1,551 results for "maison gerard"

This playful little mushroom-shaped stool,, part of Under the Influence, Maison Gerard's line of furnishings, takes its form from nature and boasts a surprisingly broad and supple se...

Per design supplied by Maison Gerard.

This playful little stool, part of Under the Influence, Maison Gerard's line of furnishings, takes its form from nature and boasts a surprisingly broad and supple seat. Velvet upho...

This playful little mushroom-shaped stool,, part of Under the Influence, Maison Gerard's line of furnishings, takes its form from nature and boasts a surprisingly broad and supple se...

This playful little stool, part of Under the Influence, Maison Gerard's line of furnishings, takes its form from nature and boasts a surprisingly broad and supple seat. Height is c...

This playful little mushroom-shaped stool,, part of Under the Influence, Maison Gerard's line of furnishings, takes its form from nature and boasts a surprisingly broad and supple se...

This playful little stool, part of Under the Influence, Maison Gerard's line of furnishings, takes its form from nature and boasts a surprisingly broad and supple seat. Height is c...

This playful little stool, part of Under the Influence, Maison Gerard's line of furnishings, takes its form from nature and boasts a surprisingly broad and supple seat. Height is c...

This playful little mushroom-shaped stool, part of Under the Influence, Maison Gerard's line of furnishings, takes its form from nature and boasts a surprisingly broad and supple sea...

This playful little stool, part of Under the Influence, Maison Gerard's line of furnishings, takes its form from nature and boasts a surprisingly broad and supple seat. Height is c...

This playful little mushroom-shaped stool,, part of Under the Influence, Maison Gerard's line of furnishings, takes its form from nature and boasts a surprisingly broad and supple se...

This playful little stool, part of Under the Influence, Maison Gerard's line of furnishings, takes its form from nature and boasts a surprisingly broad and supple seat. Velvet upho...

This playful little mushroom-shaped stool,, part of Under the Influence, Maison Gerard's line of furnishings, takes its form from nature and boasts a surprisingly broad and supple se...

This playful little mushroom-shaped stool, part of Under the Influence, Maison Gerard's line of furnishings, takes its form from nature and boasts a surprisingly broad and supple sea...

This playful little mushroom-shaped stool,, part of Under the Influence, Maison Gerard's line of furnishings, takes its form from nature and boasts a surprisingly broad and supple se...

This playful little mushroom-shaped stool,, part of Under the Influence, Maison Gerard's line of furnishings, takes its form from nature and boasts a surprisingly broad and supple se...

This playful little mushroom-shaped stool,, part of Under the Influence, Maison Gerard's line of furnishings, takes its form from nature and boasts a surprisingly broad and supple se...

This playful little mushroom-shaped stool,, part of Under the Influence, Maison Gerard's line of furnishings, takes its form from nature and boasts a surprisingly broad and supple se...

This playful little stool, part of Under the Influence, Maison Gerard's line of furnishings, takes its form from nature and boasts a surprisingly broad and supple seat. Height is c...

Bombola, is the diva of an ensemble collection designed by William Georgis and Ilya Mirgorodsky of Georgis & Mirgorodsky, soon to be released at Maison...

The Leaning Lotus Exo Console is a younger sibling of the three-tiered Hatter Exo Leaning Shelf, currently shown at Maison Gerard, New York. The piece lives beautifully next to the L...

Empreinte (footprint), gilded bronze powder compact by Line Vautrin. Powder compact with a highly chiseled lid representing a hand located in the center of a fingerprint. The wolf ma...

A meticulously curated glimpse at the career of a design-world superstar. "Stylistically, Salvagni is an avowed modernist; his work displays an elegant economy of means that is ut...

This is a French Modernist Art Deco Side Table, dating to the late 1930’s. The base and top are made of solid beech, and the tubular supports are made of nickel-plated steel. The r...

Burled elm Art Deco period secretary cabinet attributed To Rene Herbst. the front decorated with looping thread inlay, drop down door opening with inset with cognac colour leather writing surface and bird eye maple sectioned storage and drawers, raised on gilt wood and elm plinth, ex-Sotheby's France: circa 1930. Provenance: Private Collection; Sotheby's 20th Century Design Sale...

Pair of Art Deco patinated wrought ron and acid-etched glass sconces by Paul Kiss. one iron base twice impressed P. KIS/PARIS, each glass shade incised SCHNEIDER France : circa 1925 ...

Contemporary four-panel screen in polyester plaster by Marc Bankowsky. A designer and decorator for the past 20 years, Marc Bankowsky creates uniquely beautiful furniture and access...

This surrealistic stool, which rests on silver or bronze legs modeled after a goat's, and is upholstered in lamb's wool, is a successful new take on a centuries-old tradition: transf...

For nearly a century, the hallmark of Holophane fixtures has been the ribbed borosilicate glass prismatic shade that provides a combination of uplight and downlight to illuminate eve...

Lebovici's training in physics is clear in this remarkable, wholly unique lamp. The pyramidal piece is composed in a spiraling series of lineal brass elements, each of which moves on...

M. Gérard diamond three stone ring. Set to centre with a rectangular step-cut diamond, G colour, VS2 clarity with a weight of 1.87 carats in an open back claw setting, flanked by two...

A contemporary lounge chair of cleverly arranged geometric forms -- an oversized oval seat with a perpendicular circular back, set upon sleek patinated bronze, triangular feet...

A gilt bronze poudrier box with cast poem on surface by Parisian art jeweler Line Vautrin (1913-1997) circa 1940s. The poem "Les 4 ages de la Femme" was an old French lyrical poem th...

A rare cast gilt bronze box "Pinocchio" by French Parisian art jeweler Line Vautrin (1913-1997). The elongated lidded box depicts a silouette portrait of the famous boy. The interior...

Stackabl is a configurator that allows anyone to customize furniture online, an innovative system that allows you to turn high-quality, surplus metal, wood, and felt offcuts from our manufacturing partners – located within a 150-mile-radius – into fully finished, custom works ready to be shipped to your home or project. Aided by algorithms and robotics, the configurator identifies remnant inventory (in the form of metal, wood, and felt) that fits your aesthetic choices. This inventory is then put back through the manufacturers' own machines, and into the hands of their own experts, who execute your design. In the fall of 2020, Maison Gerard paired with Stackabl to show just what can be accomplished with the configurator. Maison Gerard tapped the talents of six prominent designers, asking them to create pieces of their own within Stackabl. Benoist F. Drut's Maxine Bench: Drut’s eye for eclecticism and exuberance is palpable in his design for the Maxine bench. The artistry and symmetry of eighteenth-century French royal furnishings, the energy and expertise of Parisian gallerist/decorator Madeleine Castaing, the Orientalist architecture of Frederic Church...

A new version of Bankowksy's classic Méduse sconce cast in gilt bronze. A designer and decorator for the past 20 years, Marc Bankowsky creates uniquely beautiful furniture and accessories. In addition to a custom suite of furniture and accessories for the Haute Couture Christian Dior...

Questo collier firmato Gérard Darel è una delle creazioni più iconiche e riconoscibili della maison, universalmente noto come “Jackie”, in omaggio a Jacqueline Kennedy Onassis, figur...

STACKABL is a configurator that allows anyone to customize furniture online, an innovative system that allows you to turn high-quality, surplus metal, wood, and felt offcuts from our manufacturing partners – located within a 150-mile-radius – into fully finished, custom works ready to be shipped to your home or project. Aided by algorithms and robotics, the configurator identifies remnant inventory (in the form of metal, wood, and felt) that fits your aesthetic choices. This inventory is then put back through the manufacturers' own machines, and into the hands of their own experts, who execute your design. In the fall of 2020, Maison Gerard paired with STACKABL to show just what can be accomplished with the configurator. Maison Gerard tapped the talents of six prominent designers, asking them to create pieces of their own within STACKABL. Benoist F. Drut's Maxine bench: Drut’s eye for eclecticism and exuberance is palpable in his design for the Maxine bench. The artistry and symmetry of eighteenth-century French royal furnishings, the energy and expertise of Parisian gallerist/decorator Madeleine Castaing, the Orientalist architecture of Frederic Church...

This elegant Philippe Barbier table lamp is composed of two mirror-polished orbs on a cylindrical base. Versions of this lamp have been included in the set design of a number of film...

This surrealistic stool, which rests on silver or bronze legs modeled after a goat's, and is upholstered in lamb's wool, is a successful new take on a centuries-old tradition: transf...

Stackabl is a configurator that allows anyone to customize furniture online, an innovative system that allows you to turn high-quality, surplus metal, wood, and felt offcuts from our...

This cabinet was specifically designed for the living room of Mr. Frilet, one of Leleu’s most important clients. This cabinet is recorded in Maison Leleu’s Livre des Cre´ations under: 5457 Grand Meuble - Salon de Mr Frilet in 1961. It is also mentioned in the document: Statement Lacquer Cabinets 03 -28-1962 Sm res, dated March 28...

Franck Evennou's remarkable Taro nesting tables mimic the Asian root's broad leaves and stem, and his choice of material, and the evidence of his masterful ...

Featuring a creative use of suede mixed with gilded bronze, these doors represent Maison Jansen's penchant for luscious materials blended in unexpected ways; moreover, as architectur...

Marcello Fantoni brutalist welded torch cut metal figurines. Signed on base. Metal label reads "Fantoni Firenze Italy Raymor". Italian Mid century modern Sculptural pair of students. Marcello Fantoni (1915-2011) sculptor, ceramicist, metalworker, multimedia artist and designer Born in Florence in 1915, Marcello Fantoni began studying ceramic art at age 12 at the Art Institute of Florence with ceramicist Carlo Guerrini, artistic director of the famed Cantagalli Factory. He continued years of training in ceramics and the arts, including sculpture with Libero Andreotti and Bruno Innocenti, and figurative art with Gianni Vagnetti, graduating as a maestro of art in 1934. After a stint as art director for a ceramics factory in Perugia, in 1936 he opened the Fantoni Ceramic Studio in Florence. Here he produced ceramic series as well as unique mod pieces, sculptures and furnishings. In 1937 Fantoni’s pieces were exhibited in the Florence National Arts and Crafts Exhibit where their unique combination of rustic forms decorated with African and marine motifs and painted figures garnered considerable acclaim. By the start of World War II Fantoni’s melding of ancient Italian pottery techniques with decidedly Modernist elements had won him artistic and commercial success both in Italy and abroad. Having participated in the resistance, after the War Fantoni worked for the 500-year old Maiolica factory in Deruta, Umbria, renowned for its signature tin-glazed pottery. In the 1950s he refocused on his Florence studio, dedicating himself to larger sculptural pieces and working on many collaborations. He also expanded his experimenting with materials, forms, drawing from varied influences – Primitivism, Novecento style, Cubism and Abstract Expressionism. Fantoni gave special emphasis to ancient Etruscan ceramic techniques, glazes and colors, heightening the timeless appeal of his pieces. As well as clay, he also worked in metals to great effect. Whether created as a series or as a unique piece, every Fantoni piece was ultimately rendered unique by his hand-painting it. The extraordinary diversity of shapes and textures notwithstanding, one the most identifiable qualities of his creations was his painting style. Through the 50s and 60s he made many cubist-inspired vases and ewers painted in colors bordered by sgraffito lines scratched through the paint in a manner evoking Picasso and Braque. Along with figurative and abstract works, the 60s also saw Fantoni creating brutalist pieces with edgy, angular shapes, while in later life, his work took a minimalist turn. In 1970 Fantoni founded the International School of Ceramic Art, dedicated to teaching ceramic arts and experimentation. (Many of his students and employees would go on to become noteworthy artisans and artists in their own right.) Maintaining great versatility throughout his career, Fantoni completed projects for public and private buildings, churches, schools, theaters, cinemas, and ships. His works, meanwhile, were collected by important museums worldwide. When Marcello Fantoni died in Florence in 2011 at the age of 95, his obituary in the Italian newspaper La Nazione hailed him “The master of beauty.” Museums and Exhibitions MoMA New York, Metropolitan Museum of Art of New York, Brooklyn Museum, Museum of Fine Art of Boston, Victoria and Albert Museum of London, Royal Scottish Museum of Edinburg, Museums of Modern Art of Tokyo and Kyoto, International Museum of Ceramics in Faenza, National Bargello Museum and Gabinetto Disegni e Stampe of the Uffizi in Florence. “Materia e colore, l’arte di Marcello Fantoni”, Loggia della Limonaia di Palazzo Medici Riccardi di Firenze, 2015 "Marcello Fantoni, A Beautiful Form with Beautiful Color", Archaeological Museum of Fiesole, 2005 "Ceramics as Art, Marcello Fantoni Ceramist and Sculptor", Salone delle Regie Poste, Florence, Marcello Fantoni’s work fused painting, Primitivism, tradition, Modern art, the revival of craft, and the base material of clay itself. Some aspects of Marcello Fantoni’s ceramics – their spikey and angular shapes, with their forms reduced to multiple flat planes of colour bordered by inscribed sgraffito lines – suggest inspiration from Cubist painters Pablo Picasso and Georges Braque. Publications Marcello Fantoni: Ceramista in Firenze Dal 1929 by Antonio Paolucci, Edizioni della Bezuga, 1999 Marcello Fantoni, Ceramica come Arte, Published by Octavo, 2000 Marcello Fantoni Mostra al Museo Archeologico di Fiesole Select Fairs where his work has been exhibited: 2017 Maison Gerard at The Salon Art + Design 2017, Maison Gerard 2016 Patrick Parrish Gallery at The Salon Art + Design 2016, Patrick Parrish Gallery 2015 Galleria Rossella...

An elegantly pared down console with delicate crossing legs in gunmetal bronze, which, in supporting its marble top gives the piece the appearance of weightlessness. Bibliography: T...

This compact little vase is unusual in shape and glaze alike, and uniquely charming its intentionally casual aesthetic.

This series by Gérard Haas is many things at once, functional and Avant Garde, elegant and expressive, thanks to the artist's surprising use of reclaimed materials. Finding beauty in...

Franck Evenou's "Club" chair is a piece that unites striking symmetry with a focus on the curved line. The chair's four hand-hammered legs bow out from the corners of plump square se...

Contemporary centerpiece in polyester plaster by Marc Bankowsky. A designer and decorator for the past 20 years, Marc Bankowsky creates uniquely beautiful furniture and accessories....

This midcentury curved sofa by the celebrated French designer Robert Guillerme, was created as part of a line of design he produced for the company Votre Maison. In polished oak and ...

Franck Evennou expresses himself in bronze as others express themselves in verse—he has a poetic language inspired by nature, and by all subjects that carry the residue of their past...

Loveseat and pair of armchairs with gunmetal patinated bronze legs and gilt bronze sabots, by Maison Leleu. For illustrations of similar models, see Siriex, Françoise. The House of Leleu. New York: Hudson Hills...

Robert Guillerme placed equal emphasis on function and aesthetics, creating an aesthetic as staid as it was arresting. While his work was in many ways distinctively conservative and ...

This series by Gérard Haas is many things at once--functional and Avant Garde, elegant and expressive--thanks to the artist's surprising use of reclaimed m...

A rare and strikingly attractive Post-Modern designer armchair and footstool in lovely vintage condition. Designed by Dutch supremo Gerard Van Den Berg and made by high-end manufactu...

This series by Gérard Haas is many things at once--functional and avant garde, elegant and expressive--thanks to the artist's surprising use of reclaimed m...

After many years with Van Cleef & Arpels, Louis Gérard founded M. Gerard in 1968, opening his first boutique on Avenue Montaigne in Paris. Motivated by a passion to create the wo...

Franck Evennou's remarkable nesting tables mimic the broad floating leaves of the Lotus, and his choice of material, and the evidence of his masterful han...

A designer and decorator for the past 20 years, Marc Bankowsky creates uniquely beautiful furniture and accessories. In addition to a custom suite of furniture and accessories for th...