Missouri

CPT.OLF Paradox x CPT.OLF 16-19 (II)- The Exhibition (Urban Art, Snapshot, Exploration) Exhibition Poster for "URBAN SPREE Galerie, Berlin" Year: 2019 Size: 33.07 x 23.62 inches (84...

Katherine Bello Title: Two Vases Oil on canvas Year: 2021 Dimensions: 30"x24"x1.5" Signed by hand Canvas on stretcher frame - ready to hang COA provided ---------------------------------- Katherine Bello's aim as an artist is to capture a sense of place, a moment of time, or a feeling - to evoke a sense of wonder. Bello loves paint and paint brushes; bold, gestural mark-making and the interplay of color. She is influenced by light and landscape, poetry, history and science. Formerly educated in Chemical Engineering and Interior Design, Bello is drawn to the process of creating Something out of Nothing. Abstract, abstract art, contemporary art, Contemporary Fine Art, Fine Art, Painting, acrylic, Jackson Pollack, Mark Rothko, Kandinsky, Franz Kline, Lee Krasner, Helen Frankenthaler, Robert Motherwell, Mark Rothko, Amy Sillman...

Robert Brawley White Blouse Year: 1991 Lithograph Edition: 45 Paper: Arches Cover, White Paper Size: 34 x 25 inches Image Size: 28.5 x 21 inches Signed and numbered by hand COA provi...

The ceramic sculptures of SunKoo Yuh are composed of tight groupings of various forms including plants, animals, fish, and human figures. While Korean art, Buddhism, and Confucian be...

Susan Kiefer Yin Yang Woodcut on paper Year: 1990 Size: 33x23x0.35in Signed, dated and inscribed by hand COA provided Ref.: 924802-1661 Framed artist proof woodcut print of male and...

Jennifer Bricker-Pugh Signal 2 Acrylic on Panel Year: 2022 Size: 10x10x1.5in Signed, dated and inscribed by hand COA provided Ready to hang Ref.: 924802-1093 Jennifer is an Abstract...

Jennifer Bricker-Pugh Primrose Acrylic on Canvas Year: 2021 Size: 30x30x1.5in Signed, dated and inscribed by hand COA provided Ready to hang Ref.: 924802-1084 Jennifer is an Abstrac...

Jeffrey Tamblyn Twirl Archival Pigment Print on Hahnemuehle Baryta Rag Year: 2021 Size: 12x12 inches Edition: 25 Signed, dated and numbered by hand on label COA provided Ref.: 924802...

Karl Brandstätter Tache Jaune Year: 1975 Etching and aquatint Signed and numbered by the artist Edition: E.A. (from an edition of 60) Size: 26 x 19.5 inches COA provided Karl Brands...

Rick Griggs, born in Texas, is a painter, wood worker, and sculptor now working out of St. Louis, MO. Inspired by industrial fabrication and product design, his work breaks commercia...

Richard Florsheim La Seine a Paris 1964 Original Color Lithograph on Velin d'Arches Size: 10x7.375in Edition: 2,000 Annotated verso Unsigned as issued Publisher: Mourlot, Paris Print...

Crystal jeweled Fleur di Lis peacock blue suede flats Made in Italy US Size 10M The stylish suede flats are vibrant blueish purple plush suede The l...

Hand Carved Wood, Assembled Sculpture, Landscape, Wall Hanging, Holly Lane Holly Lane is a painter, sculptor and woodworker, interrogating the relationship between a picture and its...

Bruno Bruni Prego, s'accomodi Year: 1969 Serigraph Size: 29.5x24 inches Signed, numbered and dated by hand Edition: 99 Annotated verso Publisher: Il Torcoliere, Rome, Italy Printer: ...

Sculptural brass lotus flower lamp by Feldman Lighting Company often described as in the style of Tommi Parzinger. When originally sold, Feldma...

Frankart Inc. (American 1920s-1930s), No. T330. Original Frankart figural smoking stand with depiction of a female nude with legs crossed standing at full length with arms raised up holding a dish in dark brown jap finish. Figure raised on a chromed orb on a square metal stand with striped Art Deco motif. Marked on back edge of base "FRANK ART PAT...

Joel Sager (1980) was born in Saint Joseph, Missouri, the son of a minister and a stay-at-home mother who fostered from an early age his love of drawing and painting. It was under the mentorship of prominent American illustrator Mark English...

Rare, early and historically significant Barcelona coffee table produced by Gerry Griffith in 1955 for Ludwig Mies van der Rohe in Chicago prior to production by Knoll. His versions ...

Susan Kiefer Untitled Yellow 01 (Geometric, Abstract, Gestural, Vibrant) Oil on Canvas 2023 Size: 16 x 16 x 1.25 in (40.64 x 64.64 x 3.17 cm) COA provided *On stretcher frame, galle...

Renowned career illustrator Stephen Gammell now devotes his energy to a full-time studio practice, and we’re honored to bring the current work of an artist who, with dozens of public...

Set of four chrome tall back dining chairs produced by Design Institute of America newly professionally upholstered in ivory tiger velvet. Modern profile with a High Art sensibility....

Avant-garde large-scale clip-on statement earrings designed by Les Bernard c 1980s The unique large-scale earrings are designed with an androgynous mask; paired with an articulated c...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft...

Barbara Keidel Untitled Abstract in Beige Pastel Drawing on Paper 1995 Signed and dated in pencil Size: 6.25 x 7.5 inches (15.875 x 19.05 cm) COA provided *Framing options avail...

Fred Alfred Theophil Fathwinter Untitled Abstract Composition Monotype Year: 1969 signed, numbered and dated by hand Size: 11.0×3.9in on 11.6×8.3in COA provided Ref.: 924802-1180 Fathwinter, artist name for Franz Alfred Theophil Winter (May 23, 1906 in Mainz, † June 27, 1974 in Düsseldorf), was an artist of the Informel. From 1924 to 1927 he studied at the State School for Arts and Crafts in Mainz and in 1929/30 in evening classes at the Städelschule in Frankfurt am Main. During the National Socialist period he was banned from exhibiting. His evacuation to Murnau in 1942 led to a closer acquaintance with Gabriele Münter...

Laura Lloyd Five Lemons Archival Pigment Print Year: 2024 Visible Size: 11 x 17 inches Framed: 15.4 x 21.4 x 1.5 inches Signed: On Label COA provided *Black frame with standard plex...

Oil Painting on Canvas, Dramatic Lighting, Textured, "Black Cat" by Victor Wang “My path through life has been adventurous, exciting, and dream-like. My experience of settling into ...

Susan Davidoff Regiones Botanicas de la Tierra: Antilles No. 2 (Antilles, Botanical Art, Botanical Exploration) Year: 2001 Medium: 5 Color Lithograph with hand applied pigment and co...

Miriam Schapiro Flash and Annie Year: 1992 8 Color Lithograph Edition: 38 Paper: Rives, Waterleaf Paper Size: 46 x 32.25 inches Image Size: Same Signed and numbered by hand COA provi...

Katherine Bello Title : Til We Meet Again Materials : Oil on birch panel Date : 12/2020 Dimensions : 12x12x1.5 Description : Flat birch panel framed in white floater frame. Signed CO...

Wolff Buchholz Title: Manhattan - 20s Architecture Medium: Photograph Year: 1990 Signed, dated and titled by hand Edition: 6 Size: 11.9 × 16.4 inches

Schult HA Moon sculpture Giclee on hand made cotton paper Year: 2014 Signed by hand and inscribed Edition: E.A. Size: 18.7 × 15.2 on 23.8 × 19.3 inches HA Schult...

Kerry Smith Michael Jackson - Off The Wall Mixed Media on Crescent board Year: 2022 Size: 21x20in Signed, dated by hand COA provided Ref.: 924802-1645 *B...

Nice vintage tree root or driftwood lamp sculpted by nature with embedded rocks that tree grew around. This comes from the estate of Morton D. May of May Department stores, major art...

Mid-Century Modern custom rug designed by St. Louis based architect, William Adair Bernoudy commissioned for the Schneithorst Residence, circa 1982, in w...

Susan Kiefer Goddess Charcoal, pastel and reflective mylar on paper Year: 2000 Size: 30x25x0.35in Signed, dated and inscribed by hand COA provided Ref.: 924802-1660 Framed drawing o...

Dorothea Tanning (American, 1910–2012) Initially associated with the Surrealist movement, Dorothea Tanning developed a personal visual language that blurred the boundaries between r...

Title : Holding Tank Materials : stoneware Date : 2015 Dimensions : 6 x 5 x 4 Description : sculpture The formal languages and frequencies that we find in the natural existence of t...

Cécile Reims (French, 1927–2020) Cécile Reims’s work is distinguished by its masterful technique, intricate detail, and deep engagement with themes of transformation and the natural ...

Holger Zimmermann Captain America (Comic, Graphic Novel, Superhero, Street Art, Pop-Art, Colorful) UV Print with Gloss Varnish on Hahnemühle Velvet 2023 Size: 19.5 x 15.5 on 27.5 x 1...

Ella Fort Spring in Brittany Color lithograph Signed, numbered or inscribed Edition: 390 + E.A. Size: 7.8 × 11.7 on 10.9 × 14.8 inches COA provided *Framing Options Available - Please Inquire ** Edition number may vary Tags: Provence landscapes, French countryside art...

David Pugh View from Empire State Building I Archival Pigment Print on Hahnemühle Photo Rag Baryta, 100% Cotton Fibre, 315 gsm, Acid and Lignin free, ISO 9706 conform / museum qualit...

Kerry Smith Circle Jerks - Group Sex Mixed Media on Crescent board Year: 2021 Size: 12x12in Signed, dated by hand COA provided Ref.: 924802-1612 *Black fram...

Melanie Sherman Made-To-Order Vase (Hand-Painted, Gold Luster, Platinum Luster, Vintage Imagery) (Fully Decorated Example) Porcelain, Glaze, Paints, 24k German Gold Luster, Platinum...

Loetz Diaspora Vase, c. 1900 Glass Stamped on bottom 6 inches tall 3 inches diameter This Loetz vase in the Papillon pattern has blue iridescent Papillon design covering the exterio...

Designer Richard Sapper for Knoll the desk chairs in rich dark brown Spinneybeck leather, fully adjustable on 5 star bases on casters. Product...

JB Nearsy Companion 2020 Mixed Media on paper Size: 41x37in Signed by hand COA provided Ref.: 924802-1774 -------------- Tags: abstract art, post graffiti, street art, neoexpressio...

JB Nearsy Blue Earth 2019 Mixed Media on paper Size: 13x10.25in Signed by hand COA provided Ref.: 924802-1771 -------------- Tags: abstract art, post graffiti, street art, neoexpre...

Fred Alfred Theophil Fathwinter Untitled Gestural Composition Monotype Year: 1971 Signed, numbered and dated by hand Edition: 3 Size:11.75x8in.1 on 17x12in COA provided Ref.: 924802-1196 Fathwinter, artist name for Franz Alfred Theophil Winter (May 23, 1906 in Mainz, † June 27, 1974 in Düsseldorf), was an artist of the Informel. From 1924 to 1927 he studied at the State School for Arts and Crafts in Mainz and in 1929/30 in evening classes at the Städelschule in Frankfurt am Main. During the National Socialist period he was banned from exhibiting. His evacuation to Murnau in 1942 led to a closer acquaintance with Gabriele Münter...

Edward Henderson Fiddling Desire Year: 1997 10 Color Lithograph with hand coloring Edition: 25 Paper: Somerset, Satin White Paper Size: 32 x 26 inches Image Size: 23.5 x 18.5 inches...

The Forsyth search for the coolest checkerboard rug is over. Our beautiful wool and jute checkerboard rugs are expertly handwoven in Jaipur, India. Th...

Edition: 25 Signed, dated and numbered in ink on label affixed verso Other sizes available upon request COA provided In Sherman's photographs she is experimenting with groupings of ...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

Early 1960s Ludwig Mies van der Rohe Barcelona coffee table. Solid stainless steel frame with the original glass top. No chips...

Michelle Mildenhall Mr. Kinski (Klaus Kinski) UV print with a gloss varnish Year: 2020 Size: 16.75 x 11.75 inches (42.54 x 29.84 cm) Edition: 20 Signed and numbered by hand (AP) COA ...

Nick Vedros Hair Dryer Car Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 1990s Size: 10x10in Edition: 15 Signed, dated and numbered by hand...

Piero Lissoni is an Italian architect and designer well known for his wide and low contemporary furniture designs. We love this set! It's the perfect deep lounge for napping, reading...

Hand Carved Wood, Assembled Sculpture, Hand Painted Landscapes, Wall Hanging Holly Lane is a painter, sculptor and woodworker, interrogating the relationship between a picture and i...

Leonard Marchant Techtite Messotint Engraving Year: circa 1980 Size: 13.6x14.75 on 31x23in Edition: 70 Signed, inscribed and numbered by hand Drystamp lower left COA provided Ref.: 9...

Joan Miró One plate from DLM "Peintures Murales de Miró" Medium: Color lithograph Publisher: Maeght, Paris Signature: Unsigned Edition: Unnumbered from an edition of unknown, but pre...