Recognized Dealers Art

The bodegones are a pictorial interpretation based on a research project of the famous chef Juan Carlos Franco, on old food recipes of different periods in history. The photographer ...

Vision Antique Color lithograph, 1899 Signed in the stone upper left (see photo) Titled in the stone lower right (see photo) Edition: unsigned edition about 200 (per Arwas) Published...

Morning Awakening by Alfons MUCHA (1860-1939) "Morning Awakening" from the series "The Times of the Day" Variant 1 Original lithograph Signed "Mucha" and dated "99" for 1899, at t...

Etching, aquatint and drypoint in colours, 1987, on Magnani paper, signed and dated in pencil, numbered from the edition of 71 (there were also 8 artist’s proofs), published by 2RC E...

"House in the Countryside," a rare early oil on canvas by Piet Mondrian circa 1898, offers a window into the artist's pre-abstraction period, likely executed "en plein air." This intimate painting, one of approximately 47 works from this phase across various media, showcases Mondrian's early dedication to capturing the essence of place. The composition features a modest house set within the landscape, rendered with soft, earthy tones and a delicate interplay of light and shadow, reflecting his youthful passion for naturalistic depiction. The artwork is signed lower right, "Piet Mondrian” Provenance: Dutch Estate, 1982 Katharine and Nicholas Fox Weber Collection Exhibition: London, David Zwirner, Piet Mondrian: Painting 1900-1905, November 26, 2015-January 23, 2016 Literature: Robert Welsh...

The Helmsman. 1925. Etching. Hurst 130. 7 x 10 7/8 (sheet 11 x 5). Trial proof, apart from the edition of 75 An extremely rich impression printed cream wove paper. An exceptionally r...

"The Washington Hotel” is an oil on canvas painting by California Impressionist artist, Evelyn McCormick in a bright and luminous palette. The artwork is signed, lower left, 'M. Evel...

Original magazine cover illustration for the August 28, 1909 issue of Collier's magazine. The image features a man and woman in an early airplane. LITERATURE Collier's, 28 August ...

Lyonel Feininger, 'Three Masted Ship, 2 (Dreimastiges Schiff, 2)', woodcut, 1937, one of a small but unknown number of letterhead proofs; Prasse W296. Feininger estate stamp and inventory no. 'W 865' in pencil, bottom left sheet corner. Annotated 'W 296' and 'on block : 3702a' in pencil, bottom right sheet corner. A fine impression, on cream, laid, letterhead stock; hinge remains on the left and right top sheet edges, verso, in excellent condition. Very scarce. Image size 2 1/4 x 2 11/16 inches; sheet size 10 x 6 3/4 inches. Archivally sleeved, unmatted. Exhibited: 'Lyonel Feininer, Woodcuts Used As Letterheads'; Associated American Artists; Feb 4 - March 2, 1974; New York, NY. ABOUT THE ARTIST Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public, but he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892. After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin. One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral crowned...

Afternoon ride is a pair of, 13 x 9 inches each, equestrian paintings by Pennsylvania painter James N Hess. One is signed in the lower left, one is signed in the lower right. Animal...

A Fine, Mid-Century Modern, Abstracted Figure Study Drawing of a Seated Male Model, Young Man by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well execute...

This large, abstract image celebrates the 13th Annual Community Holiday Festival, 1983 at Lincoln Center. It is signed and numbered by the artist from the edition of 144 (plus 18 APs) and was printed at Fine Creations, NY. This print comes directly from the publisher, Lincoln Center Editions...

Signed by Artist Lower Right The Saturday Evening Post, February 11, 1939, cover illustration Literature The Saturday Evening Post, February 11, 1939, cover illustration Thomas S....

In most of the paintings, the artist uses an interior space as his subject, placing a table or similar object at its center. The use of symmetry and eye level often suggests an altar...

Zupan combines images from old masters, alchemical prints, contemporary artists, and bits from magazines and newspapers to create overlapping, intersecting worlds of transparencies a...

New York City, 1974 - Elliott Erwitt (Black and White Photography) Signed, inscribed with title and dated on accompanying artist’s label Silver gelatin print, printed later Availabl...

Fear and insecurity came uninvited to keep the artist company. Suddenly it became necessary to release the sensations that surrounded him day and night. At times the artist felt as i...

Traces of lived experiences appear in On Hansen's works, exploring the possibilities of formal abstraction and seeking an organic experience between space and time through painting a...

JOSEPH PENNELL (1857 - 1926) STREET ACAPULCO 1901-08. Color pastel and gouache drawing on blue paper. Signed and titled in pencil in his early signature. Image, 10 x 14 inches to j...

Artist: Pablo Picasso *after) Medium: Lithographic Poster, Edition of 2000, 1971 Dimensions: 30 x 19.75 in, 76.2 x 50.2 cm Arches Paper (with Mourlot watermark) - Excellent Condit...

James Allen, 'Pipe and Brawn,' 1937, lithograph, edition 40. Signed and annotated 'Ed/40' in pencil. A superb, richly inked impression on cream wove paper, the full sheet with margin...

The artist has covered New York collections for over 16 years and has interviewed, as a journalist, several fashion designers and personalities for different publications. He loves t...

Hall is a highly respected contemporary artist. It is framed in a contemporary lacquered off white float frame. The surface of the board is slick and almost photographic in feel. The...

This sculpture is edition 2/20

This contemporary abstract painting was inspired by nature. This rich composition by Sandra Goldie, a Canadian artist is somewhat reminiscent of the expressive, fluid work by the F...

Dreams and fantasies from the past and present are portrayed by Léa Bon’s subjects, which she uses as her own personal dolls. Léa Bon work is a profound exploration of dreams and fa...

Bull Ring Jazz, Mexico City Watercolor and ink on paper, c. 1960's Signed lower right in ink (see photo) Titled in pencil (see photo) Condition: Good Tears and voids around the sheet...

Charles Pachter’s love of barns has spanned decades. For the cherished Canadian contemporary artist the barn is a reminder of Canada’s strong rural roots and agricultural heritage. In this painting, the barn is a forest green; a colour that became popular after the 18th century invention of a paint pigment called ‘Paris green.’ The rich colours are enhanced by the reflection of the image in cool blue waters. The undulating borders blur the line between earth and sky. While Pachter has been much lauded as a pop artist often compared to David Hockney, Andy Warhol and Jim Dine, his charming imagery is distinctly his own. “Charles Pachter is the most Canadian artist this country has ever produced, including the Group of Seven. Charlie is a Group of One, and no one else can do what he does.” Leonard Wise, Author and Art Critic Pachter is an Officer of the Order of Canada, a Chevalier of France’s Ordres des Arts et des Lettres and twice a recipient of the Queen’s Jubilee...

Colour, fresh and vivid, gives this classic still life by Pat Service a contemporary feel. A beloved bright orange silk cloth, draped over a table set with two patterned vases of col...

A spectacular view from above of a major cross roads in a town where some large gathering of people or protest is happening. Werger's mezzotint prints are masterful at capturing a mo...

French bulldog also known as The Dog of Teresa Lorioli (mother of the artist) by Rembrandt BUGATTI (1884-1916) Sculpture in bronze with a nuanced black patina Signed on the base "R.Bugatti" A lost wax cast by "A.A. Hébrard" (with founder stamp) and numbered "11" Model created around 1905 Cast before 1934 Edition of 50 copies height 13,5 cm length of the base 13,2 cm depth of the base 8,4 cm A similar copy acquired in 1906 directly from the artist and numbered "35" is now part of the collection of the Alte Nationalgalerie in Berlin (inv. BI 251). This bronze sculpture is accompanied by a certificate of authenticity established by Véronique Fromanger, dated October 18, 2024. Bibliography : - Mary Harvey, The Bronzes of Rembrandt...

“Untitled” is a vibrant, abstract oil on canvas painting in bold, bright colors by American Abstract Expressionist painter, Ray Parker. The artwork is signed upper right, "Parker 54"...

Frida by the Lamp by Lucienne Bloch is a black and white portrait of Mexican painter Frida Kahlo sitting in an armchair with a tall lamp behind her. Signed in pen by artist on prin...

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Once an order is placed we will arrange the VAT of 20% to be reduced to 5% Phenomenon East of the River by Paul Jenkins (1923 - 2012) Acrylic on canvas 97.2 x 130.2 cm (38 ¹/₄ x 51 ¹/₄ inches) Signed lower right, Paul Jenkins Signed, titled and dated 1993 on the reverse Provenance Private collection, New York, acquired directly from the artist Artist's Biography Born at Kansas City in Missouri (USA), the multi-media artist, poet and playwright Paul Jenkins studied at the Kansas City Art Institute and the Art Students League in New York City. After his discharge from military service at the end of February 1946, he briefly studied playwriting with dramatist George McCalmon at the Carnegie Institute of Technology in Pittsburgh. Thereafter, Jenkins spent four years studying with Japanese American artist Yasuo Kuniyoshi in New York City. His first solo exhibitions were held at Studio Paul Facchetti in Paris in 1954 and the Martha Graham Gallery in New York City in 1956. Over the past thirty years, numerous retrospectives have been curated across the globe and Jenkins’ work can found in national collections from Europe and the United States to Israel, Australia and Japan. The diversity of his work springs from Jenkins’ wealth of eclectic influences. Some of his earliest works included what he called "interior landscapes" influenced by ancient natural forms like the caves he visited in the Ozark Mountains in his native-Missouri. Frequent student visits to the Frick Collection in New York fostered a love of the great masters: Bellini, Holbein, Vermeer, Rembrandt, de la Tour, Turner and Goya. In compliment, lingering student visits to the renowned Eastern collection of the Nelson-Atkins Museum of Art in Kansas City evoked powerful sympathy for a monumental Chinese fresco...

Listing includes free shipping to the continental US and a 14-day return policy. Joan Didion by Julian Wasser 16 x 20 inch gelatin silver print Edition 1...

The series "Venus Nostalgia" is a collection of sculptures inspired by the famous Venus de Milo, an emblematic work in the history of art that has had a great impact on Castello's wo...

(Gognitive Load, Part 1) Watercolor on heavy wove paper with collage elements, 2024 Signed lower right above spiral notebook (see photo) Condition: Excellent, never framed Image/Shee...

Karl Michel, 'Mehr Sonne fur 1924. Viel Gluck Wunscht Karl Michel U. Frau', woodcut, 1924, edition 20. Signed, dated, and numbered 'op. 162' and '15/20' in pencil. Signed in the image, lower left. A fine, richly-inked impression on buff wove paper, with full margins (1 1/2 to 2 3/4 inches), in very good condition. Printed by the artist. Scarce. Matted to museum standards, unframed. New Year's Greeting – English translation: "More Sun for 1924. Good Luck Wishes from Karl Michel and his Wife." Image size 4 5/8 x 4 3/4 inches (118 x 121 mm); sheet size 7 3/4 x 10 inches (198 x 254 mm). ABOUT THE ARTIST Karl Michel (1889-1984) was a noted graphic designer and expressionist printmaker during Germany's pre-Nazi Weimar Republic (1919-1933). Michel’s work was the subject of a feature article in the influential German graphic design magazine Das Plakat...

Cat and Cockerel by Georges Manzana Pissarro (1871 - 1961) Oil and gold on panel 65 x 94 cm (25 ⁵/₈ x 37 inches) Signed and dated, Manzana Pissarro 1925 This work is accompanied by ...

Dan Hughes pays homage to classical painting techniques with a loose hand. Bold, modulated colour brushstrokes showcases formal composition in a new and refreshing light. Well known ...

This three-part work spanning 10 feet was printed from the plates of Francesco Clemente’s mythological landscape Untitled A on the occasion of the 1986 MoMA, New York show of Clement...

This listing includes framing ($1,750 value) and a 14-day return policy. Shipping will be charged at cost with a white glove delivery service. Also available for local pick up at our New York City gallery. The Way of Ishq (2019) by Karen Knorr. Archival pigment print Image size: 48 x 60 inches Frame Size: 52 x 64 inches framed Edition 2 of 5 Signed, with certificate of authenticity Artist Biography - While Knorr’s images take some of their inspiration from the Indian tradition of personifying animals in literature and art, there is another almost subconscious strain to her work. Going back to the time of cave painting we see that these early visual artists not only recorded their lives and surroundings, but used art to express themselves. The depiction of animals in symbolic and powerful ways and the urge to create these images with the best tools at hand is a line stretching from these unnamed cave painters to Karen Knorr. Playfully combining technologies and genres, Knorr mixes digital...

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Once an order is placed we will arrange the VAT of 20% to be reduced to 5% Chevauchée Maritime by André Brasilier (b. 1...

Listing includes framing with UV plexi and a 14 day return policy. This is available for pick up framed at Los Angeles gallery at no additional charge. For transport the US and internationally, please inquire for more details. Kate Moss by Glen Luchford...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

Provenance The Artist; Charles Prendergast (acquired from the above in 1924); Mrs. Charles Prendergast (thence by descent from theabove in 1948); Kraushaar Galleries, New York; Mr...

Canadian sculptor Viktor Mitic looked to the stars for inspiration in creating this striking contemporary sculpture. The elegant and ethereal abstract form of Cygnus A is intended to...

Giacomo Montegazza, 1983 - Italian Lakes Photograph Italian Garden Photograph by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. "G...

Stoyanov's paintings have a fresco-like quality, the taut surface of the canvas polished to a fine smooth finish. The work has a very clean edge and does not require framing. His wor...

William Wind McKim, 'Bighorn', lithograph, 1940, edition c. 25. Signed and titled in pencil. A fine, richly-inked impression, on cream wove paper, the full sheet with margins (2 to 4...

John Leslie Berry (1920–2009) Dragoon Almanza Regt. circa 1808 Oil on canvas Signed lower right Canvas size - 14 x 10 in Framed size - 18 1/2 x 14 1/2 in ohn Leslie Berry was a Bri...

La Tresse (Anais) Etching with stipple, October 1926 Signed in pencil lower right (see photo) Signed and dated in reverrse in the plate lower left Edition: 111, published by Conaghi,...

This print is signed and numbered in pencil from the edition of 108. There were also 18 Artist Proofs. The edition was printed at Brand X Editions, NYC and published by Lincoln Cente...

IMPORTANT AMERICAN MAP - ONE OF THE FIRST TO SHOW CALIFORNIA as an ISLAND JOHN SPEED (1552-1629) AMERICA - With Those Known Parts In That Unknown Worlde (sic), 1626-(76) (Burden 217 iv/iv) Engraving, uncolored. Engraved by Abraham Goos and published by Thomas Basset and Richard Chiswell - 4th state of 4 in 1676.15 1/8 x 20 1/2” From “A Prospect of the Most Famous Parts of the World”. Generally good condition. A repaired split in lower centerfold. This is the most common version of this important map...

Medium: Oil on Board Signature: Signed Lower Left Sight Size 27.00" x 23.75;" Framed 34.50" x 37.50" Original cover illustration for The Saturday Evening Post, September 12, 1959. ...

Edward Landon 'Exhortation (Priest)', color serigraph, 1957, edition 28, Ryan 72. Signed, titled, and numbered '21/28' in pencil. A superb, richly-inked impression, with strong color...

The exploration of the concept of play as an artistic impulse presents playful, almost "baroque-written"photographs that are the result of a repeated (recycled) notion of play. Start...

The exploration of the concept of play as an artistic impulse presents playful, almost "baroque-written"photographs that are the result of a repeated (recycled) notion of play. Start...

The exploration of the concept of play as an artistic impulse presents playful, almost "baroque-written"photographs that are the result of a repeated (recycled) notion of play. Start...

Phenomena Quoth by Paul Jenkins (1923-2012) Acrylic on canvas 76 x 100 cm (29 ⁷/₈ x 39 ³/₈ inches) Signed lower center, Paul Jenkins Signed, titled and dated on the reverse Executed in 1963-64 Provenance Kenmore Galleries, Philadelphia Dr. Theodore A. Feinstein collection Sotheby's New York, 24th February 1995 Crozier Fine Arts, New York Private collection, New York Artist biography Born at Kansas City in Missouri (USA), the multi-media artist, poet and playwright Paul Jenkins studied at the Kansas City Art Institute and the Art Students League in New York City. After his discharge from military service at the end of February 1946, he briefly studied playwriting with dramatist George McCalmon at the Carnegie Institute of Technology in Pittsburgh. Thereafter, Jenkins spent four years studying with Japanese American artist Yasuo Kuniyoshi in New York City. His first solo exhibitions were held at Studio Paul Facchetti in Paris in 1954 and the Martha Graham Gallery in New York City in 1956. Over the past thirty years, numerous retrospectives have been curated across the globe and Jenkins’ work can found in national collections from Europe and the United States to Israel, Australia and Japan. The diversity of his work springs from Jenkins’ wealth of eclectic influences. Some of his earliest works included what he called "interior landscapes" influenced by ancient natural forms like the caves he visited in the Ozark Mountains in his native-Missouri. Frequent student visits to the Frick Collection in New York fostered a love of the great masters: Bellini, Holbein, Vermeer, Rembrandt, de la Tour, Turner and Goya. In compliment, lingering student visits to the renowned Eastern collection of the Nelson-Atkins Museum of Art in Kansas City evoked powerful sympathy for a monumental Chinese fresco of Buddha, polychrome sculptures of the enlightened Bodhisattva, the Buddhist goddess of mercy Kuan-Yin, Indian bronzes of Hindu god Shiva, and statues of meditative Buddhist lohans. Serving in the US Naval Air Corps during the Second World War, Jenkins painted watercolours of Japanese Kabuki dancers and read the ancient Chinese poetic teachings of the I Ching and Lao Tse Tung’s Tao Te Ching...