Vancouver

21.61 Cluster porcelain chandelier lamp by Bocci Dimensions: diameter 70.7 x height 300 cm Materials: porcelain, borosilicate glass, braided metal coaxial cable, electrical compon...

Round 14.26 Chandelier lamp by Bocci Dimensions: Diameter 60 x Height 300 cm Materials: Brushed Nickel, Cast glass, blown borosilicate glass, braided metal coaxial cable, electric...

87.37 pendant by Bocci Dimensions: D 60 x H 300 cm Materials: White powder coated rectangular canopy Weight: 66 kg Also available in different dimensions. All our lamps can be w...

76.36 pendant by Bocci Dimensions: D 110 x W 37 x H 300 cm Materials: white powder coated square canopy Weight: 40 kg Also available in different dimensions. All our lamps can b...

84.36 Pendant by Bocci Dimensions: D110 x W37 x H300 cm Materials: white powder coated square canopy Weight: 91.8 kg Also Available in different dimensions. All our lamps can ...

87.26 Pendant by Bocci Dimensions: D60 x W60 x H300 cm Materials: white powder coated rectangular canopy Weight: 50.5 kg Also available in different dimensions. All our lamps ...

57.37 Pendant by Bocci Dimensions: D60 x H300 cm Materials: white powder coated round canopy Weight: 65 kg Also available in different dimensions and colours. All our lamps ca...

28.19 pendant by Bocci Dimensions: D 50.1 x H 300 cm Materials: white round canopy Weight: 49.5 kg Also Available in different dimensions. All our lamps can be wired according t...

57.19 Pendant by Bocci Dimensions: D 50.1 x H 300 cm Materials: white powder Coated round canopy Weight: 35 kg Also available in different dimensions and colours. All our lam...

14.50 square pendant by Bocci Dimensions: D 75.5 x H 200 cm Materials: white powder coated round canopy Weight: 109.6 kg Available: Round, Rectangle and Square version. All o...

21.36 Porcelain chandelier lamp by Bocci Dimensions: D 37 x W 110 x H 300 cm Materials: porcelain, borosilicate glass, braided metal coaxial cable, electrical components, brushed ...

87.19 Pendant by Bocci Dimensions: D50.1 x H300 cm Materials: white powder coated rectangular canopy Weight: 39 kg Also available in different dimensions. All our lamps can be w...

87.20 Pendant by Bocci Dimensions: D132 x W30 x H300 cm Materials: white powder coated rectangular canopy Weight: 40.9 kg Also available in different dimensions. All our lamps...

Square 14.36 chandelier lamp by Bocci Dimensions: D 75.5 x W 75.5 x H 300 cm Materials: Brushed Nickel, Cast glass, blown borosilicate glass, braided metal coaxial cable, electric...

21.37 Cluster Porcelain Chandelier lamp by Bocci Dimensions: D 60 x H 300 cm Materials: Porcelain, borosilicate glass, braided metal coaxial cable, electrical components, brushed ...

A luxurious modern Chinese handwoven silk carpet with overall flowers and clouds; the cloudy blue/grey background shimmers depending on the viewing angle; Model Titled "Imperial Jewel...

14.14 Round Pendant by Bocci Dimensions: D50.8 x H300 cm Materials: white powder coated round canopy Weight: 37 kg Available: Round and Rectangle version. All our lamps can be...

A rare and important Russian late 18th Century twelve candle crystal chandelier attributed to the renowned firm of Johann Zekh. Crafted in Saint Petersburg of mercury-gilded bronze, ...

An English 18 century engraving titled "Man of the Sandwich Islands, with his helmet " signed .J. Webber del. J.K. Sherwin sc. The subject was sketched in the 1770s by J.K Sherwin S,...

A late 19th century French crystal lamp by the famous Paris Baccarat company in the design referred to as 'rope twist'. There are five crystal components that make up the lamp. The c...

A rare standing globe manufactured by the Franklin Mint, to a designed as was issued by the Royal Geographic Society. The globe is mounted on a tripod mahogany base accented by gi...

A beautifully carved stained wood open armchair in the American Queen Anne style.

A fine quality chased and gilded French Empire mantle clock depicting a standing winged cupid to the right of the clock plinth playing a lute. He looks to his right reading his sheet music and other elements including a torch, flambeau, wreath etc. On the left side of the clock plinth is a three legged...

A fine pair of relatively large Empire style rectangular mirrors; the frames having a gilded bronze molding around the glass, and gilt rosettes on the top two sides; the mirrors are ...

Finest quality period French Empire clock depicting a seated winged cupid holding a rose; the case in gilt and patinated bronze. The clock show a gilt cupid...

A late French Empire mantle clock in gilded bronze depicting a standing classical lady on the left side of the clock plinth with her left ar...

A beautifully cast matching pair of patinated bronze figural torcheres in the manner of Clodion modeled as classically draped young girls with garlands of flowers in their hair and h...

84 SERIES A white glass moil is captured inside a fine copper mesh basket and then plunged into hot clear glass. Air is blown into the matrix to gently push the white glass through ...

A late 19th century French Bureau Plat in kingwood and amaranth parquetry with three drawers to one side with gilt bronze decoration all round; notable are the drawer handles modelled with Chinese heads; the two ends decorated with Apollo heads...

The chandelier embodies some of the best design features of early 19th century Russian/Baltic chandeliers, featuring cobalt blue glass around the central stem; a top spray of curved ...

The translucent alabaster planes of the median shapes are intersected by a fluted brass form, referencing traditional Middle Easter Jewellery while push...

Head outside to have some fun with friends and family around the Column outdoor shuffleboard table. Made to order in Vancouver, Canada, outdoor gam...

Head outside to have some fun with friends and family around the Column outdoor shuffleboard table. Made to order in Vancouver, Canada, outdoor gam...

An early 1900s Waterman 'Ideal' fountain pen in 14 karat gold pierced and engraved filigree design, with a lever filling system. Missing its original bladder but otherwise intact. No...

A very large and impressive blue and white Chinese porcelain Charger depicting the Taoist concept of Good Fortune (Fu) Good Stable Income (Lu) and Long Life (Shou). Fu is on the righ...

A rare and highly unusual carved wood, gesso and gilded mirror frame in the full French Napoleon III style. The gilded frame itself is totally decorated with cartouches and is furthe...

A rare and unusual carved and gilt corner chair of the Louis XVI period. The frame is totally carved with scroll work, rosettes, ribbons, with a decorative 'acorn' at the back corner...

Made in Denmark, the ARV chair is classic yet contemporary in aesthetic, with a timeless quality. It draws on iconic traditional Danish design yet has the sp...

21 results from a fabrication process in which thin porcelain sheets are draped over an inverted diffuser made of sandblasted borosilicate glass. The thin porcelain skin is allowed t...

An small but exquisitely cast and highly detailed bronze statue of St Joan of Arc in full body battle armour including the horse with one hand holding ...

A dramatic patinated bronze statue depicting a mounted crusader on his rearing horse ready to strike a mortal blow to a fallen Saracen lying beneath him on a rocky landscape. In a desperate attempt to defend himself the Saracen is shown thrusting his sword into the chest of the the crusader's horse. The bronze grouping is mounted on a green scagllola painted marble base with gilt bronze trim. While the bronze is not signed it had to be cast after a hugely famous bronze very similar statue by Jean-François-Théodore Gechter (1795, Paris - 1844, Paris) titled "The Combat of Charles Martel...

A beautifully executed and rare complementary pair of oil on canvas paintings depicting two of the moist famous and important counter reformation catholic saints St Francis Xavier and St Carlo Borromeo shown in scenes of what the respective saints are mostly famous for. St Francis Xavier for the conversion to Christianity of many S. E Asian countries notably India and St Carlo Borromeo shown asking the Virgin Mary to intercede for the cessation of the terrible plague of 1576. The paintings are presented in refreshed gilded carved wooden frames and are unsigned. St. Francis Xavier was born in Spanish Navarre in 1506 and in 1528, he met St. Ignatius of Loyola. He became one of the seven in 1534 who founded the Society of Jesus (Jesuit Order). In 1536, he left the University of Paris and joined St. Ignatius in Venice. He was ordained in 1537, and in 1540 after the Society was recognized by the Pope, he journeyed to the Far East. Francis Xavier first evangelized the Portuguese colony of Goa in India, then Travancore, Ceylon, Malacca, and the surrounding islands. From there he journeyed to Japan, where he gave Christianity such deep roots that it survived centuries of violent persecution. He died on Sancian Island in 1552, while he was seeking to penetrate into the great forbidden land of China. Despite language problems, lack of funds, resistance from the Europeans as well as the natives, he persevered. St. Francis converted more people in his life than anyone since the Apostle St. Paul. He baptized over 3 million people, converted the entire town of Goa in India, and he labored in India, Pakistan, Bangladesh, Sri Lanka, Malaysia, Indonesia, Singapore, and Japan. He was truly a missionary par excellence. St Carlo Borromeo (1538-1584), was a Cardinal of the Holy Roman Catholic Church and Archbishop of Milan from 1565 to 1583. He was described in the decree for his canonization, as “a man, even while the world smiles on him with the utmost flattery, he lives crucified to the world, spiritually, trampling earthly things, seeking continuously the things of heaven, emulating the life of the Angels on earth, in his thoughts and actions. The plague began in the month of August that year. Milan was celebrating joyfully the arrival of Don John of Austria, on his way to Flanders, where he had been appointed governor. The city authorities were abuzz with excitement in their desire to bestow the highest honours on the Spanish prince, but Charles, who had been Archbishop of the diocese for six years, was following with concern the news coming from Trento, Verona and Mantua, where the plague had begun claiming victims. The first cases exploded in Milan on August 11th, right at the moment when Don John of Austria arrived. The victor of Lepanto, followed by the governor, Antonio de Guzmán y Zuñiga, departed the city, while Carlo Borromeo, who was in Lodi for the Bishop’s funeral, returned in haste. Confusion and fear reigned in Milan and the Archbishop dedicated himself completely to assisting the sick and ordering public and private prayers. Dom Prosper Guéranger sums up his infinite charity in this way: “In the absence of local authorities, he organized the health service, founded or renewed hospitals, sought money and provisions, decreed preventive measures. Most importantly though, he took steps to ensure spiritual help, assistance to the sick and the burial of the dead. Unafraid of being infected, he paid in person, by visiting hospitals, leading penitential processions, being everything to everyone, like a father and true shepherd” St. Carlo was convinced that the epidemic was “a scourge sent by Heaven” as chastisement for the sins of the people and that recourse to spiritual measures was necessary to fight against it: prayer and penitence. He rebuked the civil authorities for having placed their trust in human measures rather than divine ones. “Hadn’t they prohibited all the pious gatherings and processions during the time of the Jubilee? For him, and he was convinced of it, these were the causes of the chastisement. The magistrates who governed the city continued to oppose public ceremonies, out of fear that the large gathering of people would spread contagion, but Charles “who was guided by the Divine Spirit” – recounts another biographer – convinced them by citing various examples, among which was the one regarding St. Gregory the Great who had halted the plague devastating Rome in 590. While the pestilence spread, the Archbishop then ordered three general processions to take place in Milan on the 3rd, 5th and 6th of October, “to placate the wrath of God”. On the first day, the Saint, despite it not being the Lenten season, placed ashes on the heads of the thousands gathered, exhorting them to penitence. Once the ceremony was over, the procession went to the Basilica of St. Ambrose. Charles put himself at the head of the people, dressed in a hooded purple robe, barefoot, penitential cord at his neck and large cross in his hand. The second procession led by the Cardinal headed towards the Basilica of San Lorenzo. The third day the procession from the Duomo headed for the Basilica of Santa Maria at San Celso. St. Carlo carried in his hands a relique of Our Lord’s Holy Nail, which had been given by the Emperor Theodosius to St. Ambrose in the 5th century. The plague didn’t show any signs of waning and Milan appeared depopulated, as a third of its citizens had lost their lives and the others were in quarantine or didn’t dare leave their homes. The Archbishop ordered about twenty stone columns with a cross at the top to be erected in the main squares and city crossroads, allowing the inhabitants from every quarter to take part in the Masses and public prayers - from the windows of their homes. One of Milan’s protectors was St. Sebastian, the martyr the Romans had recourse to during the plague in 672. St. Charles suggested that the magistrates of Milan reconstruct the sanctuary dedicated to him, which was falling into ruins, and to celebrate a solemn feast in his honour for ten years. Finally in July 1577, the plague ceased and in September the founding stone was laid in the civic temple of St. Sebastian, where on January 20th every year, even today a Mass is offered to recall the end of the scourge. St.Carlo Borromeo died on November 3rd 1584 and was buried in the Duomo of Milan. His heart was solemnly translated to Rome, in the Basilica of Saints Ambrose...

This pair of magnificent torcheres are of the finest quality carved wood, gilding and faux marble painting. Each are comprised of a giltwood cherub or putto figure sitting on faux m...

A 19th century engraving of a young Mozart playing the harpsichord in the court of Hapsburg Emperor Francis I featuring the Emperor and a number of courtesans and members of the Haps...

A striking pair of late French Empire mahogany armchairs, highly decorated with gilded bronze mounts on the upper back rail and all round the bottom of the seat as well. The curved open front arms terminate in carved dolphins. The chairs have been re-upholsterd in a cream and dark green striped antique silk fabric...

Beautiful Art Deco style mid century clock -made in the 50's by the famous German maker Palmtag factory. The clock movement and dial are...

A mid century impressionist style oil on canvas showing Le Pont Marie one of many bridges across the Seine in Paris during the fall or winter by an un documented artist who simply si...

A 19th C three quarter length portrait of an aristocratic gentleman with his personal valet shown behind him. The young man with flowing long hair is portrayed from the waist up and ...

Specially designed by Studio Piet Boon to celebrate the close cooperation with Linteloo, the bold and refined solid cast bronze HERO is a true sculptu...

A beautifully cast French Serves bisque porcelain grouping showing two classically draped maidens or Graces standing on a circular bisque base with flutes and inset with decorative flames, on a further bisque base decorated with grapes and palmettes, the whole on a circular gilded bronze base resting on three tupie feet. Between the heads of the maidens there is a decorative gilded shaft which supports the 'new' top electrics as well as three curved gilded candle arms and nozzles. Incised on the top and back of the bisque base is the Sevres stamp with a number 2 between the interlaced L's. There is also the original sculptor's name J. J Feuchere for Jean Jacques Feuchere ( 1805 - 1852) etched on the base under the Graces...

A beautiful French and Asian collaboration of a 19thC pair of Napoleon III Famille Rose porcelain, (from Canton China), and gilt bronze and brass oil lamps that miraculously include ...

Initially introduced back in 1938, Little Petra won instant praise at the Copenhagen Cabinetmakers Guild Exhibition, subsequently winning awards at exhibi...

Take your table tennis game to a new level with this modern outdoor ping pong table. The Column Ping Pong Table puts a minimalist spin on a cl...

A very handsome and unusual table top dressing mirror likely made in Austria in the early to mid 19thC. The shield shaped mirror has a gilded...

A mid to late 19thC French Empire style candelabra that at one time was electrified. A finely chased patinated winged Nike or Winged Victory stands on a gi...

This is a classic three door 1930's French Art Deco sideboard or buffet in matched burl walnut veneered finish. The two side doors open to reveal a shelved interior and a top drawer....

The Break Ping Pong table gives a modern look to the classic parlour game. The frame of the table is hand-welded from durable steel and can be finished in one of our three metal opt...

A fine pair of late 19thC French Empire style candelabra now wired into lamps. The very well cast and patinated winged Victory or Nike s...

The Radius dining table is a furniture piece that will set the tone of style in your home. Solid wood has been trusted for generations as a durable and prestigious construction material. The table’s tambour wrapped base is a timeless design feature that will keep your table looking current throughout the years. The price listed is for a solid wood top, wood base, table shape and base shape of your choice. Examples for the options can be seen in the product images. Please specify your selection fro the below options when ordering your dining table. Solid Wood Top: Natural Ash, Whitewashed Ash...

A metal framed box with all-over lacquer decoration featuring multi-coloured flowers, leaves, ribbons. The inside of the box is veneered in a light wood. It is stamped China on the u...