23 results for "alebrijes"

Wooden nutcracker figure from the Erzgebirge. The region Erzgebirge formerly Eastern Germany is famous for this special kind of nutcrackers, where intricate carving has been their ho...

Wooden nutcrackers figure from the Erzgebirge. The region Erzgebirge formerly Eastern Germany is famous for this special kind of nutcrackers, where intricate carving has been their h...

Interesting wooden mid-century Folk-Art human form from the American east coast. Teaching model illustrating how to properly life a heavy item. Handmade from pine and chipboard with ...

This aqua resin and acrylic sculpture is an abstract female for created by Kevin Kelly. The dimensions are noted include a 3 1/2 inch high base. Kelly works out of his Brooklyn studi...

2 carved and painted mushrooms sculptures by JD. Signed along underside. Dimensions: 15" x 13" x 19", 13" x 12" x 18"

This aqua resin and acrylic sculpture is an abstract female for created by Kevin Kelly. The dimensions are noted include a 4 inch high white base. The pedestal is separate. Kelly wor...

Sculpture Close to Heart 1 & 2 Limited edition of 12 (each sculpture) Dimensions: - Close to heart 1 (black): H. 73. x D. 34 cm - Close to heart 2 (natural): H. 82. x D. 22 cm Medi...

The young dancers wear an armor of threads over their bodies, showing off an ancient indigenous art form. Colorful thread combinations characterize the huipil dress, a rectangle of cloth handwoven on a backstrap loom that dates back thousands of years in used in Zapotec culture. Through symbols in their dresses, Zapotec women wear their identity, history, culture, power, social and marital status, religion, personality, and power. In this folkloric dance, “Flor de Piña” (Pineapple Flower), innocence surrounds young girls as they dance and hold pineapples on their shoulders as an offering. Their long braids represent purity and their bare feet symbolize their connection to the Earth. This folkloric dance is part of the “Guelaguetza” (name in the indigenous Zapotec language) Festival Celebration. Since pre-hispanic times, the indigenous people of Oaxaca have honored the goddess of maize with this festival, performing and offering gifts to ensure a good harvest. Husband and wife, master woodcarver Manuel Cruz and wood painter...

OUTSTANDING MADONNA Bavaria Around 1515/20 Lime wood carved Original, polychrome version Height 60 cm This masterfully carved, full-round Madonna was created around 1515-20 in...

Nevelson’s compositions explore the relational possibilities of sculpture and space, summing up the objectification of the external world into a personal landscape. Although her prac...

Wonderfully charming hand-carved 19th Century American folk art horse sculpture on stand. Pay special attention to its face and the carved details to appreciate this fine specimen. ...

3-575 hand carved wood grey whale wall sculpture signed Claire on verso

A fantastic piece. Really quite unique. We have not seen another quite like it. Made from heavy wood and features real horns. Likely South or Central American or perhaps from Mexico. Has clear signs of use and age so we are estimating early to mid-20th century. Would make for a terrific addition to any folk or tribal mask collection...

"Articulated Cyclist Toy – Belgian Folk Art, Early 20th Century" Early 20th Century Belgian Folk Art Articulated Cyclist Toy Handcrafted Solid Wood — Rare Colonial-Era Subject — Mechanically Designed Pedaling Motion (Belt Missing) Description A rare and remarkable early 20th-century Belgian folk art toy, hand-carved entirely from solid wood, depicting a stylized Black cyclist mounted on a painted green bicycle. The figure is fully articulated and was originally designed with a mechanical belt-drive system (now absent) connecting the foot pedals to the rear wheel. When pushed forward, the toy was engineered to simulate a realistic cycling motion, animating the rider's legs in tandem with the rotation of the wheels. Materials & Construction Primary material: Solid wood (no plywood or laminates) Figure & Bicycle: Fully carved, hand-painted in polychrome (green, red, black, ochre) Mechanical features: Jointed limbs designed to move with crankshaft motion Metal-spoked wheels on rotating axles Pulley attachment points for original belt-drive (belt now missing) Dimensions: Length: 53 cm Height: 42 cm Condition: Structurally intact; expected surface wear and patina consistent with age; belt mechanism missing but all original pulley points and joints remain. Iconography & Cultural Context The cyclist is depicted as a Black male figure in a red cap and outlined uniform, rendered in a simplified, expressive style typical of early folk toys. The toy likely reflects Belgium's colonial presence in the Congo during the early 20th century (Congo Free State until 1908, Belgian Congo from 1908–1960). Such depictions were common in Belgian visual culture of the time, often appearing in children's media, toys, and public exhibitions. This toy offers not only mechanical charm but also serves as a historical document, reflecting period attitudes and visual language. It holds curatorial interest for ethnographic, toy history, and colonial-era cultural studies. Dating & Attribution Date: Circa 1900–1930 Origin: Likely Belgium Style: Folk art, with vernacular mechanics and colonial subject matter Comparison: Closely parallels German kinetic push toys...

Carved reclaimed wood bust sculpture exploring fractured identity, memory and the symbolic wound through expressive figurative portraiture. The Wound That Precedes Me (La Herida Que...