Pasadena - Art

Acquired by the gallery directly from the artist UNFRAMED: 30" x 40" FRAMED: 39" x 49" x 2.5" Signed "Ray Roberts" on lower right Artist Statement "In Golden Foothills, I explore...

Acquired by the gallery directly from the artist UNFRAMED: 12" x 16" FRAMED: 17.75" x 21.75" x 1.25" Signed "K Dempwolf" on lower left Artist Statement "When heading north on Hwy...

Acquired by the gallery directly from the artist UNFRAMED: 10" x 20" FRAMED: 14.5" x 24.5" x 1.5" Signed " K Dempwolf" on lower left Artist Statement "I have painted cattle into ...

Provenance Acquired by the gallery directly from the artist UNFRAMED: 11" x 14" FRAMED: 17.5" x 20.5" x 1.5" Signed "Obermeyer" on lower right

Acquired by the gallery directly from the artist UNFRAMED: 14" x 18" FRAMED: 20.25" x 24.25" x 1.5" Signed "K Dempwolf" on lower right Artist Statement "This is a movie ranch whe...

Acquired by the gallery directly from the artist UNFRAMED: 20" x 30" FRAMED: 26" x 36" x 2" Signed "Jove Wang 22" on lower left

Acquired by the gallery directly from the artist Signed "Dan Schultz" on lower right UNFRAMED: 9" x 12" FRAMED: 12.25" x 15.25' x 1.125"

Acquired by the gallery directly from the artist Signed "Peter Adams" on lower right UNFRAMED: 20" x 24" FRAMED: 26.75" x 30.75" x 1.75" Artist Statement "The last rays of the su...

Provenance: Acquired by the gallery directly from the artist Signed "McVicker" on lower right Unframed: 16" x 12"; Framed:18.5" x 22.5" x 1"

Provenance Acquired by the gallery directly from the artist. FRAMED: 28.125" x 32.125" x 1.25" UNFRAMED:20" x 24" Artist Statement "I am always looking for different ways to capture the beauty of the San Gabriel Mountains as they loom above Pasadena. I found this view while scouting and exploring the Arroyo Seco...

Provenance Consigned to the gallery by private collectors Signed "Marion Kavanagh Wachtel" lower right Description Marion Kavanagh was a pupil of William Keith in San Francisco who, upon learning of her move to Southern California, urged her to contact Pasadena artist Elmer Wachtel. A romance blossomed and the two were married in 1904. During their marriage, out of respect for her husband, Marion Wachtel painted in watercolor, giving Elmer Wachtel the honor of painting in the more “serious” medium of oil. After the untimely passing of her husband and a period of grieving, Marion took up oil painting in 1930, working both en plein air and in the studio. This masterful plein air painting is a poetic interpretation of the snow-capped mountains in Grand Teton National Park...

Provenance Acquired by the gallery directly from the artist Signed "R. Humphrey" on lower left Artist Statement "The glassy surface of the river almost seems calm. Below the gentle ripples though, is a swift and powerful current that moves anything in its way. A mile or so farther down the river, the elevation drops and the river turns into a wild, tumultuous force as it moves toward the falls." —Richard Humphrey...

Provenance Acquired by the gallery directly from the artist Painted en plein air in the San Gabriel Mountains near the artist's home in the early summer of 2013. Signed "T. Solliday...

Provenance Acquired by the gallery directly from the artist Exhibitions Exhibited at the Los Angeles Art Show 2014, January 15-19, 2014

Consigned to American Legacy Fine Arts, Pasadena, California; Private Collection, Pasadena, California; Mutual Savings, Pasadena, California — acquired presumably from the artist via an art consultant; Displayed at Mutual Savings headquarters, Colorado Boulevard, Pasadena, California, c. 1965–1993 A 1955 photo showing Bickerstaff paintings on display at the same Mutual Savings and Loan office in Pasadena can be seen through the online resource at Pasadena Digital History Label on Verso Mutual Savings No. 3107 Description This luminous desert landscape, painted in rich yet delicately modulated tones, depicts California’s Palm Springs Desert with a scattering of smoke trees...

Consigned to American Legacy Fine Arts by H&N Fine Art as part of the Katherine A. Norris Legacy Collection, Newport Beach, California; Bonham’s California, April 11, 2005, lot 205, sold for $7,000; Estate of Sam Harris Signed "Sam Hyde Harris...

Pablo Picasso Pour Roby, 1950 Limited Edition Etching, Pablo Picasso Circa 1950 Very little need to be said of the legendary Picasso. This original Etching "Pour Roby" (For Roby) i...

Provenance Acquired by the gallery directly from the artist Artist Statement “Ray Bradbury never ceases to inspire me. While working with him, I saw his ...

Modern Abstract Year: 1960-1970 Medium: Oil on Canvas, signed lower right Size: Abstract oil on canvas by Lee Reynolds was a popular artist in the 1960s known for oversized, color...

Acquired by the gallery directly from the artist Signed "Mary K. West" on back UNFRAMED:30" x 20" FRAMED: 30" x 20" x 1.125" Artist Statement “The magnolia tree and I share common rots in the Southeast. The Carolinas, Georgia, and Tennessee are home to us both. This stately, ancient tree is native to the Southeast. Its large fragrant blossoms and dark, shiny leaves adorn the green lawns and line the streets of the small towns where I am from. So, when I moved to California, I was pleasantly surprised to see this icon from the South growing freely here as well! This paining, with its representatives from the Southeast (the Magnolia and Blue Jay) and the West (the Plums and Persimmons) shows how roots can expand and grow to embrace new beginnings.” — Mary Kay West...

Provenance Acquired by the gallery directly from the artist. Signed "Mian Situ" on lower right Description In this oil painting titled, In Tradition, Mian Situ pays tribute to the ...

Consigned to the gallery, Pasadena, California; By descent to a private collector, Encino, California; Acquired in 1997 by a private collector, Palo Alto and Oceanside, California; From Joan Irvine Smith Fine Arts, Inc., Laguna Beach, California. Signed "A. Espoy" on lower left Description In California Lupines and Poppies, Angel De Service Espoy captures the vibrant splendor of California’s springtime wildflowers with lyrical brushwork and atmospheric sensitivity. A hillside awash in blooming blue lupines and golden poppies slopes gently toward a distant view of rolling hills beneath a soft, clouded sky. Espoy’s confident handling of color and texture brings the landscape to life, evoking the fleeting beauty of the state’s native flora and the delicate transitions of light across the land. This intimate composition reflects the artist’s deep affection for California’s rural countryside and his enduring legacy as a painter of its most poetic vistas. Based on the painting’s style, subject matter, and scale, California Lupines and Poppies was most likely created between 1925 and 1940—a period when Espoy was actively painting California’s coastal and inland landscapes, particularly in the Monterey Peninsula and Carmel Highlands regions. The composition, with its gently rolling hills, distant haze, and vivid display of native wildflowers, closely aligns with Espoy’s known plein air works of the Central Coast. The loose yet confident brushwork, naturalistic light, and spontaneous floral groupings all support the likelihood that this piece was painted en plein air. Espoy often created small-format oils like this one outdoors as finished works in their own right or as preparatory studies for larger studio paintings. His style blends Realism and Impressionism, drawing upon the influences of his training under Joaquín Sorolla (1863–1923) and the French Barbizon School, resulting in works that balance truthful representation with a painterly, light-filled immediacy. Historical Significance Born in Spain and trained in Barcelona, Angel Espoy immigrated to the United States in the early 20th century, eventually settling in California, where he became known for his floral landscapes, maritime scenes, and depictions of the Pacific coastline. Espoy’s lupine and poppy paintings are among his most beloved subjects, reflecting the natural beauty of the state and the influence of California Impressionism. In the 1920s–1930s, Espoy’s work gained popularity among collectors who sought colorful, uplifting views of the West, particularly during the Depression era. His florals not only document California’s seasonal splendor but also contribute to the legacy of artists who elevated regional wildflowers to a fine art subject—following in the tradition of Granville Redmond, William Wendt, and Guy Rose. Today, Espoy’s flower-filled landscapes remain a favorite among collectors of early California art...

Provenance Acquired by the gallery directly from the artist FRAMED: 17.5" x 14.5" x 1.375" UNFRAMED: 12" x 9" Description This still life is lively with its intermingled blue and vio...

Provenance Acquired by American Legacy Fine Arts directly from the artist Signed "R Humphrey" on lower left Artist Statement "A red bougainvillea marks a small memorial near the top of the trail. A warm spring breeze moves through the newly flowered grass." — Richard Humphrey...

Provenance Acquired by American Legacy Fine Arts directly from the artist. Signed "Obermeyer" on lower right Artist Statement "This is a view that is very familiar to me. I see this as I drive home from my studio in the late afternoons and evenings, the fading light on the walls of Laguna Canyon...

Provenance Consigned to the gallery by private collectors Signed "Jack Wilkinson Smith" lower left Description Jack Wilkinson Smith was a New York-based illustrator before moving o...

Provenance On consignment to the gallery from a private collector in Newport Beach, California. Signed "Mian Situ" on lower right Artist Statement "The location is in a small town ...

Acquired by the gallery directly from the artist Signed "Ray Roberts" on lower right UNFRAMED: 18" x 24" FRAMED: 24.5" x 30.5" x 1" Artist Statement "...

Delovincourt: biography Delovincourt, is a poster artist. Delovincourt was an art nouveau artist. He was mainly active during the modern period. Delovincourt: his main works Delovinc...

Provenance Acquired by the gallery (2015); Private Collection, Woodland Hills, California; The Artist's Family, St. Petersburg, Russia Signed "Lavrenko" in Russian on lower right. Description Lilacs in Vase was created by the renowned Russian Soviet Realist, Boris Mikhailovich Lavrenko, one of the leading representatives of the Leningrad School of Painting. Lavrenko served as professor of the Repin Art Institute (Russian Academy of Arts), St. Petersburg, and in 1953 was made a member of the Leningrad Union of Artists. In 1976 he was awarded the title of "Meritorious Artist of the Russian Federation," and in 1994 he received the highest honor of "People's Artist of the Russian Federation" -- a recognition bestowed to artists who have made outstanding contributions to Russia's art and culture. In this humble vanitas the artist represents garden fresh flowers, a classic theme in Russian still life...

Provenance Acquired by the gallery directly from the artist Signed "2017 WM. Stout" on upper right Artist Statement "I drew and painted a series of Aesop's Fables that featured fox...

Guillaume ROCHE The artist translates movement and energy through the dynamism of assemblages and seeks the balance of composition. His sculptures offer aerial movements, round sh...

Provenance Consigned to the gallery; from the private collection of the Katherine A. Norris Legacy Collection, Huntington Beach, California, by descent; acquired in 2003 by Katherine...

Florence Cadène’s artwork is like natural history, a sensitive memory in the heart of animal nations, a possible communion between the eyes of humans and all dimensions of life. Flo...

Acquired by the gallery directly from the artist UNFRAMED: 16" x 24" FRAMED: 21.5" x 29" x 1.75" Signed "K Dempwolf" on lower left Artist Statement "This view with the massive oa...

Provenance Acquired by the gallery directly from the artist Signed "Jove Wang 2020" on lower left FRAMED: 45" x 59" x 2.5" UNFRAMED: 34" x 48"

Acquired by the gallery directly from the artist

Provenance Acquired by the gallery directly from the artist Signed "McVicker" on lower left Artist Statement "This pastoral scene was painted on site over several days at a locatio...

Consigned to the gallery, Pasadena, California; H&N Fine Art, from the Katherine A. Norris Legacy Collection; John Moran Auctioneers, Altadena, CA, February 17, 2004, lot 104A. Sign...

Acquired by the gallery directly from the artist UNFRAMED: 48" x 48" FRAMED: 56.5" x 56.5" x 2.75" Artist Statement “This painting captures the vibrant spirit of a Native American...

Acquired by a private collector, Palo Alto, San Carlos and Oceanside, California, from Bingham Gallery in the Fairmont Hotel, San Jose, California; By descent to a private collector,...

Consigned to the gallery, Pasadena, California; By descent to a private collector, Encino, California; Acquired in 1998 by a private collector, San Carlos, Palo Alto, and Oceanside, California; From the Santa Barbara Historical Society Signed "Carl Sammons" on lower right Description This luminous coastal landscape by Carl Sammons is a striking example of the artist’s signature plein air style, depicting the rolling coastal dunes and lush vegetation of California’s shoreline. Best known for his depictions of Carmel and Monterey, the composition and palette of this work suggest inspiration from the Monterey Peninsula dunes. Sammons’ ability to merge vibrant, clean color with a sense of atmospheric perspective is evident here in the interplay of bright, sunlit sands and the rich greens of windswept foliage. His vibrant yet naturalistic color harmonies, crisp edges, and keen sensitivity to light bring the fleeting beauty of the coastal environment to life. The hazy eucalyptus grove in the background adds a distinctive regional touch, situating the composition firmly within California’s coastal identity. Sammons’ paintings of California’s unique landscapes played a significant role in documenting the natural beauty of the state during the early 20th century. Connection to the Monterey Art Colony By the 1920s and 1930s, Sammons became closely associated with the Monterey art colony, an influential hub for plein air painters such as Armin Hansen (1886–1957), William Ritschel (1864–1949), and Percy Gray...

Artist Statement "Painting in Hawaii is always a challenge because the weather and atmospheric conditions are constantly changing. This scene of the Kalalau Lookout had it been paint...

Provenance Acquired by the gallery directly from the artist. Signed "Michael Godfrey" on lower left FRAMED: 30.75" x 42.75" x 1.375" UNFRAMED: 24" ...

Provenance Acquired by the gallery directly from the artist Artist Statement "Lookout Drive is a hidden little road below Dodger Stadium, a spot that I originally saw from the stadi...

Consigned to the gallery; By descent to the Katherine A. Norris Legacy Collection, Huntington Beach, California; Acquired by Katherine A. Norris, Newport Beach, California; From John...

Very pretty modern watercolor by a Bresilien artist, framed.

Provenance Acquired by the gallery directly from the artist Signed "J.Paquet" on lower left corner. Artist Statement “Any day at Shark Harbor is a good day.” — Joseph Paquet EXHIBITIONS California Art Club's 103th Annual Gold Medal Exhibition at Autry National Center, March 30- April 20, 2016 Santa Catalina Island...

Consigned to the gallery, Pasadena, California; By descent to a private collector, Encino, California; Acquired in 1998 by a private collector, San Carlos, Palo Alto, and Oceanside, California; From William A. Karges Fine Art, Carmel, California Signed "Jesse Arms Botke" on lower right Description This charming watercolor captures a sweeping view of Bodega Bay, California, rendered with the refined draftsmanship and decorative sensibility for which Jessie Arms Botke is renowned. While best known for her gilded avian compositions, Botke’s landscapes are comparatively rare and reveal a more personal side of her artistic vision. Here, the viewer peers over the distinctive red turret of a Victorian home toward the curving estuary, where land meets sea beneath a soft blue sky. Delicate washes and crisp detailing convey the texture of the shoreline, the undulating water, and the surrounding structures, evoking the calm yet lively spirit of a coastal fishing village in the early 20th century. The warm terracotta tones of the foreground architecture contrast beautifully with the cool blues of the water and the distant hills, creating a balanced, harmonious scene. Although no journal entry or record confirms a specific trip to Bodega Bay, Botke may have painted this work, circa 1906, during the period when she was offered a round-trip passage from the Atchison, Topeka & Santa Fe Railway to travel from Chicago to Arizona and California in exchange for paintings depicting scenes of the West. The style and vantage point suggest direct observation, making it likely that she visited the town and painted the scene en plein air. With its architectural detail, vibrant palette, and compositional harmony, this work stands as a significant example of Botke’s lesser seen yet highly collectible works on paper. Jessie Arms Botke is recognized as one of the most important women artists in the early California art...

Acquired by the gallery directly from the artist UNFRAMED: 12" x 16" FRAMED: 18.5" x 22.5" x 1.5" Exhibited The Diverse Environments of the Arroyo Seco: Paintings from the Californ...

Acquired by the gallery directly from the artist Signed " Ray Roberts" on lower right UNFRAMED: 24" x 30" FRAMED: 30.75" x 36.625" x 1.5" Artist Statem...

Old Master, French School red chalk drawing on paper is not signed . Done in Sanguine on paper the nude appear like Hercule . The feel and look of the works while academic studies a...

Provenance Acquired by the gallery directly from the artist Signed "Mian Situ" on lower left Description Charged with uplifting energy, this beautiful oil painting by Mian Situ is ...

Consigned to the gallery, Pasadena, California; By descent to a private collector, Encino, California; Acquired in 1999 by a private collector (Palo Alto, San Carlos, and Oceanside, ...

Provenance Acquired by the gallery directly from the artist Signed "Obermeyer" on lower right FRAMED:18" x 21.25" x 1.875" UNFRAMED: 11" x 14" Artist Statement "This beautiful open space in South Orange County...

Consigned to the gallery, Pasadena, California; By descent to a private collector, Encino, California; Acquired in 1997 by a private collector, Palo Alto, San Carlos, and Oceanside, ...

Provenance Acquired by the gallery directly from the artist Signed "g gallo" on lower right corner. Artist Statement “Here, the earth is quietly awakening as the first moments of l...

Provenance Acquired by the gallery directly from the artist. UNFRAMED: 30" x 40" FRAMED: 39" x 48.5" x 3" Artist Statement “For this large painting I did a number of preparatory ...

Provenance Acquired by the gallery directly from the artist UNFRAMED: 16" x 12" FRAMED: 17.5" x 21.5" x 1.25" Signed "Al. Orlov" on lower left corner. Description Barney's Beaner...

Provenance Acquired by the gallery directly from the artist. Signed Mian Situ" on lower left Description The artist portrays his wife, Gloria, in an elegant and refined setting. Her sinuous pose and assured profile project a sense of beauty and confidence. The drape of her pink silk robe hearkens back to her Chinese ancestry and its contrasting embroidered border creates a diagonal line that exudes a feeling of strength. Outside is cool and fresh, the beginning of spring; and the Glimpse of Beauty is viewed from either side of the window. Artist Statement "A Chinese lady looking out of her window enjoying the magnolia blossom in Spring. Her window is decorated with a piece of Paper Cutting art...