Tennessee - Paintings

This is a beautiful one-of-a-kind original acrylic/oil/chalk painting. It comes wired and ready to hang on deep-profile canvas. It is signed by the artist.

Inspired by the colors of the changing seasons and the illusion of time slowing down. This painting continues around the edges for a gallery wrapped finish. There is a hanger fast...

PWW-777 is part of Eric Mack's ongoing body of work utilizing multi-media, complex compositions, and a grid centered around urban design. Using a grid to create the framework of the painting, Mack has utilized Zerox copies adhered by a matte medium to create graphic imagery of electronics from the 90s, small bits of a map of various places in Germany, and vinyl records. Mack paints on top of a torn canvas, and on the edges you can see the frayed, painted canvas mounted to the white backing of the frame. The work is finished with glass that shows minimum reflection as well as a customized 2 inch, white frame. Eric Mack (b.1976, Charleston) creates mathematically based renderings with a distinct post-modern twist. Works are informed with super imposed grids, patterns, and portals. Layered surfaces are created with paint, found objects, natural fibers, and synthetic substrates that explore the systems of our visual world. His most recent show “Charting the Terrain” is on view now at the California African American Museum in Los Angeles was covered by the Los Angeles Times, KCRW, and LALA Magazine. His last solo exhibition was titled "Impossible Architectures" at The University of North Carolina at Chapel Hill in 2017. Recent group shows include "Abstract Mind" at the Czong Institute of Contemporary Art, South Korea, "Small Works 2017 at Trestle Gallery, Brooklyn, "Checkered History", Outpost Artist Resources, Brooklyn, N.Y. 2015; Collections include High Museum Atlanta, Ing Investments, Hartsfield Jackson International Airport - Atlanta + Atlanta Gas & Light Co. Pepsi Cola, Tate Properties, Heath Gallery, Harold Dawson Properties, Turner Field/Atlanta Braves...

The Essence of East Tennessee 14.0 x 11.0 x 0.25, 10.0 lbs Acrylic on canvas Hand signed by artist Artist's Commentary: Capturing the serene beauty of East Tennessee, this paint...

"Reflections" is a soft, impressionistic abstract expressionist oil painting on canvas by artist Trixie Pitts, a trusted artist seller. The soft palette includes pale green, pale tur...

This painting was created by Heather Hartman for her exhibit "Kudzu Season," at Channel to Channel Gallery. A black silhouette of Kudzu leaves crowd...

"Thalasso 6" is part of an on-going series of paintings by Chloe York centered around marine biology. Chloe’s work is flat and linear and always begins with a human head and shoulder...

"Snowy Mudslide" features the central, gold leaf circle found in Yuri Figueroa's oil paintings. The geometric gold leaf circle is surrounded by layered oil on canvas. Yuri builds tex...

This framed mixed media painting by Eric Mack combines his grid work created through collaged pieces of paper, nylon mesh, ink, gesso, and acrylic. Imagery i...

"Fallen Sun Song" is created by bleaching black denim and piecing together garments dyed with ink. Grommets are used throughout the piece to show the wall behind it. A brass colored ...

"I am drawn to the aesthetic qualities of jewelry. This interest stems from the color, texture, variety and the association with the female body that jewelry contains. I experiment...

ROJO #1 is dominated by the richness of the red in the oil paint on the canvas. The perfectly geometric gold leaf circle, a recurring visual element in Yuri's works, contrasts nicely...

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This framed mixed media painting by Eric Mack combines his grid work created through collaged pieces of paper, nylon mesh, ink, gesso, and acrylic. Imagery i...

SUNDOG 22 is an acrylic on panel painting belonging to the Sundog series inspired by the meteorological phenomenon of Sundogs (parhelia), occurrences of bright spots straddling the S...

Dustin Hedrick was born in Amory, MS in 1986 and received his BFA from Mississippi State University. Hedrick lives and works in Chattanooga, TN. As a visual artist and the founder of Channel To Channel...

In this painting, Michelle Weddle utilizes line, color, and form to create a work which acts at the balance between the nonobjective and representation...

This piece is part of an exhibition in which Yuri Figueroa explores the relation between artworks that inform each other but respond to different systems of categorizing movement and...

OYV-19 is part of Eric Mack's ongoing body of work utilizing multi-media, complex compositions, and a grid centered around urban design. Using a grid to create the framework of the painting, Mack has re-purposed an old Lenny Kravitz album cover as the structure of the piece. On the edges of the piece you can see a complex edge consisting of a faux leather album cover, nylon mesh, and torn paper. As imagery, Mack has chosen musical notes, tape measure, and other music composition elements through Zerox copy adhered by matte medium to the surface. Mack then creates his own color to further tweak and personalize the piece. Eric Mack (b.1976, Charleston) creates mathematically based renderings with a distinct post-modern twist. Works are informed with super imposed grids, patterns, and portals. Layered surfaces are created with paint, found objects, natural fibers, and synthetic substrates that explore the systems of our visual world. His most recent show “Charting the Terrain” is on view now at the California African American Museum in Los Angeles was covered by the Los Angeles Times, KCRW, and LALA Magazine. His last solo exhibition was titled "Impossible Architectures" at The University of North Carolina at Chapel Hill in 2017. Recent group shows include "Abstract Mind" at the Czong Institute of Contemporary Art, South Korea, "Small Works 2017 at Trestle Gallery, Brooklyn, "Checkered History", Outpost Artist Resources, Brooklyn, N.Y. 2015; Collections include High Museum Atlanta, Ing Investments, Hartsfield Jackson International Airport - Atlanta + Atlanta Gas & Light Co. Pepsi Cola, Tate Properties, Heath Gallery, Harold Dawson Properties, Turner Field/Atlanta Braves...

Heading into the crowd we see what lies ahead and where the crowd in front of us has been. It's a memory, a blur for them for us there is time to take notice, see things clearly, not...

"Window IV" captures the sun peering in behind sheer curtains. This painting is is part of an on-going series that explores the light and landscape in T...

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THE LONG SUMMER captures the patterned light peering through the blinds on a late Summer's afternoon. This painting is is part of an on-going series th...

Playfully riffing off of classical Dutch baroque still lives, this still life pulls my dream content outside of itself in a way that feels displaced without context. Dreams subjects ...

"Summer's End " captures the soft patterned shadow of the leaves. This painting is is part of an on-going series that explores the light and landscape in Tennessee. Hartman creates a...

In RAIN BOKEH, Amanda Joy Brown augments the tradition of landscape painting through her use of multicolored overlays. Drawing her initial inspiration from t...

How the West was played. By kids. And adults. And Texans. And Mid-Westerners. Well, actually, by anyone who dreamed of being a cowpoke one day. Or IS one. :: Painting :: Pop-Art :: T...

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SUNDOG 12 is an acrylic on canvas painting belonging to the Sundog series inspired by the meteorological phenomenon of Sundogs (parhelia), occurrences of bright spots straddling the ...

SUNDOG 1 is an acrylic on panel painting belonging to the Sundog series inspired by the meteorological phenomenon of Sundogs (parhelia), occurrences of bright spots straddling the Su...

SUNDOG 10 is an acrylic on panel painting belonging to a series inspired by the meteorological phenomenon of Sundogs (parhelia), occurrences of bright spots straddling the Sun in a 22° halo. The painting consists of triangular and quadrilateral forms in a red hue palette. Just like in other Sundog paintings, the color scheme is directly inspired by nature, with red tints referring to the element of fire and autumn leaves. SUNDOG 10 was featured in Linda King Ferguson’s solo exhibition Kissing the Sky at the Channel To Channel...

SUNDOG 2 is an acrylic on panel painting belonging to the Sundog series inspired by the meteorological phenomenon of Sundogs (parhelia), occurrences of bright spots straddling the Sun in a 22° halo. Minimalistic, but also quite complex, the used colors reflect the optimism and lightness found in nature, the artist’s main muse. Here, the palette of violet, blue and red, both contrasting and complementary, reminds us of the unique and various colors of the sunset. SUNDOG 2 was featured in Linda King Ferguson’s solo exhibition Kissing the Sky at the Channel To Channel...

SUNDOG 34 is an acrylic on panel painting belonging to the Sundog series inspired by the meteorological phenomenon of Sundogs (parhelia), occurrences of bright spots straddling the S...

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Looking into a restaurant where two friends are at lunch,there is a play of reflections from outside mixing with what is inside. As the friends sit and talk about all that is on the...

This drawing by Austin Reavis is from a series of abstract works that build lines and forms, suggestive of construction elements, as a foreground to chan...

There is a comfort being with friends, whether talking or just standing together. These two paused on the street for a moment while the city continued to move on. The painting is sof...

She is sitting in a corner cafe and catching up on the day. She is a mystery. Whether we pass someone on the street or see them daily, we see them through the layers they have built ...

This painting is part of the "Summits and Starlight series. The "Summits and Starlight" collection of paintings captures the spirit of the aurora borealis shining over mountain peaks...

I have no idea why all of a sudden I wanted to paint flags, but I did! I tend to paint in "series," and this is one of the flag paintings from a series. ...

This painting is acrylic on deep-profile canvas, wired and ready to hang. :: Painting :: Pop-Art :: This piece comes with an official certificate of authenticity signed by the artist...

This painting is acrylic on deep-profile canvas, wired and ready to hang. :: Painting :: Pop-Art :: This piece comes with an official certificate of authenticity signed by the artist...

Alexander Girard designs belong in a museum. :: Painting :: Pop-Art :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Sig...

One bad decision may lead to others :: Painting :: Pop-Art :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: No :...

Busy New York streets filled with people. Energetic and exciting as they pass each other or pause in their own thoughts before crossing a street or continuing on their journey. The p...

This original painting is: • 36 x 36 on 1.5” gallery-wrapped canvas • acrylic • wired and ready to hang :: Painting :: Pop-Art :: This piece comes with an official certifi...

SUNDOG 15 is an acrylic on panel painting belonging to the Sundog series inspired by the meteorological phenomenon of Sundogs (parhelia), occurrences of bright spots straddling the S...

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This piece is part of an exhibition in which Yuri Figueroa explores the relation between artworks that inform each other but respond to different systems of categorizing movement and color, where conventional structure and intuitive placing of tones will determine the disruptive chaos of the surrounding artworks and vice versa. Repercussion explores Chaos Theory, which explains that within the apparent randomness of chaotic and complex systems, there are underlying patterns and interconnectedness. You cannot have chaos without order and you cannot have order without chaos. What are the repercussions of a small change in the order of things? What conditions make patterns unpredictable? This particular painting, titled "Chaos III...

CREEPING AND CLIMBING by Heather Hartman was created for her exhibit, "Kudzu Season." This painting is a rendering of Kudzu vines on a blue atmospheric back...

TENDRIL by Heather Hartman was created for her show titled "Kudzu Season." This painting titled "Tendril," depicts a kudzu vine in white, layered over an at...

This piece by Heather Hartman, made for her show "Kudzu Season," is one of a series of four paintings representing the four seasons relative to the Kudzu growth cycle. "Waning," is the autumnal piece of the series. Peach and magenta undertones outline a hazy vision of leaves bustling in the sunshine. The dark silhouette of a kudzu vine...

Jessica Gatlin uses the process of letter pressing to create these pieces on paper that have been mounted to a small panel. An exercise in language and rule making. Partly intuitive,...

FROM A VANISHED GREEN is a multilayer oil, gouache and acrylic painting on paper, with additional use of tyvek and polyester mesh. Through layered silhouettes of hand cut tyvek shape...

There are always moments to pause, look up and around in every busy place in life.The application of paint suggests the constant motion of life but also we see there is a time to loo...

This painting is acrylic, oil, and chalk, on deep-profile canvas, wired and ready to hang. :: Painting :: Pop-Art :: This piece comes with an official certificate of authenticity sig...

In the light of day, she is passing by on her way to who knows where. The brevity of the moment leaves the details unclear. The painting is in oil on canvas with 1.5" finished sides ...

Walking at night in the city seems to be an extension of the day. The surrounding lights so bright they add an an air of excitement. The artwork is painted in detail then covered i...