Missouri

Often attributed to Paul McCobb, because of the same brass tubing that McCobb used in his furniture. Circa 1970s Replogle globe is in very nice condition with raised topography and t...

Mid-century Modern Danish teak sideboard/credenza produced by Clausen and Son. A symmetrical four-drawer central column bracketed by two sliding cabinet doors. Inset carved bow-tie o...

Contemporary, Photorealistic, Framed, Oil Painting on Linen, Flowers, Nature Jeffrey Vaughn, from Alton, Illinois, received his Bachelor of Fine Arts degree in 1978 from Washington ...

"Blue Cyclone", Abstract, Glass, Sculpture, Vase, Form, Design

Grace Ramsey (American, b. 1985) Grace Ramsey is a self-taught painter based in Charlotte, North Carolina. Before establishing herself as a visual artist, she spent over a decade as ...

Henry Moore Untitled Composition from "Ediciones Poligrafa, Barcelona at Redfern Gallery, London" Original Color Lithograph Year: 1979 Edition: 1000 Size: 10 x 7.325 inches (25.4 × ...

John Stobart "The Statue of Liberty in a Panorama of New York City in 1886" Color Lithograph approx 32 x 43 inches framed Signed in Pencil and Numbered 914/950 A marine painter of ...

Contemporary, Photorealistic, Framed, Oil Painting on Linen, Flowers, Nature Jeffrey Vaughn, from Alton, Illinois, received his Bachelor of Fine Arts degree in 1978 from Washington ...

custom pet bed upholstered in heavy vintage linen with removable, washable cushion cover.

(after) Diego Rivera "Chapel, Agriculture School, Chapingo" (Forces Under the Earth) 1933 from the portfolio "Frescoes of Diego Rivera" Published by the Museum of Modern Art, NY Approx. 18.5 x 13.5 with Matting Hand-Signed by the Artist Diego Rivera was born on December 13, 1886 in the mountain town of Guanajuato in Mexico. His mother was an ardent Catholic and his father was a rich and aristocratic revolutionary fighter and an atheist. Little Diego decided in favor of atheism. He swore his family had to leave Guanajuato when he was six because of his diatribes against the Church. When he was eleven he attended the San Carlos Academy of Fine Arts; his real teacher was Jose Posada...

ASHLEE SELBURG Pan Ink and pencil on paper 40 x 30 inches

Salvador Terán (1920-1974) Mid-Century Modern glass & brass mosaic tray or wall hanging from his atelier "Salvador" in Mexico City, Mexico, circa 1965. Female mosaic in blue glas...

Contemporary, Mixed Media, Ceramic, Sculpture, Cup Form, Assemblage, 3D Printing Matt Mitros was born in Philadelphia, PA. Upon completing his BFA at Penn State University, he was a...

Shepard Fairey Bad Brains Bowery and Bleecker Screen print on thick cream Speckletone paper Year: 2025 Size: 18 x 24 inches (45.72 x 60.96 cm) Edition: 500 Signed by Shepard Fairey a...

Loetz Diaspora Vase, c. 1900 Glass Stamped on bottom 6 inches tall 3 inches diameter This Loetz vase in the Papillon pattern has blue iridescent Papillon design covering the exterio...

Joan Parker (20th C.) "Straw Fields" Oil on Canvas Canvas Size: 10 x 20 inches Framed Size: 21 x 31 inches Joan Parker, is a Plein Air landscape painter and a native of California....

Patti Warashina Between a Rock & a Hard Place Original 5 Plate Lithograph on Rives BFK, White Year: 2017 Edition: 20 of 24 Paper Size: 24 × 18.5 inches (60.96 × 46.99 cm) Image ...

Shepard Fairey People’s Discontent Screen print on thick cream Speckletone paper Year: 2021 Size: 18 x 24 inches (45.72 x 60.96 cm) Edition: 550 Signed by Shepard Fairey, dated and n...

Shepard Fairey Force of Nature Letterpress Letterpress on Cream Cotton Paper with Hand-deckled Edges Year: 2025 Size: 13 x 10 inches (33.0 × 25.4 cm) Edition: 200 Signed, dated and n...

Abstraction 22, Acrylic Paint on Canvas, Framed, 21 x 17 inches, John Foster John Foster’s abstract paintings each begin with an identical grid: 2.5” by .5” units in a neutral gray,...

Fabulous original 1970s Van Teal clear lucite Tic-Tac-Toe game or sculpture by Cuban born Architect underside incised grid creating nine squares. Board is 11 7/8" square with undersi...

Shepard Fairey Earth’s Future is Our Future Screen print on thick cream Speckletone paper Year: 2025 Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 400 Signed by Shepard Fairey, da...

Italian silk blend floral print dress for Holt Renfrew c 1970s The mod print dress is illustrated with a garden of flower blooms, trees accented with b...

Graham Sutherland Untitled Composition I in Peach 1970 Lithograph on Rives Sheet Size: 10.55 x 8.05 inches (26.8 × 20.45 cm) Edition: XXXIII of XXXV (33 of 35) Signed and numbered in...

Marie Gardeski grew up in Grand Rapids, Michigan. She received her BFA from the Maryland Institute College of Art and her MFA from the Cranbrook Academy of Art, and currently lives i...

A striking set of four Grosfeld House dining chairs that capture the glamour and disciplined elegance synonymous with American design of the 1940s. Sculptural yet refined, each chair...

Shepard Fairey Peace and Freedom Screen print on thick cream Speckletone paper Year: 2024 Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 300 Signed by Shepard Fairey, dated and num...

JERRY BERNECHE Small Town No. 20 Watercolor on Arches 21.5 x 29.25 inches

Salvador Dalí (Spanish, 1904–1989) "The Wailing Wall" (Le Mur des Lamentations) 1981 Bronze with Silver Patina on Jerusalem Stone Base 14 x 11½ x 3 in. (35.6 x 29.2 x 7.6 cm) Signed ...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Katie Barnes’s work as a photographer is fueled by her passion for the environment. She holds degrees in both Fisheries and Wildlife and Photojournalism, and she sees curiosity as th...

This new artwork main goal is to generate interest among collectors in the importance of today modern art. Its an artistic trend in which the colors and everyday aspects of our lives...

Metra Mitchell holds a BFA in Painting and minor in Art History from Western Kentucky University and an MFA in Painting from Fontbonne University. She h...

Edward Donovan (1768–1837) was an Anglo Irish writer, natural history illustrator and amateur zoologist. Born in Cork, Ireland, Donovan was an avid collector of natural history speci...

Antoine Bofill "Little Red Riding Hood" Bronze Inkwell 6H x 10W x 6D Signed Inscribed: 25 Septembre 1920 Antoine Bofill was born in Barcelona i...

Kristen Martincic earned her BFA from Bowling Green State University and her MFA from the University of Nebraska-Lincoln. The artist, who currently lives and works in Columbia, Misso...

The Jolly Flat Boat Men, 1847 After George Caleb Bingham (American, 1811-1879) Engraved by Thomas Doney (French, active New York 1844-1849) Engraving with Hand-Coloring Published by The American Art-Union, New York (1838-1851) Printed by Powell and Co. 18 x 24 inches 32 x 38 inches with frame In 1847, the American Art-Union purchased Bingham’s painting "The Jolly Flat Boat Men" (1846; National Gallery of Art) directly from the artist. The subscription-based organization, founded in 1838 as the Apollo Association, boasted nearly ten-thousand members at this date. For an annual fee of five dollars, each received a large reproductive engraving and was entered in a lottery to win original artworks exhibited at the Art-Union’s Free Gallery. Aimed at educating the public about contemporary American art, the organization developed an impressive distribution network that reached members in every state. The broad circulation of the Art-Union's print helped to establish Bingham's reputation and made his river scene famous. Born in Augusta County, Virginia in the Shenandoah River Valley, George Caleb Bingham became known for classically rendered western genre, especially Missouri and Mississippi River scenes of boatmen bringing cargo to the American West and politicians seeking to influence frontier life. One of his most famous river genre paintings was The Jolly Flatboatmen completed in several versions in 1846. This first version of this painting is in the Manoogian Collection at the National Gallery of Art. Fame resulted for this work when it was exhibited in New York at the American Art Union whose organizers made an engraving of 10,000 copies and distributed it to all of their members. Paintings such as Country Politician (1849) and County Election (1852) and Stump Speaking (1854) reflected Bingham's political interests. In 1819, as an eight-year old, he moved to Boon's Lick, Missouri with his parents and grandfather who had been farmers and inn keepers in the Shenandoah Valley near Rockingham, Virginia. Reportedly as a child there, he took every opportunity to escape supervision to travel the River and watch the marine activity. His father died in 1827, when his son was sixteen years old. His mother had encouraged his art talent, but art lessons were not easily obtainable. In order to earn money, he apprenticed to a cabinet maker but determined to become an artist. By 1835, he had a modest reputation as a frontier painter and successfully charged twenty dollars per portrait in St. Louis. "His portraits had become standard decorations in prosperous Missouri homes." (Samuels 46). In 1836, he moved to Natchez, Mississippi and there had the same kind of career, only was able to charge forty dollars per portrait. He remained largely self taught until 1837, when he, age 26 and using the proceeds from his portraiture, studied several months at the Pennsylvania Academy of the Fine Arts. He later said that he learned much of his atmospheric style and classically balanced composition by copying paintings in collections in St. Louis and Philadelphia and that among his most admired painters were Thomas Cole, John Vanderlyn, and William Sidney Mount. Between 1856 and 1859, Bingham traveled back and forth to Dusseldorf, Germany, where he studied the work of genre painters. Some critics think these influences were negative on his work because during that time period, he abandoned his luminist style that had brought him so much public affirmation. Bingham credited Chester Harding (1792-1866) as being the earliest and one of the most lasting influences on his work. Harding,a leading portraitists when Bingham was a young man, had a studio in Franklin, near Bingham's home town. In 1822, when Bingham was ten years old, he watched Harding finish a portrait of Daniel Boone. Bingham recalled that watching Harding with the Boone portrait was a lasting inspiration and that it was the first time he had ever seen a painting in progress. Harding suggested to Bingham that he begin doing portraiture by finding subjects in the river men, which, of course, opened the subject matter that established fame and financial success for Bingham. Harding also encouraged Bingham to copy with paint engravings. He later painted two portraits of Boone but, contrary to the assertions of some scholars, he did not do Boone portraits in the company of Harding. Bingham's portraits of Boone are not located, but one of them, a wood signboard for a hotel in Boonville circa 1828 to 1830, showed a likeness of Boone in buckskin dress...

Jack Hayhow Title: John Moulton Barn Photographic Print on fine Paper Year: 2020 Size: 24x36 inches Description: Available in multiple sizes - please inqu...

The Spanish Pointer 1887 Etching 3 x 5

This vintage organic architectural plaster panel / plaque with incised geometric ornamentation, is In the style of architect Louis Sullivan or Frank Lloyd Wright / Prairie School. Un...

A plush seat is paired with a carved wood and upholstered back full of heart. We are excited to bring Right Meets Together, the pieces explore a gentle Left's playful, feminine lens...

There are pieces that furnish a room and there are pieces that alter its atmosphere entirely and this sculptural Weiman chaise created at the height of American postmodernism in the ...

Shepard Fairey Metallica Helping Hands Screen print on thick cream Speckletone paper Year: 2024 Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 500 Signed by Shepard Fairey, dated a...

Burlesque Show 20th century Ink and watercolor on paper 16.5 x 22 inches

Shepard Fairey Harmonious Elements Screen print on thick cream Speckletone paper Year: 2025 Size: 18 x 24 inches (45.72 x 60.96 cm) Edition: 500 Signed by Shepard Fairey, dated and n...

ASHLEE SELBURG Hover Ink and pencil on paper 20 x 16 inches

—–---Pyramidal, -------Pyramidalis Plate 366 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

Pair of Venetian grotto style scalloped wood shell back swivel bar stools in original white wash finish. Each wooden stool features a Venetian grotto style scalloped shell back, with...

Amaryllis Waved-flowerd, Amaryllis undulatea Plate 369 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

Vintage Curtis Jeré Pop Art GIANT stainless whisk cooking utensil / kitchen wall sculpture. Crafted in the 1970s as part of a their rare collection of oversized kitchen utensils, a t...

Shepard Fairey DEI-TY SET Two (2) Screen prints on thick cream Speckletone paper Year: 2025 Size: 24 x 18 inches (60.96 x 45.72 cm) (each) Edition: 300 Signed by Shepard Fairey, date...

Green Landscape Pastels 2023 8.5 x 8.5

Annieo Klaas Catching Clouds (Catching Fireflies in the Daytime) 2023 Oil on Canvas Size: 30 x 40 inches (76.20 × 101.60 cm) Signed, titled and dated verso COA included *On stretche...

"A Day in June, Scene Eastchest, New York" 1898 Edward Gay (Irish, American, 1837-1928) Oil on Canvas Complimented by original frame in great condition Signed and Dated Lower Right T...

Craggula Tree, Crassula cotyledon Plate 384 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

"Hermit, " a High-Bred Modern Foxhound 1887 Etching 3 x 5