New Jersey - Art

Vibrant and bright pochoir on Arches paper by Sonia Delaunay. It is signed and numbered 9/20 in pencil on the front by the artist. On the back, it is stamped: Pochoir exécuté à la ma...

Beautiful Spray Paint Can Sculpture by Street and Contemporary star Mr. Brainwash. Special Edition New York Spray Can in Gold. Limited editio...

L. Stephano Oil on canvas Some ware on the frame Picture is in good condition Frame: 44 x 32 Picture: 35 x 23.5

Illustrated in "Joseph Barrett, The Prime Years 1970s - 1990s", pg. 40, plate #046. Jim’s of Lambertville is proud to offer this artwork by: Joseph Barrett (1936 – ) Joseph Barrett was born in Midland, North Carolina, in 1936 and studied at the Massachusetts College of Art in Boston and at the Tyler School of Art in Philadelphia. Barrett, now of Lahaska, Pennsylvania, has been painting his entire adult life. His favorite subjects include the landscape surrounding New Hope and many local landmarks often encompassing figures into his compositions. Barrett utilizes a heavy impasto and his palette bears similarities to that of Fern Coppedge and George Sotter. Barrett’s paintings are always found in unique and somewhat charming handmade frames designed by the artist and finished in metal leaf. A living contemporary of the no longer living “New Hope School” impressionist painters, Joseph Barrett resides outside of New Hope above his old-fashioned antique shop and studio. Entering Barrett’s shop is like taking a step back in time. Inside this cluttered and dusty haven of treasures from the past, is a studio spanning only four by eight feet. This little studio, containing cans of old brushes and hundreds of used paint tubes...

Interior design paintings. The work was done with india ink in black and grey color on Yupo paper. The work is 11 by 14 inches in size, framed with a glass on a mat board in white wi...

This Blue Dog work consists of a black background framed in white. There is a woman with dog ears and red lipstick centered between 2 dogs. The woman and dogs are painted in black ...

Patrick Guyton Original Painting “Gimme Shelter”. In good condition measures 20x20

Artist Commentary: This painting is of a scene I stumbled on at a pond at the Morikami Museum and Japanese Gardens. The goldfish and the turtles are just living their lives, but it m...

Illustrated in "Joseph Barrett, The Prime Years 1970s - 1990s", pg. 38, plate #044. Jim’s of Lambertville is proud to offer this artwork by: Joseph Barrett (1936 – ) Joseph B...

A very good impression of this lithograph printed in gray and black. Signed and numbered in pencil by Chagall, from an edition of 50.

SPOTLIGHT by the woman artist Robin Morris, is an original limited edition lithograph printed using hand lithography techniques(not a photo reproduction or digital print) on archival...

This Blue Dog work consists of 2 dogs with soulful yellow eyes. One dog is on a black background and the other dog is on a white background covered in the dog's soulful yellow eyes ...

Autumn Majesty, Bald Eagle oil/panel 1989 24 x 36 image unframed in an original Walter Skor handmade frame. 34.5 x 46.5 framed signed LL I found and purchased back one of my favorite...

Amazing Art Deco style on this stunning screenprint. Limited edition of 400. This print is #56 of 400. Gorgeous in multi colors, vivid and bright. This blue version is moody and rem...

Amazing Art Deco style on this stunning screenprint. Gorgeous in multi colors, vivid and bright. This red version is bright and powerful. Very reminiscent of 1920’s artwork. Limited ...

John ‘Cornbread’ Anderson Original Painting On Board “Wild Turkey Jake”. In good condition measures 48x38.

abstract coral in blue and teal :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: Yes ::...

A very good impression of this color screenprint on Saunders Waterford paper. Signed, dated and numbered 199/250 in pencil. Published by the artist, New York. From the same titled se...

Sunny Afternoon, farm with barn oil on panel. Image is 10 x 9 unframed and 13 3/4 x 12 3/4 x 1 framed. signed LR Salmagundi Club label and bio verso plus 2 other labels as seen. O...

A very good impression of this color lithograph. Artist's proof, aside from the edition of 175. Signed, dated and inscribed "Epreuve d'artiste" in pencil. Printed by Desjobert, Paris...

Ivy Naté uses universally recognizable objects in non-traditional ways. She creates both large-scale installations and smaller works. Yet, each express Ivy’s captivation with raw hum...

Signed lower right. Complemented by a hand carved and gilt frame. Exhibited at the National Academy of Design, 1928

Susan (1976) A rare and historic lithograph by Alex Katz signed and numbered by the artist. screenprint in colors on Tronko Japan paper sheet/image: 26 h × 19⅝ w in (66 × 50 cm) fr...

In an original Harer frame. Illustrated in "Daniel Garber Catalogue Raisonne" Vol. II, pg. 271, and in book titled "Blue Chips", pg. 33 Jim’s of Lambertville is proud to offer this artwork by: Daniel Garber (1880-1958) One of the two most important and, so far, the most valuable of the New Hope School Painters, Daniel Garber was born on April 11, 1880, in North Manchester, Indiana. At the age of seventeen, he studied at the Art Academy of Cincinnati with Vincent Nowottny. Moving to Philadelphia in 1899, he first attended classes at the "Darby School," near Fort Washington; a summer school run by Academy instructors Anshutz and Breckenridge. Later that year, he enrolled at the Pennsylvania Academy of the Fine Arts. His instructors at the Academy included Thomas Anshutz, William Merritt Chase and Cecilia Beaux. There Garber met fellow artist Mary Franklin while she was posing as a model for the portrait class of Hugh Breckenridge. After a two year courtship, Garber married Mary Franklin on June 21, 1901. In May 1905, Garber was awarded the William Emlen Cresson Scholarship from the Pennsylvania Academy, which enabled him to spend two years for independent studies in England, Italy and France. He painted frequently while in Europe, creating a powerful body of colorful impressionist landscapes depicting various rural villages and farms scenes; exhibiting several of these works in the Paris Salon. Upon his return, Garber began to teach Life and Antique Drawing classes at the Philadelphia School of Design for Women in 1907. In the summer of that same year, Garber and family settled in Lumbertville, Pennsylvania, a small town just north of New Hope. Their new home would come to be known as the "Cuttalossa," named after the creek which occupied part of the land. The family would divide the year, living six months in Philadelphia at the Green Street townhouse while he taught, and the rest of the time in Lambertville. Soon Garber’s career would take off as he began to receive a multitude of prestigious awards for his masterful Pennsylvania landscapes. During the fall of 1909, he was offered a position to teach at the Pennsylvania Academy as an assistant to Thomas Anshutz. Garber became an important instructor at the Academy, where he taught for forty-one years. Daniel Garber painted masterful landscapes depicting the Pennsylvania and New Jersey countryside surrounding New Hope. Unlike his contemporary, Edward Redfield, Garber painted with a delicate technique using a thin application of paint. His paintings are filled with color and light projecting a feeling of endless depth. Although Like Redfield, Garber painted large exhibition size canvases with the intent of winning medals, and was extremely successful doing so, he was also very adept at painting small gem like paintings. He was also a fine draftsman creating a relatively large body of works on paper, mostly in charcoal, and a rare few works in pastel. Another of Garber’s many talents was etching. He created a series of approximately fifty different scenes, most of which are run in editions of fifty or less etchings per plate. Throughout his distinguished career, Daniel Garber was awarded some of the highest honors bestowed upon an American artist. Some of his accolades include the First Hallgarten Prize from the National Academy in 1909, the Bronze Medal at the International Exposition in Buenos Aires in 1910, the Walter Lippincott Prize from the Pennsylvania Academy and the Potter Gold Medal at the Art Institute of Chicago in 1911, the Second Clark Prize and the Silver Medal from the Corcoran Gallery of Art for “Wilderness” in 1912, the Gold Medal from the Panama-Pacific Exposition in San Francisco of 1915, the Second Altman Prize in1915, the Shaw prize in 1916, the First Altman Prize in 1917, the Edward Stotesbury Prize in1918, the Temple Gold Medal, in 1919, the First William A...

NY fashion week "Black lives matter" gets resources ,support and elevated! :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by the ...

This Blue Dog work consists of a dog sitting on a marbled white box with a tree and moon on a background of variable shades of blue and purple. The dog...

Winter Flatiron, Madison Square Park oil/canvas panel image 8 x 10 unframed, 14.5 x 16.38 framed Signed LL ARTIST'S STATEMENT I have been in the art business as an artist and dealer ...

Jim’s of Lambertville is proud to offer this artwork by: Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...

Oreland C. Joe, Sr. Bronze Sculpture Bear “Dance Singer”. In good condition measures 13x12

Transform any interior or exterior into a truly unique space with the dynamic works of an acclaimed sculptor Naomi Press. Naomi Press was one of the very few women working in large ...

A very good impression of this color lithograph on Waterleaf white wove paper. One of 25 Roman numeral impressions, aside from the Arabic numeral edition of 100. Signed and numbered ...

This striking wall sculpture by artist Scott Troxel transforms a pair of birds into a bold geometric abstraction, merging playful figuration with his signature retro-modern design la...

Illustrated in "Joseph Barrett, The Prime Years 1970s - 1990s", pg. 59, plate #069. Jim’s of Lambertville is proud to offer this artwork by: Joseph Barrett (1936 – ) Joseph B...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Harry Leith-Ross (1886 - 1973). The son of an English father and a Dutch mother, Harry Leith-Ross was born in the British Colony of Mauritius, an island in the Indian Ocean a thousand miles off the southeast coast of Africa. His first formal art instruction began in England under Stanhope Forbes, followed by studies with Jean Paul Laurens at the Academie Julian in Paris. Leith-Ross came to the United States to enroll at the National Academy of Design in New York City in 1910, and then to Woodstock, in 1913. It was in Woodstock at the Art Students League, under the tutelage of Birge Harrison and John F. Carlson, that Leith-Ross would receive the training that most influenced his career as an artist. There he formed a lifelong friendship with fellow artist, John Folinsbee. The two artists shared a studio during this time and participated in several joint exhibitions exclusively featuring their work, including an exhibit at the Louis...

Very good impressions of these 4 color screenprints on white wove paper. Each signed, dated and numbered 15/25, 18/36, 15/39 or 6/40 in pencil.

A very good impression of this color lithograph on Arches. Signed, dated and numbered 14/100 in pencil by Gottlieb. Published by Marlborough Graphics, Inc., New York. Catalogue refe...

“Using racial conflict as a starting point, I juxtaposes various fibers with a variety of found materials using free form weaving, coiling, knotting, wrapping and jewelry making techniques. Meticulously collected materials, transformed by their collective memory become “social fabric” weaving together contemporary issues and personal narratives. 100-foot extensions of rope, twine, and yarn impeccably wrapped, woven, tied and embellished with recycled beads, ribbon, lace, tape and bottle cap bobbles lures you into my hue-imbued, enmeshed installations symbolizing natural hair. These bold albeit whimsically twisted and locked forms gingerly invite the audience into off the-wall conversations about micro aggressions against black women and their hair. Community art making is also key to my process. Multi-disciplinary experiences pairing people, food, wine, music and art, create a safe space to explore themes such as equity & inclusion, sustainability and personal wellbeing.” -Theda Sandiford

This Abstract Tulip is playful and fun along with being bold and colorful. I always work on tulips and look for a new way to express them. Over the last 5-6 years I've done numerou...

A superb impression of this color lithograph with hand coloring in watercolor and gouache on Velin Arches mould-made paper. Signed, dated and numbered 88/90 in pencil by Hodgkin. Pri...

Stunning print by the talented LA artist featuring lettering reminiscent of hieroglyphics and calligraphy. Amazing details in this 8 color screenprint. Hand signed by Chaz Bojorquez...

Stunning vibrant colors with great pop quality on black paper by Eelus. Super dreamy and surreal female figure immersed in colors. Hand signed and numbered by Eelus on bottom of prin...

Super cool print featuring ancient guard in turtle formation by Pahnl. Hand embellished by Pahnl on the print. Hand numbered, embossed and hand signed by Pahnl. Limited edition of on...

Beautiful Rose print with bright and wonderful yellow hand embellishments by Damon Johnson. Numbered on bottom right and signed by the artist on bottom right of print. Each print in ...

Stunning print with vivid colors and many intricate details blending contemporary and ancient visuals. Hand signed and numbered by Swoon. Limited edition of only 75. This work is als...

Very cool looking print featuring a character painting a smile on his face. The smile is hand painted by Kunstrasen with red paint. Hand signed by Kunstrasen on bottom right of print...

Wonderful print and message depicting a graffiti writer being chased by cops. The subway car has "live everyday like it's your first" painted on the train. Originally released at the...

Volume 2 of Banksy Captured book by Banksy’s ex-manager Steve Lazarides. Features images from his show in Los Angeles, Crude Oils and many other locations. Has many never before seen...

Charles Fazzino ” Signed Numbered Framed 3D Art Rare Serigraph . In good condition measures 15x13

A very good impression of this color aquatint. Signed and numbered 2/100 in red crayon, lower margin. Published by Maeght, Paris.

Jim’s of Lambertville is proud to offer this artwork by: John Berninger (1897 - 1981) A Pennsylvania landscape painter living in Allentown, John Berninger is described by art writer, Geoff Gehman, as being in the "outer ring of the New Hope School." His career was devoted to depicting his region in realist-impressionist style, especially snowscenes and landmarks such as Meyers Bridge in Allentown. Berninger studied with Orlando Gray Wales, Arlington Lindenmuth and Walter Emerson Baum, and then was an art instructor at the Kline-Baum School in Allentown. In 1934, he was selected as one of four students of Baum into the Circulating Picture Club of the Philadelphia Art Alliance, and two years later, he became Curator at the Allentown Art Museum, which had just been founded by Baum. Berninger's wife, Mabel, assisted him and served as museum curator and secretary of the Circulating Picture Club. In 1939, he joined the jewelry store, Wuchter and Berninger, as a partner, and advertised his paintings by placing them in the store's window. A local publisher and art enthusiast, Robert Rodale, saw his work there and years later, in 2004, held the first major exhibition of Berninger's artwork. The next year, Berninger's work was represented in the Allentown Museum exhibit, "Allentown Impressions: Views of City Parks". A frequent painting companion was Karl Buesgen...

JAZZ TRIO by the woman artist Robin Morris, is an original limited edition lithograph printed using hand lithography techniques on archival Arches paper, 100% acid free. JAZZ TRIO is...

My Emotional Baggage Carts are vessels to dispose of racial trauma. The act of making, weaves the sting of macro and microaggressions into the cart, freeing me from these constraints. Each recovered shopping cart is unique, but they all are woven with upcycled materials like rope, paracord, grocery bags, rope lights, beads, fabric, and bottle caps. The cart is with a protective zip tie blanket to trap trauma and prevent its escape. For me, my Emotional Baggage Carts are a release, for you, they are an opportunity to look within and recognize any emotional baggage you, yourself may be carrying and release it. Theda Sandiford...

Le Quang Ha Frame: 29.5 x 25 x 1 Picture: 24.5 x 20 Gouache on paper Picture is in excellent condition Frame has minor ware

Illustrated in "Joseph Barrett, The Prime Years 1970s - 1990s", pg. 18, Plate #021 Jim’s of Lambertville is proud to offer this artwork by: Joseph Barrett (1936 – ) Joseph Barrett was born in Midland, North Carolina, in 1936 and studied at the Massachusetts College of Art in Boston and at the Tyler School of Art in Philadelphia. Barrett, now of Lahaska, Pennsylvania, has been painting his entire adult life. His favorite subjects include the landscape surrounding New Hope and many local landmarks often encompassing figures into his compositions. Barrett utilizes a heavy impasto and his palette bears similarities to that of Fern Coppedge and George Sotter. Barrett’s paintings are always found in unique and somewhat charming handmade frames designed by the artist and finished in metal leaf. A living contemporary of the no longer living “New Hope School” impressionist painters, Joseph Barrett resides outside of New Hope above his old-fashioned antique shop and studio. Entering Barrett’s shop is like taking a step back in time. Inside this cluttered and dusty haven of treasures from the past, is a studio spanning only four by eight feet. This little studio, containing cans of old brushes and hundreds of used paint tubes...

Jim’s of Lambertville is proud to offer this artwork. Signed lower left. Complemented by a period frame. Illustrated in "New Hope for American Art" by Jim Alterman and "The Philadelphia Impressionists" by Thomas C. Folk, pg, 102, plate 45 S. George Phillips (1890 - 1965) Regarded by some as “a poor man’s Garber” (“poor” needing to be redefined these days), S. George Phillips painted rich and colorful landscapes depicting views of the Delaware River and the environs surrounding New Hope. An extremely competent artist, Samuel George Phillips was born in Pennsylvania in 1890. He studied at the Pennsylvania Academy of the Fine Arts under William Merritt Chase, Cecilia Beaux, Hugh Breckenridge, and Daniel Garber. He then traveled to Europe to continue his studies. Phillips began his career as an illustrator and commercial artist. His work appeared in The Saturday Evening Post, The Ladies’ Home Journal, McCall’s, and The Liberty Magazine. His best known work as an illustrator was the Santa Claus logo he designed for the Whitman Candy Company. Around 1915, Phillips established a portrait studio in Philadelphia. Soon he was to become one of Philadelphia’s pre-eminent portraitists, painting many prominent socialites, politicians, and academicians. For fifty years, he commuted from his home in Atlantic City to his Philadelphia studio. Like many artists, painting was Phillips’s livelihood and although landscape painting was his passion, the bills were paid by money earned for commissioned portraits and illustration work. Phillips found portrait painting to be stressful and landscape painting to be relaxing, and as a result, he would frequently spend weekends in Bucks County, taking part-time residence at the Point Pleasant...

A mixed media on paper. Signed lower right. Image measures 24.75 x 29.75 inches Framed size is 25.5 x 30.5 inches. Born in Dnipro, Ukraine (Yekaterinoslav, when previously controlle...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Gershon Benjamin (1899 – 1985). An American Modernist of portraits, landscapes, still lifes, and urban scene...

Winter scene depicting a recent snowfall, frozen pond, and a old barn. :: Painting :: Realism :: This piece comes with an official certificate of authenticity signed by the artist ::...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Robert Henri (1865 - 1929). Robert Henri was born Robert Henry Cozad in Cincinnati, Ohio in 1865. At the ...

Gorgeous aquatint in reds and oranges by Piero Dorazio (Italian 1927-2005). This aquatint is on heavy "Umbria" Fabriano paper. It is signed and dated 1964 in the lower margin in penc...