Montreal

Title: Bird's Lament Original Acrylic Painting Medium: Acrylic Support: Stretched Canvas, Staple-free edges, Acid-free acrylic titanium gesso, Ready to Hang Size : 24?x 18?x 1....

Title: Grey Original Acrylic Painting Medium: Acrylic Support: Stretched Canvas, Staple-free edges, Acid-free acrylic titanium gesso, Ready to Hang Size : 24?x 30?x 1.1/2? ( 61 c...

Large Acrylic Painting Title: Lily Medium: Acrylic, ink and graphite Support: Bristol Paper 100 lb (260 g) Size : 19?x 24? (48.3 cm x 61 cm ) Painting is signed and dated by th...

Original Abstract Painting Medium: Acrylic Support: Stretched Canvas, Staple-free edges, Ready to Hang Size : 24?x 24?x 1.1/2? ( 60.96 cm x 60.96 cm x 3.81 cm ) Painting is signe...

Painting: Acrylic and Graphite on Paper. Title:Fern Large Acrylic Painting Medium: Acrylic and Graphite Support: Bristol Paper 100 lb (260 g) Size : 19?x 24? (48.3 cm x 61 cm ) ...

Title: Wishes Original Acrylic Painting Medium: Acrylic and paper Support: Stretched Canvas, Staple-free edges, Acid-free acrylic titanium gesso, Ready to Hang Size : 24? x 18? x...

Title: Forever Young Original Acrylic Painting Medium: Acrylic Support: Stretched Canvas, Staple-free edges, Ready to Hang Size : 16?x 12?x 1.5? ( 40.64 cm x 30.48 cm x 3.81 cm )...

Title: Sweet Ylang Ylang fragrance Original Acrylic Painting Medium: Acrylic Support: Stretched Canvas, Staple-free edges, Acid-free acrylic titanium gesso, Ready to Hang Size :...

Part of my latest body of work, this emotional figurative portrait delves into psychological realities that are irrespective of traditional expectations of masculinity Shipping WO...

A set consisting of a salad serving spoon and pierced spoon in sterling silver by Karl Poul Petersen in his renowned blossom corn flower pattern.

For the exhibition Panorama of the Anthropocene, Oli Sorenson presents an array of works created in a hybrid style that evokes the square layout of Instagram, the pixelated landscape...

An elegant desk from 20th century France. This writing table features a pull-out black leather top adorned with gold tooling, creating a beautiful contrast with the warm brown wood o...

Paul Beau, doyen of Montreal Arts & Craft metal workers flourished in the first half of the 20th century. He was responsible for much fine work, in both private and public mileaux. H...

Nicholas Crombach graduated from OCAD University’s Sculpture and Installation program in 2012. He has been awarded the Hayden Davies Memorial Award, Samuel Lazar Kagan Award, Abraham...

This Baltic 18th century crystal and six-arm chandelier is hung with antique crystal pendaloques in form of grape clusters, flowers and leaves. It ha...

This charming Orientalist watercolor has everything: A secluded courtyard, a pretty girl, two pigeons and a monkey. This is a well-painted scene by a talented watercolorist at the to...

Porcelain footed topographical comport with painted view of Windsor Castle seen beyond the river Thames, surrounded by floral reserves in scrolled yello...

The pink tinged alabaster shallow bowl with carved rim is suspended from double ribbed bars joined by roundels , leading up to a central ball; the bowl is lit with three interior lights. The six graceful bronze arms are reminiscent of Greek or Roman oil lamps.

Jean-Robert Drouillard’s practice has its genesis in a background of studies in literature and writing. He is a member of the artist collective la Coop Le Bloc5, an artist-run collec...

Guillaume Lachapelle's artistic practice is shaped predominantly by sculpture, expressed in the form of installations and detailed miniature models. Lachapelle presents playful unive...

Pair of carved ebony bookends modelled as African warriors, resting on their haunches, with glass eyes, 19th century Spanish coin-earrings, brass bracelets...

Louis XV style eight-light chandelier, the shaped cage centered by crystal shaft , heavily laden with French pendeloque crystals and terminating in ball finial.

I have been taking impressions of pills and creating a pill archive where pills are cast in silver and/or gold since 1995. At that time I was given pills as an answer to something th...

These chandeliers are well made but are unusually light and airy. Will sell individually. One has been sold

Text by Nancy Webb In Jessica Houston’s Afterward, Silence (Franklin’s Crewmen’s Grave, Beechey Island) a single pale gravestone stands on an otherwise desolate ashen shore – a reli...

Through processes like transgression, confrontation and hybridization Renato Garza Cervera’s work questions and generates a series of reflections upon contemporary culture and relate...

A collision. A landslide. A tectonic shift and a tumbling of boulders reveal geological strata that have been hidden for centuries. Nicholas Crombach’s Landslip is a slow unfurling o...

In about the middle of the 18th century there was a period when Exuberance began to eclipse the understated quality so celebrated in English furniture . From France came the fashi...

Guillaume Lachapelle's artistic practice is shaped predominantly by sculpture, expressed in the form of installations and detailed miniature models. Lachapelle presents playful universes which combine objects of undetermined purpose; in this way, he opens the conventions of our reality to fresh disposition. The architecture of his models - which Lachapelle has recently begun to make with the help of the latest 3-D printing technology - shows motifs originating from the everyday, certainly, but seeming strange, alienating or even uncanny when combined as the artist chooses. A kind of transition between two worlds often appears in Lachapelle's work - for example when the model of a library filled with books curves inwards and reveals a mysterious opening pointing into darkness - these are the artist's references to spaces and occurrences which may be concealed below the surface of outward semblance. Guillaume Lachapelle has participated in several solo and group exhibitions including Manèges at Circa - Centre d'Exposition Art Contemporain (Montreal) in 2006; Quebec Gold at the Ancien Collège des Jésuites (Rheims, France) in 2008 and in Abracadabra (Edward Day...

Regency solid wood tilt-top eight lobes and dished supper table, shell forms separating each lobe, raised on turned column over four ribbed down swept legs terminating in brass hairy...

Renée Duval lives and works in Montreal. Born in British Columbia, she graduated with Honors from Emily Carr College of Art (1986) and completed an M.F.A. ...

George Watson Barratt 1884-1962 was a prominent New York illustrator in the first half of the 20th century. This painting is of an artist, his easel and ...

I have been taking impressions of pills and creating a pill archive where pills are cast in silver and/or gold since 1995. At that time I was given pills as an answer to something th...

Unusually these stylish fixtures are made of aluminium and copper plated brass. In those days aluminium was a modern and rather exotic material. They have no markings to indicate c...

Albert Rousseau, Canadian, 1908 - 1982 Oil on panel 16 x 20 in signed and dated on lower right A. Rousseau 73 titled verso Framed For our US customers: 1) The artwork is shipped fro...

This Classic Louis XVI style chandelier, attributed to "Maison Baguès" has a bronze frame with a sumptuous brown patinated finish. The crown of graduated crystal pendants has gracefu...

This fine Pietra Dura circular top is delicately inlaid with flowers and fruiting vines, around a central reserve. It is set within a handsome carved tabletop...

“I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” ― Albert Einstein. Always working with graphite and charcoal, Ro...

The Louis XVI style giltwood case with ribboned crest flanked by trailing garlands above the wood cased painted wheel barometer

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In Extrapolations, Lachapelle extracts seemingly mundane mechanical objects from a typical cityscape – such as radiators, fire hydrants, and balconies – and manipulates their appearance by creating 3D printed models that visually oscillate between the magical and the monstrous. In some of his sculptures, Lachapelle uses photogrammetry – a method that scans a series of two-dimensional photographs or images to create three-dimensional models. While photogrammetry typically enables real-life objects to be accurately reproduced, the artist challenges this paradigm by tampering with the machine’s process, both by accepting the machine’s glitches and by triggering them. When scanning images, the results may not always be what is anticipated, however, for Lachapelle it is about welcoming the unknown. In several examples, he encourages the program to read screenshots of images and extrapolates what should be there, filling in blank data with added images and various shapes. The resulting sculptures are symmetrical and geometric, appearing uncannily familiar like human vertebrae, yet unfamiliar in fantastical abstracted forms. The sculptures merge between two different worlds, bridging human and machine through unexpected adaptations to everyday things. Extrapolations balances between this duality, ultimately reflecting on the increasing dependency humans have on technology in our everyday world. For Lachapelle, this is especially pertinent in a world where technology is continuously developing. The sculptures highlight the dynamic and everchanging relationship between humans and technology, making us question this reliance on technology. In this exhibition, Lachapelle also introduces the inclusion of human characters back into his art practice. He places people in unnatural and impossible exchanges with machines and technology. For instance, while in past exhibitions, he has usually tried to conceal the electronic components that make moving pieces...

Holly King creates large format photographic landscapes in her studio with sculptural props and painted backdrops. She is interested in the tension between artifice and constructed r...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In Extrapolations, Lachapelle extracts seemingly mundane mechanical objects from a typical cityscape – such as radiators, fire hydrants, and balconies – and manipulates their appearance by creating 3D printed models that visually oscillate between the magical and the monstrous. In some of his sculptures, Lachapelle uses photogrammetry – a method that scans a series of two-dimensional photographs or images to create three-dimensional models. While photogrammetry typically enables real-life objects to be accurately reproduced, the artist challenges this paradigm by tampering with the machine’s process, both by accepting the machine’s glitches and by triggering them. When scanning images, the results may not always be what is anticipated, however, for Lachapelle it is about welcoming the unknown. In several examples, he encourages the program to read screenshots of images and extrapolates what should be there, filling in blank data with added images and various shapes. The resulting sculptures are symmetrical and geometric, appearing uncannily familiar like human vertebrae, yet unfamiliar in fantastical abstracted forms. The sculptures merge between two different worlds, bridging human and machine through unexpected adaptations to everyday things. Extrapolations balances between this duality, ultimately reflecting on the increasing dependency humans have on technology in our everyday world. For Lachapelle, this is especially pertinent in a world where technology is continuously developing. The sculptures highlight the dynamic and everchanging relationship between humans and technology, making us question this reliance on technology. In this exhibition, Lachapelle also introduces the inclusion of human characters back into his art practice. He places people in unnatural and impossible exchanges with machines and technology. For instance, while in past exhibitions, he has usually tried to conceal the electronic components that make moving pieces...

Original painting on canvas, bold red and blue abstract painting, Blue orange, modern wall art, Canadian artist, modern art Original bold painting on canvas by internationally col...

I couldn't really imagine what it's like to not imagine. Abstract painting with bright colors and rich brush strokes on tones of blue, dark blue, black, orange and rust. - Title: ...

This pair add an unusual touch to your hearth, the upper section are formed as three graduted compressed spheres, two in brass and the third in rouge griote marble, The bronze trilob...

The themes visited in this show stem from a desire to extend the vocabulary of my painting while forming a metaphor for the chaos of contemporary life. The title, Escalade, has differing and complimentary functions in English and French. Continuing to paint, over a lengthening career, the medium poses more questions than answers. The title is a reference to my attempt to overcome these difficulties through the expansion of my painting language. The title also refers to the escalation of crises in the world at large. It is the larger picture in which I am a small person trying to make my way. In a concrete sense, the title also refers to a strategy I have taken in a number of these paintings. That is, to re-examine very small paintings...

Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...

“Man's profound gestural relationship to objects, which epitomizes his integration into the world, into social structures, can be a highly fulfilling one, and this fulfilment is discernible in the beauty - the 'style' - of the relationship in its reciprocity.” -Jean Baudrillard, The System of Objects (1996) The cliché that “one man’s trash...

Medium: Acrylic Support: Stretched Canvas, Staple-free edges, Ready to Hang Size : 36?x 24?x 1.1/2? ( 91,44 cm x 60,96 cm x 3.81 cm ) Painting is signed and dated by the artist as...

At first glance, the fields of art and science may seem like two incompatible subjects that exist on opposite sides of a spectrum, though historically speaking they have shared an in...

Building on a series of exhibitions titled Panorama of the Anthropocene which examined the ecological impact of human activity through an array of paintings, digital prints and video...

A set consisting of a carving knife and fork in sterling silver by Karl Poul Petersen in his renowned blossom corn flower pattern.

Judith Berry was born in London, Ontario and grew up in Saskatoon, Saskatchewan. She studied at the Nova Scotia College of Art and Design in Halifax and spent one year in the Studio ...

Guillaume Lachapelle’s artistic practice is shaped predominantly by sculpture, expressed in the form of installations and detailed miniature models. Lachapelle presents playful unive...

This box is an unusually large and decorative example of the work of this factory. Both highly ornamental and functional, it is ideal for dressing table or more formal settings. The ...

“I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” ― Albert Einstein. Always working with graphite and charcoal, Robbie Cornelissen’s limited palette emphasises the stark sombre nature of his metaphysical drawings, The Undertow is his sixth solo exhibition at Art Mûr. At the centre of the exhibition hovers Terra Nova...

100 sheets of A-4 sized paper. “I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” ― Albert Einstein. Always workin...

ngrid Bachmann has presented her multidisciplinary work nationally and internationally in exhibitions and festivals in Belgium, the U.S., Estonia, Singapore, Peru, Brazil, the UK, an...

In the mid-1990s, Wolstenholme began casting anti-depressants and anti-anxiety medications, such as Zoloft, Paxil, Valium and Dexedrine, in sterling silver. These were made into pend...

Renée Duval lives and works in Montreal. Born in British Columbia, she graduated with Honors from Emily Carr College of Art (1986) and completed an M.F.A. ...