The Black Line 1967 Lithograph 22 1/2 x 30 1/8 in. Edition of 60 Pencil signed and numbered Alexander Calder (July 22, 1898 – November 11, 19...

TECHNICAL INFORMATION: Salvador Dali Ivanhoe - Rowena 1978 Lithograph 29 1/2 x 21 1/2 in. Edition of 250 Pencil signed and numbered; certified authentic by Frank Hunter of the Sal...

Image of "Radiant Angel", on wove paper. Hand signed, numbered & dated by the artist in pencil. Published by Martin Lawrence Editions Ltd., New York. Edition 154/200. Littmann...

Original acrylic painting on canvas. Hand signed on front; signed and titled on verso by Jozza. Canvas size: 30 x 24 inches. Frame size: 31.62 x 25.75 x 2 (white floating frame hand ...

George Hirsch - He gets his inspiration from the prototype of neo-classic painting for this groovy 1970s brothel. This is a complex figural work with m...

Archival pigment print on 100% Cotton 290 gsm Entrada Rag paper with hand-deckled edges. Hand signed and dated lower right by Kenny Scharf. Hand numbered 39/75 lower left. Artwork...

Screen print on silk scarf. Edition size unknown, as they were intended as holiday gifts. Scarf size 35.5 x 36 inches. Frame size: approx 40 x 40.5 inches. Printed by Rupert Jasen...

Original painting on canvas. Hand signed on front by the artist. Painting will ship rolled due to size. Artwork is in excellent condition. Certificate of Authenticity included. A...

Arnold Newman (1918-2006) Lunstrom Prefabricated House, 1949 Gelatin silver print, printed later - Edition unknown 8-3/8 x 13 inches (21.3 x 33.0 cm) (image) Signed, titled, and date...

While most can not even count all 102 stories of the Empire State Building, artist Alice Smith accurately paints each and every story with exacting detail ...

Keith Haring (1958-1990, American) Silence Equals Death (Littmann 152) 1989 Screenprint 39 x 39 in. Edition of 200 Pencil signed and numbered Keith Haring's Silence Equals Death, cr...

Miguel Padura was born in Havana in 1957. "I was four years old when my family moved to Rodas, in the province of Las Villas. My father was an engineer, ...

The celebration of the yearly Carnival in exuberant Rio de Janeiro.

Renowned artist Walter Schnackenberg departs from this jovial poster art to paint an eerie nocturnal scene depicting a female subject running for her life from macabre roof monsters....

The Black Panther Trials - In this historically significant work, African American Artist Vicent D. Smith functions as an Art Journalist/ Court Reporter as much as a Artist. Here, he depicts, in complete unity, 21 Black Panther Protestors raising their fist of defiance at the White Judge. Smith's composition is about utter simplicity, where the Black Panther Protestors are symmetrically lined up in a confrontation with a Judge whose size is exaggerated in scale. Set against a stylized American Flag, the supercilious Judge gazes down as the protesters as their fists thrust up. Signed Vincent lower right. Titled Panter 21. Original metal frame. Tape on upper left edge of frame. 255 . Panther 21. Framed under plexi. _____________________________ From Wikipedia In 1969-1971 there was a series of criminal prosecutions in New Haven, Connecticut, against various members and associates of the Black Panther Party.[1] The charges ranged from criminal conspiracy to first-degree murder. All charges stemmed from the murder of 19-year-old Alex Rackley in the early hours of May 21, 1969. The trials became a rallying-point for the American Left, and marked a decline in public support, even among the black community, for the Black Panther Party On May 17, 1969, members of the Black Panther Party kidnapped fellow Panther Alex Rackley, who had fallen under suspicion of informing for the FBI. He was held captive at the New Haven Panther headquarters on Orchard Street, where he was tortured and interrogated until he confessed. His interrogation was tape recorded by the Panthers.[2] During that time, national party chairman Bobby Seale visited New Haven and spoke on the campus of Yale University for the Yale Black Ensemble Theater Company.[3] The prosecution alleged, but Seale denied, that after his speech, Seale briefly stopped by the headquarters where Rackley was being held captive and ordered that Rackley be executed. Early in the morning of May 21, three Panthers – Warren Kimbro, Lonnie McLucas, and George Sams, one of the Panthers who had come East from California to investigate the police infiltration of the New York Panther chapter, drove Rackley to the nearby town of Middlefield, Connecticut. Kimbro shot Rackley once in the head and McLucas shot him once in the chest. They dumped his corpse in a swamp, where it was discovered the next day. New Haven police immediately arrested eight New Haven area Black Panthers. Sams and two other Panthers from California were captured later. Sams and Kimbro confessed to the murder, and agreed to testify against McLucas in exchange for a reduction in sentence. Sams also implicated Seale in the killing, telling his interrogators that while visiting the Panther headquarters on the night of his speech, Seale had directly ordered him to murder Rackley. In all, nine defendants were indicted on charges related to the case. In the heated political rhetoric of the day, these defendants were referred to as the "New Haven Nine", a deliberate allusion to other cause-celebre defendants like the "Chicago Seven". The first trial was that of Lonnie McLucas, the only person who physically took part in the killing who refused to plead guilty. In fact, McLucas had confessed to shooting Rackley, but nonetheless chose to go to trial. Jury selection began in May 1970. The case and trial were already a national cause célèbre among critics of the Nixon administration, and especially among those hostile to the actions of the FBI. Under the Bureau's then-secret "Counter-Intelligence Program" (COINTELPRO), FBI director J. Edgar Hoover had ordered his agents to disrupt, discredit, or otherwise neutralize radical groups like the Panthers. Hostility between groups organizing political dissent and the Bureau was, by the time of the trials, at a fever pitch. Hostility from the left was also directed at the two Panthers cooperating with the prosecutors. Sams in particular was accused of being an informant, and lying to implicate Seale for personal benefit. In the days leading up to a rally on May Day 1970, thousands of supporters of the Panthers arrived in New Haven individually and in organized groups. They were housed and fed by community organizations and by sympathetic Yale students in their dormitory rooms. The Yale college dining halls provided basic meals for everyone. Protesters met daily en masse on the New Haven Green across the street from the Courthouse (and one hundred yards from Yale's main gate). On May Day there was a rally on the Green, featuring speakers including Jean Genet, Abbie Hoffman, Jerry Rubin, and John Froines (an assistant professor of chemistry at the University of Oregon). Teach-ins and other events were also held in the colleges themselves. Towards midnight on May 1, two bombs exploded in Yale's Ingalls Rink, where a concert was being held in conjunction with the protests.[4] Although the rink was damaged, no one was injured, and no culprit was identified.[4] Yale chaplain William Sloane Coffin stated, "All of us conspired to bring on this tragedy by law enforcement agencies by their illegal acts against the Panthers, and the rest of us by our immoral silence in front of these acts," while Yale President Kingman Brewster Jr. issued the statement, "I personally want to say that I'm appalled and ashamed that things should have come to such a pass that I am skeptical of the ability of a Black revolutionary to receive a fair trial anywhere in the U.S." Brewster's generally sympathetic tone enraged many of the university's older, more conservative alumni, heightening tensions within the school community. As tensions mounted, Yale officials sought to avoid deeper unrest and to deflect the real possibility of riots or violent student demonstrations. Sam Chauncey has been credited with winning tactical management on behalf of the administration to quell anxiety among law enforcement and New Haven's citizens, while Kurt Schmoke, a future Rhodes Scholar, mayor of Baltimore, MD and Dean of Howard University School of Law, has received kudos as undergraduate spokesman to the faculty during some of the protest's tensest moments. Ralph Dawson, a classmate of Schmoke's, figured prominently as moderator of the Black Student Alliance at Yale (BSAY). In the end, compromises between the administration and the students - and, primarily, urgent calls for nonviolence from Bobby Seale and the Black Panthers themselves - quashed the possibility of violence. While Yale (and many other colleges) went "on strike" from May Day until the end of the term, like most schools it was not actually "shut down". Classes were made "voluntarily optional" for the time and students were graded "Pass/Fail" for the work done up to then. Trial of McLucas Black Panther trial sketch...

Original watercolor and glitter on paper. Hand signed on front by the artist. Sheet size 21.75 x 15 inches. Artwork is in excellent condition. Certificate of authenticity included. ...

Pencil, ball point pen, acrylic paint, industrial varnish, and paper collage on canvas board. Hand signed, dated and numbered on verso by Donald Baechler. From a series of 100 unique...

Alexander Sharpe Ross gives us a voyeur view of an attractive couple kissing and embracing on a couch. Sharpe's radical use of composition is on ...

Original artwork by Spanish artist Rafael Ruz. RUZ, Rafael (Barcelona 1956) While contemplating the painting of Ruz, we are inclined to talk about real ‘psychodrama’, in the same se...

Hand signed and numbered by the artist. Artwork is in excellent condition. Image size: 32 x 24 inches. Sheet size: 35 x 27. Certificate of Authenticity is included. Of 300. All reas...

Original Painting on Canvas. One-of-a-kind Pop Art Original Painting on Canvas by Gardani available for you. Hand signed by the Artist front and back, comes with official Gardani ...

Art Deco/Cubist rendition of two Black Men with Muscular Bodies in an artistically formal pose with shovels and pitchforks. The work is executed in an Art Deco/Cubist style. Titled ...

Interspaceograph - multidimensional silkscreen print on two clear plexiglass panes. There is space between the two silkscreen print plexiglass panes in the custom frame giving the a...

Italian Illustrator Gianni Benvenuti depicts a Pushkin's Fairy Tales Princess in a winter landscape of stylized trees with exaggerated curves and twisting branches. The princess is d...

JEFF KOONS (1955-Present) Aluminum multiple with red glaze, 2008, from the edition of 1,000 published by the Los Angeles County Museum of Art, Los Angeles, as an invitation for the ...

ROY LICHTENSTEIN (1923-1997) This Lichtenstein 'Real Estate' print in blue is a 1969 lithograph on Arches paper. There was an edition of 100 produced (there were also approximately ...

In the late nineties, and after traveling to regions as diverse as the Amazon basin and the Chihuahua desert, Ríos began to develop a body of work through which he addressed the mean...

Screen print, hand-finished with stencil and spray paint on hand torn archival art paper. Hand signed and numbered on front, thumb print on verso by the artist. Edition 19/50. Fra...

Enter Kwame's world. In this work, Kwame looks to the divine for the attachment to worldly things. Almighty God (Kwame Akoto) is a non-academic artist ...

One of the hallmarks of great art is recognizing the artist's style instantly. This is the case with Richard Erdoes. His highly stylized comic figures are expressive and communicate the story delightfully and joyfully. Even though this work is rendered in flat, minimalistic two colors, the inventive shape relationships and positive and negative areas convey a very high level of artistic skill. The present work was done on assignment for the prestigious Standard Oil ( Exxon's predecessor ) corporation's company magazine, The Lamp. Although not a newstand magazine, The Lamp had the highest editional and artistic content. Work is unsigned and unframed. Richard Erdoes (Hungarian Erdős, German Erdös; July 7, 1912 – July 16, 2008) was an American artist, photographer, illustrator and author. Early life Erdoes was born in Frankfurt,to Maria Josefa Schrom on July 7, 1912. His father, Richárd Erdős Sr., was a Jewish Hungarian...

Jean Sanglar was born in France in 1926. He draws with taste and talent from an early age, however, his family will only consider this a mere hobby. After studying law, he later took...

Male illustration Illustration - Sir James Brooke, Rajah of Sarawak, KCB (29 April 1803[1] – 11 June 1868), was a British adventurer whose exploits in the Malay Archipelago...

This work is an exceptional example of Kádár's mature Cubist style. It's effortlessly designed around a complex composition of nude men and women tending to horses in a surreal landscape with Greek columns, friezes, and marshmallow clouds set against a rich, saturated blue sky. Kádár was a Hungarian painter influenced by Der Blaue Reiter...

Lithograph in colors on wove paper. Hand signed, dated and numbered by Keith Haring. Published by Nicole Fauché, Paris. Littmann 115. Edition 4/50. Artwork is in excellent conditio...

Acrylic paint on cast resin sculpture. Red and white color. Hand signed, numbered and dated on the underside by the artist. Edition of 20. Each is unique. Includes original box. ...

Screenprint on paper. Hand signed and numbered by the artist. Edition 19/30 (there were also ten artist’s proofs). From the portfolio Master American Contemporaries, Inaugural Print Invitational. Published by Museu de Arte Contemporânea, São Paulo, printed by American Image, Katonah, NY, and labeled with the museum’s printed anniversary mark in the lower right corner. Custom framed as pictured...

Romantic and expressionist nude artwork on canvas.

A turn-of-the-century fantasy illustration by female illustrator May Audubon Post features a charming fairy with expanded wings resting on Lilly s...

Leon Kroll was above all an academician. To him "abstract art was merely the beginning of a picture. Structurally, "Portrait of a Young Woman recalls some of the portraits from the ...

Screenprint on paper. Hand signed, dated and numbered by the artist. Image size 35 x 24 inches. Sheet size 39 x 28 inches. Frame size approx 45 x 35.25 inches. From the EA edition...

Tomas Sanchez Del Romerillo al Blanco, 1981 Tempera on paper 13 x 18 in Certificate of authenticity by Tomas Sanchez Unique piece

Lithograph in colors on arches paper. Hand signed and numbered by Aviva Uri Edition 115/190. From the "Ten Painters on War and Peace" portfolio. Printed...

Giclee on canvas. Hand signed lower right by Doug Bloodworth. Hand numbered 39/150 lower right. Canvas size 38 x 50 inches. Canvas is not stretched. Artwork is in excellent co...

H-Allen Benowitz is a self-taught photographer, born and raised in Brooklyn, NY, and a graduate from the Interboro Institute of Business in Manhattan, migrated to Miami, FL in the 1960s, sharing time at his log home...

French female illustrator Geneviève Thomas renders a highly stylized fashion illustration set against a seamless red background, The model is wearin...

Jean Sanglar was born in France in 1926. He draws with taste and talent from an early age, however, his family will only consider this a mere hobby. After studying law, he later took...

original acrylic painting Born in Badalona (Barcelona). Photographer and advertising film director. Founding partner of the advertising production company La Cosa de las Peliculas:...

Fact: There is no one alive today who can paint and draw as good as Dean Cornwell. Why? It takes a lifetime of training, work and commitment to be a great academic artist. Unfortunat...

Original painting on handmade paper. Hand signed and dated on front by the artist. Artwork size 19 x 12.25 inches. Frame size approx 30 x 26 inches. Artwork is in excellent condi...

Majorca. Original unique ceramic piece Painter born in the town of Estellencs on the island of Mallorca, since his youth he dedicated himself to drawing and watercolor, later enterin...

Screenprint in colors on wove paper. Hand signed and numbered by the artist. HC Edition 6 of 12, the total edition was 90. Published by International Images, Putney, Vermont. Sheet...