11,644 results for "cubist"

Cubist style abstract mixed-media sculpture titled 'Blue Tone Tower' was created using various materials including wood, papier-mache, and paint by Bill Low ...

Great early Lowell Collins cubist neutral toned still life on canvas. Placed in a thin, black frame. Signed and titled by artist. Artist Biography: Born in San Antonio but raised i...

Couple à Aegina (A Couple in Aegina) Acrylic on Canvas 61 x 50 cm Couple à Aegina presents two intertwined figures assembled within a structured architectural setting inspired by the Greek island of Aegina. Rather than depicting a fixed scene, the composition builds from fragments — bodies, objects, spatial planes — held together through vertical alignment and interlocking geometry, so that figure and environment become genuinely inseparable. A central elongated form anchors the work, while surrounding elements — suggestive of musical instruments, interior structures, and architectural detail — intersect and layer. The figures remain partially legible, continuously shifting between presence and abstraction as they absorb and release the forms around them. The palette is restrained and deliberate: deep blacks and muted blues form the dominant ground, punctuated by sage greens and lighter neutral passages. Small circular accents and linear elements move across the surface, creating an internal rhythm that draws the eye without dictating a fixed entry point. This is not a scene captured at a single moment. Working through what he calls a "reverse jigsaw logic" — beginning with a figurative view of reality, then fragmenting and recomposing it — Mathias brings multiple perceptions into one field: variations in viewpoint, shifts in spatial relation, different moments of observation layered together. Like his figurative works more broadly, the human presence here is never isolated; it is always integrated with place, absorbed into the architecture and light of Aegina itself. Living with the Work: Before acquiring this piece, consider: at 61 x 50 cm, this is an intimate format — best suited to a space where you will naturally spend time close to it, rather than a large wall viewed from across a room. Does the space you have in mind allow for that? Does your interior already carry deep blacks, blues or greens, or would this palette introduce a contrast you'd find interesting to live with? Are you drawn to the human figure as a subject, or does the way the figures here dissolve into their architectural surroundings — becoming part of the place rather than standing apart from it — feel like the more compelling idea? Collector's Insight Rooted in the direct lineage of Jean Metzinger — whose disciple Claude Augereau was Mathias's professor at the École Nationale Supérieure des Beaux-Arts in Paris — this work extends the structural logic of European Cubism into a genuinely original proposition. Where Cubism fragmented space, Diachronic Cubism fragments time itself, embedding successive moments of perception within a single composition. The result sits comfortably within the tradition of Gris and Gromaire while belonging to no one but Mathias. About the Artist Grégoire Mathias, graduate of the École Nationale Supérieure des Beaux-Arts de Paris, is the pioneer of Diachronic Cubism — an evolution of the cubist tradition that captures not only multiple points in space but multiple moments in time within a single work. His paintings have been exhibited in Paris, New York, Los Angeles, Bordeaux, and Dublin. Since 2020, he has been the official artist of the WFUNA (World Federation of United Nations Associations), designing posters for United Nations Day in Geneva — the first French artist commissioned to do so since Picasso, Chagall, and Miró. Keywords Diachronic cubism, Greek island painting...

Introducing "Abstract Cubist Portrait - HFC 12" - Limited Edition Textured Canvas Print Experience the fusion of abstract brilliance with "Abstract Cubist Portrait - HFC 12," a capt...

Raymond Debieve (1931-2011) Born in northern France as a twin to brother Michel Debieve (who also become an accomplished artist later in life), Raymond painted his entire life. His ...

Dancing with Sun (22) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Board, unsigned Size: 26 x 21 in. (66.04 x 53.34 cm) Frame Size: 27 x 22.5 inches

Original painting on canvas. Hand signed lower front by Fernando Fernandez. Canvas is sretched. Artwork is in excellent condition. Certificate of authenticity included. All reasona...

Roger de la Fresnaye Cubist Interior with Rose Bouquet Stone lithograph after a painting Printed in Mourlot workshop Printed signature in the plate On Ar...

Artist: Jacques Villon, French (1875 - 1963) Title: Maternite Year: 1952 Medium: Etching, signed in pencil Edition: 75 (un-numbered) Image Size: 11 x 7.5 inches Size: 16 x 13 in. (40...

Roger de la Fresnaye (after) Cubist Interior with Rose Bouquet, 1968 Stone lithograph after a painting Printed in Mourlot workshop Printed signature in the plate On Arches vellum 50...

Seated Figure in Cloak (62) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Board, unsigned Size: 19 in. x 22 in. (48.26 cm x 55.88 cm)

This is a one-of-a-kind original cubist painting by San Diego artist, Alexander Arshansky. Its dimensions are 20" x 16" x 1.5". It is unframed. A Certificate of Authenticity will fol...

Contemporary cubist abstract composition in warm neutral earth-tones including white, grey, black, and an earthy orange/tan by Michael Pauker (American, b. 1957), c.2000s. This versa...

Mother and Child (3) by John F. Leonard, American (1921–1987) Date: circa 1965 Oil on Board, not signed Size: 44 in. x 29 in. (111.76 cm x 73.66 cm)

Deep tonal cubist style painting of the Crucifixion of Christ. Like traditional Crucifixion imagery, there are two figures on either side ...

Red Hammond (American) The Klue, 1986 Oil on canvas 65 1/4 x 53 1/2 x 1 1/2 in. Signed, dated, and inscribed verso Artist statement sourced from Red Hammond's website: ORIGINALITY As an artist I put myself into the piece of art not to achieve originality for its own sake, but to be honest to, to follow the work. Immersion in the making ensures that the work will be authentic -.that its uniqueness allows the work to emanate its own light, encouraging the viewer to look and to see. While not initially apparent, my paintings typically have numerous, subtle inflections that are often hidden at first glance because the large primary, usually black forms, are strong and register first. SHAPES AND EMOTIONS I place significant emphasis on my ability to invent personal shapes. When put together, they establish a dialogue within the painting. I start without any preconceived idea for the painting and do not work from drawing in order to maintain the spontaneity and challenge to work through a solution - to remain fresh and capable of creating surprises for both myself and the viewer. Working instinctually, , I grope around, figuring out how the feelings I have manifest themselves in a specific shape or shapes and how to achieve the overall mood I’m searching for in a particular piece. SYMBOLS AND MEANING I build a painting with symbols that go beyond words, creating works that may appear somewhat opaque, mysterious, at times. This encourages engagement on the part of the viewer and allows each viewer to arrive at their own ideas concerning the works’ meaning. Viewers of art often confuse subject matter with content. A cow in a field is a cow in a field - that is subject matter. Content is what the artist puts in of him or herself. That is an intangible that is difficult to decipher. I find the early work of the American abstract expressionists and the artifacts and ritual art of indigenous peoples and tribal cultures to be inspirations. COMPLETION Often I’m sure that I have completed a painting and for that moment in time I probably have. Sometimes, however, hours, days or several years later, I look at again and realize that while I was correct for that moment, the painting’s potential was never realized. So I begin the process of working that painting again, and this process can go on for years until I’ve finally got the painting to where it needs to be in order for it to be fully realized. ART AS THERAPY AND DISCOVERY Like life, art is not just about self-improvement but also about self-discovery. If I’m not working on getting better as a painter, improving my paint application or pushing myself to expand my limits as a person, I feel I’m letting myself down and falling short of my potential as an artist. Each day in the studio is a mini-metaphor for life that demands and rewards patience.… Without it, I end up with a big...

Beautiful cubist portrait depict a Harlequin and Child playing violin. Oil on canvas, measuring 23.5 x 35.5 inches. Framed measurement: 25.5 x 37.5 inches. Unsigned.

Mattais Cartier (French, circa 1910–1960) Cubist Figure with Raised Arm, 1947 Oil on canvas, signed and dated lower right Executed in 1947, this bold and architectonic composition ...

Artist: Jacques Villon, After, French (1875 - 1963) Title: Composition Year: 1927 (printed circa 1965) Medium: Aquatint Etching, Signed and dated '27' in the plate Image: 19 x 13.5 i...

Executed in 2003, this graphite drawing on paper exemplifies Menachem Gueffen's refined approach to the female portrait through a distinctly Cubist vocabulary. The composition is bui...

Outstanding Monumental Artwork Consists of 8 mounted Cubist charcoal drawings mounted on blind canvas frames. Drawing for the Panon University Hall Mosaic Project executed in 1965, City of Veszprem, Hungary. size : 420 x 370 cm cca Lajos Kántor painter, graphic artist 1922 - 2013 Lajos Kántor was a student of the Hungarian Academy of Fine Arts between 1949 and 1954, where Gyula Hincz, Endre Domanovszky, Bernáth Aurél, and Jenő Barcsay...

American artist Hellier (20th Century) designed this stunning post-cubist constructivist oil on canvas painting. The artwork "Ste Augustine" uses earth tones juxtaposed with green to...

This is a one-of-a-kind original cubist painting by San Diego artist, Alexander Arshansky. Its dimensions are 36" x 24" x 1.5". It is unframed. A Certificate of Authenticity will fol...

Georges Dayez , born on July 29 , 1907 In Paris where he died in 1991 , is a French painter , engraver and lithographer of the new Ecole de Paris whose works have been regularly exhibited with those of non-figurative painters. Georges Dayez is the eldest son of the editor Jules Dayez, a native of the North and a son of a peasant, who in 1905 had taken over a small-size engraving studio in Paris rue des Marais, printing in particular gravure reproductions of eighteenth- century images E century. His mother, Marie Brard, was born in Neuilly in a Norman family of Bayeux . After the birth of a second son, the family settled in Vaires-sur-Marne in 1909 where Georges Dayez attended the communal school from 1913 , took refuge for two months in Bayeux in 1914 , in Tinténiac ( Brittany ) In 1918 . In 1919 Georges Dayez obtained his certificate of studies and spent his holidays in Vicq , in the mining country of the north of Valenciennes , with his grandfather, the spectacle of the destruction caused by the war impressively him, then returns to the college of Meaux . In 1924 , after spending the first part of the baccalaureate, he stopped studying to start painting, and studied phototypy and intaglio and lithography in his father's studio. He attended the Académie de la Grande Chaumière at Montparnasse and the Julian Academy in Saint - Germain - des - Prés , as well as the evening drawing courses of the City of Paris, which Adam also followed. In 1926 he was accepted as a "free pupil" in the studio of Lucien Simon at the Ecole des Beaux Arts . From 1927, he made his military service, assigned to Nanterre then to the Aeronautics Directorate of Paris, and painted in 1928 , on a permission, Le Pont du Pouliguen and Le Croisic...

Bernard Segal (1907-1986). Cubist Shell Gas Station ca. 1960. Gouache and watercolor on paper, sheet measures 14 x 17 inches. Unsigned. Estate stamp on front lower right. Excellent...

A bold and evocative pastel on paper by British artist John Alfred Begg (1903–1974), this striking Cubist nude study reflects the artist's Brutalist sensibility through angular forms...

Vintage American winter modernist signed oil painting. Oil on board. Signed. Measuring: 16 by 20 inches overall, and 11.75 by 16 painting alone.

Title: French Cubist Abstract Oil Painting, Bold Geometric Composition, 1970 Key Details Artist: Iris Leger (French, Mid 20th Century) Medium: Oil on canvas Size (canvas): 26 x 32 i...

M. Richard (20th century) Portrait of a Man in an Industrial Landscape, 1954. Oil on canvas, 18 x 29 inches. Signed and dated lower right. A striking example of mid-century geom...

2 Poses 27 x 35cm Acrylic on canvas A compelling cubist nude composition that captures the essence of movement and intimacy. The piece showcases two reclining figures fragmented in...

Pablo Picasso, Spanish (1881 - 1973) - 7 Tableau Majeurs. Year: 1962, Medium: Lithograph in Three Colors on Arches, Edition: 1000, Size: 25.5 x 19 in. (64.77 x 48.26 cm), Frame Size:...

Abstracted Cubist Turkey Portrait in Pastel on Paper Brightly colored abstract portrait by Michael William Eggleston (American, 20th Century). An abs...

A bright cubist screenprint of a woman seated with a cello. She wears a long red skirt and blue blouse and is posed in front of a background composed of intersecting geometric shapes. This piece is signed and numbered in pencil by the artist and is floating in an ornate burnished gold frame. Woman with Cello...

Concert dans l'Atelier (Concert in the Studio) Acrylic on Canvas 55.5 x 46 cm A layered cubist scene by Greg Mathias, Concert dans l’Atelier captures the energy of a musical moment ...

Midi et Soir à Èze 65 x 54 cm Acrylic on Canvas MIDI et Soir à Èze presents an abstracted cubist village landscape depicting the hilltop village of Èze across two moments of the day...

Artist: Miriam Bromberg, American XXth Title: Blue Cubist Abstract Year: 1970's Medium: Oil on Canvas Size: 30 x 40 in. (76.2 x 101.6 cm)

Cubist Portrait of a Woman with Blue Eyes French Modernist Gouache Painting Laure Noetzlin-Azam (French, 1929–2024) Pupil of André Lhote. Medium: gouache and pencil on artist paper, ...

Pablo Picasso, Spanish (1881 - 1973) - Les Vendangeurs (34). Year: 1959 (printed 1962), Medium: Linocut, Image Size: 10.5 x 13 inches, Size: 12.5 x 15 in. (...

La Bouteille is a lithograph after a graphic work first realized by Georges Braque in 1911. Good conditions. This print is from the portfolio Derrière Le Miroir No. 138 p.7. Edited...

The French Town by Michel Kritz, unsigned (French 1925-1994) oil on canvas, unframed canvas: 32 x 24 inches provenance: private collection, France condition: very good and sound cond...

Contemporary cubist acrylic on canvas by French artist Lombardo. Signed bottom right. This artwork masterfully captures an abstract maritime scene, characterized by vivid geometric...

This is a one-of-a-kind original cubist painting by San Diego artist, Alexander Arshansky. Its dimensions are 24"x30"x1.5". It is unframed. A Certificate of Authenticity will follow ...

This cool-colored cubist painting by Edmund E. Niemann is a captivating exploration of form and color, embodying the essence of the Cubist movement. Through his unique artistic visio...

Artist: Andre Minaux, French (1923 - 1986) Title: Helene from the Helene Portfolio Year: 1974 Medium: Lithograph, signed and numbered in pencil Edition: 150, XXX Size: 25.75 in. x 19...

This is a one of a kind original cubist painting by San Diego artist, Alexander Arshansky. Its dimensions are 24" x 36" x 1.5". It is unframed. A Certificate of Authenticity will fol...

Paper Size: 25.5 x 27.25 inches ( 64.77 x 69.215 cm ) Image Size: 21.75 x 26 inches ( 55.245 x 66.04 cm ) Framed: No Condition: A: Mint Additional Details: From an exhibition h...

Standing Nude with Sun (28) John F. Leonard American (1921–1987) Date: 1957 Oil on Board, signed Size: 21.5 in. x 26 in. (54.61 cm x 66.04 cm)

Fred Thieler (1916–1999) — Horse and Rider, 1949, Early German Modernist Painting Artist: Fred Thieler (1916–1999) Title: Horse and Rider (descriptive title) Date: 1949 Medium: Wate...

erotic portrait nu naked woman after the bath Original tempera watercolor on paper 51x41cm hand signed

Oscar Dominguez, Spanish (1906 - 1957) - Rollercoaster, Year: circa 1945, Medium: Etching on Japon, signed in pencil, Image Size: 7 x 5 inches, Size: 16 x 10.75 in. (40.64 x 27.31 ...

Untitled Cubist Abstraction Signed and dated lower right Watercolor, charcoal and gouache on paper, 1922 Provenance: Estate of the Artist Schroeder, Romero & Sh...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Tete". The original painting was completed in 1937. In the 1970's after Picasso's death, Mar...

Georges Braque (1882-1963) Cubist Profile in grey Original lithograph (Mourlot workshop) Signed with the artist stamp Numbered / 230 On Arches vellum 31 x 24 cm REFERENCES : - Cat...

New England Landscape, 1925, by Jan Matulka (1890-1972) Oil on canvas, mounted to masonite 29 ¼ x 21 ¾ inches unframed (74.295 x 55.245 cm) 30 x...

Title 1950s French Cubist Abstract Town Procession Figures Oil Painting Key Details Artist: French School, circa 1950s–60s Title: Procession of Figures Medium: Oil painting on canvas, framed Size: Framed 20.25 x 24.25 inches, painting 19.75 x 24 inches Provenance: Private collection, France Condition: Very good and pleasing condition Signature: Not specified Description A striking mid century French Cubist-style oil painting depicting a procession of small figures moving through an abstract town scene. The buildings are broken into flattened planes of ochre, terracotta, cream, pale blue and grey, with orange rooftops and angular architectural forms giving the composition its rhythm. Along the lower edge, the line of dark figures adds a wonderful sense of theatre and movement. Framed at just over 24 inches wide, this is a very usable scale for a hallway, study, sitting room or dining space. The warm terracotta and ochre tones would sit naturally with wood, linen, plaster, stone or antique furniture, while the touches of blue give the piece a fresher, more modern note. It has enough detail to reward close looking, but the broad Cubist structure also reads well from across a room. The appeal of this painting lies in its balance of charm and structure. It feels distinctly French, with the subject of a town gathering handled in a modern, design-led way rather than as a traditional street scene. From a private collection in France, it would suit a layered interior where European mid century painting...

Sitting in an armchair, the woman with a heart-shaped torso is rendered with simple rectangular shapes outlined by cobalt blue and bright yellow. Set against a soft pastel background...

Cubist Figure in Abstract Market By Laure Noetzlin-Azam (French, 1929–2024) Pupil of André Lhote Gouache on artist paper, unframed Artist paper: 21.75 × 15 inches Provenance: from t...

The Musical Band French Cubist artist, indistinctly signed and dated 1962 watercolour on artist paper, unframed Painting: 15 x 22 inches Provenance: Private collection, France Condi...

Cubist Abstract Construction French School, Mid 20th Century Oil painting on paper, laid on a board, unframed Board size: 28.5 x 23.5 inches Expressionist mid 20th French oil painti...

Mending the Nets by Laure Noetzin-Azam (French 1929-2024) pupil of André LHOTE gouache on artist paper stuck on card, unframed overall size: 26.5 x 31 inches painting: 20 x 25 inches...