7,157 results for "dada"

Disa hanging lamp designed by the architect J.A. Coderch in 1954. It is an iconic reference of the lightning design. Edited and manufactured by Tunds, made with high-quality raw mate...

Gweilo Zhou V GR by Partisans It’s name means ghost in chinese. Makes sense when you look at it, right? Made from hand-molded acrylic. Suspension lamp. Hand-moulded, transparent ac...

Philippe Starck Volage Ex-S Coffee Table For Cassina A collection of luxurious low tables topped with premium marble, designed by Philippe Starck in two sizes, with rounded edges, e...

Patricia Urquiola Sengu Table For Cassina A design dining room table inspired by the ritual reconstruction of Japanese shrines, a contemporary piece that celebrates light-hearted ch...

Set of Two Table lamps "The Globe" designed by Victor Vaisilev in 1964. Table lamp giving direct and diffused light in transparent blown glass. Metal base and structure. Manufactured...

Model 548 Design by Gino Sarfatti The table lamp designed in 1951 is a study in balance and light reflection through a screen, a recurring theme in Gino Sarfatti’s work. Model 548 pr...

Mario Tsai, Aluminium Tsai Table Lamp by Cassina UNIT OF LIGHT A collection of modular metal lamps in which the base unit alludes to the shape of a brick. A simple lighting system ...

Table lamp "The Globe" designed by Victor Vaisilev in 1964. Table lamp giving direct and diffused light in trasparent blown glass. Metal base and structure. Manufactured by Oluce, It...

Ceiling lamp model "Suspension" 'Two Fixed and One Rotating Curved Arm Ceiling Lamp' designed by Serge Mouille in 1956. Manufactured by Editions Serge Mouille in France. The product...

Armchairs designed by Marco Zanuso in 1949, relaunched in 2015. Manufactured by Cassina in Italy. Antropus was created at the end of the 1940s when Marco Zanuso was commissioned ...

The root of Guedes's work is located in the MADÍ movement, of Argentine origin and little repercussion in Spain, which attaches great importance to the tensions that are established ...

Rodolfo Dordoni Boboli 476 Low Table For Cassina Taking inspiration from the greenery in classic Italian gardens, the Boboli low table is defined by its architecturally ordered geom...

Antique early 20th century pair of hand painted rag dolls of a man and a woman. Manufactured circa 1920 in Spain. In original condition, with wear consistent with age and use,...

Rodolfo Dordoni Set of Two Boboli 476 Low Table For Cassina Taking inspiration from the greenery in classic Italian gardens, the Boboli low table is defined by its architecturally o...

Meret Oppenheim Traccia sculptural table Manufactured by Cassina in Italy In 1971, Dino Gavino launched what he called “l’...

Joe Colombo Chair 300 for Karakter Designed by the forward-thinking Italian designer Joe Colombo, Chair 300 is a beautiful example of his functional design sensibility. Upholstered...

Sengu Coffee Table designed by Patricia Urquiola. Manufactured by Cassina (Italy). AN ASIAN INVITATION Asian-inspired, this design coffee table by Patricia Urquiola is a domestic architecture enhanced by the layering of different materials. The system of primary and secondary oval beams that supports the top of this table, ideal for a modern living room, draws upon the ritual reconstruction of Japanese shrines to define an elegant piece of furniture with Far-Eastern fascination. Supported by a solid wood base, the rectangular or round top is available in extra-clear glass, smoked glass or marble. BASE In solid wood: Canaletto walnut, natural oak or oak stained black. TOP Transparent extra-clear or smoked glass, or marble: white Carrara, Grigio Carnico, Verde Alpi, Rosso Levanto, Calacatta Gold, or Nero Marquina, with matt finish. Inspired by Asian influences ‒ a theme that often recurs in the Cassina collections ‒ and especially by the ritual reconstruction of Japanese shrines through the use of different materials, like the other pieces in the Sengu family, the Sengu Coffee Table, designed by Patricia Urquiola, is envisioned as an exquisitely layered and sophisticated home architecture. The base, crafted with a grid of primary and secondary oval solid wood beams, echoes the shapes found in the Sengu Sofa...

Alone from Ecce Homo is an original offset and lithograph, realized by George Grosz. The artwork is the plate n. 67 from the porfolio Ecce Homo published between 1922/1923, edition ...

Untouchables” sculptural streamline coffee table (table base only) “Untouchables” coffee-table is constructed from two identical, sculptural, streamli...

Table designed by Charlotte Perriand in 1952-1956. Relaunched in 2014. Manufactured by Cassina in Italy. Included as one of the tables en forme libre created between 1938 and 193...

Henrik Tengler Time Chair Frame: Black, Upholstery: Lime For One Collection The Time Chair, designed by Henrik Tengler in 2012, is a dynamic and comfortable conference chair. Its d...

Table lamp 'Denq' designed by Toshiyuki Kita in 2011. Table lamp giving diffused light in opaline opaque blown glass. Lacquered metal base with chromium-plated laser cut upper base d...

Outdoor coffee table that invites companionship, designed for days of outdoor fun lived in the lap of comfort, surrounded by the warmth of natural wood and design elegance. A soph...

Cassina Jelly Vases Color Ametista Like a jellyfish with its vivid iridescent colors, Jelly is a modern vase that makes transparency and the interplay of light its trademark. A va...

Vidalenta Outdoor Dining Chair by Patricia Urquiola for Cassina Designed by Patricia Urquiola, the Vidalenta chair is part of a contemporary outdoor collection conceived to bring co...

Armchair designed by Pierre Jeanneret circa 1950, relaunched in 2019. Manufactured by Cassina in Italy. Included in UNESCO’s 2016 Cultural Heritage list, the extraordinary architecture of Le Corbusier’s Capitol Complex...

Artist: Man Ray (American born, 1890 - 1976) Title: ABSTRACT RAYOGRAPHY Date Of Negative: 1927 Type Of Print: Authentic Vintage Sheet Fed Photogravure/Heliogravure. Date Of Print: 19...

Set of Two Armchairs designed by Pierre Jeanneret circa 1950, relaunched in 2019. Manufactured by Cassina in Italy. Included in UNESCO’s 2016 Cultural Heritage list, the extraordina...

Paper Size: 15 x 11 inches ( 38.1 x 27.94 cm ) Image Size: 15 x 11 inches ( 38.1 x 27.94 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Detai...

The factoryis an original offset and lithograph realized by George Grosz. The artwork is from the book Kobes by Heinrich Man, that was illustrated by Grosz with 10 lithographs and ...

Rare first edition of Le Surréalisme en 1947, a seminal work curated by André Breton and featuring the iconic cover design Prière de Toucher by Marcel Duchamp. Published in Paris by ...

Low table designed by Charlotte Perriand in 1985. Relaunched by Cassina in 2009. Manufactured by Cassina in Italy. This low table, with its audacious sculptural look, was designe...

Sofa designed by Rodolfo Dordoni in 2020. Manufactured by Cassina in Italy. Inspired by the spirit of 1950s seaside resorts, Sail Out is an outdoor modular sofa that recalls the sof...

Le Corbusier Table Tube d'Avion, Outdoor For Cassina The concept of the iconic Table tube d’avion lies in the distinction between the support piece and the piece being supported; in...

Charlotte Perriand Set of Two Doron Hotel Armchair For Cassina With a real passion for the mountains, Charlotte Perriand designed the iconic Doron Hotel armchair in 1947 for the Mé...

Artist: Joan Miro Medium: Original lithograph Title: La Demoiselle aux Papillons Portfolio: Derriere le Miroir Miro: Peintures sur Papier Year:...

Table lamp 'Mini Spider' designed by Joe Colombo. Design Joe Colombo, 2025 Lacquered metal base, chromed vertical stem and illuminating body that reproduces the ancient ‘hammer head...

Pink murano glass vase, circa 1970 Manufactured in Italy. In original condition, with minor wear consistent of age and use, preserving a bea...

Lebeau wood table by Patrick Jouin Manufactured by Cassina in Italy Lebeau Wood is an evolution of the iconic and innovative Lebeau table. While the original's dimensions and outli...

Multicolor Ivory 190 dining table. Design in 2021 by Jaime Hayon added to the Explorer collection that started in 2019. Manufactured by BD Barcelona. As a continuation of the playful Explorer Table series and following its elegant beauty, we are proud to introduce the new Explorer dining table, enhancing the sculptural identity of the collection and upgrading its function. Materials and finishes: Interior painted steel structure. Central leg and base in fibreglass with a gloss (strengthened gel for durability) finish. MDF veneered table top in Polaris with a matte finish by Abet Laminati...

Chair designed by Franco Albini in 1953. Relaunched in 2013. Manufactured by Cassina in Italy. The small armchair, dubbed Luisa, is the fruit of a fifteen-year process of exploration, focused on creating an archetype of the basic elements of a chair, and its potential uses within the home. A idea-based design, where Franco Albini expressed the concept of “substance in form”, increasing the volume of the wooden parts where they join with others. Following various enhancements, the definitive version of the chair was awarded the prestigious Compasso D’Oro prize by the Italian Industrial Design Association (Associazione per il Disegno Industriale/ADI). The frame represents a synthesis where the seat and the back are two geometric planes suspended on an understated wood structure, the sides reminiscent of trestles. Luisa is a timeless piece, the outcome of skill, both in terms of technique and of materials. This world exclusive Cassina re-issue, has been made possible thanks to the company’s extraordinary...

Le Corbusier 3 Fauteuil Grand Confort, Méridienne, Durable For Cassina A few measured strokes of the pen and the 3 Fauteuil Grand Confort, grand modèle is the consummate synthesis o...

Table designed by Charlotte Perriand in 1937. Relaunched in 2020. Manufactured by Cassina in Italy. The historic Rio design low table combines uncommon beauty and utmost functionality in an asymmetrical structure that, over time, has proven itself to be a true interior decor work of art. Thanks to Cassina’s outstanding artisan skills, the model from 1962 has been reissued in its original form, alternating the use of oak with inserts in Viennese cane, with versions in stained or natural wood with elements in white or black marble. The low table by Charlotte Perriand is composed of six segments of different radius, arranged in a circle but offset from one another to create an uneven outer border in solid wood with a hole in the center, envisioned as a spatial center of gravity. Materials: Marble /Wood Wood is a natural material, subject to changes caused by external factors such as sunlight, temperature, humidity, daily use. These changes are not to be considered as faults but peculiarities of the material, emphasizing its natural beauty. Measurements: Ø 140 cm H 33 cm Important information regarding images of products: Please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image. Important information regarding color(s) of products: Actual colors may vary. This is due to the fact that every computer monitor, laptop, tablet and phone screen has a different capability to display colors and that everyone sees these colors differently. We try to edit our photos to show all of our products as life-like as possible, but please understand the actual color may vary slightly from your monitor About the designer: Charlotte Perriand full membership of that avant-garde cultural movement which, from the first decades of the twentieth century, brought about a profound change in aesthetic values and gave birth to a truly modern sensitivity towards everyday life. In this context, her specific contribution focuses on interior composition, conceived as creating a new way of living, still today at the heart of contemporary lifestyle. In the sphere of 20th century furnishing history, the advent of modernity made possible the entrepreneurial audacity of this true reformer of interior design. At the beginning of her professional career she was acclaimed by critics for her Bar under the roof, exhibited at the Salon d’Automne in 1927 and constructed entirely in nickel-plated copper and anodized aluminium. In the same year, when she was just twenty-four years old, she began a decade-long collaboration with Le Corbusier and Pierre Jeanneret, at the famous design studios at 35, rue de Sèvres in Paris. Her presence in the Le Corbusier studio is visible in all the furnishings designed with him and with Pierre Jeanneret: and so Charlotte Perriand becomes a cornerstone in the reformation...

An elegant interpretation of the solid wood director’s chair designed by Michele De Lucchi for the Unicredit Pavilion in Milan, is based on the shared passion for wood in an ongoing ...

Ceiling lamp model Large Strapatz designed by Sabina Grubbeson and manufactured by Konsthantverk. The production of lamps, wall lights and floor lamps are manufactured using craftsm...

La Tentation de Saint-Antoine is a complete set of 24 original lithographs realized by Odilon Redon and published by Ambrose Vollard in 1896, This is the...

Holy Bible -  Iesus A Satrana Tentatur is Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1...

Bodil Kjaer White Stained Oak Principal Counter Stool For Karakter Drawing inspiration from Bodil Kjær's Principal chair from 1961, the Principal Stool maintains the chair’s functi...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft...

Bracelli lamp designed by Dali manufactured by BD since 2009. Panel structure covered in fine gold leaf darkened. Lampshade in black color cotton and rayon. Measures: 37 x 64 x H.1...

Bodil Kjaer, 1959 Dark Grey And White Stained Oak Office Desk For Karakter Coveted by renowned modernist architects Marcel Breuer, José Luis Sert and Paul Rudolph, Danish architect ...

Artist: Sander Reijgers Title: Untitled Medium: Acrylic on wood Year: 2019 Layer, after layer, after layer, after layer...Sander Reijgers is fascinated by the material and the act. ...

Armchair designed by Gerrit Thomas Rietveld in 1935. Relaunched in 2015. Manufactured by Cassina in Italy. Gerrit T. Rietveld came up with the design for the Utrecht armchair in 193...

Mid-Century Modern decorative metal tray, by an unknown designer. Manufactured in Spain, circa 1950. In good original condition, with minor wear consistent with age and use, preserv...

Cassina Matam Outdoor Accessories Outdoor accessories complete the Cassina lineup of furnishings for open-air living and dining areas. The baskets are inspired by the shapes and br...

Salto and Sigsgaard Council Chair Wood Types: Oak, Upholstery: Nevada Leather Cognac For One Collection. The Council Chair, designed in 2011 by Kasper Salto & Thomas Sigsgaard, was...

Table model La Rotonda designed by Mario Bellini in 1976. Manufactured by Cassina, Italy. A table with timeless design by Mario Bellini, who morphs the ...

Jamaica stool designed by Pepe Cortes. Manufactured by BD Barcelona The Jamaica stool is already a classic in Spanish design and is one of the best designed stools in all history. ...

Ushio Shinohara (born 1932, Tokyo), nicknamed “Gyu-chan”, is a Japanese Neo-Dadaist artist. His bright, large work has been exhibited internationally at institutions including the Hara Museum of Contemporary Art, Centre Georges Pompidou, the Guggenheim Museum SoHo, National Museum of Modern Art, Tokyo, Leo Castelli Gallery, New York, Museum of Contemporary Art, Los Angeles and The Metropolitan Museum of Art, Seoul and others. Shinohara and his wife, Noriko, are the subjects of a documentary film by Zachary Heinzerling called Cutie and the Boxer (2013). Shinohara's parents instilled in him a love for painters such as Paul Cézanne, Vincent Van Gogh and Paul Gauguin. His father was a tanka poet who was taught by Wakayama Bokusui. Shinohara’s mother was a painter who went to the Woman’s Art University (Joshibijutsu Daigaku) in Tokyo. In 1952 Shinohara entered the Tokyo Art University (later renamed to Tokyo University of the Arts), majoring in oil painting, however he left before graduation in 1957. In 1960 Shinohara participated in a group called "Neo-Dada Organizers". (Masunobu Yoshimura, Genpei Akasegawa, Shusaku Arakawa, Ushio Shinohara, Sho Kazakura, Tomio Miki, Tetsumi Kudo...

Wall-mounted eagle-shaped ceramic flower holder shelf made by Ginori - Shower. Majolica earthenware, decorated with polychrome glazes. Present imperfections as shown in photos. Ø cm...