Missouri

Unique stylized heavy wrought iron black garden bench or settee with ovals and scroll work, in the neoclassical style with Italian influence of Gio Ponti style gold Arrows and concentric circles. Solid wrought iron seat...

Bele Bachem Sanft bis zur letzten Rasur (I. Fassung - B/W) Lithograph on Velum Year: 1968 Size: 30x25.1 inches Signed, dated and inscribed by hand Dry Stam...

John James Audubon was born in Haiti in 1785. Most of his childhood was spent in France, where he first took interest in birds and drawing. He came to the U.S. at age 18, and made ma...

Roberto & Mito Block for Muller of Mexico round onyx and brass frame side table with scroll form legs. Darker round center with lighter onyx band, separated by a gold brass band. Tab...

Resonances de Cartier: High Jewelry & Precious Objects hardcover book c 2017 A wonderful archive featuring an array of exquisite Cartier's precious jewelry designs The hardcover boo...

Peter Stroud (English, 1921-2012) was an abstract Constructivist artist whose work evolved from strict Constructivism into explorations of color and form. Largely self-taught, he als...

Twelve feet long! Custom made Dunbar sofa designed by Edward Wormley. This was reupholstered 10 years ago and has seen very little use since. We have refinished the base since these ...

Beautiful pair of Dorothy Draper España collection side tables in excellent vintage condition for Heritage circa 1950. These beautiful, regal and timeless black Dorothy Draper lacque...

Italian tan khaki cotton sports jacket designed by La Squadra c 1970s The classic field style jacket is infused with Italian flair The padded shoulders have an epaulet detail with fi...

Louise Marler Spirit Hearts Mixed Media on handmade paper from Nepal 2022 Size: 19x15in Signed Stamped COA provided Ref.: 924802-1418 Louise Marler’s photo-based Mixed Media art, is iconic visual vocabulary. Au-thentic style has led to exhibits, art collections and events which integrate his-tory, education, and entertainment. Raised in a family that collected, sold and repaired typewriters. These and other analog, vintage machines are part of her personal history and led naturally to becoming part of the subject matter of her visual expression. Louise Marleris inspired by Americana and also influenced by pop art and technology. “I developed my unique art style in a Santa Monica Airport (former mechanic) hanger turned art studio. I currently live and work in St. Louis where antique row...

Italian pair of gilt rope and tassel ottomans newly professionally restored and refinished with new leopard velvet upholstery and lacquered gil...

Galanos Luxurious gray flannel coat dress c 1970 The soft plush flannel wool dress is designed with subtle vertical ribbed detail across the bodice Accented with a series of small...

Ettore Sottsass Barbarella cabinet for Poltronova, Italy. Designed in 1966, produced in 1985. The cabinet features three drawers over a drop-front ...

Salvador Dalí (1904–1989) was one of the most recognizable figures of 20th-century art, known for his eccentric persona and for pushing Surrealism into the cultural mainstream. A pai...

Donald Drumm Cast Aluminum Screens. Ten panels total making for a stunning room divider. One screen is six panels and the other is four panels. Excellent original condition with a...

High style set of stainless steel and iron Mid-Century Modern fireplace tools showcasing clean modernist lines designed and manufactured by Pilgrim Manufacturing in the 1960s. The fi...

Artist Jindra Viková Czech (1946-) for "Royal Dux Bohemia" surrealist hand painted porcelain tray / or wall handing with raised red apple with crossed legs lying in a field of grass ...

Stunning aluminum sconces from the 1960s in the style of Kurt Versen. Measures: These extend 22 inches out from the wall. A rare set. Sold each. Eight available.

In the style of Barry McGee Lithograph Edition: 2/10 Signed, numbered, and inscribed by the artist Size: 24 x 38 inches COA provided Barry McGee was born in 1966 in San Francisco, C...

Herve Leger Paris Gray wool tailored jacket US Size 4 The stylish designer jacket is light weight wool with two tone gray colors The wool is design...

Very rare, original March on Washington Poster protesting the Vietnam war, 1969. The event took place November 13-15 that year. The graphic is a pixilated ...

One of a kind, custom made, monumental, crazy cool, pair of chairs in the style of Paul Evans. The brass and chrome patchwork design is similar to Cityscape designs. The upper back...

Set of 8 MCM Paul McCobb Planner Group bow back dining chairs for Winchendon to be completely restored prior to shipping. Sleek maple frames wit...

A favorite of Paul Laszlo, these chairs were featured in design projects for the Brentwood Country Club (see photo), Mr. Laszlo's personal residence, and the Fausto M. Ricci family. ...

Louise Marler Bang It Sexy! Colorized Archival Pigment Print 2022 Size: 16x16in Edition: 25 Signed and numbered by hand Stamped COA provided Ref.: 924802-1412 Louise Marler’s photo-based Mixed Media art, is iconic visual vocabulary. Au-thentic style has led to exhibits, art collections and events which integrate his-tory, education, and entertainment. Raised in a family that collected, sold and repaired typewriters. These and other analog, vintage machines are part of her personal history and led naturally to becoming part of the subject matter of her visual expression. Louise Marleris inspired by Americana and also influenced by pop art and technology. “I developed my unique art style in a Santa Monica Airport (former mechanic) hanger turned art studio. I currently live and work in St. Louis where antique row meets the most progressive art culture, as well as Joshua Tree, California, where I created the first Type Inn.” Louise Marler’s work is featured in the documentary film, “The Typewriter in the 21st Century,” and TV shows including “Two and a Half Men,” “Curb Your Enthusiasm,” “The Mentalist,” “Criminal Minds,” “Jane the Virgin,” “Dear White People,” “Lucifer,” “Arrested Development,” “Love Victor, and “A Black Lady Sketch.” typewriter queen, la marler, typewriter art, typewriter artist, Typewriter, Typewriters midcentury, modern art, typewriter life, typewriter community, typewriter collection...

Georges Braque (after) Title: "Profil" from the Espace Portfolio Year: 1957 Year of Original: 1952 Medium: Pochoir (pigment print) on Richard de Bas, signed in the plate Edition: 26...

New York interior designer and architect John F. Saladino (1939-2025). John designed this 1970s small-scale Petal Lounge Chair (#7008) for Dunbar, has its original vintage Jack Lenor...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft...

Joan Miró One plate from Derrière le Miroir no. 128: Peintures Murales de Miró Medium: Color lithograph Publisher: Maeght, Paris Signature: Unsigned Edition: Unnumbered from an editi...

Impressive 1960s large Mexican folk art hand painted papier-mâché angel with 5 arm candelabra. Hand painted details over white robe, include hair, face, gold gilt rope collar, pink a...

Beautifully restored Harvey Probber credenza. Black case and interior with oak sliding doors and polished brass cross stretches. This is a stunning credenza. Could be used in the din...

Joan Miró Les Revolutions Sceniques Du XXe Siecle - II Color lithograph Year: 1975 Size: 12.2×9.4in on 14.7×10.4in Unsigned as issued From an edition with unknown size (pres. <1,500...

Set of 4 Maurizio Tempestini for Salterini black wrought & wicker patio or sunroom dining chairs with vintage green / black and creme plaid seat c...

Mid-Century Modern Edward Wormley for Dunbar bachelors chest with flip-top mirror, drawers in center, flanked by two cabinet doors, in bleached mahogany, currently being refinished (...

Jay Patel The Penguin Family Acrylic on Board Year: 2022 Size: 12x10x1.5in Signed verso COA provided Ready to hang Ref.: 924802-1128 "Who doesn’t know what ...

Forsyth cowhide pillows are simply the best. The most beautiful cowhides are selected, handcut, handstitched, and hand stuffed with the finest goose down. Each step is meticulously c...

Vintage umbrella or cane stand, Italian made, takes form of an Umbrella, made of iron twisted rope with gold gilt and black marble base on brass ball feet. Light patina, light wear o...

Melanie Sherman Vase with 3 Openings Porcelain, Glaze, Cone 6 Firing 2025 Size: 7.5 x 4.5 x 7 inches (19.05 x 11.43 x 17.78 cm) Signed by hand COA provided *One Opening slightly cr...

A lighting piece crafted by hand; the piece stems from the base and flows to have two lighting sources, at two different tiers. Both of the lamp shades are different from the other i...

Marvin Lipofsky 1938 - 2016 Lipofsky approached glass as an organic, sculptural medium; resulting in his signature amorphic forms. Many of his works are colorful “bubbles” of glass....

Harvey Probber Asian style side table with Italian walnut Roman travertine. The sculptural mahogany base has just been refinished, color matched...

Katherine Bello Summer Rain Acrylic on canvas 2023 Size: 30x30x1.5in Signed, dated and titled by hand COA provided Ref.: 924802-1876 *on stretcher frame - ready to hang ** additiona...

LEONOR FINI Cat Twins 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

Extraordinary massive gilt lion cabochon necklace attributed to Donald Stannard The spectacular bib necklace is adorned with a large cinnabar egg shape...

Yoshiro Ikeda Form with Two Cylinders (Ceramic Art, Handbuilt Ceramics, Organic Forms) Ceramic, Glaze Year: Unknown 11.25 x 10 x 4 inches Signed; bottom ...

Born in Jefferson City Missouri in 1976 Justin Allen attended Webster University in St. Louis, Missouri where he studied filmmaking before studying painting at the Art Students Leagu...

Beautiful large and complete set of Mid Century Modern 22k gold hand painted barware in the iconic Shoji pattern made by the Imperial Glass Company in the 1960s. This exceptional set is the only available of its kind globally and is free from defects or wear. The set is a complete fast forward for any collector or admirer - we've done all the work for you. Our shop curated the set over the years, carefully selecting only the best pieces and combining them to form the complete set now before you. Most pieces were placed in étagères for decorative purposes and never used thereby maintaining "like new" condition for the last 55 plus years. The set includes 8 whisky glasses, 8 rocks glasses, 8 highball cocktail glasses, a large cocktail mixer and spoon, a decorative vase, and a hospitality bowl that may be used as a vase, candy bowl or ice bowl. This is the most highly regarded and sought after mid century vintage barware/glassware line by any manufacturer, bar none. the quality of the glass and hand painted gold is unsurpassed. the shoji screen trellis pattern is raised/embossed for a unique texture and vintage swag...

Pair of custom Milo Baughman style Parsons ottomans benches footstools newly upholstered in soft ivory bouclé. A great choice for adding a modern sculp...

Lithograph on Arches paper Exemplaire B/165

Oil & acrylic on canvas

Joerg Reme Untitled VII from "von den Stunden" Folio Color Lithograph on handmade paper with deckled edges 1972 Size: 11.75 x 8.325 inches (29.8 × 21.1 cm) Edition: 31 of 250 Signed ...

Artist : Susan Kiefer Title : Happy Days Materials : oil on canvas Date : March 2020 Dimensions : 24" x 30" x 1.5" Though born and raised in Kansas City, artist Susan Kiefer liv...

Vintage Napoléon IIII style or Hollywood Regency round tufted upholstered ottoman. This Italian made cream painted & gold gilt, faux wood rope tassel ottoman...

Amongst the most popular of his designs, here is a knockout set of sculptural Vladimir Kagan Nautilus swivel lounge chairs and ottomans freshly upholstered in hand sewn butterscotch ...

Opulent Art Deco sterling marcasite crystal opera style necklace c 1960 The beautiful necklace is designed with three graduated crystal be...

Danish flip-top table with pivot by Hans Wegner for Andreas Tuck of Denmark, circa 1950s. Can be used as a dining table, card table, console or desk. Branded Fabrikat: Andr Tuck, Ark...

Ibram Lassaw Continuity #1 1971 Screenprint Visible: 19.5 x 25.5 inches Framed: 27 x 32.5 x 1 inches Edition: 100 Signed, titled, dated and numbered in pencil along lower edge COA pr...

Contemporary Ceramic Sculpture with Pigmented PVC Surface, Design, Mixed Media Maxwell Mustardo is a ceramic artist whose highly textured forms are the result of meticulous research...

Tom Binger "Coffee Pot" Medium: Mixed Media Year: 2018, Signed Size: 18.25 x 11.25 x 2 inches Tom Binger finds it interesting that during a time in which th...

Joan Miró Litografia Original IV Color Lithograph Year: 1975 Size: 13.25 x 20 inches (33.65 x 50.8 cm) Catalogue Raisonné: Queneau, Miro Lithographe II, 1952-1963, p.36 Publisher: Ma...