Missouri

Contemporary Vase Form, Porcelain with China Paint, 16.5 x 9 x 8 in, Sam Chung Sam Chung lives and works in Tempe, AZ. He is a ceramic artist and Professor of Art at Arizona State U...

Luanne Rimel is an artist, curator, instructor, and currently the Director of Education Programs at Craft Alliance Art Center in St. Louis, Missouri. Her work is layered with histori...

Channeling the Midwest and Western landscapes as sources for his mood-rich paintings, Bogosian has developed an extensive and breathtaking body of work. According to Bogosian, “My wo...

Post modern Karl Springer style Soufflé pouf ottoman aptly named for its similarity in form to a French Soufflé. Brass square base with rounded corner...

Very collectible Mid-Century Modern “Valentine” portable typewriter, with durable plastic storage case both in red. The Olivetti Valentine portable typewriter was designed by Perry K...

Beautiful small art glass bowl by Kaj Franck. Signature to the underside. Excellent condition.

Glover did not begin her career as an artist. After receiving an MBA from Harvard Business School, she served as an international consultant in strategy, industry best practices, and...

Marc Chagall "Le Christ a l'Horloge, Paris" (Christ in the Clock) 1957 (M. 196) Color Lithograph on Arches Wove Paper Signed in Pencil "Marc Chagall" Lower Right Initialed "H.C." (Hors Commerce) Lower Left, aside from numbered edition of 90 *Floated in Gold Frame with Linen Matting, UV Plexiglass Sheet Size: 18 3/4 x 14 3/4 inches (47.5 cm x 38 cm) Image Size: 9 3/4 x 8 1/2 inches Framed Size: 28.5 x 24.25 inches Marc Chagall was a man of keen intelligence, a shrewd observer of the contemporary scene, with a great sympathy for human suffering. He was born on July 7, 1887 in Vitebsk, Russia; his original name was Moishe Shagal (Segal), but when he became a foremost member of the Ecole de Paris, he adopted French citizenship and the French spelling of his name. Vitebsk was a good-sized Russian town of over 60,000, not a shtetl. His father supported a wife and eight children as a worker in a herring-pickling plant. Sheltered by the Jewish commandment against graven images, the young Chagall never saw so much as a drawing until, one day, he watched a schoolmate copying a magazine illustration. He was ridiculed for his astonishment, but he began copying and improvising from magazines. Both Chagall's parents reluctantly agreed to let him study with Yehuda Pen, a Jewish artist in Vitebsk. Later, in 1906, they allowed their son to study in St. Petersburg, where he was exposed to Russian Iconography and folk art. At that time, Jews could leave the Pale only for business and employment and were required to carry a permit. Chagall, who was in St. Petersburg without a permit, was imprisoned briefly. His first wife, Bella Rosenfeld, was a product of a rich cultivated and intellectual group of Jews in Vitebsk. Chagall was made commissar for the arts for the area, charged with directing its cultural life and establishing an art school. Russian folklore, peasant life and landscapes persisted in his work all his life. In 1910 a rich patron, a lawyer named Vinaver, staked him to a crucial trip to Paris, where young artists were revolutionizing art. He also sent him a handsome allowance of 125 francs (in those days about $24) each month. Chagall rejected cubism, fauvism and futurism, but remained in Paris. He found a studio near Montparnasse in a famous twelve-sided wooden structure divided into wedge-shaped rooms. Chaim Soutine, a fellow Russian Jew, and Modigliani lived on the same floor. To Chagall's astonishment, he found himself heralded as one of the fathers of surrealism. In 1923, a delegation of Max Ernst, Paul Eluard and Gala (later Salvador Dali's wife) actually knelt before Chagall, begging him to join their ranks. He refused. To understand Chagall's work, it is necessary to know that he was born a Hasidic Jew, heir to mysticism and a world of the spirit, steeped in Jewish lore and reared in the Yiddish language. The Hasidim had a special feeling for animals, which they tried not to overburden. In the mysterious world of Kabbala and fantastic ancient legends of Chagall's youth, the imaginary was as important as the real. His extraordinary use of color also grew out of his dream world; he did not use color realistically, but for emotional effect and to serve the needs of his design. Most of his favorite themes, though superficially light and trivial, mask dark and somber thoughts. The circus he views as a mirror of life; the crucifixion as a tragic theme, used as a parallel to the historic Jewish condition, but he is perhaps best known for the rapturous lovers he painted all his life. His love of music is a theme that runs through his paintings. After a brief period in Berlin, Chagall, Bella and their young daughter, Ida, moved to Paris and in 1937 they assumed French citizenship. When France fell, Chagall accepted an invitation from the Museum of Modern Art to immigrate to the United States. He was arrested and imprisoned in Marseilles for a short time, but was still able to immigrate with his family. The Nazi onslaught caught Chagall in Vichy, France, preoccupied with his work. He was loath to leave; his friend Varian Fry rescued him from a police roundup of Jews in Marseille, and packed him, his family and 3500 lbs. of his art works on board a transatlantic ship. The day before he arrived in New York City, June 23, 1941, the Nazis attacked Russia. The United States provided a wartime haven and a climate of liberty for Chagall. In America he spent the war years designing large backdrops for the Ballet. Bella died suddenly in the United States of a viral infection in September 1944 while summering in upstate New York. He rushed her to a hospital in the Adirondacks, where, hampered by his fragmentary English, they were turned away with the excuse that the hour was too late. The next day she died. He waited for three years after the war before returning to France. With him went a slender married English girl, Virginia Haggard MacNeil; Chagall fell in love with her and they had a son, David. After seven years she ran off with an indigent photographer. It was an immense blow to Chagall's ego, but soon after, he met Valentine Brodsky, a Russian divorcee designing millinery in London (he called her Fava). She cared for him during the days of his immense fame and glory. They returned to France, to a home and studio in rustic Vence. Chagall loved the country and every day walked through the orchards, terraces, etc. before he went to work. Chagall died on March 28, 1985 in the south of France. His heirs negotiated an arrangement with the French state allowing them to pay most of their inheritance taxes in works of art. The heirs owed about $30 million to the French government; roughly $23 million of that amount was deemed payable in artworks. Chagall's daughter, Ida and his widow approved the arrangement. Written and submitted by Jean Ershler Schatz, artist and researcher from Laguna Woods, California. Sources: Hannah Grad Goodman in Homage to Chagall in Hadassah Magazine, June 1985 Jack Kroll in Newsweek, April 8, 1985 Andrea Jolles in National Jewish Monthly Magazine, May 1985 Michael Gibson...

There are pieces that furnish a room and there are pieces that alter its atmosphere entirely and this sculptural Weiman chaise created at the height of American postmodernism in the ...

Rectangular walnut coffee table with solid brass cross stretcher designed by T.H. Robsjohn-Gibbings and made by Widdicomb, 1950s. Expertly restored and refinished. Excellent condit...

Annieo Klaas Floating on a Dream 2024 Oil on Canvas 40 x 30 inches (101.6 x 30.48 cm) Signed lower right COA included *On stretcher frame, gallery-wrapped - ready to hang In When ...

A rare and deeply characterful pair of sculptural settees by Chicago area designer Richard Himmel. Designed in the 1970s, these settees capture Himmel’s singular approach—where tradi...

Georges Braque Les Oiseaux de Nuit 1964 Original Reproduction of a Gouache on Velin d'Arches Size: 10x7.375in Edition: 2,000 Annotated verso Unsigned as issued Publisher: Mourlot, Pa...

Heavy well made table lamp in brass and walnut with the original shade. Unmarked, but has the quality build of Stiffel.

Nancy Newman Rice was born in New York City and was educated at Cornell University and at Washington University, where she earned a BFA with honors and an MFA. She has received award...

José Sierra is a self-taught artist and ceramicist, born in Mérida, Venezuela in 1975. His work draws inspiration from his heritage, along with pre-Hispanic art, East Asian pottery,...

Joan Miró "Untitled" (one plate from "Maitres-Graveurs Contemporains" - Berggruen & Cie, 1970) Color lithograph Year: 1970 Size: 9.0 × 9.8 on 9.4 × 11.1 inches Catalogue raisonné: C...

Shepard Fairey Peace is Power (Cream Dove) Screen print on thick cream Speckletone paper Year: 2025 Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 500 Signed by Shepard Fairey, dated and numbered by hand COA provided *Edition number may vary from the image shown. The Peace is Power print by Shepard Fairey centers on the idea that peace is not passive, but an active and transformative force requiring empathy, diplomacy, creativity, and sustained effort. Rather than defining peace simply as the absence of conflict, Fairey frames it as the ability to resolve disagreement without violence—a process that demands patience, compassion, and collective responsibility. The composition prominently features the dove, an internationally recognized symbol of peace that has appeared throughout art history as an emblem of hope, reconciliation, and unity. Fairey employs the dove as both a visual anchor and a universal communication device, reinforcing the accessibility and immediacy of the work’s message. Consistent with his broader practice, Fairey combines bold graphic imagery with socially conscious themes, encouraging viewers to consider peace not as an abstract ideal but as a practical investment in the well-being of humanity and the planet. Originally conceived as a gesture for friends and family during the holiday season, the print was later released more broadly as an expression of gratitude to collectors and supporters. Through its direct symbolism and optimistic tone, Peace is Power reflects Fairey’s enduring belief in art’s capacity to inspire dialogue, solidarity, and constructive social values. Peace is Power print, Shepard Fairey dove...

Jeffrey Vaughn, from Alton, Illinois, received his Bachelor of Fine Arts degree in 1978 from Washington University, St. Louis, Missouri, and his Master of Fine Arts in 1983 from the ...

(after) Diego Rivera "National Palace, Mexico City (Juarez and the Reform Laws) 1933 from the portfolio "Frescoes of Diego Rivera" Published by the Museum of Modern Art, NY Hand-Signed by the Artist Diego Rivera was born on December 13, 1886 in the mountain town of Guanajuato in Mexico. His mother was an ardent Catholic and his father was a rich and aristocratic revolutionary fighter and an atheist. Little Diego decided in favor of atheism. He swore his family had to leave Guanajuato when he was six because of his diatribes against the Church. When he was eleven he attended the San Carlos Academy of Fine Arts; his real teacher was Jose Posada...

Jeffrey Vaughn, from Alton, Illinois, received his Bachelor of Fine Arts degree in 1978 from Washington University, St. Louis, Missouri, and his Master of Fine Arts in 1983 from the ...

Contemporary Abstract Acrylic Painting on Fabric, 40 x 32 inches, Ethan Meyer Groot Foundation Grant Honorable Mention Recipient 2025 "My work, both in painting and sculpture, invo...

Japanese artist Harumi Nakashima creates free-form ceramic sculptures that feature organic, yet psychedelic characteristics. Nakashima, mostly known for beautifully structured, odd g...

Christo & Jeanne-Claude Untitled Composition from "Ediciones Poligrafa, Barcelona at Redfern Gallery, London" Original Color Lithograph Year: 1979 Edition: 1000 Size: 10 x 7.325...

Richard Meier Rocking Chaise manufactured by Knoll, 1982. Designed to lay either direction and wide enough for two people. The original black leather was in hardly used condition, ...

A most alluring Milo Baughman Parsons style Post Modern bench newly reupholstered in super soft and inviting ivory bouclé. The Parsons style in upholstery - consisting of covering every surface with upholstery - not only exudes upper crust elegance but also delivers exquisite comfort from top to bottom. Whether in a dressing room, bedroom, bathroom next to a large bathtub, or in an Entry or Vestibule, this Post Modern Parsons style bench...

Vladimir Veličković Untitled Composition De Luxe Edition from "Ediciones Poligrafa, Barcelona at Redfern Gallery, London" Original Color Lithograph Year: 1979 Size: 14.75 x 10.75 inc...

Signed porcelain sculpture titled "Please" by Serei Isupov, 2007. Mint condition.

A popular stop along old historic Route 66 - one of the original highways in the U.S. highway system that ran from Chicago to Los Angels - Glory Hole Antiqu...

Justin Allen Springfield, MO Justin Allen brings extraordinary technical mastery to oil painting, rendering everyday objects with precision so striking they verge on the surreal. A...

Minimalist 1970s oak frame square end table or side table with faux black slate top, and unique bridle joint connections. I believe it is from the partnership between Pierre Mazairac...

Rare Ettore Sottsass umbrella stand for Rinovel, Italy, 1955. Quick shipping in the continental U.S. via FedEx, $175.

In the style of Michael Taylor Plaster Twisted Column Lamp. Newly painted. Excludes the shade.

Otto Greis Untitled Composition II Original Silkscreen on Fine Vellum Year: 1960 Sheet Size: 7.6 × 5.625 inches (19.30 × 14.29 cm) Mat Size: 10.6 × 8.125 inches (26.92 × 20.64 cm) Fr...

Contemporary, Colored, Porcelain, Sculpture, YOR Spectrum Loop Dispersion Kyle began his studies at Southern Illinois University Edwardsville (SIUE). Following undergraduate, he rec...

A rare pair of "Obelisque" bespoke patio counter height swivel stools in forged metal with bronze and handcrafted by artist Mario Villa (1953-2021). Sculptural raw steel frames with ...

Katherine Bello Summer Rain Oil on Canvas 2023 Size: 30 x 30 x 1.5 inches (76.20 × 76.20 × 3.81 cm) Signed, dated and titled by hand COA provided *On Stretcher Frame, Gallery-wrappe...

Trifari gilt metal crystal encrusted poodle dog brooch c 1960 The elegant canine brooch is designed with an endearing poodle with impressed gilt metal detail that emulates dog fur...

Dame Laura Knight "The Circus Dressing Room" 1925 Etching Ed. 20 Signed Lower Right Image Size: approx. 14 x 10 inches Framed Size: approx. 23.5 x 17.75 inches An English impressio...

Contemporary Figurative Ceramic Sculpture, Glazed Stoneware, Surrealist Abstract Kensuke Yamada (b. 1979) was born in Kamak...

Lovely pair of vintage cast iron garden benches / settees painted black, circa 1920s, attributed to "Hinderer's Iron Works", in the "Passion Flower" pattern. These benches have highl...

Contemporary, Porcelain, Sculpture, Abstract, Design, Harumi Nakashima, Japanese Japanese artist Harumi Nakashima creates free-form ceramic sculptures that feature organic, yet psyc...

Katherine Bello Keeping it real in Kansas Oil on Canvas 2023 Size: 30 x 30 x 1.5 inches (76.20 × 76.20 × 3.81 cm) Signed, dated and titled by hand COA provided *On Stretcher Frame, ...

Luxurious pair of channeled Post Modern swivel chairs freshly reupholstered in soft ivory white bouclé. Shawl collar seat backs are channeled and curvy and convey a confident elegance. They roll out into scroll ends - the illusion of a fountain back chair or clam chair. Lower front chair channeling compliments well the channeled seat...

All enveloping luxurious comfort best describes this sexy Post Modern Chaise Lounge designed by Vladimir Kagan for Directional newly professionally upholstered in highly durable super soft ivory white bouclé. Famous for his use of curves and amorphous shapes in furnishings, this Vladimir Kagan scallop form chaise lounge has an inviting profile and shape that beckons. The inner walls of the chaise provide all enveloping comfort with wide upholstered channels angled down towards the foot of the chaise. The channels - along with the texture of the ivory white bouclé - ventilate naturally keeping you cozy in winter and cool in summer. Unlike traditional chaise lounges that allow one to recline but are not typically plush, this Vladimir Kagan chaise is the antithesis. Super comfortable seat back, tall upholstered arm rests, thick cushioned seat, and angled upholstered side. Chic, sexy and luxurious. Works for all activities - naughty or nice - at all hours of the day. Enjoy your morning cup of tea or coffee while catching up on emails or reading the latest headlines. Take an afternoon nap. Cozy up with a good book and a glass of wine, phone a friend and catch up or work on your laptop. Activities will be enjoyed all the more reclined atop this Vladimir Kagan Scallop Chaise Lounge...

Shepard Fairey Lotus Hands - Teal Letterpress on Cream Cotton Paper with Hand-deckled Edges Year: 2023 Size: 12 x 9 inches (30.48 × 22.86 cm) Edition: 250 Signed, dated and numbered ...

A pair of lounge chairs from the Architectural Group one line designed by William Katavolos, Ross Littell and Douglas Kelley for Laverne International. Original deep red color leathe...

Vintage Mid-Century - Studio Line Ronneby Sweden crystal art glass sculpture from Sweden. It is a hand-blown Bull (Toro) figure. Attributed to Konstglas. Founded by two Italian b...

Post Modern bench settee newly professionally reupholstered in super soft ivory white bouclé. Pair available. Glamorous tall arm rests with scrolled ...

Born in Jefferson City Missouri in 1976 Justin Allen attended Webster University in St. Louis, Missouri where he studied filmmaking before studying painting at the Art Students Leagu...

Born in Jefferson City Missouri in 1976 Justin Allen attended Webster University in St. Louis, Missouri where he studied filmmaking before studying painting at the Art Students Leagu...

Shepard Fairey Cold Chillin (Blue & Red SET) Screen print on thick cream Speckletone paper Year: 2008 Size: 24 x 18 inches (60.96 x 45.72 cm) (each) Edition: 350 Signed by Shepar...

Larry Kantner At nighttime the warehouses on the harbor Stand like silent, sleeping mastodons of stone. Their windows, dark and hollow, No longer mirror the day’s restless march, Bu...

Paul Wunderlich Madame est Servie 1968 Color Lithograph on B.K. Rives Edition: E.A of 75 Image Size: 21.75 × 29.75 inches (55.25 × 75.57 cm) Mat Size: 26 × 32 inches (66.04 × 81.28 c...

Large abstract painting inspired by the creek a visited a lot in my youth, and the coppery bedrock that made up the bottom. :: Painting :: Abstract :: This piece comes with an offici...

Classic teak Danish Modern stacking wine bottle rack, having 3 stacks that hold 4 bottles each or a total of 12. No label , but appears to be Kalmar Designs .

*This color lithograph was done as a lithographic reproduction of Rockwell's original painting that was used for the cover of a 1942 Saturday Evening Post. After Norman Rockwell...

Encaustic and charcoal on board. Maple float frame. Art Dimensions: 30 x 40 H inches and Framed Dimensions: 31.5 W x 41.5 H inches. John O'Hara (b. 1963) is a contemporary artis...

The second of my Childhood Keep series involving abstract interpretations of places explored in my youth that always lured and fascinated me :: Painting :: Abstract :: This piece com...

Abstract scenic painting of a storm passing over a vast setting :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready...