Recognized Dealers Furniture

This rare table lamp was designed by Sergio Mazza and Giuliana Gramigna in 1973. The model is called Magnolia, produced by Quattrifolio in Italy. The graphic design features a chrom...

Dodie Thayer Lettuce Ware Pottery Bowl, Jupiter, Florida, Circa 1970–1985 This glazed earthenware bowl by Dodie Thayer is modeled as a head of lettuce, its deep well formed of five ...

Carl Fagerlund for Orrefors, chandelier, brass and glass, Sweden, 1960s. An elegant chandelier featuring a wide bowl composed of beautifully textured glass elements, arranged in a r...

Atelier Michel Armand, 'Fleur' table lamp, chrome and brass anodized aluminium, Canada, 1970s This sculptural lamp is crafted by Atelier Michel Armand. Its abstract form is that of ...

Sergio Mazza for Artemide, rare chandelier, nickel-plated brass, lacquered metal, crystal glass, Italy, 1960s An exceptionally rare design by the acclaimed Italian architect and vis...

Pierre Chapo, bench or sofa, model 'L09I', elm, fabric, France, 1975 Dating from 1975, this piece is an early example designed by Pierre Chapo, known for his commitment to pure and ...

IPE Cavalli, pair of lounge chairs, fabric, steel, Italy, 1970s Exceptional lounge chairs by IPE Cavalli, crafted in Italy during the 1970s. With their bold presence and generous pr...

Hans-Agne Jakobsson for Hans-Agne Jakobsson AB in Markaryd, chandelier, model T-608, brass, silk string, Europe, 1960s. This extravagant 'fringe' chandelier is designed by Swedish d...

Large Antique Greek Amphora Chromolithograph, Genick, 1883 Original antique color lithograph depicting an elaborately decorated ancient Greek amphora with a classical warrior scene,...

TITLE: Two Stems with Red Flowers – Original Botanical Watercolor by A.L., 1819 DESCRIPTION: A refined original botanical watercolor depicting two slender stems bearing vivid red flowers and delicately rendered green leaves, painted in 1819 by an unidentified artist with the initials A.L. The composition is elegant and restrained, with the flowering stems isolated against the natural cream-colored paper. The artist has carefully observed the structure of the plant, combining botanical precision with the decorative quality characteristic of early 19th-century flower studies. The work is monogrammed “A.L.” on the left stem and dated “1819” on the right. Particularly noteworthy is the paper itself, which bears the watermark “J. Whatman 1817.” James Whatman's celebrated English papers were highly regarded by artists and printmakers for their quality and durability. The watermark dates the manufacture of the paper to 1817, while the artist's inscription dates the execution of the watercolor to 1819. The two dates therefore provide an unusually clear chronology: the Whatman sheet was manufactured in 1817 and used by the artist for this botanical watercolor two years later, in 1819. An attractive and unusually well-documented original botanical artwork from the Regency period. ARTIST: A.L., unidentified artist. The work is monogrammed “A.L.” on the left stem. DATE: 1819 - dated on the artwork. MEDIUM: Original watercolor on paper PAPER: J. Whatman paper, watermarked 1817 ORIGIN: European, probably British or Continental European PERIOD / STYLE: Regency period Early 19th century Botanical / Natural History SUBJECT: Two stems with red flowers Botanical study Flower study DIMENSIONS: Image: approximately 29 × 16.5 cm Sheet: approximately 46 × 32.5 cm MARKS: Monogrammed “A.L.” on the left stem. Dated “1819” on the right. Paper watermarked “J. Whatman 1817.” CONDITION: Very good antique condition. The watercolor retains attractive and strong colors. Some light age-related toning and occasional minor foxing are present. A subtle former light line is visible, consistent with previous presentation beneath a passe-partout. The sheet was attached beneath a passe-partout along the upper edge. FRAMING: Offered unframed. Any framed or interior photographs shown are for presentation and inspiration only. AUTHENTICITY: An original, unique hand-painted watercolor dating from 1819. This is not a print, engraving or modern reproduction. KEYWORDS: botanical watercolor, original watercolor, botanical painting, flower watercolor, red flowers, botanical study, flower study, A.L. artist, monogrammed watercolor, dated 1819, Regency botanical art, Regency watercolor, early 19th century watercolor, 19th century botanical art, J Whatman, Whatman 1817, Whatman paper, English paper, antique botanical painting...

Christian Heckscher, coffee table, brass, Belgium, 1980s A unique handcrafted coffee table by Christian Heckscher. Originally trained in Belgium as both a fine artist and a master c...

Pierre Chapo, shelf unit, model 'B10', solid elm, France, 1975 Dating from 1975, this open bookcase that doubles as a room divider is an early example of the designer's work. It is ...

A pair of frosted glass wall lights designed and produced in Sweden, c. 1950s. In good vintage condition, with visible wear consistent with age and use. Patina and wear such as but...

Jindrich Halabala for UP Závody, footstool, tabouret, ottoman, fabric, stained wood, Czech Republic, 1930s. This poetic pouf, designed in the 1930s at the height of the Art Deco mov...

Pair of lounge chairs, beech, velvet, Europe, 1950s These elegant armchairs show a sturdy yet graceful framework that highlights their mid-century character. Their gently curved ba...

Hans-Agne Jakobsson for Hans-Agne Jakobsson AB in Markaryd, wall light, model 'V-138', copper, handblown glass, Sweden, 1960s. This charming wall light, designed by Hans-Agne Jakobs...

Hans-Agne Jakobsson for Hans-Agne Jakobsson AB in Markaryd, pair of table lamps, model 'B-105', brass, steel, Sweden, 1960s An elegant pair of table lamps, model B-105, designed by ...

Paavo Tynell for Taito Oy, wall light, model '9445', brass, etched glass, Finland, 1940s. Among the rarer lighting designs created by Paavo Tynell, this model 9445 wall light beauti...

Maison Regain, set of eight dining chairs, cognac leather, solid elm, France, 1970s A set of eight Maison Regain dining chairs, designed in France during the 1970s, exemplifying the...

Storage wall unit, oak, wrought iron, Europe, 1970s An impressive grand-scale wall unit crafted in solid oak and wrought iron, inspired by Spanish Brutalism with references to the l...

Wall light, copper, Scandinavia, 1960s A stunning and well-executed wall light of the 1960s made in Scandinavia. The manufacturer used copper for this specific design that obtained ...

Lisa Johansson-Pape for Stockmann-Orno, chandelier, brass, glass, Finland, 1950s A highly uncommon lighting design by the celebrated Finnish designer Lisa Johansson-Pape, dating fr...

Paavo Tynell for Taito Oy Ab, ceiling light, model '1085', wooden stalks, opaline glass, Finland, 1940s A rare ceiling light, model 1085, designed by Paavo Tynell and produced by Ta...

Wall light, opaline glass, chrome-plated metal, Europe, 1970s. This lovely wall light is suitable for bringing more ambience in one's interior. The construction is based on a wall-...

Pair of lounge chairs, floral green fabric, walnut, Europe 1940s Pair of elegant Art Deco lounge chairs, crafted in Europe in the 1940s. The chairs feature gently curved silhouette...

Carlo Scarpa for Bernini, set of twelve dining chairs, model '765', walnut, burgundy red leather, designed in 1934, production in 1970s These well-proportioned chairs were designed ...

Guido Faleschini for Mariani, ‘Pace Collection’ bed, two nightstands and two stools, nubuck leather, chrome-plated brass, enameled steel, Italy, circa 1975 This eccentric bedroom se...

Dodie Thayer Lettuce Ware Tureen, Cover and Stand, Jupiter, Florida, 1987 The tureen, cover and conforming stand are naturalistically modeled as a head of lettuce, hand-built in gla...

Kaare Klint for Rud.Rasmussen, sofa, model '4118', leather, mahogany, Denmark, design 1930, production 1981 Kaare Klint originally designed the present three-seat sofa, known as 411...

A green fabric and brass pendant light designed by Josef Frank and produced by Svenskt Tenn, Sweden, c. 1950s. In good vintage condition, with visible wear consistent with age and u...

Jindrich Halabala for UP Závody, footstool, tabouret, ottoman, fabric, oak, Czech Republic, 1930s. This poetic pouf, designed in the 1930s at the height of the Art Deco movement, st...

Lars Holmström for Arvika Konsthantverk ceiling light, nickel-plated steel, brass, steel, glass, Sweden, 1930s A striking Swedish Art Deco ceiling light, designed by Lars Holmström ...

Ado Chale coffee table, malachite, resin, black lacquered steel, Belgium, 1980 This monumental table by Ado Chale is a powerful testament to the artist’s ability to transform rare a...

Giovanni Michelucci for Poltronova, 'Torbecchia' sideboard, walnut, Italy, 1964 This exquisite Torbecchia sideboard, created by the artist Giovanni Michelucci (1891-1990), is a true...

Giovanni Battista e Giampiero Bassi for Studio Luce, ‘Cactus’ table lamp, chrome-plated aluminum, plexiglass, Italy, 1969 Italian design duo Giovanni Battista and Giampiero Bassi d...

Howard Keith for HK Furniture, 'Cloud' sofa, velvet, United Kingdom, 1970s Stunning Howard Keith “Cloud” sofa featuring a sculptural organic form. ...

Sideboard, oak, brass, Italy, 1940s Originating from Italy, this 1940s oak sideboard embodies that moment in which rustic craft encountered the fo...

This rare 'Regent' armchair was designed by Marco Zanuso and produced by Arflex in Italy in the 1960s. Characteristic for this iconic model are the generous, outward placed armrests ...

Roger Capron, ‘Sou-Chong’ coffee tables, ceramic, stained beech, France, 1971 Lovely French coffee tables with wonderful composed ceramic tiles by French designer Roger Capron. Both...

Ernesto Valabrega for Vittorio Valabrega, armchairs and ottoman chestnut, fabric, Italy, 1930s This elegant lounge set by Ernesto Valabrega for Vittorio Valabrega showcases the scul...

Banana sofa, fabric, wood, Denmark, 1950s. This elegant 1950s Danish banana sofa is a striking example of mid-century Scandinavian design. Its distinctive curved silhouette gives th...

Lips Vago, 'Congresso' shelving units, lacquered steel, Italy, 1960s. Very large library consisting of eight 'Congresso' units. Constructed from steel sheets, the 'Congresso' shelf ...

Otto Schulz for Boet, cabinet, velvet, brass, walnut, Sweden, 1920s-1930s Otto Schulz (1882–1970), founder of the Gothenburg-based interior design company Boet, occupies a special p...

Barovier&Toso, chandelier, crystal glass, brass, Italy, 1940s This chandelier by Barovier & Toso, crafted in Italy during the 1940s, reflects the studio’s centuries-old mast...

Greater Bird of Paradise Male & Female Hand-Colored Lithograph, c. 1875 Description: Original antique hand-colored lithograph depicting a magnificent pair of Greater Birds of Paradise, identified beneath the image as “Der gemeine Paradiesvogel (Paradisea apoda).” The composition shows the spectacular male Greater Bird of Paradise perched above a female. The male is represented with his characteristic golden-yellow ornamental flank plumes cascading dramatically around the body, contrasting with his dark chest and greenish-yellow head and throat. Two extremely elongated tail wires descend beneath him. The more restrained brown plumage of the female provides a striking illustration of the sexual dimorphism for which birds of paradise became celebrated. Birds of paradise were among the most extraordinary exotic birds known to European naturalists and collectors. Early specimens reached Europe from the Indonesian archipelago without their feet, contributing to centuries of myths that the birds lived perpetually in the air. This history is reflected in the scientific name Paradisea apoda, meaning essentially “footless bird of paradise.” The plate is numbered Fig. 139 and bears the German title “Der gemeine Paradiesvogel.” It was produced for a German 19th-century natural-history publication and is a fine example of the period's increasingly sophisticated ornithological illustration. Although the composition is reminiscent of the celebrated bird illustrations associated with John Gould, I would not attribute this particular plate directly to Gould. The available evidence does not establish Gould as its artist or publisher, and the German typography and figure numbering indicate that it belongs to a separate German natural-history publication. Greater Bird of Paradise Paradisea apoda “Der gemeine Paradiesvogel” Fig. 139 German School c. 1870–1880 Original hand-colored lithograph This is an original antique print from the 19th century, not a modern reproduction. Condition: Good antique condition with overall age-related toning, scattered light foxing and minor spotting and marks, particularly within the margins. Some minor handling wear is consistent with age. The colors remain attractive and the principal image is well preserved. Please study the photographs carefully as they form part of the condition description. Period: Late 19th Century Style: Victorian Medium: Hand-colored lithograph on paper Subject: Greater Bird of Paradise Bird of Paradise Paradisea apoda Male and Female Birds Tropical Birds Ornithology Natural History Keywords: Greater Bird of Paradise, Bird of Paradise, Paradisea apoda, Paradiesvogel, Der gemeine Paradiesvogel, paradise bird, tropical bird, exotic bird, male bird of paradise, female bird of paradise, Indonesian birds...

Attributed to Svenskt Tenn, tea or bar trolley, brass, Sweden, 1950s This decorative 1950s tea trolley, attributed to Svenskt Tenn, combines functionality with a highly romantic and...

Hans Jørgen Frydendal for Modul Bygge System, sofa, solid pine, reupholstered in boucle, Denmark, circa 1960 Hans Jørgen Frydendal created a sofa that directs all focus towards the ...

Atelier Marolles fire screen, wrought iron, France, 1950s This fire screen was created by Atelier Marolles in France during the 1950s. Handcrafted in patinated wrought iron, the arc...

Hans Bergström for Ateljé Lyktan, 'Knight' wall light, variation on model '1012' copper, blown glass, Sweden, 1940s This rare wall light designed by Hans Bergström for Ateljé Lyktan...

Pair of lounge chairs, beech, velvet, Europe, 1950s These elegant armchairs show a sturdy yet graceful framework that highlights their mid-century character. Their gently curved ba...

Carl Fagerlund for Orrefors, very large chandelier, glass, brass, Sweden, 1950s/1960s A majestic Swedish Mid-Century chandelier designed by Carl Fagerlund and produced by Orrefors. ...

Vittorio Rossi and Luciano Bertoncini for Cjfra, 'Zattera' bed, fabric, lacquered wood, brass, chrome-plated steel, Italy, 1970s This extraordinary bed, created through the collabor...

Lounge chair, leather, wood, France, 1930s This armchair of French origin undoubtedly breathes the Art Deco Period of the 1930s. The chair features beautiful streamlined lines and s...

Tom of Finland. Bookend ‘Pekka’ Bookend, painted cast resin, height 12.8 in., base 6 x 6 x 0.8 in. Always Ready to Handle the Heaviest Load - Get Your Books Sandwiched and Add Some ...

A brass and fabric chandelier designed and produced in Sweden, c. 1950s. In good vintage condition, with visible wear consistent with age and use. Light surface scratches to the bro...

George Nakashima for George Nakashima Studio, ‘Frenchman’s Cove II’ dining table, American black walnut, United States of America, 1967 This striking and unique Frenchman’s Cove II ...

Pair of lounge chairs, walnut, fabric, metal studs, the Netherlands, 1930s A striking pair of Dutch Art Deco lounge chairs in the expressive style of the Amsterdamse School. Crafted...

Pair of large Art Deco style Murano glass and brass wall lights, in stock Fume, bronze color and horizontal striation texture Brass accents Art Deco inspired design. Gives off warm ...

Barovier&Toso, ceiling light, brass, crystal glass, Italy, 1980s An elegant flush mount by Barovier & Toso, expertly crafted in Italy from finely textured crystal glass. The...

A rattan and brass pendant light designed and produced in Italy, c. 1970s. In good vintage condition, with visible wear consistent with age and use. Light oxidation and tarnish to t...