Tennessee - Art

A Mardi Gras Indian known as Spoons during Super Sunday 2007, in which Mardi Gras Indians parade down from the Bayou St. John in New Orleans. Photograph Print is 12 x 9 inches, Frame is approximately 19.5 x 15 inches. Statement: "My mission is to capture the vitality of human experience and to present it on paper in a visually compelling manner. I work with daily life, ritual and celebration within which I look for moments of insight. From Coney Island, to New Orleans, Cuba, Haiti, Colombia and India I use my camera as a tool for understanding and mutual respect between cultures!" Andy...

This is a beautiful one-of-a-kind original acrylic/oil/chalk painting. It comes wired and ready to hang on deep-profile canvas. It is signed by the artist.

Inspired by the colors of the changing seasons and the illusion of time slowing down. This painting continues around the edges for a gallery wrapped finish. There is a hanger fast...

The Essence of East Tennessee 14.0 x 11.0 x 0.25, 10.0 lbs Acrylic on canvas Hand signed by artist Artist's Commentary: Capturing the serene beauty of East Tennessee, this paint...

Softish Sea, Signed Digital Photographic Landscape Print, 2020 30" x 20" x 0.5" (HxWxD) Digital Print on Metal Hand-signed by the artist. A gradient sky...

This painting by Jason Stout was completed during the Covid-19 quarantine in 2020. While his previous work dealt mostly with surrealist spacescapes and nebulas, he focused on still l...

In this painting, Michelle Weddle utilizes line, color, and form to create a work which acts at the balance between the nonobjective and representation...

Brian Russell Jobe (American, b. 1981) is an artist and non-profit director based in Knoxville, Tennessee. Jobe's studio practice is focused on sculptur...

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This piece is part of an exhibition in which Yuri Figueroa explores the relation between artworks that inform each other but respond to different systems of categorizing movement and...

In ADORNED OBSOLESCENCE 5, Liz Miller creates a sculptural wall hanging piece which builds on the juxtapositions between strength and malleability, architecture and fiber, structure and knots. Drawing special influence from a repurposed metal headboard...

"I am drawn to the aesthetic qualities of jewelry. This interest stems from the color, texture, variety and the association with the female body that jewelry contains. I experiment...

"Window IV" captures the sun peering in behind sheer curtains. This painting is is part of an on-going series that explores the light and landscape in T...

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DEGLOVING is a sculpture by Ray Padrón created in 2018 from red milled cedar wood. The piece belongs to a series of work centering around clothing items and...

PWW-777 is part of Eric Mack's ongoing body of work utilizing multi-media, complex compositions, and a grid centered around urban design. Using a grid to create the framework of the painting, Mack has utilized Zerox copies adhered by a matte medium to create graphic imagery of electronics from the 90s, small bits of a map of various places in Germany, and vinyl records. Mack paints on top of a torn canvas, and on the edges you can see the frayed, painted canvas mounted to the white backing of the frame. The work is finished with glass that shows minimum reflection as well as a customized 2 inch, white frame. Eric Mack (b.1976, Charleston) creates mathematically based renderings with a distinct post-modern twist. Works are informed with super imposed grids, patterns, and portals. Layered surfaces are created with paint, found objects, natural fibers, and synthetic substrates that explore the systems of our visual world. His most recent show “Charting the Terrain” is on view now at the California African American Museum in Los Angeles was covered by the Los Angeles Times, KCRW, and LALA Magazine. His last solo exhibition was titled "Impossible Architectures" at The University of North Carolina at Chapel Hill in 2017. Recent group shows include "Abstract Mind" at the Czong Institute of Contemporary Art, South Korea, "Small Works 2017 at Trestle Gallery, Brooklyn, "Checkered History", Outpost Artist Resources, Brooklyn, N.Y. 2015; Collections include High Museum Atlanta, Ing Investments, Hartsfield Jackson International Airport - Atlanta + Atlanta Gas & Light Co. Pepsi Cola, Tate Properties, Heath Gallery, Harold Dawson Properties, Turner Field/Atlanta Braves...

Beth Reitmeyer is a visual artist based in Nashville, TN. Her current installations are based upon landscape topography and geology, specifically sinkholes, caves, geodes, and rocks....

This painting on cut linen canvas by Linda King Ferguson depicts a diamond shape that is dominated by a horizontal vesica piscis shape. The two intersecting circles are a dark salmon orange and a deep wine red (left to right). The canvas at the intersection of the two circles has been cut and peeled back to reveal that the back of the painting has been painted pink. While the trangular shape above the interseccting circles has been painted an ashy brown, the lower section has been left raw. Her Equivalence Series began as a feminist project; works that subvert the historically male gaze and a material language speaking of gendered concerns. Her color choices first came from Helen Molesworth’s essay, Painting With Ambivalence, published in WACK! Art of the Feminist Revolution. The Essay includes a large reproduction of Mary Heilmann’s 1979 painting...

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In ARCHITECTURAL HYPERBOLE 02, Liz Miller creates a sculptural wall hanging piece which builds on the juxtapositions between strength and malleability, arch...

SUNDOG 22 is an acrylic on panel painting belonging to the Sundog series inspired by the meteorological phenomenon of Sundogs (parhelia), occurrences of bright spots straddling the S...

In ADORNED OBSOLESCENCE 03, Liz Miller creates a sculptural wall hanging piece out of a found headboard piece that she has painted and utilized as the found...

This C-Print by Sarah Hobbs is part of a series included in her show "Twilight Living," at Channel to Channel. This image depicts a room with heaps of cut articles of clothing strewn...

SUNDOG 12 is an acrylic on canvas painting belonging to the Sundog series inspired by the meteorological phenomenon of Sundogs (parhelia), occurrences of bright spots straddling the ...

SUNDOG 1 is an acrylic on panel painting belonging to the Sundog series inspired by the meteorological phenomenon of Sundogs (parhelia), occurrences of bright spots straddling the Su...

OYV-19 is part of Eric Mack's ongoing body of work utilizing multi-media, complex compositions, and a grid centered around urban design. Using a grid to create the framework of the painting, Mack has re-purposed an old Lenny Kravitz album cover as the structure of the piece. On the edges of the piece you can see a complex edge consisting of a faux leather album cover, nylon mesh, and torn paper. As imagery, Mack has chosen musical notes, tape measure, and other music composition elements through Zerox copy adhered by matte medium to the surface. Mack then creates his own color to further tweak and personalize the piece. Eric Mack (b.1976, Charleston) creates mathematically based renderings with a distinct post-modern twist. Works are informed with super imposed grids, patterns, and portals. Layered surfaces are created with paint, found objects, natural fibers, and synthetic substrates that explore the systems of our visual world. His most recent show “Charting the Terrain” is on view now at the California African American Museum in Los Angeles was covered by the Los Angeles Times, KCRW, and LALA Magazine. His last solo exhibition was titled "Impossible Architectures" at The University of North Carolina at Chapel Hill in 2017. Recent group shows include "Abstract Mind" at the Czong Institute of Contemporary Art, South Korea, "Small Works 2017 at Trestle Gallery, Brooklyn, "Checkered History", Outpost Artist Resources, Brooklyn, N.Y. 2015; Collections include High Museum Atlanta, Ing Investments, Hartsfield Jackson International Airport - Atlanta + Atlanta Gas & Light Co. Pepsi Cola, Tate Properties, Heath Gallery, Harold Dawson Properties, Turner Field/Atlanta Braves...

SUNDOG 10 is an acrylic on panel painting belonging to a series inspired by the meteorological phenomenon of Sundogs (parhelia), occurrences of bright spots straddling the Sun in a 22° halo. The painting consists of triangular and quadrilateral forms in a red hue palette. Just like in other Sundog paintings, the color scheme is directly inspired by nature, with red tints referring to the element of fire and autumn leaves. SUNDOG 10 was featured in Linda King Ferguson’s solo exhibition Kissing the Sky at the Channel To Channel...

Playfully riffing off of classical Dutch baroque still lives, this still life pulls my dream content outside of itself in a way that feels displaced without context. Dreams subjects ...

In ADORNED OBSOLESCENCE 01, Liz Miller creates a sculptural wall hanging piece which builds on the juxtapositions between strength and malleabi...

This framed mixed media painting by Eric Mack combines his grid work created through collaged pieces of paper, nylon mesh, ink, gesso, and acrylic. Imagery i...

Hand Signed by Lynn Goldsmith Limited Edition of 20 ...

In ADORNED OBSOLESCENCE 4, Liz Miller creates a sculptural wall hanging piece which builds on the juxtapositions between strength and malleabil...

This piece consists of pieces of spalled brick, which had crumbled from the artist's chimney. The artist has used natural string to tie these brick pieces in a neat package. The brick package is delicately placed on a pile of bright orange chalk powder. Brian Russell...

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This C-Print by Sarah Hobbs is part of a series included in her show "Twilight Living," at Channel to Channel. It depicts a home basement that is covered in gold metallic tassle curt...

"Thalasso 6" is part of an on-going series of paintings by Chloe York centered around marine biology. Chloe’s work is flat and linear and always begins with a human head and shoulder...

SUNDOG 34 is an acrylic on panel painting belonging to the Sundog series inspired by the meteorological phenomenon of Sundogs (parhelia), occurrences of bright spots straddling the S...

Andy Harding is a sculptor living and working in Nashville, TN. A range of interests from Eastern philosophy to contemporary science inspire and influence his work, but the practical...

Alexander Girard designs belong in a museum. :: Painting :: Pop-Art :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Sig...

ROJO #1 is dominated by the richness of the red in the oil paint on the canvas. The perfectly geometric gold leaf circle, a recurring visual element in Yuri's works, contrasts nicely...

This painting was created by Heather Hartman for her exhibit "Kudzu Season," at Channel to Channel Gallery. A black silhouette of Kudzu leaves crowd...

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In ADORNED OBSOLESCENCE 02, Liz Miller creates a sculptural wall hanging piece which builds on the juxtapositions between strength and malleability, archite...

"Summer's End " captures the soft patterned shadow of the leaves. This painting is is part of an on-going series that explores the light and landscape in Tennessee. Hartman creates a...

THE LONG SUMMER captures the patterned light peering through the blinds on a late Summer's afternoon. This painting is is part of an on-going series th...

This C-Print by Sarah Hobbs is part of a series included in her show "Twilight Living," at Channel to Channel. A velvet couch flanked by two tables with lamps dominates the backgroun...

This drawing by Austin Reavis is from a series of abstract works that build lines and forms, suggestive of construction elements, as a foreground to chan...

"Fallen Sun Song" is created by bleaching black denim and piecing together garments dyed with ink. Grommets are used throughout the piece to show the wall behind it. A brass colored ...

This piece comes framed and matted. Untitled is part of Eric Mack's ongoing body of work utilizing multi-media, complex compositions, and a grid centered a...

In RAIN BOKEH, Amanda Joy Brown augments the tradition of landscape painting through her use of multicolored overlays. Drawing her initial inspiration from t...

The interconnectivity between one's waking life and one’s dreams offers a point of convergence between the real and the surreal, the ordinary and the absurd. Daily observations are recycled into nightly visions, and consciousness becomes an in-between state. Experiences turn into memories which turn into dreams which turn into experiences. This piece appears as part of two-person exhibition with Jason Stout at Channel To Channel...

This museum-quality photographic print on handmade paper by Carleigh Thomas measures 9 x 6”, and is on a mat that measures 14 x 11”. The photograph was taken in Tainan, Taiwan and is...

Heading into the crowd we see what lies ahead and where the crowd in front of us has been. It's a memory, a blur for them for us there is time to take notice, see things clearly, not...

In ARCHITECTURAL HYPERBOLE 04, Liz Miller creates a sculptural wall hanging piece which builds on the juxtapositions between strength and malleability, arch...

This C-Print by Sarah Hobbs is part of a series included in her show "Twilight Living," at Channel to Channel. It depicts a surreal indoor, forested oasis. A green lawn chair is unfolded on two strips of indoor turf, replete with a faux fire...

ST.ROPER is a 3D-printed sculpture by Ray Padrón created in 2016. The piece belongs to a series of work centering around clothing items and their relation t...

BANDANNA is a sculpture by Ray Padrón created in 2021 from painted and carved poplar wood. The piece belongs to a series of work centering around clothing i...

Amanda describes her work as a reaction to the “complex pattern, rhythm and color” in the world. In Mossy Trail the eye is immediately drawn to a bright red line of light highlightin...

"Cutting Edge" is an installation piece by Dustin Hedrick comprised of paint and artist's tape. The red artist's tape creates a geometric, abstract portrait on the painted blue walls...