Recognized Dealers Garniture

Pair of imposing antique Chinese export blue and white porcelain rectangular form urns with covers. Nanking pattern scenes in stunning detail and superb color. These date from the la...

French Clock Garniture with Annular Dial Late 19th Century Owned by two of the most celebrated collectors of the modern era, this monumental clock garniture is a masterpiece of extr...

Set of three large Sèvres style porcelain vases with gilt bronze pedestals. French, Early 20th Century Large Vase: Height 162cm, width 63cm, depth 48cm. Large Vases Pedestal: Heig...

Known as a ‘kovsh’ (or kovsch), this item was designed to function as a small drinking vessel. Kovshes have been created in Russia for centuries, often from precious materials, such ...

Placida vase by Elke Sada Unique Piece Dimensions: W 22 x D 22 x H 44 cm Materials: red grogged clay, coloured slips, transparent glaze. What is fascin...

Oval vase with cut crystal details accentuated by a sterling silver band at the top. Band is stamped: Made in Germany/ 925 Sterling Silver and has a small maker's stamp (see image 3).

Large vintage Brutalist steel sculpture of fishes fashioned from old pliers and a sheet metal snip. In the manner of Marcello Fantoni. The steel has been drizzled with solder to give...

From the newest secondome collection, Can You Imagine?, the Jambo artisanal vase collection in colorful upcycled rubber. Jambo meaning hello in Swahili, is a vibrant vase collectio...

This magnificent pair of vases is wrought from gilt bronze and champlevé enamel in the distinctive, visually striking Renaissance Revival style. The cylindrical body of each vase is ...

A pair of French Empire period toleware vases with black and gilt decoration the body with anthemion and patera decoration, standing on acanthus leave...

Lilac ground. Each encircled by frieze of classical figures beneath floral swags, the largest flanked by serpent handles with mask terminal and Cupid finial, impressed WEDGWOOD, MADE...

Pair of Russian neoclassical style cut glass and gilt bronze vases Russian, 20th century Measures: Height 38cm, width 22cm, depth 14cm Each vase has an ovoid ruby coloured cut g...

Pair of French Malachite and gilt bronze vases French, 20th century Measures: Height 63cm, width 40cm, depth 31cm Each vase in this pair is ...

Russian kovsch in silver gilt, cloisonne enamel and silver pearl Russian, 20th Century Height 7cm, width 12cm, depth 7cm This kovsch is a meticulously crafted piece, made by marryin...

This extraordinary enameled silverplate and crystal dish set by Elkington & Co. exemplifies one of the company's earliest and most celebrated ventures into champlevé enamel work....

'Forget Me Not VII' is a unique porcelain sculptural vessel by the British artist, Amy Hughes. Originally from West Yorkshire, Amy Hughes lives and works in London. She shares a s...

Turbulence in Tea is a unique glass sculpture by the British artist, Anthony Scala. Sculpted and handblown, this artwork is created from very thick glass which is filled with a multitude of trapped bubbles. Each one sparkles and catches the light, all enhanced by the intense yet fading colour of the main form. About this collection in the artist's own words; "My Turbulence pieces have always been a way for me to step back from my precise optical work and re-engage with the material on a more ‘physical’ level. The colours I choose are always soft, muted shades which act as the perfect backdrop for the drama and movement of the effervescence. The shapes are unfussy so as not to detract from the light play given off by the myriad of bubbles. The pieces are blown incredibly thickly. This is to maximise the depth of the glass and impart an intensity of movement to the effervescence captured within each piece" With a career in glass now spanning over 20 years, Scala creates art works that can only be described as acts of precision. As equally beautiful as they are meticulously created and despite being a hugely skilled glass blower, it is with cold working that Scala excels. Initially qualified as an architectural model maker, it was during this time that Scala learnt many disciplines that would be equally relevant to and ultimately inform his practice today. His passion for glass was discovered however during an apprenticeship with Peter Layton at his studio at London Glassblowing. The beginning of a long standing association for him with this acclaimed studio. In 2005 at the age of 27, Scala won the prestigious 'Glass Sellers Award' (other recipients have included Alison Kinnard, Colin Reid, Richard Jackson, and Bob Crooks...

'Forget Me Not VI' is a unique porcelain sculptural vessel by the British artist, Amy Hughes. Originally from West Yorkshire, Amy Hughes lives and works in London. She shares a st...

Louis XVI style ormolu and rouge griotte marble clock set French, 1867 Clock: height 67cm, width 46cm, depth 28cm Candelabra: height 81cm...

‘Black Classic Vase III' is a unique porcelain sculptural vessel by the British artist, Vivienne Foley, which has been released from her own personal arc...

This exquisite three-piece alabaster clock garniture consists of a central clock with two flanking vases. The central clock is designed to resemble the shape of a neo-Gothic cathedra...

Ardea Cinerea vase by Elke Sada Unique piece Dimensions: W 31 x D 32 x H 45 cm Materials: black grogged clay, coloured slips, transparent glaze. What i...

This clock set contains a mantel clock and a pair of candelabra. The central mantel clock is formed of a rectangular gilt bronze mounted grey marble base. Raised on four gilt bronze ...

Louis XVI Style Gilt Marble Vases 19th Century A celebration of neoclassical taste, this exquisite pair of garniture vases embodies the grandeur and refinement of Louis XVI's French...

A Garniture de Chemineé in the Louis XVI taste By Arnold & Lewis (late Simmons) The mantle clock, and its two matched vases, are constructed in jewelled 'Sèvres' style porcelain, hand and polychrome decorated, with gilt highlights and finely gilt bronze. The clock, rising from toupie feet, supports a rectangular base frame with rounded ends, set with cast stiff leaf decoration, and having inset Roi de Bleu and gilt work panels; over, the circular porcelain dial, signed by the maker (qv) has Roman numerals and blued steel hands, and is set over a central porcelain panel with a bucolic scene, and flanked by elliptical female portraits; the ends are curved and conformingly polychrome and gilt decorated; the whole is surmounted by a decorated twin handled urn, having a pine cone finial, set on an addorsed acanthi gilt bronze base. The two train clock...

Pair of patinated bronze and ormolu ewer vases French, late 19th century Measures: Height 54cm, width 23cm, depth 18cm Each vase in this pair, wrough...

'Plissé vase in Turquoise, light blue & black' is a limited edition vase by the Swedish artist and designer, Lena Bergström. Created for 'Lena 25+', Bergström's 2022 solo exhibiti...

A pair of gilt bronze and porcelain vases. Rising from a rounded cut-corner square marble base, the miniature blue de roi-glazed porcelain ewers dressed with gilt bronze mounts; t...

Antique Three-piece Louis XV and Sèvres style clock and ewer set French, late 19th century Dimensions: Height 36cm, width 34cm, depth 12cm Consisting of a central mantel clock a...

Pair of neoclassical style gilt bronze and marble vases French, early 20th century Measures: Height 52cm, width 21cm, depth 19cm Each vase in this pair, crafted from gilt bronze...

A pair of Empire-style Neoclassical gilt and patinated bronze stands French, 20th Century 42cm high x 31cm wide x 31 cm depth Made from patinated bronze and gilt bronze in the French Empire style, with Neoclassical influences, these excellent stands were made in France in the 20th century. Placed upon four small gilt feet...

Ormolu and Sèvres-style porcelain three-piece garniture suite French, Late 19th Century Vases: height 44cm, width 21cm, depth 16cm Urn: 38cm, width 33cm, depth 29cm Attributed to Pi...

Pair antique hand turned Awaji Pottery ginger jars in fantastic turquoise monochrome glaze, circa 1920's. 10" high, 8" diameter. Impressed marks. Excellent condition.

Gilt bronze and Sèvres style porcelain clock garniture French, 19th century Measures: Clock height 46cm, width 29cm, depth 24c...

Pair of French gilt bronze mounted porcelain vases French, late 19th century Measures: Height 28cm, width 14cm, depth 10cm This wond...

This centrepiece garniture was crafted in the 19th Century in Italy. The two bronzed metal items are identically designed, in an expressive and classically-inspired late Renaissance ...

Royal Rouge Griotte Marble Athenienne After Pierre Gouthière Late 19th Century This monumental pair of Napoleon III gilt bronze-mounted Royal Rouge Griotte athenienne perfume vases ...

Painted with Imari colors, the mask handles with applied gilt decoration.

Good pair of 19th century patinated bronze classical bronze ewers, the handles with busts of a bearded Hercules wearing a lion head headdress, ending in anthemions, the fluted neck o...

From the newest secondome collection, Can You Imagine?, the Jambo artisanal vase collection in colorful upcycled rubber. Jambo meaning hello in Swahili, is a vibrant vase collectio...

Painted with birds on branches.

PAIR OF BAS-RELIEF MYTHOLOGICAL AMPHORA GARNITURES RAISED ON ROUGE MARBLE BASES Attributed to Ferdinand Levillain and Ferdinand Barbedienne unmarked executed circa 1880 Item # 604V...

Trish DeMasi. Moderno Bowl, Ingranaggio, 2022. Metallic glazed stoneware. Measures: 9 x 13 x 13 in.

'Plissé vase in White & Celadon' is a limited edition vase by the Swedish artist and designer, Lena Bergström. Created for 'Lena 25+', Bergström's 20...

‘Green Seed Pod’ is a unique porcelain sculptural vessel by the British artist, Vivienne Foley. Vivienne Foley is based in Gloucestershire where she produces exquisite ceramic scu...

'Plissé vase in Celadon & dark green' is a limited edition vase by the Swedish artist and designer, Lena Bergström. Created for 'Lena 25+', Bergström's 2022 solo exhibition celebr...

‘Pale Blue Flower with Foliate Rim’ is a unique porcelain sculptural vessel by the British artist, Vivienne Foley. Vivienne Foley is based in Gloucestershire where she produces ex...

‘Vase with Foliate Rim II' is a unique porcelain sculptural vessel by the British artist, Vivienne Foley. Vivienne Foley is based in Gloucestershire where she produces exquisite ceramic sculpture. Although in essence they are often functional pieces in form, it is their appearance that makes each unique work so much more. From dramatic structures to gentle sweeping curves, Foley's inherent understanding of porcelain is more than evident and testament to her patience with this most difficult of materials. Having worked with porcelain for over 5 decades, it is Foley’s dedication that gives her such sensitivity towards her medium. This combined with her expert glazing and acknowledgement of this material’s vast history, results in very fresh and modern works that equally pay homage to what has gone before. Flower forms, poppy heads, bracts and petals translate into foliate rims and sinuous necks, carved and pleated or swept into a spiral. A contemporary marriage of craft, history and nature. In her own words: “As a professional potter I have been producing thrown porcelains for over fifty years and so logic would dictate that I have ‘seen it all, done it all’ by now, but on the contrary I still continue to be challenged and interested. The technical frustrations and the uncertainty of results all seem worthwhile when one opens a successful kiln firing. The heart leaps! I have never been afraid to push my materials to the limit, to accept failures and to follow trails, but I am always excited when basic techniques and familiar methods result in something new. My primary interest is in ‘form’ and in finding solutions for what I call ‘damp engineering’. The comparatively non-plastic nature of porcelain dictates my having to join sections together, but a form must ‘flow’ and construction methods should not be obvious. Over the years I have fired every sort of kiln and dallied with glazes, spending untold hours testing and rejecting, but since I now work in a small space I find simple black and white glazes and slips are less distracting and best enhance my forms. I am not influenced by any particular thing – rather, I am interested in everything; always looking for quality and workmanship. I love all aspects of the design world from architecture to textiles. Museums, galleries and exhibitions are my addiction, with photography and the natural world a constant inspiration. My travels to China and my ongoing study of Chinese ceramics have also been an enduring theme and I have been lucky enough to handle and photograph some of the world’s great collections” Foley has a global following and is represented in private and public collections world wide. Public Collections and Acquisitions National Museum of Ireland, Dublin • Limerick City Art Gallery • Ulster Museum, N. Ireland • Crafts Council of Ireland • Centre of Ceramic Art, York Museums Trust • Southampton City Art Gallery • Leeds Museums & Galleries • US Ambassador to Ireland, Jean Kennedy Smith • President Hillery of Ireland • President Mary Robinson...

'Plissé vase in Turquoise & Celadon' is a limited edition vase by the Swedish artist and designer, Lena Bergström. Created for 'Lena 25+', Bergström'...

‘Vase with Star Rim' is a unique porcelain sculptural vessel by the British artist, Vivienne Foley. Vivienne Foley is based in Gloucestershire where she produces exquisite ceramic sculpture. Although in essence they are often functional pieces in form, it is their appearance that makes each unique work so much more. From dramatic structures to gentle sweeping curves, Foley's inherent understanding of porcelain is more than evident and testament to her patience with this most difficult of materials. Having worked with porcelain for over 5 decades, it is Foley’s dedication that gives her such sensitivity towards her medium. This combined with her expert glazing and acknowledgement of this material’s vast history, results in very fresh and modern works that equally pay homage to what has gone before. Flower forms, poppy heads, bracts and petals translate into foliate rims and sinuous necks, carved and pleated or swept into a spiral. A contemporary marriage of craft, history and nature. In her own words: “As a professional potter I have been producing thrown porcelains for over fifty years and so logic would dictate that I have ‘seen it all, done it all’ by now, but on the contrary I still continue to be challenged and interested. The technical frustrations and the uncertainty of results all seem worthwhile when one opens a successful kiln firing. The heart leaps! I have never been afraid to push my materials to the limit, to accept failures and to follow trails, but I am always excited when basic techniques and familiar methods result in something new. My primary interest is in ‘form’ and in finding solutions for what I call ‘damp engineering’. The comparatively non-plastic nature of porcelain dictates my having to join sections together, but a form must ‘flow’ and construction methods should not be obvious. Over the years I have fired every sort of kiln and dallied with glazes, spending untold hours testing and rejecting, but since I now work in a small space I find simple black and white glazes and slips are less distracting and best enhance my forms. I am not influenced by any particular thing – rather, I am interested in everything; always looking for quality and workmanship. I love all aspects of the design world from architecture to textiles. Museums, galleries and exhibitions are my addiction, with photography and the natural world a constant inspiration. My travels to China and my ongoing study of Chinese ceramics have also been an enduring theme and I have been lucky enough to handle and photograph some of the world’s great collections” Foley has a global following and is represented in private and public collections world wide. Public Collections and Acquisitions National Museum of Ireland, Dublin • Limerick City Art Gallery • Ulster Museum, N. Ireland • Crafts Council of Ireland • Centre of Ceramic Art, York Museums Trust • Southampton City Art Gallery • Leeds Museums & Galleries • US Ambassador to Ireland, Jean Kennedy Smith • President Hillery of Ireland • President Mary Robinson...

Turbulence in Aubergine is a unique glass sculpture by the British artist, Anthony Scala. Sculpted and handblown, this artwork is created from very thick glass which is filled with a multitude of trapped bubbles. Each one sparkles and catches the light, all enhanced by the intense yet fading colour of the main form. About this collection in the artist's own words; "My Turbulence pieces have always been a way for me to step back from my precise optical work and re-engage with the material on a more ‘physical’ level. The colours I choose are always soft, muted shades which act as the perfect backdrop for the drama and movement of the effervescence. The shapes are unfussy so as not to detract from the light play given off by the myriad of bubbles. The pieces are blown incredibly thickly. This is to maximise the depth of the glass and impart an intensity of movement to the effervescence captured within each piece" With a career in glass now spanning over 20 years, Scala creates art works that can only be described as acts of precision. As equally beautiful as they are meticulously created and despite being a hugely skilled glass blower, it is with cold working that Scala excels. Initially qualified as an architectural model maker, it was during this time that Scala learnt many disciplines that would be equally relevant to and ultimately inform his practice today. His passion for glass was discovered however during an apprenticeship with Peter Layton at his studio at London Glassblowing. The beginning of a long standing association for him with this acclaimed studio. In 2005 at the age of 27, Scala won the prestigious 'Glass Sellers Award' (other recipients have included Alison Kinnard, Colin Reid, Richard Jackson, and Bob Crooks...

This exquisite, three-piece garniture will make a wonderful addition to a mantelpiece, niche or table, where its fine design and craftsmanship can be properly enjoyed. The garnitur...

With gilt scroll handles terminating with a fierce foo dog mask, the central vase with perched birds on an aqua blue ground, the smaller pair similarly decora...

Three-piece Paris porcelain vanity set, circa 1900.

Three-piece English porcelain assembled garniture, Staffordshire, circa 1820

Large cherub-themed gilt bronze clock garniture by Popon French, late 19th Century Clock: Height 68cm, width 63cm, depth 26cm Candelabra: Height 89cm, ...

From the newest secondome collection, Can You Imagine?, the Jambo artisanal vase collection in colorful upcycled rubber. Jambo meaning hello in Swahili, is a vibrant vase collectio...

From the newest secondome collection, Can You Imagine?, the Jambo artisanal vase collection in colorful upcycled rubber. Jambo meaning hello in Swahili, is a vibrant vase collectio...

French neoclassical style lapis and gilt bronze clock set French, late 19th century Clock height 52cm, width 39cm, depth 15cm Vases height 38cm, width 16cm, depth 12cm This be...

Signed Spode with the pattern number '2575'.