Missouri

Mid-Century Modern Arthur Umanoff for Raymoor, black painted wrought iron free standing wine rack that holds 39 bottles. Minor wear to paint.

Susan Kiefer Arabesque Oil on Canvas 2020 Size: 24 x 24 x 1.5 inches (61 × 61 × 3.8 cm) Signed verso COA provided *On premium stretcher frame with painted sides; gallery-wrapped. Re...

Phyllis Galembo Deer and Bull, Mexico, 2012 Fujiflex 19 x 19 inches (48.3 x 48.3 cm) Edition 2/6

Heather Hollis Autumn Afternoon Archival Pigment Print on Hahnemuehle Rag (or equivalent) 2024 Size: 8 x 12 inches (20.32 x 30.48 cm) Edition: 15 Signed on label (to be attached vers...

Beautiful minimalist Mid-Century Modern Rosewood three door sideboard by Directional, circa 1960s, fully refinished. Incredible book matched rosewood veneer cabinet doors with curved...

Vintage Mid-Century - Studio Line Ronneby Sweden crystal art glass sculpture from Sweden. It is a hand-blown Bull (Toro) figure. Attributed to Konstglas. Founded by two Italian b...

Asher Penn Butt, 2014 Acrylic on canvas 36 x 48 inches (91.4 x 121.9 cm)

Josep Guinovart Untitled Composition - De Luxe Edition (Poligrafa, Redfern, Spanish, Abstract) from "Ediciones Poligrafa, Barcelona at Redfern Gallery, London" Original Color Lithogr...

Barbara Crane Private Views, 1980-4 Polaroid type 59 Framed Dimensions: 14 1/4 x 12 1/4 inches (36.2 x 31.1 cm) Image Dimensions: 4 1/2 x 5 1/5 inches (11.4 x 13.2 cm) Edition 1/1

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft...

Heather Hollis Fire In The Sky Archival Pigment Print on Hahnemuehle Rag (or equivalent) 2021 Size: 8 x 12 inches (20.32 x 30.48 cm) Edition: 15 Signed on label (to be attached verso...

Lead Time: Please allow 10 to 12 weeks to restore a vintage Womb Chair and Ottoman in Dedar Boucle. "Eero Saarinen designed the groundbreaking Womb cha...

Girl Soaring (1964) is a rare, unique studio-cast bronze sculpture by celebrated Pennsylvania artist and Pennsylvania Academy of the Fine Arts (PAFA) faculty member Pritchett Allen H...

James Rizzi New Technology Color lithograph Year: 2002 Titled and dated in the print Publisher: John Szoke Editions, New York Size: 2.0 × 3.0 on 4.6 × 5.7 ...

The chandelier has a free-form design; the wood bends and curves with beautiful flows to create the design. The handcrafted details on the piece such as the curves, varying thickness...

Versace Versus black wool military style jacket. Italian Size 30 / 44 The stylish black wool jacket is adorned with six gilt metal and silver metal buttons on the front that depict a...

An exceptional and rare vintage 1970s Italian luxury desk accessory by Gucci, designed in a striking two-tone finish with a classic equestrian motif. The heavy handle is cast in the ...

Contemporary Ceramic Vessel Form, Stoneware, Yoonjee Kwak, Waterdrop "Clay serves as a medium for narrating the remnants of memory—formed through unpredictable, layered interactions...

Rare 1960s Mid-Century modern large fused glass panel 3 -Tier pendant light fixture or chandelier by Michael & Frances Higgins Glass Studio. This is one of the nicest of the fixt...

Minimalist 1970s oak frame square end table or side table with faux black slate top, and unique bridle joint connections. I believe it is from the partnership between Pierre Mazairac...

Ann Ray The Girls Who... Silver gelatin print Framed Dimensions: 22.13 x 17.13 inches (30 x 40 cm) Image Dimensions: 11.81 x 15.75 inches (30 x 40 cm) Edition 2/50

Signed verso Alexandra LeVasseur was born in Quebec in 1982. She holds a BA in Fine Arts from University of Costa Rica (2006), a post-graduate in Illustration/Communication from EINA...

Signed verso Alexandra LeVasseur was born in Quebec in 1982. She holds a BA in Fine Arts from University of Costa Rica (2006), a post-graduate in Illustration/Communication from EINA...

Linnea Pergola Florence Giclee on handmade cotton paper Year: 2019 Image Size: 20.375 x 14.75 inches (51.75 x 37.47 cm) Paper Size: 24.02 × 17.13 inches (61 × 43.5 cm) Edition: 41 of...

Signed verso Alexandra LeVasseur was born in Quebec in 1982. She holds a BA in Fine Arts from University of Costa Rica (2006), a post-graduate in Illustration/Communication from EINA...

Signed verso Alexandra LeVasseur was born in Quebec in 1982. She holds a BA in Fine Arts from University of Costa Rica (2006), a post-graduate in Illustration/Communication from EINA...

Shepard Fairey People’s Discontent Screen print on thick cream Speckletone paper Year: 2021 Size: 18 x 24 inches (45.72 x 60.96 cm) Edition: 550 Signed by Shepard Fairey, dated and n...

Ann Ray Black & White Insanity II, 2009 Gelatin silver print Framed Dimensions: 22 1/8 x 17 1/8 inches (56.2 x 43.5 cm) Image Dimensions: 15.75 x 11.81 in...

Signed recto. Signed and titled verso. Sofia was born in 1982 in Buenos Aires, Argentina into a family of artists. In her art you'll find female portraits that invite you into a dre...

Signed recto. Signed and titled verso. Sofia was born in 1982 in Buenos Aires, Argentina into a family of artists. In her art you'll find female portraits that invite you into a dre...

Archival Pigment Print on Hahnemuehle Baryta Rag 315gsm Size: 24 x 24 inches (60.96 x 60.96cm) Edition: 15 Signed, titled and dated on label COA provided *Framing options available. Please inquire. ** Can be printed on canvas and stretched. Please inquire. ** Different size options available. Please inquire. Tags: #LordFauntleroy #Photographer #PuppyPortraiture #StreetPhotography #SnapshotAesthetic #DocumentaryPhotography #TravelPhotography #PhotographyExhibition #ArtisticJourney #VisualNarratives #DogPhotography #FineArtPhotography #ArtExhibition #PhotographyCommunity #CreativeCapture #WhimsicalArt #CaptivatingImages #Heartstrings #ArtisticExpression #GlobalExhibitions ---------- Lord Fauntleroy...

We collected this cult-favorite, vintage Mies Van Der Rohe daybed at auction. The stainless steel legs, walnut base, and black leather upholstery are all in excellent condition. See ...

This Forsyth Mushroom Pouf Ottoman was created and designed by the Forsyth design team. Each ottoman is handcrafted in Saint Louis. A cute decorative piece for any room adding natura...

Alexis Kirk ornate gilt metal etruscan style hammered hinged bracelet The heavy gilt metal bracelet is designed with a pair of stylized rams heads at the center Circling the bracel...

This set of 8 Vladimir Kagan dining chairs made by Directional is the only set of its kind available globally so act fast. Interior designers and private buyers routinely approach ou...

David K. Pugh Untitled 2 From "BE, AND KNOW" Series Photographic Print on Fine Paper mounted on Foamcore 2026 Image Size: 27.44 x 19.69 inches (69.69 x 50.00 cm) Framed Size: 28.25 ...

Versace Italian violet and gold graphic print silk necktie c 1990s The stylish designer necktie is illustrated with violet color block graphics juxtapose...

Super rare neckties designed by Alexander Girard for Herman Miller, 1960s. We don't think these were ever in mass production. All th...

An original / uniquel 1963 studio-cast bronze sculpture of a female figure by celebrated Pennsylvania sculptor and Pennsylvania Academy of the Fine Arts (PAFA) instructor Pritchett A...

Heather Hollis Fjord Reflection Archival Pigment Print on Hahnemuehle Rag (or equivalent) 2023 Size: 8 x 12 inches (20.32 x 30.48 cm) Edition: 15 Signed on label (to be attached vers...

Perle Fine (American, 1905–1988) Watercolor on paper, signed recto. Perle Fine’s work is distinguished by a refined sense of balance, gestural energy, and a deep engagement with the ...

Our beautiful wool and jute checkerboard rugs are expertly handwoven in Jaipur, India. The diamond checkerboard pattern and neutral off black & natural coloring are chic and sophisti...

Shepard Fairey Decay Reset Screen Print on 80# Cream Speckletone paper Year: 2025 Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 450 Signed, dated and numbered by hand COA provid...

Christian Louboutin 1st Edition hardcover Rizzoli book c 2011 The hardcover book is an archive of Louboutin's exquisite shoe designs There is a forward from actor John Malkovich...

Judith Leiber Avant-garde white enamel mouse brooch c 1980s The whimsical brooch is designed with a pair of mice The mother has her small offspring perche...

Joan Miró La Mélodie Acide - 5 Color lithograph Year: 1980 Edition: 459/1500 Signed in the stone - lower right Numbered in pencil - lower left Size: 8.2 × 6.6 on 12.9 × 9.9 inches Ca...

Shepard Fairey Obey Billboard (Consume) Screen print on thick Cream Speckletone Paper Year: 2008 Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 400 Signed by Shepard Fairey, dated and numbered by hand COA provided *Edition number may vary from the image shown. Shepard Fairey (American, b. 1970) Obey Billboard (Consume) is Shepard Fairey's most direct provocation — a single imperative word deployed with full awareness of its absurdity. By framing the command to consume within the context of fine art, Fairey collapses the distance between advertising and culture, inviting the viewer to sit with the irony of purchasing a print that critiques the act of purchasing. The work is sincere in its critique and self-aware in its contradictions, making it one of the more intellectually generous objects in Fairey's practice. Shepard Fairey (b. 1970) rose from the underground to international prominence through his "OBEY" campaign and his iconic 2008 "Hope" portrait. A printmaker, muralist, and activist, his work consistently exposes the mechanics of influence, consumerism, and power. Held in major public collections worldwide, including the Smithsonian and MoMA, Fairey remains one of the defining voices of contemporary street art. Obey Billboard Consume print, Shepard Fairey consumerism art, anti-consumerist artwork, conspicuous consumption print, OBEY consume screenprint, advertising satire art, limited edition Fairey print, irony themed artwork, cultural critique print, pop art consumerism, fine art provocation, street art commentary, conceptual print art, mass consumption critique, collectible OBEY print...

Bruno Bruni Prego, s'accomodi Year: 1969 Serigraph Size: 29.5x24 inches Signed, numbered and dated by hand Edition: 99 Annotated verso Publisher: Il Torcoliere, Rome, Italy Printer: Böer, Hamburg, Germany COA provided Ref.: 924802-134 Bruno Bruni senior (born 22 November 1935, in Gradara, Italy) is an Italian lithographer, graphic artist, painter and sculptor. He became commercially successful in the 1970s. In 1977, he won the International Senefeld award for Lithography. He has since become one of the most successful Italian artists in Germany and one of Germany's best known lithographers. Born in Gradara, in the Province of Pesaro and Urbino on the Adriatic Coast in 1935, the son of a railway attendant, Bruni started painting as a young boy. He was initially a pupil of Giuliano Vanghi; from 1953 to 1959 he attended the Art Institute in Pesaro. He then moved to London, where he became interested in pop art. In 1960, after an exhibit of his work at London's John Whibley Gallery, and after meeting a girl from Hamburg, he moved there to live with her and enrolled at the Hochschule für bildende Künste Hamburg. He has lived in the city ever since and visits his hometown regularly. In the 1970s, Bruno Bruni made a name for himself as a draftsman, lithographer, painter and sculptor in the international art world. In 1977, he won the International Senefeld Competition for Lithography. He is influenced primarily by German expressionists like Otto Dix, George Grosz etc. and the Italian old masters . In particular, he is noted as one of the few lithographic artists "who paint all work directly onto the stone". He is especially known for his erotic female forms. He has said, "I cannot paint an abstract picture. If I had gone along with the trends I'd have disappeared long ago". He resides in a converted swimming pool, more than a century old, which serves as apartment, workplace and gallery. He sells his art through his wife's gallery in Hanover and is reputedly one of Germany's top earning artists. He is also a keen cook of Italian cuisine, and is a boxing fan and a close friend of former boxing champion Dariusz Michalczewski, for whom he used to cook for before matches. He has also cooked for Gerhard Schröder and has published a cooking book...

A delightfully nostalgic example of mid-century American barware, this complete eight-piece "Happy Daze" beverage tumbler set was manufactured by the renowned Federal Glass Company (Columbus, Ohio). As beautifully documented in photos, this rare survivor includes eight "Tall Boy" highball glasses alongside their original, illustrated cardboard presentation box. Glass dims are 6.88" h x 2.5" d. Each tumbler is crafted from heavy-gauge glass with a frosted finish, providing the perfect canvas for the multi-colored, wrap-around lithographic illustrations. The graphics depict a series of whimsical, mid-century cartoon vignettes set on a tropical island paradise—featuring stylized palm trees, islanders, giraffes, and shipwrecked castaways in a playful, narrative sequence. The graphics remain remarkably vibrant, rendered in a classic retro color palette of hunter green, cocoa brown, mustard yellow, and red.a stylized letter "F" inside a shield—stamped on the bottom. The set is 100% complete and in excellent vintage condition. The eight frosted glasses are entirely free of chips, cracks, or heavy clouding, with the lithographic designs remaining crisp and intact. The original storage box shows minor, honest age-appropriate wear, including light edge scuffing and superficial surface toning as expected for an authentic 1950s cardboard object, adding to its immense charm as a collector's piece. Keywords: It features frosted, satin-finish tall tumblers (often called "Tall Boys" or Tom Collins glasses) that hold about 13 oz and depict humorous, cartoonish "caveman" and tropical beach scenes. Tiki / Tiki Bar Culture: The ultimate classification for this set. Mid-century Tiki pop-culture exploded in the 1950s, making tropical-themed barware like this highly collectible. Caveman / Cavewoman. Mid-Century Modern Barware: The broad, evergreen category for high-quality post-war glassware. Retro Americana / Kitsch: Celebrates the playful, humorous, and sometimes campy design aesthetic of 1950s home entertaining. Materials & Finish: Frosted Glassware, Satin Glass, Blown Glass, Lithographed Enamel, Silk-Screened Tumblers, Colorful Graphics. Form & Function: Tall Boy Glasses, Highball Tumblers, Zombie Glasses...

Melanie Sherman Slayer Homage - hand-painted Cup with mid-century interior and Slayer record playing 2026 Porcelain, Glaze, Underglaze, Overglaze, Vintage Transfers, 23k German Gold ...

Linnea Pergola Venice (Cityscape, James Rizzi, Fun, Vibrant, Palazzo, Historic) Giclee on handmade cotton paper Year: 2019 Image Size: 14.9 × 20.4 inches (37.85 × 51.82 cm) Paper Siz...

Signed verso Craig Albright, an Iowa-based artist with an MFA from Indiana University, brings an impressionistic, painterly style to the subject of Midwestern landscape. His work, wh...

This exceptional "Vento" (Wind) Murano art glass vase was designed by creative director Ivan Baj for the elite Italian design house Arcade Murano. Celebr...

Otto Greis Untitled Composition VI (Gestural Abstraction, Lyrical, Tachisme, Expressionism) Original Silkscreen on Fine Vellum Year: 1960 Sheet Size: 7.6 × 5.625 inches (19.30 × 14.2...

Louise Marler The Art Of Letters C-print on metallic white stock mounted on wood 2022 Size: 7x7x0.5in Edition: 25 Signed and numbered by hand Stamped Ready to hang COA provided Ref.: 924802-1415 Louise Marler’s photo-based Mixed Media art, is iconic visual vocabulary. Au-thentic style has led to exhibits, art collections and events which integrate his-tory, education, and entertainment. Raised in a family that collected, sold and repaired typewriters. These and other analog, vintage machines are part of her personal history and led naturally to becoming part of the subject matter of her visual expression. Louise Marleris inspired by Americana and also influenced by pop art and technology. “I developed my unique art style in a Santa Monica Airport (former mechanic) hanger turned art studio. I currently live and work in St. Louis where antique row meets the most progressive art culture, as well as Joshua Tree, California, where I created the first Type Inn.” Louise Marler’s work is featured in the documentary film, “The Typewriter in the 21st Century,” and TV shows including “Two and a Half Men,” “Curb Your Enthusiasm,” “The Mentalist,” “Criminal Minds,” “Jane the Virgin,” “Dear White People,” “Lucifer,” “Arrested Development,” “Love Victor, and “A Black Lady Sketch.” typewriter queen, la marler, typewriter art, typewriter artist, Typewriter, Typewriters midcentury, modern art, typewriter life, typewriter community, typewriter collection...

Joan Ponc Untitled Composition from "Ediciones Poligrafa, Barcelona at Redfern Gallery, London" Original Color Lithograph Year: 1979 Edition: 1000 Size: 10 x 7.325 inches (25.4 × 18...

Sometimes design is perfectly distilled into playful mold. We are excited to bring Right Meets Together, the pieces explore a gentle Left's playful, feminine lens into balance betw...

John von Wicht (German-American, 1888 - 1970) was a painter and printmaker whose abstract works evolved from European modernism to dynamic, expressionistic forms. Born in Holstein, G...

Jill Opelka Cypress Oil on Canvas Year: 2023 Size: 36x48 Framed: 37x49x2.5in Signed by hand COA provided Ref.: 924802-2051 Tags: Landscape, Pebble Beach, California, Golf Course, Monterey Peninsula, Iconic, Bunker, Green, Fairway *Framed in a black wooden frame ----------------- About the Painting: In the realm of golf, Cypress Point stands as an unparalleled gem. Crafted in 1928 by the esteemed designer Alister Mackenzie, this masterpiece remains a timeless testament to his genius. Continuously hailed among the top 3 golf courses worldwide by leading publications, its allure is undeniable. What sets Mackenzie's work apart is his adeptness in harmonizing with nature, allowing Cypress Point to unfold organically, preserving its unmatched natural beauty and integrity. About the Artist: Upon entering Jill Opelka's home, her creative essence is unmistakable. Adorned with New Yorker Magazine covers, her dining room exudes a vibrant charm, complemented by quirky giant tortoises in the living room. The space is a reflection of Opelka's lively personality, evident in her central studio nestled within the bright breakfast nook. Embraced by natural light and captivating outdoor vistas, it's where her artistry thrives, even evident in intricate details like a practical denim quilt on her sofa, crafted from old jeans – a testament to her work and creativity. Descending to her lower-level gallery, her larger original pieces, each with personal anecdotes, take center stage. From a nostalgic converse painting symbolizing childhood choices to a rescued roadside goat immortalized on canvas, her stories are as captivating as her art. Jill Opelka's creations, drawing inspiration from her life's moments, offer a personal touch that adds warmth to any home. From customized shoe and teacup paintings...

Chopard The Passion for Excellence large scale hardcover book with dust jacket c 2010 The 296 page book is a lavish archive of Chopard's exquisite precious jewelry designs. It prim...