Michigan

This original wall-hanging sculpture created by Ron Schmidt. It features a unique design, made from Schmidt's signature nails welded together with smaller pieces of metal to form a s...

Please feel free to reach out for efficient shipping quote to your location. Coffee Table with Single Drawer. Prophecy group by Lane of Altavista. Walnut and Anodized Aluminum Legs ...

Enjoy a piece of American gold coin history! This 1913 $2.50 Indian head eagle coin is framed in 14 karat yellow gold open style bezel. Pendant measures 1.25" long x 15/16" diameter...

Lithograph, silkscreen in colors on vélin vergata paper. Paper size: 16.5 x 12.625 inches. Inscription: Signed in the plate and unnumbered, as issued. Catalogue Raisonne Reference: M...

We are very pleased to offer a stylish, avant-garde chair by Vladimir Kagan for Preview, circa the 1990s. Vladimir Kagan's design philosophy revolves around sculptural forms that bl...

Found in England, this Anglo Indian table dates from the 1860s-1870s. The eight-sided top lifts off and the base is hinged and can be folded flat. This table can be shipped inexpensi...

Lithograph on Arches wove paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Pablo Picasso, Toros y Toreros, 1961. Published by aux Éditions Cercle d'...

Artist: Norman Rockwell Title: Law Student Year created: 1976 Signed by the artist Medium: 10-Color Lithograph on papier d'Arches Edition: 9/200 Height (inches): 32½ Width (inches): 23¾ This piece is unframed Born in New York City in 1894, Norman Rockwell always wanted to be an artist. At age 14, Rockwell enrolled in art classes at The New York School...

A contemporary modern glass and chrome steel dining table. This wonderful dining table features a large, thick rounded glass tabletop. The tabletop sits on a beautiful modern chrome ...

Model LT 215 table lamp in blue designed by Carlo Nason for AV Mazzega Italy circa 1960s Hand blown translucent blue hourglass base with inset Opaline white globe shade All origina...

A pair of cube side tables designed by Edward Wormley for Dunbar circa 1950s Early production custom order in meticulously restored book-matched rosewood Original brass casters can...

USA, 1960s A matched pair of midcentury modern walnut and glass display cases. These were likely originally used as some kind of retail store display. They have striking angular line...

"Earthcore" is an abstract of a familiar image ... a view of earth sliced in half usually as an explanation of the many layers of spaceship earth. This print is more than its title. It is rich in its depth of color and texture. Upon close inspection there is much activity on the surface which continually adds to its visual complexity. The name given to this print process is “Collagraph” It is made by glueing different materials to cardboard and creating a kind of collage. During the inking process the ink will rub off surfaces that are smooth or higher and stay on surfaces that hold more ink, at edge and at lower points thus creating the image. To protect the plate through the printing process it’s sealed with one or more layers of shellac. A collagraph plate is quite sensitive and will be deformed by the pressure of the printing press. Joyce Tilley Nagel...

Found in France, this circa 1900 French oak farm trestle table has a bare finish and has been sanded smooth. Classic trestle-style table is structurally sturdy with mortise and teno...

Stunning vintage sculpted walnut framed mirror attributed to George Nakashima for his Origins collection for Widdicomb-Mueller, 1958-1964. This mirror incorporates Nakashima’s distin...

Expertly carved with impeccable detail, these eye catching dangle earrings depict cameos carved from conch shell having a skull adorned with a crown and cross. Crafted in rich 18 kar...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Derrière le miroir, N° 164-165, 1967. Published by Aimé Maeght, Éd...

Pierre Fernandez Arman Year: 1978 Squeezed Blue Fiddle Medium Type: Screen print on Arches Paper Size-Width Size-Height: 22'' x 30'' Edition Size: Signed in pencil and marked 121/...

Silkscreen on vélin d’Arches paper. Paper Size: 17.75 x 13.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Letter from Birmingham City Jail, 2007. ...

Héliogravure on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Man Ray, Electa Editrice Portfolios, 1980. Published and printed ...

Artist: Raphael Soyer Title: Self Portrait Year: 1980 Print : Lithograph on Arches Archival Paper 22'' x 16'' inches Edition: Signed in pencil and marked 52/250 Image size : 11...

Lithograph and stencil on vélin paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Picasso: Fifteen Drawings, 1946. Published by Pantheon Books, Inc., ...

Pair Tripod cocktail tables with Constellation top. Walnut legs and top. Made by Indiana for Modern furniture company. Based off of a design b...

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. IV, N° 13, N...

Lithograph on vélin d'Arches à la forme savoir paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Dans l'Atelier de Picasso, 1957. Published by Fernan...

Genuine Original Antique from 1920's-1930's Diamond Solitaire Engagement Ring Filigree 14K White Gold Featuring a Genuine Natural Mined Antique Single Cut Diamond Center Incredibl...

A great Mid-Century Modern Curtis Jere brass, copper and metal life-size tree sculpture. Rare form Brutalist design. Large leaves and verdigris green metal base. Signed C Jere on leaf.

Maharam pillow Washi by Hella Jongerius 003 Luminary Designed by Hella Jongerius, based on Jongerius's own collages made from hand-cut film, Washi transposes layers of transluc...

A set of 6 Michael Taylor for Baker Furniture cane back dining chairs. This set of chairs are from Taylor's "New World" collection for Baker Furni...

Cantilever desk designed by Georg Petersens for Georg Petersens Mobelfabrik in Denmark. Circa 1960s beautiful teak wood. Unique architectural designed sturdy desk top accompanied by ...

Lithograph and stencil on papier a la cuve du moulin Richard de Bas paper, spécialement filigrané pour cette édition. Unsigned and unnumbered, as issued. Good condition. Notes: From ...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Published and printed by Art in America, New York in an edition of CDVII/D. From the folio, The Four Se...

SALE ONE WEEK ONLY "As I opened fire" is a lithograph triptych by Roy Lichtenstein whose provenance is printed on verso: Coll. Stedelijk Museum Amsterdam. Editions were copyrighted by the Stedelijk Museum Amsterdam and corrected with the original and printed in the Netherlands. Each piece measures: 25 1/8" h x 20 5/8" w. Roy Fox Lichtenstein was an American pop artist. During the 1960s through the 90’s, along with Andy Warhol, Jasper Johns, and James Rosenquist, he became a leading figure in the new art movement. His work defined the premise of pop art through parody. Most of Lichtenstein's best-known works are relatively close, but not exact, copies of comic book panels, a subject he largely abandoned in 1965. Lichtenstein's Still Life paintings, sculptures and drawings, which span from 1972 through the early 1980s, cover a variety of motifs and themes, including the most traditional such as fruit, flowers, and vases. Inspired by the comic strip, Lichtenstein produced precise compositions that documented while they parodied, often in a tongue-in cheek manner. His work was influenced by popular advertising and the comic book style. His artwork was considered to be "disruptive". He described pop art as "not 'American' painting but actually industrial painting". His paintings were exhibited at the Leo Castelli Gallery in New York City. Wham!, and Drowning Girl Look Mickey proved to be his most influential works. His most expensive piece is Masterpiece which was sold for $165 million in January 2017. Lichtenstein received both his Bachelors and Masters at Ohio State University, Columbus, Ohio where he taught for ten years. In 1967, he moved back to upstate New York and began teaching again. It was at this time that he adopted the Abstract Expressionist style, being a late convert to this style of painting. Lichtenstein began teaching in upstate New York at the State University of New York at Oswego in 1958. About this time, he began to incorporate hidden images of cartoon characters such as Mickey Mouse and Bugs Bunny into is abstract works. In 1960, he started teaching atRutgers University where he was heavily influenced by Allan Kaprow, who was also a teacher at the university. This environment helped reignite his interest in Proto-pop imagery. In 1961, Lichtenstein began his first pop paintings using cartoon images and techniques derived from the appearance of commercial printing. This phase would continue to 1965, and included the use of advertising imagery suggesting consumerism and homemaking. His first work to feature the large-scale use of hard-edged figures and Ben-Day dots was Look Mickey (1961), National Gallery of Art, Washington, D. C.) This piece came from a challenge from one of his sons, who pointed to a Mickey Mouse comic book and said; "I bet you can't paint as good as that, eh, Dad?" In the same year he produced six other works with recognizable characters from gum wrappers and cartoons. It was at this time that Lichtenstein began to find fame not just in America but worldwide. He moved back to New York to be at the center of the art scene in 1964 to concentrate on his painting. Lichtenstein used oil and Magna (early acrylic) paint in his best known works, such as Drowning Girl (1963), which was appropriated from the lead story in DC Comics’ Secret Hearts No. 83, drawn by Tony Abruzzo. (Drowning Girl now hangs in the Museum of Modern Art, New York.) Drowning Girl also features thick outlines, bold colors and Ben-Day dots, as if created by photographic reproduction. Of his own work Lichtenstein would say that the Abstract Expressionists "put things down on the canvas and responded to what they had done, to the color positions and sizes. My style looks completely different, but the nature of putting down lines pretty much is the same; mine just don't come out looking calligraphic, like Pollock’s or Kline’s. Rather than attempt to reproduce his subjects, Lichtenstein's work tackled the way in which the mass media portrays them. He would never take himself too seriously, however, saying: "I think my work is different from comic strips – but I wouldn't call it transformation; I don't think that whatever is meant by it is important to art.” When Lichtenstein's work was first exhibited, many art critics of the time challenged its originality. His work was harshly criticized as vulgar and empty. The title of a Life magazine article in 1964 asked, "Is He the Worst Artist in the U.S.?" Lichtenstein responded to such claims by offering responses such as the following: "The closer my work is to the original, the more threatening and critical the content. However, my work is entirely transformed in that my purpose and perception are entirely different. I think my paintings are critically transformed, but it would be difficult to prove it by any rational line of argument.” In 1969, Lichtenstein was commissioned by Gunter Sachs to create Composition and Leda and the Swan, for the collector's Pop Art bedroom suite at the Palace Hotel in St. Moritz. In the late 1970s and during the 1980s, Lichtenstein received major commissions for works in public places: the sculptures Lamp (1978) in St. Mary's, Georgia; Mermaid (1979) in Miami Beach; the 26 feet tall Brushstrokes in Flight (1984, moved in 1998) at John Glenn Columbus International Airport; the five-storey high Mural with Blue Brushstroke (1984–85) at the Equitable Center, New York and El Cap de Barcelona (1992) in Barcelona. In 1994, Lichtenstein created the 53-foot-long, enamel-on-metal Times Square Mural in Times Square subway station. In 1977, he was commissioned by BMW to paint a Group 5 Racing Version of the BMW 320i for the third installment in the BMW Art Car Project. The DreamWorks Records logo was his last completed project. "I'm not in the business of doing anything like that (a corporate logo) and don't intend to do it again," allows Lichtenstein. "But I know Mo Ostin and David Geffen and it seemed interesting. In 1996 the The National Gallery of Art in Washington, D.C. became the largest single repository of the artist's work when Lichtenstein donated 154 prints and 2 books. The Art Institute of Chicago has several important works by Lichtenstein in its permanent collection, including Brushstroke with Spatter (1966) and Mirror No. 3 (Six Panels) (1971). The personal holdings of Lichtenstein's widow, Dorothy Lichtenstein, and of the Roy Lichtenstein Foundation number in the hundreds. In Europe, the Museum Ludwig in Cologne has one of the most comprehensive Lichtenstein holdings with Takka Takka (1962), Nurse (1964), Compositions I (1964), besides the Frankfurt Museum fur Modern Kunst with We Rose Up slowly (1964), and Yellow and Green Brushstrokes...

Who doesn't love a bangle bracelet? Much less one this pretty with four stations of pave' set diamonds = 0.50Cttw? Oval in shape, making it comfortable to wear every day, yet sparkly...

Modernist vessel by American ceramic artist Warren Hullow of Hickory Grove Studio circa 1970s Shallow ovoid form in matte white glaze with vertical center resist detail Incised sign...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Derrière le miroir, N° 139-140, 1963. Published by Aimé Maeght, Éd...

These are the perfect everyday earrings! Made from 18 karat rose gold in the MOST comfortable huggy style with no posts to poke your neck while on the phone or sleeping. They look gr...

Found in Italy, this mid century Italian bar cabinet has an ebonised body, parchment covered doors with a functional lock and a mirrored interior. Cabinet has original brass hardware, internal bottle racks, checkered mirrored...

Lithograph on vélin d’Arches 300gm paper. Paper Size: 21.8125 x 18.3125 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, For My People, 1992. Published...

Woodcut in colors on vélin de Rives BFK paper, mounted on vélin d’Arches support, as issued. Paper size: 13 x 10.375 inches. Inscription: Signed in the block, and unnumbered, as issu...

A pair of Barbara Barry for Baker boxback lounge chairs. This set of chairs have a classic modern design. They feature a classic set of materials in leather and wood. The frame is a ...

A two piece abstract panel sculpture by New York / California artist Eugene Sturman 1976 Executed in fine copper sheeting with verdigris patina Signed ...

French vitrine cabinet or dry bar with new black finish and original brass trim, circa 1920s. Top has sliding glass doors. Bottom has brass figural ornaments, locking door and single...

Two sister slabs of figured walnut create an asymmetrical waterfall coffee table with an organic live edge. Contrasted with a solid blackened steel base. Undermount walnut shelf,...

Please feel free to reach out for accurate shipping to your location,. Pair low lounge chairs by Ficks Reed. As found condition. New Straps included. Frames are solid. Upholstered ...

Lithograph and stencil on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, L'Art Cubiste, Théories et Réalisations, Etude Critique...

Fantastic early Art Deco pram stroller. 1940s, California. Magenta enameled metal with chrome sides and bumpers. Plastic hood, interior and detachable ...

Lithograph on grand vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: from the folio, Parallèlement, Illustré ...

Mushroom top Stemlite table lamp designed by Bill Curry for Design Line in baked white enamel, with discrete vertical switch and three-way socket. A handblown glass globe sits atop t...

Guillaume Corneille Complicite 1980 Print, Signed Lithograph on wove paper 25½ x 19½ " inches Signed in pencil and dated Cat added  by artist As a co-founder of the famed experimen...

This lovely antique Swedish Art Deco wood cabinet or sideboard in the style of Carl Malmsten is circa 1940. This cabinet is expertly crafted from solid wood and elm wood veneer and f...

Héliogravure on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Man Ray, Electa Editrice Portfolios, 1980. Published and printed ...

Please feel free to reach out for accurate shipping quote to your location. This item is somewhat fragile. It may need a crate or in-home delivery depending on your location. Singl...

Found in Italy, this circa 1960s teak sideboard is attributed to Gianfranco Frattini. Unusual two tier design with the tallest section consisting of a cabinet with a fold down door a...

This antique American mission style three stack wooden lawyer or barrister bookcase cabinet by Globe-Wernicke was made in Cincinnati in the early 1900s. Well-crafted from mahogany wo...

Print published by Jean-Paul Loup. Unframed, but we have framing options available. Measures: 31.50 x 24.50

Lithograph and stencil on papier a la cuve du moulin Richard de Bas paper, spécialement filigrané pour cette édition. Unsigned and unnumbered, as issued. Good condition. Notes: From ...

Found in England, this upholstered bench dates from the 1950s. The bench features an ebonised oak base with seat and arms upholstered in muslin - ready to be reupholstered in the fab...

Lithograph and stencil on papier a la cuve du moulin Richard de Bas paper, spécialement filigrané pour cette édition. Unsigned and unnumbered, as issued. Good condition. Notes: From ...

Lithograph and stencil on vélin d'Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Miró, Oiseau Solaire, Oiseau Lunaire, Étincel...