169 results for "gouda"

Born in Poland and trained in old-school oil painting techniques, Ursula Andrejuk later married and moved to the U.S., continuing to paint in her luscious, realistic style. You can a...

Antique Hogan ware beautiful floral design excellent condition no chips or cracks , stamped made in Japan very collectible.

Dutch Art Deco ceramic cup or pen/pencil holder from Gouda, Holland with traditional period flowery and curvaceous designs, circa 1920s, matte glaze, which for us is the mixture of a...

Dutch Mid-Century children's chair from the 1950s, designed in the style of Cor Alons. Scaled for a child, the chair features a rounded-square seat with softened corners and four spl...

Hand-painted earthenware, marked underneath “Gouda Holland”, with model number 812. This striking vase exemplifies the celebrated Gouda pottery tradition, renowned for its richly co...

Antique map titled 'Delflandia, Schielandia et circumjacentes Insulae ut Voorna, Overflackea, Goerea, Yselmonda et aliae.' Detailed map of Southern Holland, which includes the ci...

Great pieces decorated with flowers Signed Johnny Schoonhoven Condition Perfect. Size 245mm Period circa 1900.

A beautiful Art Nouveau Gouda pottery ashtray. Wonderfully colorful floral hand painted design, from Holland. This well made decorative object can also be used as a key holder/vide poche. Signed Dalia Konin Klyk, Coedewaalem, Gouda, Holland and numbered on bottom. Measures: 4 3/4 in. diameter x 2 3/8 in. high Other interesting information about this form of pottery: There isn’t a factory called Gouda Pottery; the pottery is called that because the main factories were in Gouda. Gouda (pronounced ‘how-da’) is the generic term we use for all the pottery factories in Holland – all Dutch pottery other than Delftware, that is. The area around Gouda had clay to make pots, which is why most of the factories settled there. A lot of the clay also came from England. The Dutch started producing clay pipes...

Small vintage urn ceramic table lamp, circa 1950–1970, with a new bespoke hand-pleated lampshade in a William Morris Arts and Crafts Acanthus leaf-pattern fabric in complimentary blu...

Merino wool and birch plywood stool by Cor Alons for Gouda den Boer, 1950s.

Portrait of Jacob van der Tocht – Gouda Burgemeester, Engraved by Claessens, 1794 This finely executed 18th-century engraving portrays Jacob van der Tocht (d. 1680), a prominent Dut...

One-of-a-kind 1977 Dutch blue ceramic table lamp by Flora Gouda (Lotus series), paired with a new Liberty of London “Marquess Garden” floral shade in blue; finished with brass detail...

Vintage Midcentury Modern Dutch Design Dining Chair set of 6 by Cor (Cornelius Louis) Alons for C. De Boer / Gouda Den Boer. Designed in 1949. Made in the Netherlands, 1950's period....

Art Deco white mat glazed cockatoo with crackle. Design by Leen. J. Muller. 1928 White glazed cockatoo with crackle, 1928 Design by Leendert Johan Muller (Leen Muller 1879-1969) ...

Sibling pair of blue-and-white 1977 Dutch Flora Gouda ceramic lamps with new Liberty floral shades; rewired w/ US plugs. 50cm/19.7in & 43cm/16.9in. Heights include lampshades. T...

Vintage Midcentury Modern Dutch Design Extendable Dining or Kitchen Table by Cor (Cornelius Louis) Alons for C. De Boer / Gouda Den Boer. Designed in 1949. Made in the Netherlands, 1...

Attributed to Dutch designer Cor Alons and closely related to furniture produced by Den Boer Gouda during the 1950s, this sideboard displays the sculptural side panels, recessed pull...

A corner sofa by J.M. Middelraad for H. Pander & Zn A corner sofa with fabric upholstery. The beautiful hand-carved details in Art Nouveau patterns and dragonflies, as well as on th...

This chair is part of the private collection of Casey Godrie and is situated in his private house. Ask him for competitive shipping quotes. His incredible Dune Villa, Amsterdam Beach, check last three pictures of this listing or find more details on his family name plus eu, is for sale soon too. :-) Creamy white wooden dining chair...

An Art Deco Dutch ceramic table lamp made from a 1928 PZH Gouda Yozea vase, featuring Japonisme floral decoration in cobalt and teal, paired with a hand-woven silk sari ribbon lampsh...

Bring a touch of nostalgia into your interior with this beautiful, original metal coffee tin by J.C. Dorlas. The bright red tin with gold lettering and a beautiful weathered patina e...

Set of chair and stool designed by Cor Alons, circa 1950. Manufactured by Den Boer Gouda, (Netherlands), circa 1950. Laminated Birchwood plywood and original upholstery. Materials...

Map of Persiae, Armeniae, Natoliae et Arabiae Descriptio per F de Wit 1688 engraving from: Atlas Contractus Orbis Terrarum Praecipuas ac Novissimas Complectens Tabulas. Amsterdam, N. Visscher, 1656-77. (Koeman III, Vis5-8) This highly decorative map of the Middle East is by the Dutch engraver, publisher, and map seller...

Sculptural Ceramic Table Lamp, The Netherlands, first half of the 20th century. This is a special ceramic lamp. Both the form and the execution are expressive and interesting. The...

Henk Boon Composition with dish Oil on wood 80 x 96 cm Frame included 85,5 x 101,5 cm The still-life paintings of Dutch painter Henk Boon show an abstaction of reality. Painte...

Laplanders in Traditional Winter Dress – Berghaus Ethnographic Print, 1855 Description: This antique ethnographic print shows two Laplanders (Sámi people) dressed in traditional win...

The Netherlands Gouda Workshop of W. J. Oliviers Verswaen (De Swaen) Circa 1625 - 1650 A polychrome Dutch Delft tile with the decoration of a starling identifiable by its spotted bo...

Frisian Costumes of Makkum with Lace Cap and Redingote, 1932 Description: This finely detailed hand-colored lithograph is Plate V from the rare 1932 folio The National Costumes of ...

This print originates from the first volume of ‘De Volken van den Aardbodem (..)’ by dr. H. Berghaus. Published by G.B. van Goor, Gouda, 1855. Dutch edition.

This print originates from the first volume of ‘De Volken van den Aardbodem (..)’ by dr. H. Berghaus. Published by G.B. van Goor, Gouda, 1855. Dutch edition.

The Netherlands Gouda Workshop of W. J. Oliviers Verswaen (De Swaen) Circa 1625 - 1650 A polychrome Dutch Delft tile with the decoration of a flying bird, probably a parrot. This t...

This print originates from the first volume of ‘De Volken van den Aardbodem (..)’ by dr. H. Berghaus. Published by G.B. van Goor, Gouda, 1855. Dutch edition.

Antique print titled 'Muiden'. View of Muiden Castle, the Netherlands. This print originates from 'Het koningrijk der Nederlanden voorgesteld in eene reeks van 136 naar de natuur get...

This print originates from the first volume of ‘De Volken van den Aardbodem (..)’ by dr. H. Berghaus. Published by G.B. van Goor, Gouda, 1855. Dutch edition.

This print originates from the first volume of ‘De Volken van den Aardbodem (..)’ by dr. H. Berghaus. Published by G.B. van Goor, Gouda, 1855. Dutch edition.

H. Pander & Zonen Sofa, circa 1890, The Netherlands This sofa is made and signed by H. Pander & Zonen, "Hollandia". The sofa has been completely renovated and upholstered. A beaut...

This print originates from the second volume of ‘De Volken van den Aardbodem (..)’ by dr. H. Berghaus. Published by G.B. van Goor, Gouda, 1855. Dutch edition.

Wabi-Sabi Style Vintage Ceramics by Marius Van Woerden, Vest Keramiek, 1960s A stunning set of three handmade ceramics by Dutch artist Marius Van Woerden, created in his studio Vest...

Regina, Holland. Antique art nouveau vase in glazed ceramics with hand-painted flowers and foliage. Approx. 1910. Measures: 22.5 x 13.5 cm. In excellent condition. Stamped. The Regina pottery factory, Kunstaardewerkfabriek Regina, existed from 1898 to 1979. Located in Gouda, Holland, the factory was established in Queen...

The Netherlands Gouda Workshop of W. J. Oliviers Verswaen (De Swaen) Circa 1625 - 1650 A polychrome Dutch Delft tile with the decoration of a predator bird sitting on a tree trunk, ...

This print originates from the second volume of ‘De Volken van den Aardbodem (..)’ by dr. H. Berghaus. Published by G.B. van Goor, Gouda, 1855. Dutch edition.

Antique print titled 'Leeuwarden. Het Paleis van Justitie.' Old print of the city of Leeuwarden showing the Palace of Justice. This print originates from 'Het koningrijk der Nederlan...

Tobacco Pots made in Gouda, the Netherlands by the Royal Goedewaagen in 1940. The pots are handmade, turned by hand, of so-called German Westwaldclay...

Two original Art Deco ceramic bookends depicting lion heads, attributed to Jan Schonk who designed for Royal pottery factory Gouda.

Surrealist imaginary architectural tower build in red baking clay by Dutch artist Arie Bouter, Gouda 1995 (B. 1942) is carefully hand sculpted. The sculptu...

'The Smoker (Le Fumeur)' is an original etching by the celebrated Dutch painter and printmaker Cornelis-Pietersz Bega. It presents a genre scene of the type Bega was best known for: Bega's principal subjects were genre representations of taverns, domestic interiors and villages. He depicted nursing mothers, prostitutes, drunks, gamblers and fools such as quack doctors and alchemists. In this case, he shows a man seated on a chair with his foot on a flat stool and holding a smoking pipe. For Bega, this representation was more of a caricature than it was an image of a specific person, and such genre scenes would have held allegorical and symbolic meaning for the seventeenth-century viewer. During the seventeenth century, the Dutch of all levels of society consumed tobacco and alcohol, and these were an important part of the Dutch economy and a major source of wealth. At the same time, however, moralists and ministers sought to curb intoxication: they openly described drinking and smoking as sinful, immoral, and a general threat to one’s reputation. This paradox is reflected in prints such as this, which inherently carry the national pride of the Dutch economy alongside a moral warning in a print that could be just as easily consumed and collected. 2.5 x 2.25 inches, print 12.38 x 10.38 inches, frame Framed to conservation standards using archival materials including 100 percent rag matting and mounting materials. Housed in a gold finish Spanish-style wood moulding. Overall good and stable condition; margins cut to plate; some wrinkling in the corners from previous mounting; housed in a new custom frame. Cornelis Bega was born into prosperous circumstances. His mother, Maria Cornelis, inherited half the estate (gold, silver, paintings, drawings and prints) and all of the red chalk drawings of her father, Cornelis Cornelisz van Haarlem, a renowned Mannerist artist. Bega's father was Pieter Jansz Begijn (d 1648), a gold and silversmith. Like other family members, Bega was probably Catholic. Houbraken's claim that Bega studied with Adriaen van Ostade is likely to be correct; this was probably before 24 April 1653, when Bega joined Vincent Laurentsz. van der Vinne in Frankfurt for a journey through Germany, Switzerland and France. Bega had returned to Haarlem by 1 September 1654, at which time he joined the Guild of St Luke; he was already a competent draughtsman, as indicated by his first extant dated work, Interior with a Nursing Mother (1652; Frankfurt am Main, Städel. Kstinst.), and by a remarkable double portrait (Amsterdam, Rijksmuseum) drawn by him and Leendert van der Cooghen in 1654. Bega painted, drew, etched and made counterproofs in a wide variety of materials on different types of small-scale supports. He may have been the first Dutch artist to make monotypes, but this remains controversial. Approximately 160 paintings, 80 drawings and six monotypes by Bega have been catalogued, as well as around 34 etchings. Bega's principal subjects were genre representations of taverns, domestic interiors and villages. He depicted nursing mothers, prostitutes, drunks, smokers, gamblers and fools such as quack doctors and alchemists. Less common subjects include the ridiculed or pestered woman, as in Two Figures and Mother with a Spirits Bottle (c. 1662; Gouda, Stedel, Museum Catharina Gasthuis) and The Inn (etching), as well as witty satires on traditional scenes of middle-class music-makers, such as the Music Lesson (1663; Paris, Petit Palace). Bega's early paintings, such as the Weaver's Family (c. 1652; St Petersburg, Hermitage), are freely executed, dark and coarse, recalling the many-figured peasant subjects of van Ostade. Between c. 1660 and 1664 he began to paint genre scenes with fewer figures, which are finely articulated, colourful and psychologically expressive, for example Two Men Singing (1662; Dublin, N.G.). His exquisite, late fijnschilderen ('fine painting') manner, evident in The Alchemist (1663; Malibu, Getty Museum), compares well with that of Gerrit Dou. As a draughtsman Bega is noted for his single-figure studies, executed mainly in black and white chalk on blue paper or red chalk on white paper. None of the studies, which were drawn naer het leven (from life), seem to relate to a painting or etching. Bega traded drawings or shared models with other artists of the Haarlem school, including van der Cooghen, Gerrit Berckheyde, Dirck Helmbreker and Cornelis Visscher. These artists drew chalk figure studies in a very similar style, characterised by regular and precise parallel shading and well-defined forms; their drawings, especially those of Bega and Berckheyde, have been frequently confused. Unlike the realistic figure studies, Bega's etchings depict interiors with figures or single figures in the manner of van Ostade; the compositions, often with masterful chiaroscuro effects, reflect most closely the paintings of the 1650s. Bega is likely to have remained in Haarlem, where he paid dues to the Guild in 1661. He probably died from the plague; fees for his expensive funeral at St. Bavo's were paid on 30 August 1664. Among the artists he influenced were Thomas Wijck, Jan Steen, Richard Brakenburg (1650-1702) and Cornelis Dusart. Painters such as R. Oostrzaen ( fl ?1656) and Jacob Toorenvliet...

An important Dutch Old Master Landscape Oil Painting on Panel attributed to Jan Josefsz Van Goyen (1596-1656), the painting circa 1650. This very attractive painting is from the Dut...

A Zenith Delft Blue plate "The Cannon Shot" by Willem van de Velde A Delft Blue plate with a seascape based on the painting by Willem van de Velde (II) The Cannon Shot, ca. 1680. A ...

Description: Pill box with engraved plant motifs and hinged lid. Metal: Silver. Origin: Nederland. Brand: Gouda. Weight: 18.67 grams. Dimensions: 4x2.7cm. Content: 925/1000. As...

Dutch silver photo frame 18 cm x 24 cm, Fa. Hooijkaas, Schoonhoven, 2002 A large rectangular silver photo frame, by Fa. Hooijkaas, Schoonhoven silver factory. The frame can be place...

Antique map titled 'Accuratissima Galliae Tabula vulgo Royaume de France'. Detailed map of France. Shows provinces, cities, rivers etc. Artists and Engravers: Frederick de Wit (1...

A stunning vintage Dutch 1.77 carat diamond and 18 karat white gold marquise shaped cocktail ring; part of our diverse diamond jewelry and estate jewelry collections. This stunning,...

Antique Map of Zuid-Holland & Utrecht – Sleeswijk Atlas, 1914 This antique map of Zuid-Holland and Utrecht was published in 1914 in the well-known Sleeswijk Atlas, a Dutch school at...

An Art Deco hand-turned and painted mushroom plate from C.J. Lanooy An earthenware plate with raised edges from the Art Deco period 1925 marked 1 Se...

An impressive vintage Dutch Art Deco style pearl and 1.45 carat diamond, 14 karat yellow gold bar brooch; part of our diverse vintage jewelry collections. This fine and impressive p...

Antique map titled 'Tabulae dominii Groeningae quae et complecitur maximam partem Drentiae Emendata'. Old map of the province of Groningen, the Netherlands. With an inset map of ...

The map of Batavia (modern-day Jakarta) from 1681, attributed to Frederick de Wit holds significant historical importance for several reasons: Historical Context 1. Colonial Era: This map dates back to the Dutch colonial era when Batavia served as the administrative and commercial hub of the Dutch East India Company (VOC). The VOC was a powerful trading entity that played a crucial role in the global spice trade and colonization in Southeast Asia. 2. Strategic Importance: Batavia was strategically located on the northwestern coast of Java, providing the Dutch with a critical base for their maritime operations. The city became the center of Dutch political and military control in the region. Cartographic Significance 1. Detailed Urban Layout: The map meticulously details the layout of Batavia, including its fortifications, canals, streets, and significant buildings. This level of detail provides insights into the urban planning and architectural styles of the period. 2. Military Engineering: The fortifications shown on the map illustrate the advanced military engineering techniques used by the Dutch to protect their valuable colony. The walls, bastions, and moats indicate the strategic considerations taken to defend against potential invasions. 3. Maritime Activity: The depiction of ships in the harbor highlights Batavia's role as a major maritime center. The VOC's fleets were essential for trade routes connecting Europe, Africa, and Asia, making Batavia a crucial node in global commerce. Artistic and Cultural Value 1. Artistic Elements: The decorative elements, such as the lion holding a shield and the intricate cartouches, reflect the artistic trends of Dutch Golden Age cartography. These embellishments were not only informative but also served to display the cartographer's skill and the map's prestige. 2. Cultural Exchange: Maps like this one provide evidence of cultural exchange between the Dutch and the indigenous populations of Java. The blending of Dutch and local influences can be seen in various aspects of the map and the architecture of the city. Rarity and Preservation 1. Rarity: Maps from the 17th century, especially those in good condition, are relatively rare and highly valued by collectors and historians. Each map provides a unique snapshot of historical geography and urban development. 2. Preservation of History: This map serves as a historical document, preserving knowledge about Batavia's cityscape, infrastructure, and colonial governance. It helps historians and scholars understand the socio-economic and political dynamics of the period. Conclusion The map of Batavia from 1681 is special due to its detailed depiction of one of the most important colonial cities in Southeast Asia during the Dutch Golden Age. It reflects the strategic, economic, and cultural significance of Batavia, serving as a valuable resource for understanding the history of Dutch colonialism and its global impact. The map's artistry and precision make it an important artifact in the history of cartography. --------------- The map is an original and historical map of Batavia (present-day Jakarta) on the island of Java, dated 1681. There are several details to consider when evaluating its origins and possible authorship: 1. **Style and Detail**: The intricate details and style are reminiscent of maps created by Frederick de Wit, a prominent Dutch cartographer and engraver of the 17th century. He was known for his detailed city maps and sea charts. 2. **Lack of Signature**: The absence of "F. de Wit, Excudit" could indicate either an omission or a different engraver. However, it is essential to note that some maps from that period were reproduced or copied by other engravers and cartographers. This was not uncommon, as map-making was a collaborative effort, and copies of popular maps were frequently made. 3. **Map Characteristics**: - The depiction of ships and the detailed fortifications are typical of Dutch cartography in the late 17th century. - The decorative elements, such as the lion holding a shield, are also characteristic of Dutch map engravers. 4. **Other Possible Engravers**: While Frederick de Wit is a strong candidate, other notable Dutch engravers from that period include Joan Blaeu and Willem Janszoon Blaeu. They also produced highly detailed maps and could potentially be the creators or inspirers of this map. To determine the precise authorship, you might consider: - **Comparing** this map with other confirmed works of Frederick de Wit and his contemporaries to identify stylistic similarities and differences. - **Historical Records**: Consulting historical records or publications related to Dutch cartography in the 17th century might provide more context or even direct references to this particular map. If you have access to additional details or higher-resolution images of specific sections, it might help further pinpoint the map's origin and authorship. ------------- Frederick de Wit (1629–1706) was a prominent Dutch cartographer, engraver, and publisher known for his detailed and decorative maps, atlases, and globes. He played a significant role in the Dutch Golden Age of cartography, contributing to the wealth of geographic knowledge and artistic achievement during this period. Here are key aspects of his life and work: ### Biography - **Early Life**: Frederick de Wit was born in Gouda, Netherlands, in 1629. Little is known about his early years, but he moved to Amsterdam, the epicenter of Dutch cartography, in the mid-17th century. - **Career Beginnings**: De Wit began his career as an engraver and publisher, initially producing maps that were reissues of earlier works by other cartographers, such as Joan Blaeu and Willem Janszoon Blaeu. ### Contributions to Cartography - **Mapmaking**: De Wit was known for his meticulous attention to detail and artistic flair. He produced a wide range of maps, including world maps, regional maps, city plans, and maritime charts...

This print originates from the second volume of ‘De Volken van den Aardbodem (..)’ by dr. H. Berghaus. Published by G.B. van Goor, Gouda, 1855. Dutch edition.

This a beautiful framed hand colored 17th century map of the southern portions of Holland by Nicolaus (Nicolas) Visscher II entitled "Hollandiae pars Meridionalis, vulgo Zuyd-Holland", published in Amsterdam in 1678. The map shows the region between Breda, Heusden, Gornichem, Gouda, Dordrecht, and Willemstad. It includes a decorative cartouche in the lower left corner. The map is presented in an attractive maple colored wood frame with gold trim and a fabric mat. There is a central vertical fold, as issued. There are small areas of discoloration consistent with age. The map is otherwise in very good condition. The Visscher family were one of the great cartographic families of the 17th century. Begun by Claes Jansz Visscher...

This print originates from the first volume of ‘De Volken van den Aardbodem (..)’ by dr. H. Berghaus. Published by G.B. van Goor, Gouda, 1855. Dutch edition.