Recognized Dealers Furniture

Studio D Italy, side chairs, lacquered pine, 1970s This eye-catching brutalist chair captures the essence of raw design. Crafted by Studio D in Italy during the 1970s, it exemplifie...

An alabaster and brown rope pendant light likely designed and produced in Sweden, c. 1930s. In fair vintage condition, showing significant wear consistent with age and use. Moderate...

Chandelier "Tulipan" by Kalmar (B) Austria 1960s High-quality vintage chandelier by Kalmar featuring 41 tulip-shaped glass elements that create a soft, atmospheric light. The textur...

Bookcase or wall unit, colored wood, Italy, 1970s This striking polychrome bookcase is a quintessential example of early postmodern interior design. Constructed from colored lacquer...

Red Achimenes Flower Botanical Lithograph, Charles Morren, 1845 Description: A vivid mid-19th-century botanical lithograph depicting Achimenes rosea Lindl. var. formosa, a highly de...

Of Slovenian heritage, artist Bogdan Grom was born in the Italian city of Triest in 1918. Inspired by art from an early age, his studies took him to Serbia, Slovenia, Venice, Perugia...

Contemporary Pendant Lamp 'STILLA' 510.14 by Fabio Fantolino x TOOY Compliant with USA electrical system Model shown: Hardware in Dark bronze and White glass Glass: 4 × Ø 17 cm. Lig...

Stylish teak desk by Ib Kofod Larsen, with a spacious table top and two drawers. The open sides give a lightness to the design.

Title: Louis XVI Floral Decorative Panel Chromolithograph by Albert Racinet, Paris, c. 1873 Description: An exquisite original antique chromolithograph illustrating an elegant Loui...

Manufactured in 1884 by the Shepard Hardware Company in Buffalo, New York, this cast iron mechanical bank measures 7 1/8" long and is in excellent all original condition and paint, especially considering that the Shepard Company did not use a primer rendering their surface more vulnerable than say, the Steven's Company. There is no touch up or repaint, and no restoration of any kind. Colors of bright red on the dress, flesh tones, tan colored dog, and maroon base are all very bright and crisp. The bank is accompanied by the original wooden box in which it was originally shipped; a very special find and charming piece of Americana. Rare to find the original box. The bank and box came directly from an estate and the original owner, and I have owned it since then for over 35 years. The theme of the bank depicts a young Victorian girl playing with her golden retriever. It is one of only four antique mechanical banks...

An etched glass and brass flush mount designed and produced in Germany, c. 1950s. Overall Dimensions (inches): 4.0"H x 17.25"W x 17.25"D Bulb specification: E-26 Number of sockets...

A nice pair of Paavo Tynell table lamps model 5233 for Taito. This functional model can be used in private residences as well as offices. The lamps are in good condtion as they have ...

Mid-Century console table standing on tapered legs with brass caps. The piece features a ribbed surface, three drawers, and profiled edges, with a subtle D-shaped front that adds ref...

New NOOM furniture collection is dedicated to the 100th anniversary of the founding of the Bauhaus School in Germany. Ideas of functionalism and conciseness, the combination of Craft...

Set of Three Antique Mineralogy Chromolithographs, Quartz, Agate & Tourmaline, 1888 DESCRIPTION: A decorative set of three original 19th-century mineralogy plates illustrating quart...

The Montanara armchair evokes a poetic mountain landscape—its sweeping, snow-white contours and printed textile upholstery conjure peaks, rocks and alpine skies in an indoor setting....

Pair of dark blue glass table lamps by Carl Fagerlund for Orrefors. Heavy glass bases with a somewhat undulating shape and brass detail at the top. Very elegant with movement in the ...

These early year 'Zig Zag' chairs by Gerrit Rietveld for Cassina are the holy grail of collectors pieces. Rare and coveted, original 'Zig Zag' chairs are a part of design history, re...

Pair of French studio-built Iron tripod Martini tables with dark bronze patina In stock and ready to ship from our Miami showroom, this pair of French studio-built hand-forged iron t...

A blown glass bottle designed by Ture Berglund and produced by Skansens Glasbruk, Sweden, 1940s.

A pair of hand-painted ceramic wall lights or sconce covers designed and produced by Martha and Beaumont Mood, San Antonio, Texas, USA, 1970s. Ove...

A Warren Platner dining table with bronze powder coated base and marble top.

TITLE: French Garden & Hunting Carriage Designs, Diderot Encyclopédie, 1771 DESCRIPTION: Original antique 18th-century copper engraving illustrating elegant French garden, pleasure ...

Coffee table, lacquered wood, Italy, 1970s Clean and unobstructed coffee table executed in high-gloss white lacquered wood. It shows a closed scu...

'One of the most soulful and personal books on refreshing, fragrant, and delicious Persian dishes that express her youth, family tradition, and sophistication.' – Daniel Boulud, chef...

A classic French Louis Philippe style mirror featuring a softly rounded rectangular giltwood frame. The restrained molded frame is enriched with a delicate beaded inner border surro...

RAAK Amsterdam, pendants, brass, glass, The Netherlands, circa 1968. Pendant with brass fixture and raindrop glass with a smoked-golden tint. The glass, which is called Pulegoso, c...

Pair of dining chairs, pine, metal, France, 1940s This set of French dining chairs features a rather stunning design. Very strong and clean lines structure the chair in an admirable...

Carl Malmsten and Yngve Ekström for Swedese, 'Caryngo' armchairs, oak, canvas, Sweden, 1955 These Caryngo lounge chairs by Carl Malmsten and Yngve Ekström features an oak frame and ...

English Regency style satinwood and gilt trim harp having brass forty-six string, double action 7-pedal function with fluted columnar support surmounted by a crown finial, over a sym...

A bamboo, rattan, fabric, wood and rubber chaise lounge designed and produced in Sweden, c. 1940s. Seat Height (inches): 16" Arm Height (inches): 19.38" All items ship from High P...

Original Antique Print of Roman Chariot Racing and Circus Maximus by Bertuch, c. 1800 Original antique hand-colored copper engraving illustrating ancient Roman chariot racing and the Circus Maximus, published in Friedrich Justin Bertuch’s celebrated “Bilderbuch für Kinder” around 1800. The plate is titled “Alterthümer VIII / Antiquités VIII” and contains four illustrations relating to Roman chariot racing and the famous circus games of antiquity. Fig. 1 presents a reconstruction of the Circus Maximus in Rome, the enormous ancient arena used for chariot races and other public spectacles. The elongated track is shown surrounded by tiers of seating, monumental entrances and the central barrier or spina, decorated with an obelisk, statues and other monuments. Fig. 2 depicts a dramatic Roman quadriga: a four-horse chariot racing at speed, with the charioteer leaning forward and wielding his whip. The richly ornamented chariot and animated horses make this the visual centerpiece of the plate. Fig. 3 illustrates details of an ancient horse harness or bridle, while Fig. 4 reproduces an ancient representation of a chariot and driver. The engraving is delicately enhanced with original hand coloring in restrained shades of green, ochre, red and brown and bears the engraved signature “Jacob H. Schmuzer” beneath Fig. 4. Friedrich Justin Bertuch (1747–1822) was a German publisher, writer and patron of the arts. His monumental “Bilderbuch für Kinder” (Picture Book for Children) was one of the great illustrated educational encyclopedias of the late 18th and early 19th centuries. Published in Weimar from 1790 onward, the work contained hundreds of engraved and hand-colored plates covering natural history, geography, science, technology, mythology, ancient history and costumes. An attractive early 19th-century representation of ancient Rome, particularly appealing to collectors of classical antiquity, equestrian subjects and Grand Tour imagery. Creator: Friedrich Justin Bertuch (1747–1822) Engraver: Jacob H. Schmuzer Source: Bilderbuch für Kinder Plate: Alterthümer VIII / Antiquités VIII Place of Publication: Weimar, Germany Date of Manufacture: Circa 1800 Period: Early 19th Century Style: Neoclassical – In the Period of Medium: Original hand-colored copper engraving on paper Condition: Good. Wear consistent with age and use. Light age-related toning and scattered minor spotting. Some wear and irregularity along the right sheet edge and minor marginal imperfections. Original hand coloring remains attractive. Please refer to the photographs for further details of condition. Please note: This is an original antique print from circa 1800, not a modern reproduction. The print is sold unframed. Framed images or interior views, if shown, are for presentation and inspiration only. Keywords: Roman chariot print, chariot racing, Circus Maximus, ancient Rome print, Roman quadriga, four horse chariot, Roman horses, Roman antiquities, classical antiquity, Grand Tour print, equestrian engraving, Bertuch print, Friedrich Justin Bertuch, Jacob Schmuzer, hand colored engraving, Neoclassical print, antique Roman print

A rare signed example of the 'Mole' sofa by Sergio Rodrigues, produced by OCA Brazil in the 1960s (see image gallery for a photo of the OCA stamp). This Mole sofa has an expansive am...

An English oak side table having rectangular molded edge top over apron with thin single drawer with center escutcheon and double ring pulls, raised on round, tapering legs with bloc...

Elefante Console Table 51 by NONO, Solid Wood, Elegant Curves ————————————————————— Elefante Collection: A Harmony of Design and Heritage by NONO Crafting Elegance with a Modernis...

A small burl wood bowl designed and produced in Sweden, c. 1960s.

With a dedication to perfection and quality, Christofle flatware creations unite craftsmanship and modern technique, resulting in flatware to be handed down through generations. The ...

This heavily agatiised medium sized geode contains 6 “windows” from which the beautiful amethyst interior can be appreciated. A spectacular display piece. This piece was legally...

A black-painted iron and black leather lounge chair or slipper chair, designed by Milo Baughman and produced by Thayer Coggin, High Point, North Carolina, USA, 1950s. Overall Dimens...

HORSE HAIR STOOL J.M. Szymanski d. 2018 Contemporary furniture at its finest. Horsehair textile and blackened iron are combined to create an excitin...

Edwardian Period, sterling silver flask with hinged lid (having a bayonet closure), Birmingham, England, year-hallmarked for 1917, H. Matthews - maker. Measures over 4 3/4 inches hig...

Giuseppe Rivadossi for Officina Rivadossi, bench, oak, Italy, design 1980s This lovely bench is a design by Giuseppe Rivadossi. The material used to make this piece is oak, which sh...

Poul Henningsen for Louis Poulsen, 'Louvre' pendant, coated aluminum, chrome, metal, Denmark, design 1957, production 1960s First designed i...

Marco Zanuso for Arflex, 'Square' lounge chair, fabric, metal, wood, Italy, 1962 This eccentric chair by Marco Zanuso is well-executed embodying a solid construction. Characteristic...

The definitive collection of artist profiles by legendary journalist and New Yorker writer Calvin Tomkins, from the 1960s to today In 1959, Calvin Tomkins interviewed Marcel Duchamp for Newsweek, beginning his six decade- long career writing about art. He then joined The New Yorker, where he has contributed dozens of profiles on the most interesting artists of the time, from Jasper Johns and Robert Rauschenberg to Cindy Sherman and Mark Bradford. This six-volume set includes 82 of Tomkins's most significant profiles dating from 1962-2019. Part art history, part human interest, Tomkins offers insights and observations about the artists, their work, and the ever-changing art world they inhabit. Calvin Tomkins has been a staff writer for The New Yorker since 1960. He has written more than a dozen books, including The Bride and the Bachelors, Merchants and Masterpieces, Living Well Is the Best Revenge, Off the Wall, Duchamp: A Biography, and Lives of the Artists...

Little big chair armchair Signed by Kristian Sofus Hansen and Tommy Hyldahl for Norr11. Model shown on the picture: Fabric: Sheepskin (07 SAHARA) Made in Italy With its sculptural...

A green glass and metal pendant light designed by Massimo Vignelli and produced by Venini, Italy, c. 1960s. In fair vintage condition, with light wear consistent with age and use. P...

A vase, produced by Svenskt Tenn, in Pewter. Features artistic engravings. With makers stamp and signature to underside. Overall Dimensions (inches): 12.1" Height x 6" Diameter All...

A fine mid 19th Century Sunderland table in stunning rosewood having a folding top with a carved gadrooned edge on an elaborate base consisting of a shaped square section pedestal wi...

Workbench from the French Alps made of waxed and patinated chestnut wood. The bench features the original vise and clamp of forged iron as well as a bottom shelf. Originally used for...

Fine George III mahogany bachelor's chest, the vividly grained top with thumb molded edge, over pull-out writing surface/brushing slide, over four graduated drawers and standing on f...

The Kira table stands out for its striking geometric language—an interplay of solid and void—the cubic base supporting a square top softened by rounded corners. Crafted in die-cast a...

A blue velvet and walnut lounge chair designed and produced in Italy, 1950s. Repair to one armrest. Seat Height (inches): 17” Arm Height (inches): 22.5" All items ship from High ...

A stunning exploration of one of the hottest trends in garden design, nature-based planting with an eco-aware approach, featuring the work of leading designers such as Sean Hogan, Pi...

French pendant fixture by Baccarat. This fixture features a hand engraved bell to which are attached a rich array of crystal cabochons coming together at their bottom to a crystal fi...

Chaise longue in rattan and bamboo by Bonacina, Italy, circa 1950s This sculptural chaise longue features a curved bamboo structure with an open woven rattan seat and backrest. The fluid lines and lightweight construction reflect the relaxed elegance characteristic of Bonacina’s production during the period. The generous proportions and reclining form combine comfort with a strong architectural presence, while the natural materials give the piece a warm and timeless character. Suitable for both indoor and covered outdoor environments, this chaise longue embodies the refined craftsmanship and organic modernism associated with Italian rattan furniture...

André Sornay, large cabinet, Oregon pine, copper, France, circa 1934 This large cabinet, designed by André Sornay around 1934, exemplifies his idiosyncratic approach to design. Craf...

Friso Kramer for Ahrend de Cirkel, table, lacquered steel, melamine-coated wood, aluminum, The Netherlands, design 1955 Designed by Dutch designer Friso Kramer for Ahrend de Cirkel ...

The very rare NV-45 easy chair, designed by Finn Juhl in 1945 and crafted by master cabinetmaker Niels Vodder, stands as one of the most iconic and sculpturally expressive works in t...

Breeze Chair is the latest creation within the Permanent Souls collection, a series born from a fundamental question: What remains when something no longer exists, yet continues to l...