Recognized Dealers Art

'Fish & Flowers', Chinese Hopei Folk Art, 1956. Paper-cut with watercolor, mounted on cream, wove backing paper, with fresh, vivid colors, in excellent condition. Matted to museum st...

The elegant abstract sculptures of Stefan Duerst are characterized by clean, flowing lines and minimal form hand forged from steel. This piece is a single ‘ribbon’—a contemporary tow...

"Morning Awakening" from the series "The Times of the Day" Original lithograph Signed "Mucha" and dated "99" for 1899, at the lower part of the plate. There is no hand-written signa...

Slender rings of flattened candy red steel are stacked into an elegant yet playful column by master sculptor Shayne Dark. Aptly titled, Drawing in Space, the work appears from variou...

Allen Tucker (1866-1939) Towards the Hills, 1923 Oil on canvas 28 1/2 x 34 1/2 inches 72.4 x 87.6 cm Signed lower left: Allen Tucker / 1923 Provenance Arthur Harrow, New York; By de...

A dynamic, unique Mid-Century Modern monoprint of a sailing regatta in Martha's Vineyard, "Edgartown Harbor", by notable Chicago Modern artist Francis Chapin. Lithograph on paper wi...

Sükan created the ‘La Notte’ series as he was working for international magazines documenting the fashion shows and backstage as well as the social times of the fashion world in Pari...

Lithograph on butcher paper. Signed lower middle of plate in blue pen. One of 21 signed, unnumbered lithographs, this impression is in gray/blue ink. In the center of a grey-blue fie...

Archival Pigment Print Paper size: 11 x 14 in. Image size: 8.25 x 12.25 in. Edition of 25 Signed and numbered in black ink on print margin. Signed, titled, dated, print date and misc...

Hunt Slonem Oil Painting "Blue Diamond Dust Helena" White and Blue Bunny A single rabbit gestured in white on a blue background in a vintage frame Unframed: 10 x 8 inches Framed: 14...

“As you pray...” As you pray, saying only my name, so I might save you from the monotony of waking up on a Wednesday by playing piano. My fingers only tap the keys that make you sing...

In this series the artist found that the rocks were so round that they looked like prehistoric holes, each one telling a story and reflecting a bit of her soul. Mauricio Velez's pho...

A Fine, 1950s Mid-Century Modern Academic Anatomical Figure Study of a Model's Hand & Feet by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). A well executed composite fi...

Printed by Petersburg Press for their exhibition of David Hockney prints and drawings at the 1981 Chicago Art Fair, this beautiful poster reproduces Hockney’s drawing Celia Wearing Checked Sleeves, 1973...

Peter Hoffer’s landscapes are ethereal, exquisite and masterful. The Canadian artist’s work has often been compared to the paintings rendered by the famed British artist, John Consta...

Original cover for The Saturday Evening Post, published March 30, 1929. J.C. Leyendecker's holiday covers, particularly his iconic New Year's baby, were instrumental in driving The...

In 1981 Maggie Taylor (b. 1961) began to photograph while she was a student at Yale University majoring in philosophy. She primarily took photographs of suburban landscapes and stran...

George Elbert Burr, 'Old Cedars – New Mexico', etching, 1920, edition 40, Seeber 218. Signed and annotated '(c) George Elbert Burr Del. et Imp.' in pencil. ...

A Striking 1940s Art Deco-Era, Mid-Century Modern Figure Study of a Seated Male Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). A wonderfully executed figure st...

A Distinguished 1940s Art Deco-Era, Mid-Century Modern Figure Study of a Seated Young Male Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). A striking, wonderful...

In 1981 Maggie Taylor (b. 1961) began to photograph while she was a student at Yale University majoring in philosophy. She primarily took photographs of suburban landscapes and stran...

Canadian artist Peter Hoffer’s stunning landscape of trees, hills and sky recalls a classically romantic form. Panoramic No 02 (the second of two large paintings) is painted on panel...

Helen Hyde, 'The Bath', color woodblock print, edition not stated, 1905, Mason & Mason 59. Signed in pencil in the image, lower right. Numbered '96' in pencil in the image, lower left. The artist's monogram in the block, lower left, and 'Copyright, 1905, by Helen Hyde.' upper right. A superb impression with fresh colors on tissue-thin cream Japanese paper; the full sheet with margins (7/16 to 1 5/8 inches), in excellent condition. Matted to museum standards, unframed. Image size 16 1⁄4 x 10 1⁄8 in. (413 x 260 mm); sheet size: 19 1⁄4 x 11 1⁄8 in. (489 x 283 mm). Literature and Exhibition: Back cover illustration of the catalog of the artist’s prints, 'Helen Hyde', Smithsonian Institution Press, 1990; 'The International Block Print Renaissance, Then And Now, Block Prints In Wichita, Kansas, A Centennial Celebration — 1922-2022', Barbara J. Thompson, Wichita Art Museum, 2022 (back cover). Impressions of this work are held in the following collections: Achenbach Foundation for Graphic Arts, Art Institute of Chicago, Fine Arts Museums of San Francisco (De Young), Harvard Art Museums, Library of Congress, Metropolitan Museum of Art, New York Public Library, Smithsonian American Art Museum, Terra Foundation for American Art, University of Oregon Museum of Art. ABOUT THE ARTIST Helen Hyde (1868-1919) was a pioneer American artist best known for advancing Japanese woodblock printmaking in the United States and for bridging Western and Japanese artistic traditions. Hyde was born in Lima, New York, but after her father died in 1872, her family relocated to Oakland, California, where she spent much of her youth. Hyde pursued formal art education in the United States and Europe. She enrolled in the San Francisco School of Design, where she took classes from the Impressionist painter Emil Carlsen; two years later, she transferred to the Art Students League in New York, studying there with Kenyon Cox. Eager to expand her artistic repertoire, Hyde traveled to Europe, studying under Franz Skarbina in Berlin and Raphael Collin in Paris. While in Paris, she first encountered Japanese ukiyo-e prints, sparking a lifelong fascination with Japanese aesthetics. After ten years of study, Hyde returned to San Francisco, where she continued to paint and began to exhibit her work. Hyde learned to etch from her friend Josephine Hyde in about 1885. Her first plates, which she etched herself but had professionally printed, represented children. On sketching expeditions, she sought out quaint subjects for her etchings and watercolors. In 1897, Hyde made her first color etchings—inked á la poupée (applying different ink colors to a single printing plate)—which became the basis for her early reputation. She also enjoyed success as a book illustrator, and her images sometimes depicted the children of Chinatown. After her mother died in 1899, Hyde sailed to Japan, accompanied by her friend Josephine, where she would reside, with only brief interruptions, until 1914. For over three years, she studied classical Japanese ink painting with the ninth and last master of the great Kano school of painters, Kano Tomonobu. She also studied with Emil Orlik, an Austrian artist working in Tokyo. Orlik sought to renew the old ukiyo-e tradition in what became the shin hanga “new woodcut prints” art movement. She immersed herself in the study of traditional Japanese printmaking techniques, apprenticing with master printer Kanō Tomonobu. Hyde adopted Japanese tools, materials, and techniques, choosing to employ the traditional Japanese system of using craftsmen to cut the multiple blocks and execute the exacting color printing of the images she created. Her lyrical works often depicted scenes of family domesticity, particularly focusing on women and children, rendered in delicate lines and muted colors. Through her distinctive fusion of East and West, Hyde’s contributions to Western printmaking were groundbreaking. At a time when few Western women ventured to Japan, she mastered its artistic traditions and emerged as a significant figure in the international art scene. Suffering from poor health, she returned to the United States in 1914, moving to Chicago. Having found restored health and new inspiration during an extended trip to Mexico in 1911, Hyde continued to seek out warmer climates and new subject matter. During the winter of 1916, Hyde was a houseguest at Chicora Wood, the Georgetown, South Carolina, plantation illustrated by Alice Ravenel Huger Smith in Elizabeth Allston Pringle’s 1914 book A Woman Rice Planter. The Lowcountry was a revelation for Hyde. She temporarily put aside her woodcuts and began creating sketches and intaglio etchings of Southern genre scenes and African Americans at work. During her stay, Hyde encouraged Smith’s burgeoning interest in Japanese printmaking and later helped facilitate an exhibition of Smith’s prints at the Art Institute of Chicago. During World War I, Hyde designed posters for the Red Cross and produced color prints extolling the virtues of home-front diligence. In ill health, Hyde traveled to be near her sister in Pasadena a few weeks before her death on May 13, 1919. She was buried in the family plot near Oakland, California. Throughout her career, Hyde enjoyed substantial support from galleries and collectors in the States and in London. She exhibited works at the St. Louis Exposition in 1897, the Pan-American Exhibition in Buffalo in 1901, the Tokyo Exhibition for Native Art (where she won first prize for an ink drawing) in 1901, the Alaska-Yukon-Pacific Exhibition in Seattle in 1909 (received a gold medal for a print), the Newark Museum in 1913, a solo show at the Chicago Art Institute in 1916, and a memorial exhibition in 1920, Detroit Institute of Arts, Color Woodcut Exhibition in 1919, New York Public Library, American Woodblock Prints...

This bold contemporary composition by Yvonne Lammerich is an intriguing exploration of colour and form. Origami-like folded shapes inter-connected by fine lines dance across this col...

The central concept of Larios painting series KHLORIS is based on the idea of ​​the garden as a metaphorical space. Larios seeks to find a certain romantic beauty in the details of n...

Matiz managed to create intimate portraits, in which Frida seemed happy to surrender to her lens. The result was dynamic portraits of Khalo, a wonderful example of both the photograp...

Beautiful chaos—The new sculptural series by Shayne Dark is named after the powerful image of a maelstrom—a whirlpool in a sea or river. Hand forged from round aluminum rods and pain...

Furud is an oil painting by Santa Fe-based artist Kuzana Ogg. The artist’s latest compositions use oil tints and mineral spirits to create soft washes of pigment that blend and bleed...

Color aquatint and hardground etching. Edition of 25

The “Iconic” series was presented as part of the exhibition “Walk of Inspiration” showed in Stockholm in 2016. These vibrant unique color images are an homage to the “kitsch pop surr...

This contemporary wall sculpture is made of fired glass; its design is inspired by nature and rock formations. Cheryl Wilson Smith’s uniquely striking wall sculptures are inspired b...

My Childhood, 2013 Acrylic on canvas (Signed front right corner) 79 1/2 H × 127 1/5 W in. 202 H × 323 W cm The artwork “My childhood” was part of the exhibition “Epic”(2013, see install shot) dedicated to the great adventurer Ulysses, a character that has the only desire to come back home. Returning home involves a series of adventures, memories, desires, tests. Heraclitus in Plato's "Cratylus" was saying: "Everything changes and nothing stays still [...] you cannot step twice in the same river." "My Childhood" is about remembering an ideal time, about sunny days full of warmth and freedom. It's about childhood, as we remember it over years, as a time and place with unprecedented perfumes. Rădvan wrote about this work: “It has happened that none of the places where I grew up exist anymore. Either they have disappeared, or they have changed so much that they have become a new place that does not mean anything for me, which I do not have a common history. I avoid them because it makes me sad not to recognize them and I do not want them to hate them. This painting is an old memory of my "Paradiso perduto".

Pentti Sammallahti Panauti, Nepal (Boy and Girl with Basket) 1994 Gelatin Silver print

Pigment print on rag paper Frame size: 30.63 x 30.25 x 2 in. Image size: 30 x 30 in. Signed, titled, dated and numbered on print verso. Ed. 2/6 From his series, Flights. Artist Stat...

Roch Smith is known for his imaginative and playful sculptures. The Canadian artist has created a series of table-top pieces that feature the iconic symbol of a canoe. This bronze pi...

A Moody, Captivating 1920s Modern Paris Nocturne Scene of Notre Dame Cathedral by Notable Florida WPA Era Artist, George Snow Hill. Oil on panel, dating circa 1928. Artwork size: ...

Silkscreen in colors on Saunders Waterford High White HP 425 gsm fine art paper Edition of 50

This blue, abstract, contemporary, glass and steel, wall sculpture is by Canadian artist John Paul Robinson. Elegant and ethereal, John Paul Robinson’s contemporary glass wall sculpt...

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Once an order is placed we will arrange the VAT of 20% to be reduced to 5% Tower Hill Chapel, Chipperfield (1863-1944) ...

Robert Natkin The Stranger, 1984 Acrylic on canvas 84 x 72 inches 213.4 x 183 cm RNa026 Signed on recto Celebrated as an unsurpassed colorist and for the beauty of his large-scale a...

A sparrow perches at the center of a swath of pale pink, around which wraps hand-written lines from Ron Padgett’s poem “Ode to Clemens Laurrell”: “So I lean back against the willows ...

Oil on canvas

DNA is genetic information, hidden and encrypted in body fluids. Veiled data that we load, that we do not know and that someone knows how to decipher. Such specifications characteriz...

"Bloom Keeper" Suri People, Omo Valley, Ethiopia 30 x 20 in / Edition of 6 - $24,500 Also available: 48 x 32 in / Edition of 6 - $26,500 60 x 40 in / Edition of 6 - $27,500 75 x 50...

“THE SHADOW OF THE BROOKLYN BRIDGE” Emilio Sanchez (1921-1999) created this color lithograph entitled “Shadow of the Brooklyn Bridge” in 1988. The image size is 21.38 x 30.50 inche...

This confidently executed drawing is a study related to Maratta’s painting La Vergine appare a S.Stanislao Kotska 1687 in the second chapel to the right, in the church of S. Andrea a...

This outdoor abstract figurative steel sculpture is by Robert Clarke-Ellis. The engaging, theatrical and colourful work of Robert Clarke-Ellis has found an audience in both Canada a...

Beautiful landscape etching by Stephen McMillan: “A steady rain pelted our tent through the night. That morning a mist hung over the steep cliffs of Yosemite Valley. Gradually the sk...

John Wootton (1686-1765) Figures and horses by a bridge in a river landscape Oil on canvas 27 x 42 in John Wootton was one of the earliest and most influential British sporting pai...

BC artist Pat Service has always had a special fondness for the allure of the ‘open road.’ Over the years many road trips across the mountains to the prairies in Saskatchewan have pr...

A Striking, Colorful Post-War Studio Portrait of a Seated Young Male Model by Notable Chicago Modern Artist, Walter Burt Adams (Am. 1903-1990). The painting a is well executed, inti...

Black and white photographs that reveal the various facets and aesthetic searches of the legendary Colombian photographer, recognized as the creator of memorable realistic, abstract ...

A Fine 1930s, Modern Academic Anatomical Figure Study Drawing of a Nude Male Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed early 193...

From The Jon Gould Collection of Andy Warhol Photographs This work is not signed by the artist, however, each photo is unique and blind embossed “Andy Warhol” in the lower right co...

Francesca Woodman in Providence, Rhode Island (1976) photographed by George Lange. 11 x 14" archival pigment print 17 x 21 x 2" frame with UV plexgias Edition 2 of 10, signed and e...

Hunt Slonem Oil Painting "Sulphurs" Green, Blue, Yellow and Silver Butterflies A pair of butterflies gestured in black and yellow on a metallic background in a vintage frame Unfram...

Fresh snow on trees in Ashland, OR. Signed and numbered etching and aquatint, signed, titled and numbered from the edition of 200. Born in Berkeley, California, on December 21, 1949...

Etching and aquatint in colour "Char noir (Char V)" (Black Chariot, Chariot V) by Georges Braque from 1958. The edition on BFK RIVES comprises approx. 75 copies. The present copy...

'Butterfly & Flowers', Chinese Hopei Folk Art, 1956. Paper-cut with watercolor, mounted on cream, wove backing paper, with fresh, vivid colors, in excellent condition. Matted to museum standards, unframed. Image size 4 5/8 x 3 1/8 inches; sheet size 8 7/8 x 6 1/4 inches; mat size 14 x 11 inches. ABOUT THIS WORK Hopei or Hebei is a province of North East China, on the Gulf of Chihli near Beijing that is home to Chengde Mountain Resort, the imperial summer residence of the Qing-dynasty emperors. Chengde contains 18th-century palaces, gardens, and pagodas ringed...

04–14, 2016 Oil on canvas, 36 x 42 inches (91.4 x 106.7 cm) Signed and dated on verso: Madeline Peckenpaugh / 2016 Provenance The artist; Private collection, Haverford Madeline Pec...