Recognized Dealers Art

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

Medium: Oil on Board Signature: Signed Lower Left Sight Size 27.00" x 23.75;" Framed 34.50" x 37.50" Original cover illustration for The Saturday Evening Post, September 12, 1959. ...

This series of works stems from the reflection on the value attributed to objects (metals and precious stones), established culturally and historically by society. By means of the tw...

Listing includes framing with UV plexi ($1,000 value), free shipping for the continental US and a 14 day return policy. Also available for local pick up at our New York City galler...

My Childhood, 2013 Acrylic on canvas (Signed front right corner) 79 1/2 H × 127 1/5 W in. 202 H × 323 W cm The artwork “My childhood” was part of the exhibition “Epic”(2013, see install shot) dedicated to the great adventurer Ulysses, a character that has the only desire to come back home. Returning home involves a series of adventures, memories, desires, tests. Heraclitus in Plato's "Cratylus" was saying: "Everything changes and nothing stays still [...] you cannot step twice in the same river." "My Childhood" is about remembering an ideal time, about sunny days full of warmth and freedom. It's about childhood, as we remember it over years, as a time and place with unprecedented perfumes. Rădvan wrote about this work: “It has happened that none of the places where I grew up exist anymore. Either they have disappeared, or they have changed so much that they have become a new place that does not mean anything for me, which I do not have a common history. I avoid them because it makes me sad not to recognize them and I do not want them to hate them. This painting is an old memory of my "Paradiso perduto".

This work is the result of an artistic residence outside his 'study'.The artist worked on a different ecosystem, a house of vernacular architecture built in 1913 in the department of...

Lindsay, Lionel (Austarlian, 1874-1961). THISTLES. Wood engraving, not dated, but circa 1920s. Edition size not known. Signed in pencil, titled and inscribed "Artist's Proof 16" 3 5/...

This contemporary landscape painting of a tree was created by Peter Hoffer. Canadian artist Peter Hoffer captures the glory of an apple tree in spring in this vividly coloured mixed...

" The work resists framing in concepts, it overflows the contours and borders of the rational. It is through the presence of color, combined with an abstraction at times with express...

The act of painting becomes a form of meditation. Marino explains that the time and process of creating work are at the core of what the painting wants to mean, declaring: that is ho...

JOSEPH PENNELL (1857 - 1926) STREET ACAPULCO 1901-08. Color pastel and gouache drawing on blue paper. Signed and titled in pencil in his early signature. Image, 10 x 14 inches to j...

Estrada works are often monochromatic pencil drawings with overlays of gold paint that depict goddess-like women with a deconstructive visual language. Discover the captivating world...

B.J.O. Nordfeldt, 'Broad Street (Wall Street)', etching, edition not stated, c. 1915. Signed in pencil. A superb impression, with rich burr, selectively wiped plate tone, and inky plate edges, on cream wove paper; the full sheet with margins (3/4 to 1 1/4 inches), in excellent condition. Printed by the artist. Matted to museum standards, unframed. Impressions of this work are in the permanent collections of the Fine Arts Museums of San Francisco, Princeton University, Smithsonian American Art Museum. A view looking down Broad Street past the New York Stock Exchange Building on the right with the columned Federal Hall...

This modern geometric painting by Burton Kramer was inspired by music. During his storied decades-long career, Burton Kramer has achieved international recognition as one of Canada’...

Created by Donald Judd as an aquatint on wove paper, Untitled, 1978-79 is hand-signed and numbered in pencil, measuring 40 3/8 x 29 5/8 (102.7 x 75.3 cm.), unframed, and is from the ...

'Legends Corner, Nashville, Tennessee' is a black and white archival inkjet print by Morgan Silk. It is available in this size of 18" x 18" in a limited edition of 10. The iconic,...

Tula Telfair is widely admired as among the most distinctive landscape painters in America. Often monumental in scale, Telfair’s work depicts the land more as it is felt than seen. H...

Vase "Marquetry with Water lilies" by Emile GALLE (1846-1904) A rounded vase with a narrow neck, Multi-layered blown-molded glass, An inlaid decor of Water lilies, then finely work...

This is a great sculpture with real gravitas and elegance. A great conception in terms of the forms and planes. Can be a star piece in a room - stone and surface are very attractive! Active primarily in the mid to late 20th century, Leo De Beer...

"This contemporary abstract painting by Paul Fournier captures the turquoise-colored waters of the Caribbean. Paul Fournier is among the most significant painters in the Canadian ar...

Ravello Garden from the Amalfi Coast collection is a serigraph on paper with an image size 16 x 18 inches, signed 'McKnight' lower right and numbered lower left. Framed in a contempo...

Black and white photographs that reveal the various facets and aesthetic searches of the legendary Colombian photographer, recognized as the creator of memorable realistic, abstract ...

This screen print depicts one of Celmins' signature subjects, the spider web, which she has represented in various media, including charcoal, oil paint, and multiple printmaking tech...

A charming vintage 1950s painting of Martha's Vineyard, "Oak Bluffs, Mass." by notable Chicago artist Francis Chapin. A bustling view of the picturesque lighthouse and Soldiers Mem...

Chrysanthemums Color woodcut, c. 1950's Signed lower right (see photo) Publisher: Uchida (see photo of red seal) Note: Chrysanthemums, a symbol of the sun, the Japanese consider the ...

A Serene, Picturesque 1950s American Scene Country Landscape Painting of a Wisconsin Farm in Late Autumn by Famed Chicago Modern Artist, Francis Chapin (Am. 1899-1965). A small gem ...

Idle Hour is an intricately painted Impressionist depiction of woman with her pets on her veranda. It is exquisitely framed in a French Gold Leaf frame of quality and value. Paint...

Art books bookscape

Printed for Galerie Kammer’s 1981 David Hockney exhibition “Drawings and Prints”, this beautiful poster reproduces Hockney’s drawing Celia in a Black Dress and Red Stockings 1973. Fa...

Water is constant in the artist's visual investigation, for her water is no longer the stage in which the body's memory bursts, but rather the environment and protagonist, constant o...

George Rogers, 'Sculpturegraph' (Black, Gray, and Silver), color sculpturegraph, edition 40, 1984. Signed, dated, titled, and numbered '25/40' in pencil. A superb, richly-inked, pain...

Matiz managed to create intimate portraits, in which Frida seemed happy to surrender to her lens. The result was dynamic portraits of Khalo, a wonderful example of both the photograp...

Edward Landon, 'Counterpoint', color serigraph, 1942, edition 25, Ryan 45. Signed, titled, and annotated 'Edition 25' in pencil. A fine impression, with fresh colors, on cream, wove paper; the full sheet with margins (7/8 to 2 1/2 inches). A 1 1/2 inch crease across the top left sheet corner, well away from the image, otherwise in excellent condition. Scarce. Matted to museum standards, unframed. Image size 13 9/16 x 14 5/16 inches (344 x 364 mm); sheet size 14 15/16 x 17 inches (379 x 432 mm). Literature: – 'A Spectrum of Innovation: Color in American Printmaking', David Acton, New York, London, 1990. – 'American Screenprints', Reba and Dave Williams, New York, 1987. – 'The American Scene: Prints from Hopper to Pollock', Stephen Coppel, The British Museum, 2008. Impressions of this work are held in the following museum collections: Albright-Knox Art Gallery, National Gallery of Art, Smithsonian American Art Museum. ABOUT THE ARTIST Born in Hartford, Connecticut, Edward Landon dropped out of high school to study art at the Hartford Art School. In 1930 and 1931 he was a student of Jean Charlot at the Art Students League in New York, after which he traveled to Mexico to study privately for a year with Carlos Merida. In 1933 he settled near Springfield, Massachusetts, painted murals in the local trade school, and exhibited with the Springfield Art League. His painting 'Memorial Day' won first prize at the fifteenth annual exhibition of the League at the Springfield Museum of Fine Arts. Landon became an active member of the Artists Union of Western Massachusetts, serving as president from 1934-1938. Landon acquired Anthony Velonis’s instructional pamphlet on the technique of serigraphy in the late 1930s. With colleagues Phillip Hicken, Donald Reichert, and Pauline Stiriss, he began experimenting with screen printing techniques. The artists' groundbreaking work in screen printing as a fine art medium was the subject of the group’s landmark exhibition at the Springfield Museum of Fine Arts in 1940. Landon became one of the founding members of the National Serigraph Society and served as editor of its publication, 'Serigraph Quarterly,' in the late 1940s and as its president in 1952 and 1953. The Norlyst Gallery in Manhattan held a one-person show of his prints in 1945. Awarded a Fulbright Fellowship in 1950, Landon traveled to Norway, where he researched the history of local artistic traditions and produced the book 'Scandinavian Design: Picture and Rune Stones...

A stylish, vintage, 1940s fashion study featuring an elegant design for a woman's formal dress, evening wear. Inscription reads: "Gold rayon and wool Bengaline dress suit for movie ...

GEORGES ROUAULT (1871-1958) MON DOUX OU-ETES-VOUS? / MY SWEET COUNTRY, WERE ARE YOU? 1927 ( Chapon/Rouault 97; Wofsy 151) Miserere XLIV Aquatint, 1927, on laid Arches. watermark...

This large, abstract image celebrates the 13th Annual Community Holiday Festival, 1983 at Lincoln Center. It is signed and numbered by the artist from the edition of 144 (plus 18 APs) and was printed at Fine Creations, NY. This print comes directly from the publisher, Lincoln Center Editions...

The central concept of Larios painting series KHLORIS is based on the idea of ​​the garden as a metaphorical space. Larios seeks to find a certain romantic beauty in the details of n...

Elephant's Embryo, Uganda Aributed to Peter Beard/Unsigned The original photograph "unsigned" but documented by its inclusion in "Peter Beard - Fifty Years of Portraits, The End of the Game...

This contemporary minimalist painting is by Canadian artist Aron Hill. Calgary-based artist Aron Hill is known for their bold imagery, clean lines, and colorful palette. Their appro...

From The Jon Gould Collection of Andy Warhol Photographs This work is not signed by the artist, however, each photo is unique and blind embossed “Andy Warhol” in the lower right co...

Oil on canvas

Hunt Slonem's artistic trajectory has always been characterized by a deep exploration of spiritual themes. His use of repetition in form—particularly with his beloved bunnies—serves ...

Stillness 4, 2021 - Misty Natural Landscape of Trees in Ancient English Woodland by Ellie Davies Stillness 4 is a Digital C-Type Print on Fuji Maxima Matte paper, available in this ...

'Bucking Bronco' is a black and white photographic print by Michael Ormerod. Featured in the 2024 posthumous solo exhibition, 'Michael Ormerod: Vanishing Point'. Michael Ormerod w...

A fresh and intriguing composition that keeps you looking at it. The composition is composed of summer greens, whites, blues and lavenders and also conveys figures and movement. Ho...

Kristine Moran, oil on wood panel, signed and dated verso

Antonia's Line, named after the Dutch film written and directed by Marleen Gorris. The film has been described as a "feminist fairy tale." It tells the story of the independent Anton...

Milton Avery, 'Little Girl', drypoint, 1936, edition 60, Lunn 11. Signed, dated, and numbered '22/60' in pencil. A superb impression, in warm black ink with delicate overall plate tone, on off-white wove paper, with wide margins (2 5/8 to 4 1/8 inches); hinge stains on the top sheet edge, verso, otherwise in excellent condition. Matted to museum standards, unframed. Image size 8 3/4 x 4 3/4 inches (222 x 121 mm); sheet size 14 7/8 x 13 1/8 inches (378 x 333 mm). Collections: Cantor Arts Center, National Gallery of Art. ABOUT THE ARTIST "I never have any rules to follow; I follow myself." "I paint not by sight but by faith. Faith gives you sight." —Milton Avery 'His is the poetry of sheer loveliness.' —Mark Rothko in his 1965 eulogy to Avery. Milton Avery (1885-1965) is recognized as one of America's foremost modernist artists, renowned for his uniquely expressive style, evocative use of color, and captivating compositions. Growing up in a working-class family in Altmar, New York, Avery's early life was marked by the struggles and realities of rural New York. Despite lacking formal artistic training, he displayed an innate talent for drawing from an early age. In 1905, his family relocated to Hartford, Connecticut, where he worked various odd jobs while developing his artistic skills through self-study and experimentation. In 1915, he enrolled at the Connecticut League of Art Students, where he received formal instruction and began to refine his distinctive style. In 1918, Avery transferred to the School of the Art Society of Hartford and worked in the evenings so that he could paint during the day. He became a member of the Connecticut Academy of Fine Arts in 1924. That summer in Gloucester, Massachusetts, he met the artist Sally Michael...

This contemporary abstract colourful painting by Paul Fournier has a red background. Paul Fournier received early praise from the distinguished NY art critic, Donald Kuspit, who des...

Signed lower right: John Whorf Provenance Private collection Sand Dunes, Cape Cod amply demonstrates John Whorf’s expert handling of the watercolor medium. The fluidity of his styl...

Signed with printed title on front of print. From 'Parmelian Prints of the High Sierra', limited edition of 100 copies. This is a parmelian print, warm in tone.

A Vibrant, Colorful 1950s Painting of a Beach Scene along a Mountain Coast by Famed Chicago Modern Artist Francis Chapin (Am. 1899-1965). Depicting a picturesque view of a quiet bea...

Sigismond Kolos-Vari, 'Nets', color etching with soft-ground and aquatint, edition 200 (1 of 60 artist's proofs), 1952. Signed and dated in pencil. Numbered L/LX in pencil. A superb, richly-inked impression, on heavy, off-white, Arches wove paper; the full sheet with margins (1 3/8 to 3 1/2 inches), in excellent condition. Published by the Guide de la Gravure, Switzerland, with their blindstamp in the bottom left sheet corner. Matted to museum standards, unframed. Image size 11 3/4 x 15 5/8 inches (298 x 397 mm); sheet size 15 x 22 1/4 inches (381 x 565 mm). ABOUT THE ARTIST Sigismund Kolos-Vari was born in Hungary and attended the School of Applied Arts in Budapest from 1915 to 1918 and then the School of Decorative Arts until 1925. The artist settled in Paris, and his first one-person show in 1928 at Galerie Miromesnil, which was highly successful, led to numerous subsequent exhibitions, including with the prestigious Galerie Bonaparte in 1929 and Galerie Povolosky in 1930. Kolos-Vari’s early success was abruptly interrupted by the outbreak of WWII when he was arrested by the Gestapo and imprisoned in the Gurs internment camp. During this period, he created a sketchbook for a little girl, which is now preserved at the Centre de Documentation Juive Contemporaine at the Mémorial de la Shoah in Paris. He managed to escape after two years, crossing the border into Switzerland. After the war, he returned to Paris with a renewed dedication to his painting, producing increasingly powerful compositions. His work was highly acclaimed when shown at an important 1946 exhibition at the Musée National d’Art Moderne de Paris, organized by Jean Cassou. The artist was then approached by the eminent art dealer Jean Bucher, who gave Kolos-Vary a major one-person show at his gallery in 1948. During this post-war period, Kolos-Vary participated in the radical Salon de Mai, 1949-1958, the Salon des Réalités Nouvelles, 1956-1961, and the Salon des Comparaisons, 1960-1962. Supported by his association with Stanley William Hayter and the landmark printmaking workshop Atelier 17...

Artist: Pablo Picasso *after) Medium: Lithographic Poster, Edition of 2000, 1971 Dimensions: 30 x 19.75 in, 76.2 x 50.2 cm Arches Paper (with Mourlot watermark) - Excellent Condit...

Image of a young woman, pondering a question over a cup of coffee. While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and i...

A Visually Striking, early 1950s Abstract, Surrealist Mid-Century Modern Still Life Painting by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). Depicting a subdued, tonal int...

Exceptional vase "Marquetry with butterflies" by Emile GALLE (1846-1904) Baluster shaped vase raised on a rounded foot Multi-layered blown-molded glass, ornated with deep engraved ...

2106, 2022 by Alejandra Quintanilla Mix media on Canvas Image size: 120 cm. H x 160 cm. W One of a Kind Unframed Alejandra Quintanilla graduated with a degree in Arts from the Uni...

This unique tall ceramic vessel is handmade. Bill Greaves creates handsome contemporary ceramics inspired by the colours, forms and textures found in nature. The Canadian ceramicist...

David A. Dreyer was born in Dallas in 1958, and earned his BFA and MFA at Southern Methodist University. He was a recipient of the Moss/Chumley Award from the Meadows Museum and has ...