541 results for "mickey mouse"

Original acrylic and spray paint on canvas. Hand signed, titled and dated on verso by John 'Crash' Matos. Canvas size 36 x 36 inches. Frame size approx 40 x 40 inches. Artwork is ...

Ben Allen Paint Cans Mickey Deluxe 2021 Giclée on Hahnemuehle Velvet Image Size: 33.25 x 33.25 inches (84.46 x 84.46 cm) Sheet Size: 43.75 x 44 inches (111.13 x 111.76 cm) Limited Ed...

The ‘Blame Game' series by KAWS is an exceptionally rare collection of prints, with a total of ten in the portfolio series created in 2014. The KAWS motif has become instantly recogn...

Original acrylic and spray paint on canvas. Hand signed, titled and dated on verso by John Crash Matos. Canvas is stretched. Artwork is in excellent condition. Certificate of Aut...

A lovely work from the artist, a excellent piece to own from their popular body of work.

Original acrylic painting on canvas. Hand signed on front; signed and titled on verso by Jozza. Canvas is stretched. Artwork is in excellent condition. Certificate of authentici...

JAMES RIZZI "City People" Rosenthal Germany Collectible Plate Limited Edition. 1970s Rosenthal collectible porcelain plate 'City People', designed by James Rizzi, Executed by Rosenthal, Germany, limited edition, no./1500 Limited edition, signed and numbered. Framed plate is in excellent condition, plate size is 12". Frames is not in good condition, white became yellowish shows wear. About James Rizzi: AMERICAN, 1950-2011 James Rizzi (October 5, 1950 – December 26, 2011) was an American pop artist who was born and raised in Brooklyn, New York. Best known for his vibrant, youthful graphics and his three-dimensional prints. He was the official artist for the 1996 Olympic Games in Atlanta, adorning the famous logo with his noodle-like drawing style. Rizzi was most famous for his 3D artwork, "especially the large, elaborate prints and teeming anthropomorphic cityscapes. His merry maximalism and delight in delirious detail and elaborate minutiae created a true art brand, a trademark style as recognizable as any in the world." About Rosenthal: German porcelain manufactory Rosenthal was originally founded as a ceramics-painting studio by Philipp Rosenthal Sr. (1855-1937) in 1879 at Schloss Erkersreuth in Bavaria, near the Czech border. Its first highly popular product was an ashtray inscribed with the words “Resting place for lit cigars.” In 1890, the company moved to the neighboring hamlet of Selb and, a year later, began to manufacture its own porcelain, since white porcelain was, at that time, in short supply. Rosenthal’s first complete table service was called Empire; it was exhibited along with other lines at Paris’s Exposition Universelle in 1900. With the dawn of the 20th century, Rosenthal began producing porcelain tableware and services formed and decorated in the latest styles, like the Jugendstil Botticelli (1903), the Art Nouveau Darmstadt (1905), and the all-white Maria (1916) lines. Successes with this au courant approach led the company to launch an art pottery division in 1910, dedicated to luxury tableware, vases, and other decorative objects. By the 1930s, figurines were another important Rosenthal product, most notably the Disney-licensed Mickey Mouse pieces introduced in 1931. In 1934, Philipp Rosenthal was forced to leave his company and country when his Jewish ancestry came under persecution by the Nazi regime. Despite the loss of its founder, the Rosenthal company remained the premier supplier of high-quality porcelain tableware to the Third Reich. After the war, in 1950, Philip Rosenthal Jr. (1916-2001) joined his father's company as an advertising manager. By 1958, he had become its CEO, continuing his father’s vision to produce high-quality porcelain in line with progressive tastes. Through the rest of the 20th century, Rosenthal was the most commercially successful porcelain producer in Germany. In the postwar era, Rosenthal’s most famous tableware lines have included 2000 by Raymond Loewy and Richard Latham (1954), Magic Flute by Bjørn Wiinblad (1959), Suomi by Timo Sarpaneva (1976), and Moon by Jasper Morrison (1997). The company has enjoyed many popular and critically acclaimed collaborations with designers and brands, like Salvador Dalì, Tapio Wirkkala, Walter Gropius, Andy Warhol, Ron Arad, Enzo Mari, Konstantin Grcic, and Versace. Rosenthal's product lines have encompassed more than ceramics over the years. In 1972, the company began producing furniture, under the subsidiary Rosenthal Einrichtung, in Espelkamp, Germany. Standouts from this arm of Rosenthal include Gunter Ferdinand Ris and Herbert Selldorf’s futuristic Sunball Lounge Chair (1969), Verner Panton’s Relaxer Rocking Chair (1974), Burchard Vogtherr's Vario Pillo...

The ‘Blame Game' Portfolio by KAWS is an exceptionally rare set of ten silkscreen prints, created in 2014. The set comes framed and with the original box, each print is signed and nu...

You have read about the extraordinary donut portraits by Candice CMC on social media world-wide and we are excited and proud to represent her work. I have included in this listing a...

Behold the exquisite bronze sculpture 'MIMA' by Belgian artist Eduard Van Giel. This stunning piece is more than just a decorative item – it's a work o...

Original acrylic painting on canvas. Hand signed on front; signed and titled on verso by Jozza. Canvas is stretched. Artwork is in excellent condition. Certificate of authentici...

Original acrylic and spray paint on canvas. Hand signed, titled and dated on verso by John 'Crash' Matos. Canvas is stretched. Artwork is in excellent condition. Certificate of Auth...

Screen print on waxed paper plate. Unsigned from an unknown edition. Published by Bert Stern, New York. Plate size 10 x 10 inches. Frame size approx 17 x 17 inches. Stamped "Ro...

Original acrylic painting on canvas coated with resin. Hand signed on front; signed and titled on verso by Jozza. Canvas is stretched. Canvas size 48 x 60 x 2 inches. Artwork is ...

Original acrylic painting on canvas. Hand signed on front; signed and titled on verso by Jozza. Canvas size: 40 x 48 inches. Frame size: 41.62 x 49.62 x 2 (white floating frame hand ...

Keith Haring Bearbrick 400% Figures: Set of 4 works (c.2019-2021): Unique, timeless Keith Haring collectibles, each trademarked & licensed by the artist's estate. The partnered figur...

Original painting on canvas.. Hand signed on front; signed and titled on verso by the artist. Canvas is stretched. Artwork is in excellent condition. Certificate of authenticity...

Original acrylic and spray paint on metal. Hand signed and dated lower front and verso by John 'Crash' Matos. Artwork size: 48 x 22 inches. Artwork is in excellent condition. Certi...

First published with More Gallery in Switzerland in as part of the 2013 'GISWIL' show, 'Wood Hand' is a rare, smooth wood sculpture created by the prolific street and contemporary ar...

From his series SHADOW CARTOONS. Color iris print, hand initialed in pencil, This is not numbered. It is on Somerset watermarked archival paper Paper size is 30 X 22.25, images 22.7...

Original painting on canvas.. Hand signed on front; signed, dated and titled on verso by Jozza. Canvas is stretched. Artwork is in excellent condition. Certificate of authentici...

Mickey Mouse and Disney inspired, great colors, acrylic and spray on canvas, great art work, exhibitions in the best Art Galleries in France, USA and Mexico. :: Painting :: Pop-Art :...

Original acrylic painting on canvas with diamond dust. Hand signed on front; signed and titled on verso by Jozza. Canvas is stretched. Canvas size 60 x 48 x 2 inches. Artwork is ...

Mickey Mouse inspired, great colors, acrylic and spray on canvas, great art work, exhibitions in the best Art Galleries in France, USA and Mexico. :: Painting :: Pop-Art :: This piec...

Mickey Mouse inspired, great colors, acrylic and spray on canvas, great art work, exhibitions in the best Art Galleries in France, USA and Mexico. :: Painting :: Pop-Art :: This piec...

Mini round back-pack leather bag with Mickey print . Suede lining. Zip closure on the top. 2 Credit card pocket inside. SIZE 15cm X 3,5cm

Artist: KAWS Title: Untitled (Orange Companion) Medium: Lithograph on Paper Size: 17" x 17" sheet Inscription: Signed KAWS' companion has become an iconic figure in contemporary art...

Original acrylic painting on canvas coated with resin. Hand signed on front; signed and titled on verso by Jozza. Canvas is stretched. Canvas size 80 x 30 x 2 inches. Artwork is ...

This collectible work on paper by Murakami is edition # 78 of 300. It comes unframed. One of the most acclaimed artists to emerge from post-war Asia, Takashi Murakami is known for h...

Paper Size: 36 x 24 inches ( 91.44 x 60.96 cm ) Image Size: 23.25 x 21 inches ( 59.055 x 53.34 cm ) Framed: No Condition: A: Mint Additional Details: Signed in the plate (Plate...

Minnie Mouse framed poster France 1960s 121 x 80 cm framed Conditions: good consistent with age and use. Small defects on the wooden frame.

The ‘Mickey’ is of a matching set with ‘Mickey’ and ‘Minnie’ by Master Contemporary Artist, Damien Hirst. Created in 2016 as part of a limited edition series. Damien Hirst’s ‘Mickey’...

The ‘Blame Game' II by KAWS is an exceptionally rare screenprint, one of the ten in the portfolio series created in 2014. A completely new, individual, brightly colored screenprint s...

Original acrylic painting on canvas coated with resin. Hand signed on front; signed and titled on verso by Jozza. Canvas is stretched. Canvas size 48 x 60 x 2 inches. Artwork is ...

Original acrylic painting on canvas. Hand signed on front; signed and titled on verso by Jozza. Canvas size: 30 x 24 inches. Frame size: 31.62 x 25.75 x 2 (white floating frame hand ...

Original acrylic painting on canvas. Hand signed on front; signed and titled on verso by Jozza. Canvas is stretched. Artwork is in excellent condition. Certificate of authentici...

Original acrylic painting on canvas. Hand signed on front; signed and titled on verso by Jozza. Canvas is stretched. Artwork is in excellent condition. Certificate of authentici...

SUSIE Q. SMITH Medium: Newspaper comics Distributed by: King Features Syndicate First Appeared: 1945 Creators: Linda and Jerry Walter 6.5 X 19.5 Like her contemporaries, Aggie Mack, Candy and Patsy Walker (before her conversion to a superhero), Susie Q. Smith was a female Archie-type — not exactly an imitator, because Archie, who had started only four years earlier, hadn't yet become popular enough to spawn imitators, but part of his genre. She attended high school, where her teachers often seemed unreasonable to her, interacted with the opposite gender in a typically adolescent way, and her parents didn't completely understand her. And she was cute and perky as only a teenage girl can be. Susie was the star of a comic strip distributed by King Features, the biggest of the comic strip syndicates, whose other offerings have ranged from Jackys Diary to Prince Valiant. King launched the strip in both daily and Sunday form in 1945. Daily, she was only in a panel at first, but it expanded into a full, multi-panel strip on February 7, 1953. In a very odd turn of events, in 1953 the Walters chose to leave King Features behind and hitch their wagon at the McNaught Syndicate. The creators were Harold "Jerry" Walter and his wife, Linda. Jerry was also responsible for Jellybean Jones, who has nothing to do with Jughead Jones's young sister, a modern-day addition to the Archie cast of characters. Together, they did The Lively Ones during the 1960s. Though each was capable of doing both major jobs in comic strip production, their usual working method was for Jerry to dream up the ideas and write the dialog, while Linda did the artwork. The Walters also collaborated on a series of Susie Q. Smith comic books for Dell Comics. Instead of reprinting newspaper strips, these ran new stories by the Walters. Between 1951 and '54, four issues were published as part of the Four Color Comics series, where many minor comic strips, including Dotty Dripple, Timmy and Rusty Riley had found a home. It had no other media spin-offs. Susie Q. Smith had a respectable run in the newspapers, but it ended in 1959. Jerry Walter (1915 - 2007) was an abstract expressionist artist whose output of energetic and colorful paintings were the products of the rich artistic milieu of post-war New York City. He was born Harold Frank Walter in Mount Pleasant, Iowa on November 25, 1915. After graduating from Colgate University in 1937, Walter moved to New York City, where he studied drawing and painting at the New School and the Art Students’ League. Before concentrating seriously on his art, he spent several years as a successful copywriter and idea man for the advertising agencies of J. Walter Thompson, McCann Ericson, and BBDO. During this time, he also worked as a syndicated cartoonist. Collaborating with his wife, Linda, his best-known series was Susie Q. Smith, which first appeared in 1945 and described as a “female Archie type.” Very popular, the cartoon was later the subject of a series of comic books published from 1951 to 1954. After serving in the United States Army for three years during World War II, Walter began to paint seriously. He ascribed his earliest artistic influence to Joan Miró, whose Dog Barking at the Moon (1926) he viewed when he was twelve, the year he published his first cartoon. Walter later wrote that jazz, “the first native expression of so-called modernism” was a strong influence on his work. During the later 1940s, Walters spent time at the Research Studio in Maitland, Florida. Founded in 1937 by artist and architect J. André Smith and supported by the philanthropist Mary Curtis Bok, the Research Studio was a lively colony that hosted prominent artists, including Milton Avery, Ralston Crawford, and Doris Lee. While at the Studio, Walter’s work was purchased by Frank Crowninshield. A founding trustee of the Museum of Modern Art and editor of Vanity Fair, Crowinshield was a noted collector; his collection included important works by Pablo Picasso, Marc Chagall, Henri Matisse, Edgar Degas, George Bellows, and Pierre Bonnard. Returning to New York after his time at the Studio, Walter became an active member of the New York school of the abstract expressionist movement, and in the summer of 1956, Walter exhibited 13 paintings and a selection of drawings at New York’s Chase Gallery. The adroit manipulation of both color and composition evident in his work shows the influence of Abstract Expressionism, particularly Willem de Kooning, Arshile Gorky, and Hans Hofmann. illustrator and female cartoonist Linda Walter was the talented female mind behind the beloved "Susie Q. Smith" comic strip. She played an instrumental role in shaping the cultural landscape through her vibrant illustrations. Known for the timeless charm of the "Susie Q. Smith" comic strip, Linda's artistry brought joy and laughter to countless readers during the 1950s and continues to resonate with fans across generations. She was part of the Woodstock artists community. from Women in Comics: Linda Walter was the artist of newspaper strip Susie Q. Smith, which was written by her husband, Jerry. It was syndicated by King Features Syndicate and ran from 1945 to 1959. The Walters also contributed original Susie Q. Smith stories to Dell's Four Color comic books from 1951 to 1954. From 1964-1965, they created a singled panel comic called The Lively Ones. Vintage Golden Age of Comics era. The Golden Age of Comic Books describes an era in the history of American comic books from 1938 to 1956. During this time, modern comic books were first published and rapidly increased in popularity. The superhero archetype was created. Between 1939 and 1941 Detective Comics (DC) and its sister company, All-American Publications, introduced popular superheroes such as Batman and Robin, Wonder Woman, the Flash, Green Lantern, Doctor Fate, the Atom, Hawkman, Green Arrow and Aquaman. Timely Comics, the 1940s predecessor of Marvel Comics, had million-selling titles featuring the Human Torch, the Sub-Mariner, and Captain America. Another notable series was The Spirit by Will Eisner. Dell Comics' non-superhero characters (particularly the licensed Walt Disney animated-character comics) outsold the superhero comics of the day. The publisher featured licensed movie and literary characters such as Mickey Mouse, Donald Duck, Roy Rogers and Tarzan. Additionally, MLJ's introduction of Archie Andrews in Pep Comics #22 (December 1941) gave rise to teen humor comics, with the Archie Comics...

Mighty Mouse Ronnie Cutrone, American (1948–2013) Screenprint, signed and numbered in pencil Edition of 45/150 Image Size: 36 x 26 inches Size: 40 x 30 in. (101.6 x 76.2 cm) Frame Si...

Original acrylic painting on canvas coated with resin. Hand signed on front by Jozza. Canvas will be stretched prior to shipping. Canvas size 30 x 24 x 2 inches. Artwork is in ex...

Artist: Damien Hirst Title: Love will Tear us Apart Medium: Acrylic syringe dispenser, needles, syringes and packaging Size: 14" high x 20" wide x 9" deep Year: 1995 Edition: 10/30 I...

Raymond Pettibon, "No Mag,'" 1981: A rare late 70's/early 80's Los Angeles Punk scene publication featuring several stand out illustrations by Raymond Pettibon Medium: Newspaper mag...

Original acrylic painting on canvas. Hand signed on front; signed and titled on verso by Jozza. Canvas size: 30 x 24 inches. Frame size: 31.62 x 25.75 x 2 (white floating frame hand ...

Original painting on canvas. Hand signed on front; signed, titled and dated on verso by the artist. Canvas is framed as pictured. Artwork is in excellent condition. Certificate o...

Following many years of artistic work, ART'MONY is today a listed artist on the contemporary scene. Works imbued with creativity and energy ART’MONY, whose real name is Patricia Duc...

From his series SHADOW CARTOONS. Color iris print, hand initialed in pencil, This is not numbered. It is on Somerset watermarked archival paper Paper size is 30 X 22.25, images 22.7...

From his series SHADOW CARTOONS. Color iris print, hand initialed in pencil, This is not numbered. It is on Somerset watermarked archival paper Paper size is 30 X 22.25, images 22.7...

Very collectible never used Swatch after Keith Haring , great design never used.

The ‘Blame Game' IV by KAWS is an exceptionally rare screenprint, one of the ten in the portfolio series created in 2014. A completely new, individual, brightly colored screenprint s...

Step into the golden age of American travel with this 1971 original poster promoting Eastern Airlines as the official airline of Walt Disney World. Issued in the year the now-legenda...

Metal Content: 14k Yellow Gold Style: Stud Fastening Type: Butterfly Closures Theme: Mickey & Minnie Mouse, Classic Cartoon Characters Measurements Tall: 19/32" (14.7mm) Wide:...

A pop piece depicting Jean-Michel Basquiat with impasto painting, spray paint and silkscreening. We are drawn to the movement, as the artist is able to engage his viewer with contras...

Brian Donnelly Kaws Brooklyn Charity Print MINT CONDITION Signed and Stamped Unnumbered and as issued. This limited edition print measures approx 8" di...

The ‘Blame Game' I by KAWS is an exceptionally rare screenprint, one of the ten in the portfolio series created in 2014. A completely new, individual, brightly colored screenprint si...

This new series main goal is to generate interest among collectors in the importance of today modern art. It’s an artistic trend in which the colors and everyday aspects of our liv...

The ‘Blame Game' III by KAWS is an exceptionally rare screenprint, one of the ten in the portfolio series created in 2014. A completely new, individual, brightly colored screenprint ...

Walter Elias Disney (December 5, 1901 – December 15, 1966) was an American entrepreneur, animator, writer, voice actor and film producer. A pioneer of the American animation industry...

The ‘Blame Game' VII by KAWS is an exceptionally rare screenprint, one of the ten in the portfolio series created in 2014. A completely new, individual, brightly colored screenprint ...

AP 2 Ernest Trova was an artist whose signature creation, a gleaming humanoid known as “Falling Man,” appeared in a series of sculptures and paintings and became a symbol of an imperfect humanity hurtling into the future. Mr. Trova was largely known as a sculptor, but his “Falling Man,” a standard of Pop Art, began life as a painted figure, taking shape on his easel in the early 1960s. Faceless, armless, with a hint of a belly and, its name notwithstanding, of indeterminate sex, the figure struck a variety of poses, sometimes juxtaposed with other like figures, sometimes with mechanical appendages. In October 1963 his one-man show, “Falling Man Paintings,” was the inaugural exhibition of the Pace Gallery on West 57th Street in Manhattan; it sold out, with the works purchased by the Museum of Modern Art, the Whitney Museum, the architect Philip Johnson and others. In three dimensions, the “Falling Man” figure was made from different materials over the years — nickel and chrome-plated bronze, enamel on aluminum, stainless steel — and often, like the Oscar statuette, was polished to an industrial sheen. It was clearly a space age creation, a forerunner of C3PO, the golden robot in “Star Wars.” “He found the space age both inspiring and dehumanizing,” Arne Glimcher, who founded the Pace Gallery, now PaceWildenstein, said in an interview on Friday. By the end of the 1960s, “Falling Man” had become Mr. Trova’s trademark, provoking Hilton Kramer, the art critic of The New York Times, to write that Mr. Trova had subjected his favorite figure “to almost as many variations as the Kama Sutra describes for the act of love.” Ernest Tino Trova Jr. was born in St. Louis on Feb. 19, 1927. Shortly after his high school graduation his father, an industrial tool designer and inventor, died, and young Ernie, as he was known, went to work, most significantly as a window dresser for a department store. His early paintings were in the Abstract Expressionist mode, but his attentiveness to the mannequins had an influence on his art. Through the 1970s and 1980s he continued with “Falling Man,” though he also became interested in formalized, almost mechanical-seeming landscapes, and the figures began to appear, reduced in size, within the context of abstractly rendered gardens. A self-taught artist with an impish wit and an eccentric turn of mind, Mr. Trova craved the recognition that was available to artists only in New York City, but he never visited for more than a week at a time and made almost no friends among New York artists. He did befriend Ezra Pound. As a fevered fan of Julio Iglesias...

Walt Disney Poster for the promotion of the animated film Peter and Elliott. Artist: Anonymous Title: Peter et Elliott – Le Dragon Date: circa 198...