357 results for "sampler"

Geometric Woman's Portrait - Rare Signed Graphite Drawing on Paper 1962 Beautiful, soft original drawing by Eugene Hawkins (American, b. 1933). A realistic depiction of a short-haired woman, her large lips parted into a soft smile. She's surrounded in geometric shapes offering a wonderful juxtaposition to the natural curves of her face and hair. Signed in pencil, "Eugene Hawkins '62" Presented in a new black mat. Mat size: 20"H x 16"W Paper size: 18.5"H x 14.5"W Eugene Hawkins (American, b. 1933) is a BIPOC artist known for his detailed portraiture and printmaking. He is listed in Who Was Who in American Art, 1564-1975, and his work was exhibited in the Whitney Museum of American Art. He spent the majority of his life working and exhibiting in Southern California. His work frequently touches upon socio-political subjects, making strong statements about the world. The California African American Museum features Eugene Hawkins's work in the Permanent Collection. Exhibition: 2017 Paperworks: Selections from the Permanent Collection focuses on works on paper produced from 1950-2000 and includes figurative, impressionistic, and abstract styles. The exhibition showcases the radically diverse range of works on paper created by African American and other artists over the last two centuries, and includes drawings, prints, paintings, and collages by Edward Mitchell Bannister...

30400 Modern Geometric High-Low Wagireh Rug, 02'02 x 02'02. Contemporary sampler wagireh rugs from India are a modern interpretation of traditional wagireh rugs, employing the intric...

This is a vintage European Spanish rug that was used as a salesman sampler showing clients the different designs with correlating numbers they can ord...

Cannes Watersports 1958 - Slim Aarons Estate Stamped Holidaymakers waterskiing from the pier of the Carlton Hotel, Cannes, 1958. 40 x 40" inches / 101 x 101 cm paper size Estate ...

A classical structure is cast in a green hue as the sun sets on this surreal scene by John Hrehov. The perfectly balance scene, with its formal gardens and Italian cypress trees add to the overall aesthetic. This piece is floated in a white wooden frame measuring 26h x 32w x 2d inches. John Hrehov The Green House oil on canvas 24h x 30w in 60.96h x 76.20w cm JHR024 John Hrehov Education 1985 MFA-Painting, University of Illinois at Urbana-Champaign 1981 BFA-Painting, Cleveland Institute of Art, Cleveland, OH. Solo Exhibitions 2017 John Hrehov, Paintings and Drawings. Tom Thomas Gallery, Indiana University East, Richmond, IN. 2012 Shades from White to Black, New Drawings. Denise Bibro Fine Art, New York, NY. 2011 John Hrehov: Charcoal. Indiana University - Purdue University Fort Wayne...

Vintage Morrocan Rug 5'4'' x 7'2''. This totally borderless Berber, coarse weave, high pile scatter, shows a stepped lozenge lattice with the reserves displaying fringed lozenges of ...

Antique Genje Kazak Rug 3'11'' x 11'1''. This south Caucasian Kellegi (long rug) shows four vertical bands in rust, abrashed pale blue, straw and powder, u...

ROBERT WALKER MACBETH (British 1848-1910) After GEORGE FREDERIC WATTS (British 1817-1904) A Greek Idyll Proof etching Signed in pencil by both the artist l.l. and engraver l.r. Framed Plate size 42 by 54 cm., 16 ½ by 21 ¼ in. (frame size 72.5 by 85 cm., 28 ½ by 33 ½ in.) After Watt’s 1894 painting...

The artist is a master at storytelling. He sets the stage for the viewer to bring the events to a particular scene. Here, the artist presents us with a curious scene. The Holidays are over and the thought of getting rid of the tree is always a chore. Hrehov has chosen to show how to quickly eliminate the tree (and everything around it!). His sense of humor comes out in this small, highly detailed drawing that is matted and framed measuring 14.5 x 16 inches. John Hrehov Holiday End colored pencil on paper 6.50h x 8w in 16.51h x 20.32w cm JHR005 John Hrehov Education 1985 MFA-Painting, University of Illinois at Urbana-Champaign 1981 BFA-Painting, Cleveland Institute of Art, Cleveland, OH. Solo Exhibitions 2017 John Hrehov, Paintings and Drawings. Tom Thomas Gallery, Indiana University East, Richmond, IN. 2012 Shades from White to Black, New Drawings. Denise Bibro Fine Art, New York, NY. 2011 John Hrehov: Charcoal. Indiana University - Purdue University Fort Wayne. 2009 John Hrehov: A Survey 1999-2009 Denise Bibro Fine Art, New York, NY. Paintings and Drawings. Seerveld Gallery, Trinity Christian College, Palos Heights, IL. 2004 John Hrehov: Drawings and Paintings. Denise Bibro Fine Art, New York, NY. 2002 Paintings. Denise Bibro Fine Art, New York, NY. 2001 Charcoal. Indiana University - Purdue University Fort Wayne. John Hrehov, Paintings and Drawings. Wood Street Gallery, Chicago, IL. 2000 The Picture Proper. Denise Bibro Fine Art, New York, NY. Fearful Symmetry. Fort Wayne Museum of Art, Fort Wayne, IN. Allegories in Contemporary Life. Yvonne Rapp Gallery, Louisville, KY. 1999 Paintings and Working Drawings. Adams Hall Gallery, Wheaton College, Wheaton, IL. 1998 John Hrehov. Denise Bibro Fine Art, New York, NY. John Hrehov: Paintings and Drawings. Wood Street Gallery, Chicago, IL. 1997 Object Lesson, Paintings, and Drawings by John Hrehov. Yvonne Rapp Gallery, Louisville, KY. 1995 John Hrehov. Trinity Art Gallery, Trinity Christian College, Palos Heights, IL. 1993 John Hrehov: Selected Works 1980-1992 Indiana University - Purdue University Fort Wayne. Group Exhibitions 2019 2019 Alumni Exhibition. Reinberger Gallery at The Cleveland Institute of Art, Cleveland, OH. Out Of The Closet. Denise Bibro Fine Art, New York, NY. 1026 West Berry Street: The Fort Wayne Art School. Fort Wayne Museum of Art, Fort Wayne, IN. 2018 Artlink Regional Exhibition. Artlink Contemporary Art Gallery, Fort Wayne, IN. 2017 Sola Grace-Faith-Scripture: An Exhibition of Sacred Visual Art. Good Shepherd Institute at Concordia Theological Seminary, Fort Wayne, IN. Norman Bradley...

A 4x22 extra long runner sampler inspired by Sultanabad Persian rugs—from Rug & Kilim’s Modern Classics Collection. Hand-knotted in wool, playing a confluence of warm tones in f...

A 4x22 extra long runner sampler inspired by Sultanabad Persian rugs—from Rug & Kilim’s Modern Classics Collection. Hand-knotted in wool, playing a confluence of warm tones in fl...

A 4x22 extra long runner sampler inspired by Sultanabad Persian rugs—from Rug & Kilim’s Modern Classics Collection. Hand-knotted in wool, playing a confluence of warm tones in fl...

The artist is a master at storytelling. He sets the stage for the viewer to bring the events to a particular scene. Here, the artist has set two wine glasses, napkins and a small plate of desserts on a geometrically patterned table cloth, draping so it almost appears to be falling over the frame. The viewer is required to ask the questions about the scene but the answers may only lie in their own imagination. The painting, which is painted on canvas then mounted to a panel, is framed in a simple wooden frame measuring 21 x 30 inches. John Hrehov Dessert, 2022 oil on canvas on panel 20h x 29w in 50.80h x 73.66w cm JHR008 John Hrehov Education 1985 MFA-Painting, University of Illinois at Urbana-Champaign 1981 BFA-Painting, Cleveland Institute of Art, Cleveland, OH. Solo Exhibitions 2017 John Hrehov, Paintings and Drawings. Tom Thomas Gallery, Indiana University East, Richmond, IN. 2012 Shades from White to Black, New Drawings. Denise Bibro Fine Art, New York, NY. 2011 John Hrehov: Charcoal. Indiana University - Purdue University Fort Wayne. 2009 John Hrehov: A Survey 1999-2009 Denise Bibro Fine Art, New York, NY. Paintings and Drawings. Seerveld Gallery, Trinity Christian College, Palos Heights, IL. 2004 John Hrehov: Drawings and Paintings. Denise Bibro Fine Art, New York, NY. 2002 Paintings. Denise Bibro Fine Art, New York, NY. 2001 Charcoal. Indiana University - Purdue University Fort Wayne. John Hrehov, Paintings and Drawings. Wood Street Gallery, Chicago, IL. 2000 The Picture Proper. Denise Bibro Fine Art, New York, NY. Fearful Symmetry. Fort Wayne Museum of Art, Fort Wayne, IN. Allegories in Contemporary Life. Yvonne Rapp Gallery, Louisville, KY. 1999 Paintings and Working Drawings. Adams Hall Gallery, Wheaton College, Wheaton, IL. 1998 John Hrehov. Denise Bibro Fine Art, New York, NY. John Hrehov: Paintings and Drawings. Wood Street Gallery, Chicago, IL. 1997 Object Lesson, Paintings, and Drawings by John Hrehov. Yvonne Rapp Gallery, Louisville, KY. 1995 John Hrehov. Trinity Art Gallery, Trinity Christian College, Palos Heights, IL. 1993 John Hrehov: Selected Works 1980-1992 Indiana University - Purdue University Fort Wayne. Group Exhibitions 2019 2019 Alumni Exhibition. Reinberger Gallery at The Cleveland Institute of Art, Cleveland, OH. Out Of The Closet. Denise Bibro Fine Art, New York, NY. 1026 West Berry Street: The Fort Wayne Art School. Fort Wayne Museum of Art, Fort Wayne, IN. 2018 Artlink Regional Exhibition. Artlink Contemporary Art Gallery, Fort Wayne, IN. 2017 Sola Grace-Faith-Scripture: An Exhibition of Sacred Visual Art. Good Shepherd Institute at Concordia Theological Seminary, Fort Wayne, IN. Norman Bradley...

Meticulously rendered stone archways lead to a marsh complete with water birds in Carol Pylant's stunning architectural painting entitled "La Scomparsa". The pristine space suggest inner solitude and peace. This calm continues through the archway and into the misty landscape beyond the walls tricking the viewer into questioning what exactly they are observing. The artist often combines imagery from her travels to Italy, Spain and throughout Europe with memories of her childhood home in North Carolina. The artwork is framed in a silver wooden frame measuring 32 x 32 inches. Carol S. Pylant La Scomparsa oil on panel 30h x 30w in 76.20h x 76.20w cm CSP043 Resume Artist / Emeritus Professor, University of Wisconsin-Madison Education 1979 M.F.A. Painting, Wayne State University, Detroit, MI 1977 B.F.A. Painting, Wayne State University, Detroit, MI Academic Appointments 1996 - 2011 Professor, University of Wisconsin-Madison 1991-96 Associate Professor, University of Wisconsin-Madison 1987-91 Assistant Professor, University of Wisconsin-Madison 1985 Instructor, Simmons College, Boston, MA 1984 Instructor, Art Institute of Boston, Boston, MA 1984 Instructor, DeCordova Museum and School, Lincoln, MA 1984 Instructor, Brookline Arts Center, Brookline, MA 1982-84 Assistant Professor, California State University, Long Beach, CA 1978-82 Instructor, Wayne State University, Detroit, MI International Teaching 2011 Professor, UW- Madison, Villa Corsi Salviati, Sesto-Fiorentino, Italy 2006,7 Visiting Affiliate Professor, Santa Reparata International School of Art, Florence, Italy International Artist Residencies 2017 Fundacio J. Llorens Artigas, Barcelona, (Gallifa) Spain 2015 Fundacio J. Llorens Artigas, Barcelona, (Gallifa) Spain 2002 Fundacio J. Llorens Artigas, Barcelona, (Gallifa) Spain 1990 The Tyrone Guthrie Center, Co. Monaghan, Ireland 1990 Oberpfalzer Kunstlerhaus,Schwandorf/Fromberg, West Germany 1987 Rockefeller Foundation Residency Fellowship, Bellagio, Italy 1987 The Karolyi Foundation, Vence, France International Research Awards 2010 Faculty Research Fellowship, UW-Madison, "Villa di Livia Frescos, Museo Nazionale, Rome, Italy" 2005 Faculty Research Fellowship, UW-Madison, "Romanesque Art in France" 2004 Faculty Research Fellowship, UW-Madison, "Paintings Inspired by Romanesque Art in France" 2002 Faculty Research Fellowship, UW-Madison, "Pagan or Christian, Romanesque Art in Spain" 1998 Faculty Research Fellowship, UW-Madison, "Paintings of Neolithic Monuments in Brittany" 1996-7 Vilas Associate Award, University of Wisconsin System, "Paintings of Prehistoric Stone Circles, Ireland and the British Isles 1995 Faculty Research Fellowship, UW-Madison, "Paintings of Celtic Ceremonial Sites in Ireland and the British Isles" 1993 Faculty Research Fellowship, UW-Madison, "Egg Tempera Paintings in Florence, Italy" 1992 Faculty Research Fellowship, UW-Madison, "Paintings of Ireland" 1990 Faculty Research Fellowship, UW-Madison, "Figure and Environment: Ireland" 1989 Faculty Research Fellowship, UW-Madison, "Figure and Environment Painting: Germany" 1988 Faculty Research Fellowship, UW-Madison, "Figure and Landscape Painting: Umbria, Italy" Other Awards 2008 Faculty Research Fellowship, UW-Madison 2007 Sabbatical, University of Wisconsin-Madison 2006 Faculty Research Fellowship, UW-Madison 2002-3 Emily Mead Baldwin-Bascom Named Professorship, University of Wisconsin 2000 Alumni Arts Achievement Award, Wayne State University Dept. of Art & Art History, Detroit, MI 2000 Faculty Research Fellowship, UW-Madison 1999 Faculty Research Fellowship, UW-Madison, "Past /Present: Paintings based on Celtic Imagery" 1999 Sabbatical, University of Wisconsin 1998 Wisconsin Arts Board Visual Arts Fellowship 1993 Faculty Development Grant, "Figurative Sculpture" University of Wisconsin System 1991,93 Visual Arts Development Grant, The Wisconsin Arts Board 1989 Visual Arts Fellowship for Painting, The Wisconsin Arts Board, Madison, WI 1988 National Endowment for the Arts Regional Visual Arts Fellowship, Arts Midwest 1986 Residency, Yaddo Corporation, Saratoga Springs, NY 1985 Residency, The Millay Colony for the Arts, Austerlitz, NY 1985 Residency, The Virginia Center for the Creative Arts, Sweet Briar, VA 1985 Milton and Sally Avery Award for Painting, The MacDowell Colony, Peterborough, NH 1984,5,6 Residency, The MacDowell Colony, Peterborough, NH International Exhibitions 2023 Intersect Palm Springs, Palm Springs Convention Center, Gallery VICTOR 2019 SOFA Chicago, Navy Pier, Gallery Victor Armendariz, Chicago 2010 Handmade Artist's Journals, Villa Corsi Salviati, Sesto-Fiorentino, Italy 2008 Oberpfalzer Kunstlerhaus, Schwandorf, Germany 1995-99 Jorgensen Fine Art, Dublin, Ireland 1994 "Exquisite Corpse" Transmission Gallery, Glasgow, Scotland 1992 "Faces and Places of Ireland" Ulster Bank, Ardara, Co. Donegal, Ireland 199l "Ardara Annual Show" Ardara, Co. Donegal, Ireland 1988 Oberpfalzer Kunstlerhaus, Schwandorf/Fromberg, West Germany 1988 "Art .... Made in USA" Stadische Galerie, Deutsch-Amerikanisches Institut, Regensberg, West Germany 1987 Rockefeller Foundation Bellagio Study and Conference Center, Bellagio, Italy One and Two Person Exhibitions 2019 Gallery Victor Armendariz, Chicago, IL 2005 Peltz Gallery, Milwaukee, WI 2001 Peltz Gallery, Milwaukee, WI 2000 Grace Chosy Gallery, Madison, WI 1999 Peltz Gallery, Milwaukee, WI (with John Sayers) 1998 Grace Chosy Gallery, Madison, WI 1997 Barbara Bunting Gallery, Royal Oak, MI 1993 Peltz Gallery, Milwaukee, WI 1993 Carey Gallery, Rochester, MI (with Jo Powers) 1993 J. Cacciola Galleries, New York, N.Y. 1990 Pennsylvania School of Art and Design Art Gallery, Lancaster, PA (with Dan Gihooley) 1990 Hobe Sound Gallery, Brunswick, ME 1990 Levinson Kane Gallery, Boston, MA 1989 Bowdoin College Museum of Art, Bowdoin College, Brunswick, ME 1985, Trustman Gallery, Simmons College, Boston, MA 1982 Willis Gallery, Detroit, MI Selected Group Exhibitions 2015 "Exquisite Corpse" Printworks Gallery, Chicago, IL 2014 "Non-Stop" Invitational, Train Depot, Madison, WI 1989-2014 Peltz Gallery, Milwaukee, WI 2012 "Invitational Alumni Exhibition", Elaine Jacobs Gallery, Wayne State University, Detroit, MI 2002-10 Grace Chosy Gallery, Madison, WI 2008 Chazen Museum of Art, University of Wisconsin-Madison 2008 Chapman Museum of Art, Myrtle Beach, NC 2007 Carthage College, Kenosha, WI 2007 Spartanburg Art Museum, Spartanburg, SC 2007 "Real and Imagined" Elaine Jacobs Gallery, Wayne State University, Detroit, MI 2003-7 Ann Nathan Gallery, Chicago, IL 2003 "The Exquisite Snake" Printworks Gallery, Chicago, IL 2003 Robert Kidd Gallery, Birmingham, MI 2002 Sonyia Zaks Gallery, Chicago, IL 1995 Butler Institute of American Art, Youngstown, OH 1994 Milwaukee Institute of Art & Design, Milwaukee, WI 1993 Madison Art Center, Madison, WI 1993 New York Arts Club, New York, N.Y. 1993 "Previews of l993" J. Cacciola Galleries, NY 1992 "Small Painting Exhibition" J. Cacciola Galleries, NY 1992 "Women in the Bowdoin Collection" Bowdoin College Museum of Art, Brunswick, MA 1992 Steibel Modern, New York, NY 1984-91 Levinson Kane Gallery, Boston, MA 1986-7 Portraits Inc., New York, NY 1985-6 Kathryn Markel Gallery, New York, NY 1981-4 Frumkin and Struve Gallery, Chicago, IL 1984 All California '84" Laguna Beach Museum of Art, Laguna Beach, CA 1983 "Western States Figurative Realism" Cypress College Art Gallery, Cypress, CA 1982 "Atlas Building Artists" Detroit Artists Market, Detroit, MI 1981 "Michigan Artists 80-81" Flint Institute of Art, Flint, MI 1981 Detroit Focus Gallery, Detroit, MI 1979 Detroit Art Institute, Detroit, MI Public Collections Heidelberg University, Tiffin, Ohio Fundacio J. Llorens Artigas, Gallifa/Barcelona, Spain American Express Corporation, New York, New York Ulster Bank, Ardara, Co. Donegal, Ireland Chazen Museum of Art, Madison, Wisconsin The Block Museum of Northwestern University Malden Public Library, Malden, Massachusetts Bowdoin College Museum of Art, Brunswick, Maine Oberpfalzer Kunstlerhaus, Schwandorf/Fromberg, Germany Beach Museum of Art, Manhattan, Kansas Virginia Center for the Creative Arts, Sweet Briar, Virginia University of Wisconsin, The Graduate School, Madison, Wisconsin Carol Pylant Bibliography 2019 Portal Paintings, 2009-2019, Gallery Victor Armendariz, Chicago 2017 M is for Math, Museum and Manhattan Kansas, by Natasha Rozhkovskaya, Publisher: Tamara Rozhkovskaya Novosibrisk 2015 Exquisite Corpse, Printworks Gallery, Chicago, IL. (Exhibition catalogue) 2013 "Remarkable Women Exhibit" by Mary Louise Schumacher, Journal Sentinel, online, Milwaukee, WI, June 25 2012 "Peltz Gallery Celebrates Remarkable Women" by Peggy Sue Dunigan, The Sheperd Express, Milwaukee, WI, July 7 2008 "Teachers Who Can, UW Faculty..." by Jacob Stockinger, The Capital Times, Madison, WI, February 2007 "Art in Nature" by Bill Robbins, Kenosha News, Kenosha, WI, September 14 2004 "Ambition clothes 'Remarkable Women'" by James Auer, The Milwaukee Journal Sentinel, April 7 2004 "Waxing enthusiastic over 'Colors'" by James Auer, The Milwaukee Journal Sentinel, February 18 2003 "Remarkable Women Celebrated" by James Auer, The Milwaukee Journal Sentinel, March 2003 "Art Lesson" by Jennifer Smith, Isthmus, Madison, WI, February 21 2003 "Installation Appreciation" by Kevin Lynch, The Capital Times, February 7 2001 "Pylant unites sketches with classical style" by James Auer, The Milwaukee Journal Sentinel, September 12 2001 "WSU Exhibit shows figurative painting" by Keri Guten Cohen, The Detroit Free Press, February 18 1999 "On Art" by James Auer, The Milwaukee Journal/Sentinel October 12 1999 "School of Art quadrennial exhibition" by John Aehl, The Wisconsin State Journal, January 24 1999 "Something old, something new" by C.R. Gabriel, Isthmus, February 5 1999 "Honoring our Own" Madison Magazine, January 1998 "The Madison Fifty" Madison Magazine, November 1997 "Back in the Game" by James Auer, The Milwaukee Journal/Sentinel, Nov. 26 1997 "Three artists will charm at local shows" by Joy Hakanson Colby, The Detroit News, May 8 1997 "At the Galleries" by Keri Guten Cohen, The Detroit Free Press, April 27 1997 "Talent not gender, is focus at show", by James Auer, Milwaukee Journal/Sentinel, December 11 1996 "Remarkable Women Exhibition" by James Auer, The Milwaukee Journal/Sentinel, Jan 14 1994 "In Art, these 20 made an impression in '93" by James Auer, The Milwaukee Journal, Jan 9 1994 "Window to the World" by Michelle Grabner, Milwaukee Magazine, Guide to the Arts, February 1994 "Art of Love: ..." by Elby Frieda Abbe, Milwaukee Sentinel, Let's Go. February issue 1993 "Variations on a theme", by Paul Pace, Rochester Clarion, Rochester, Mi, December 9 1993 "Work of women holds surprises in summer show", by Janice T. Paine, Milwaukee Sentinel, June 4 1993 "Remarkable Women has merit with or without it's gender theme", by James Auer, The Milwaukee Journal, June 13 1993 "Irish Landscape" Cross Country, Country Living Magazine, March (feature article) 1993 "Ireland's Wild West" On the Road, Country Living Magazine, March 1993 "Short List SoHo Gallery Exhibitions, The New Yorker, February 14 & 22 1993 "SoHo Exhibitions", Gallery Listings, New York Magazine, February 7 1993 Gallery Listings, The New York Times, January 31 1993 Tandem Press: Five years of Collaboration by Drew Stevens, University of Wisconsin Press 1992 "From the World's Hot Spots to Ardara", by Michael McHugh, The Donegal Democrat, Co. Donegal, Ireland, August 6 1992 "Exhibits spotlight women", by Janice T. Paine, Milwaukee Sentinel, June 5 1992 "Women's show proves a strong one", by James Auer, The Milwaukee Journal, May 24 199l "Tandem Press foster diverse printmaking styles", by John Carlos Cantu, Ann Arbor News, December 1 1991 "Quadrennially yours...U W art faculty exhibit show vital, vibrant", by Katherine Rogers, Wisconsin State Journal, January 6 1991 Who's Who in the Midwest 23rd Edition, A.N. Marquis, MacMillian Directory Division, Wilmette, Illinois 1990 "Impressive Art on a Small Scale", by Nancy Stapen, The Boston Globe, December 20 1990 "View from the Tower", by James Rhem, The Isthmus, December 21 1990 "NEA Survives but Artists Shiver", by Bill Moore...

Meticulously rendered stone archways lead to a stone path meandering into a lush landscape in Carol Pylant's stunning architectural painting entitled "La Prima Pietra". The pristine space suggest inner solitude and peace. This calm continues through the archway and into the rich green landscape beyond the walls. The artist often combines imagery from her travels to Italy, Spain and throughout Europe with memories of elsewhere. The artwork is framed in a heavy black wooden frame with a silver inset adding to the richness of the piece. It measures 36.5 x 42.5 inches framed. Carol S. Pylant La Prima Pietra oil on panel 30h x 36w in 76.20h x 91.44w cm CSP037 Resume Artist / Emeritus Professor, University of Wisconsin-Madison Education 1979 M.F.A. Painting, Wayne State University, Detroit, MI 1977 B.F.A. Painting, Wayne State University, Detroit, MI Academic Appointments 1996 - 2011 Professor, University of Wisconsin-Madison 1991-96 Associate Professor, University of Wisconsin-Madison 1987-91 Assistant Professor, University of Wisconsin-Madison 1985 Instructor, Simmons College, Boston, MA 1984 Instructor, Art Institute of Boston, Boston, MA 1984 Instructor, DeCordova Museum and School, Lincoln, MA 1984 Instructor, Brookline Arts Center, Brookline, MA 1982-84 Assistant Professor, California State University, Long Beach, CA 1978-82 Instructor, Wayne State University, Detroit, MI International Teaching 2011 Professor, UW- Madison, Villa Corsi Salviati, Sesto-Fiorentino, Italy 2006,7 Visiting Affiliate Professor, Santa Reparata International School of Art, Florence, Italy International Artist Residencies 2017 Fundacio J. Llorens Artigas, Barcelona, (Gallifa) Spain 2015 Fundacio J. Llorens Artigas, Barcelona, (Gallifa) Spain 2002 Fundacio J. Llorens Artigas, Barcelona, (Gallifa) Spain 1990 The Tyrone Guthrie Center, Co. Monaghan, Ireland 1990 Oberpfalzer Kunstlerhaus,Schwandorf/Fromberg, West Germany 1987 Rockefeller Foundation Residency Fellowship, Bellagio, Italy 1987 The Karolyi Foundation, Vence, France International Research Awards 2010 Faculty Research Fellowship, UW-Madison, "Villa di Livia Frescos, Museo Nazionale, Rome, Italy" 2005 Faculty Research Fellowship, UW-Madison, "Romanesque Art in France" 2004 Faculty Research Fellowship, UW-Madison, "Paintings Inspired by Romanesque Art in France" 2002 Faculty Research Fellowship, UW-Madison, "Pagan or Christian, Romanesque Art in Spain" 1998 Faculty Research Fellowship, UW-Madison, "Paintings of Neolithic Monuments in Brittany" 1996-7 Vilas Associate Award, University of Wisconsin System, "Paintings of Prehistoric Stone Circles, Ireland and the British Isles 1995 Faculty Research Fellowship, UW-Madison, "Paintings of Celtic Ceremonial Sites in Ireland and the British Isles" 1993 Faculty Research Fellowship, UW-Madison, "Egg Tempera Paintings in Florence, Italy" 1992 Faculty Research Fellowship, UW-Madison, "Paintings of Ireland" 1990 Faculty Research Fellowship, UW-Madison, "Figure and Environment: Ireland" 1989 Faculty Research Fellowship, UW-Madison, "Figure and Environment Painting: Germany" 1988 Faculty Research Fellowship, UW-Madison, "Figure and Landscape Painting: Umbria, Italy" Other Awards 2008 Faculty Research Fellowship, UW-Madison 2007 Sabbatical, University of Wisconsin-Madison 2006 Faculty Research Fellowship, UW-Madison 2002-3 Emily Mead Baldwin-Bascom Named Professorship, University of Wisconsin 2000 Alumni Arts Achievement Award, Wayne State University Dept. of Art & Art History, Detroit, MI 2000 Faculty Research Fellowship, UW-Madison 1999 Faculty Research Fellowship, UW-Madison, "Past /Present: Paintings based on Celtic Imagery" 1999 Sabbatical, University of Wisconsin 1998 Wisconsin Arts Board Visual Arts Fellowship 1993 Faculty Development Grant, "Figurative Sculpture" University of Wisconsin System 1991,93 Visual Arts Development Grant, The Wisconsin Arts Board 1989 Visual Arts Fellowship for Painting, The Wisconsin Arts Board, Madison, WI 1988 National Endowment for the Arts Regional Visual Arts Fellowship, Arts Midwest 1986 Residency, Yaddo Corporation, Saratoga Springs, NY 1985 Residency, The Millay Colony for the Arts, Austerlitz, NY 1985 Residency, The Virginia Center for the Creative Arts, Sweet Briar, VA 1985 Milton and Sally Avery Award for Painting, The MacDowell Colony, Peterborough, NH 1984,5,6 Residency, The MacDowell Colony, Peterborough, NH International Exhibitions 2010 Handmade Artist's Journals, Villa Corsi Salviati, Sesto-Fiorentino, Italy 2008 Oberpfalzer Kunstlerhaus, Schwandorf, Germany 1995-99 Jorgensen Fine Art, Dublin, Ireland 1994 "Exquisite Corpse" Transmission Gallery, Glasgow, Scotland 1992 "Faces and Places of Ireland" Ulster Bank, Ardara, Co. Donegal, Ireland 199l "Ardara Annual Show" Ardara, Co. Donegal, Ireland 1988 Oberpfalzer Kunstlerhaus, Schwandorf/Fromberg, West Germany 1988 "Art .... Made in USA" Stadische Galerie, Deutsch-Amerikanisches Institut, Regensberg, West Germany 1987 Rockefeller Foundation Bellagio Study and Conference Center, Bellagio, Italy One and Two Person Exhibitions 2005 Peltz Gallery, Milwaukee, WI 2001 Peltz Gallery, Milwaukee, WI 2000 Grace Chosy Gallery, Madison, WI 1999 Peltz Gallery, Milwaukee, WI (with John Sayers) 1998 Grace Chosy Gallery, Madison, WI 1997 Barbara Bunting Gallery, Royal Oak, MI 1993 Peltz Gallery, Milwaukee, WI 1993 Carey Gallery, Rochester, MI (with Jo Powers) 1993 J. Cacciola Galleries, New York, N.Y. 1990 Pennsylvania School of Art and Design Art Gallery, Lancaster, PA (with Dan Gihooley) 1990 Hobe Sound Gallery, Brunswick, ME 1990 Levinson Kane Gallery, Boston, MA 1989 Bowdoin College Museum of Art, Bowdoin College, Brunswick, ME 1985 Trustman Gallery, Simmons College, Boston, MA 1982 Willis Gallery, Detroit, MI Selected Group Exhibitions 2015 "Exquisite Corpse" Printworks Gallery, Chicago, IL 2014 "Non-Stop" Invitational, Train Depot, Madison, WI 1989-2014 Peltz Gallery, Milwaukee, WI 2012 "Invitational Alumni Exhibition", Elaine Jacobs Gallery, Wayne State University, Detroit, MI 2002-10 Grace Chosy Gallery, Madison, WI 2008 Chazen Museum of Art, University of Wisconsin-Madison 2008 Chapman Museum of Art, Myrtle Beach, NC 2007 Carthage College, Kenosha, WI 2007 Spartanburg Art Museum, Spartanburg, SC 2007 "Real and Imagined" Elaine Jacobs Gallery, Wayne State University, Detroit, MI 2003-7 Ann Nathan Gallery, Chicago, IL 2003 "The Exquisite Snake" Printworks Gallery, Chicago, IL 2003 Robert Kidd Gallery, Birmingham, MI 2002 Sonyia Zaks Gallery, Chicago, IL 1995 Butler Institute of American Art, Youngstown, OH 1994 Milwaukee Institute of Art & Design, Milwaukee, WI 1993 Madison Art Center, Madison, WI 1993 New York Arts Club, New York, N.Y. 1993 "Previews of l993" J. Cacciola Galleries, NY 1992 "Small Painting Exhibition" J. Cacciola Galleries, NY 1992 "Women in the Bowdoin Collection" Bowdoin College Museum of Art, Brunswick, MA 1992 Steibel Modern, New York, NY 1984-91 Levinson Kane Gallery, Boston, MA 1986-7 Portraits Inc., New York, NY 1985-6 Kathryn Markel Gallery, New York, NY 1981-4 Frumkin and Struve Gallery, Chicago, IL 1984 "All California '84" Laguna Beach Museum of Art, Laguna Beach, CA 1983 "Western States Figurative Realism" Cypress College Art Gallery, Cypress, CA 1982 "Atlas Building Artists" Detroit Artists Market, Detroit, MI 1981 "Michigan Artists 80-81" Flint Institute of Art, Flint, MI 1981 Detroit Focus Gallery, Detroit, MI 1970 Detroit Art Institute, Detroit, MI Public Collections Heidelberg University, Tiffin, Ohio Fundacio J. Llorens Artigas, Gallifa/Barcelona, Spain American Express Corporation, New York, New York Ulster Bank, Ardara, Co. Donegal, Ireland Chazen Museum of Art, Madison, Wisconsin The Block Museum of Northwestern University Malden Public Library, Malden, Massachusetts Bowdoin College Museum of Art, Brunswick, Maine Oberpfalzer Kunstlerhaus, Schwandorf/Fromberg, Germany Beach Museum of Art, Manhattan, Kansas Virginia Center for the Creative Arts, Sweet Briar, Virginia University of Wisconsin, The Graduate School, Madison, Wisconsin Carol Pylant Bibliography 2017 M is for Math, Museum and Manhattan Kansas, by Natasha Rozhkovskaya, Publisher: Tamara Rozhkovskaya Novosibrisk 2015 Exquisite Corpse, Printworks Gallery, Chicago, IL. (Exhibition catalogue) 2013 "Remarkable Women Exhibit" by Mary Louise Schumacher, Journal Sentinel, online, Milwaukee, WI, June 25 2012 "Peltz Gallery Celebrates Remarkable Women" by Peggy Sue Dunigan, The Sheperd Express, Milwaukee, WI, July 7 2008 "Teachers Who Can, UW Faculty..." by Jacob Stockinger, The Capital Times, Madison, WI, February 2007 "Art in Nature" by Bill Robbins, Kenosha News, Kenosha, WI, September 14 2004 "Ambition clothes 'Remarkable Women'" by James Auer, The Milwaukee Journal Sentinel, April 7 2004 "Waxing enthusiastic over 'Colors'" by James Auer, The Milwaukee Journal Sentinel, February 18 2003 "Remarkable Women Celebrated" by James Auer, The Milwaukee Journal Sentinel, March 2003 "Art Lesson" by Jennifer Smith, Isthmus, Madison, WI, February 21 2003 "Installation Appreciation" by Kevin Lynch, The Capital Times, February 7 2001 "Pylant unites sketches with classical style" by James Auer, The Milwaukee Journal Sentinel, September 12 2001 "WSU Exhibit shows figurative painting" by Keri Guten Cohen, The Detroit Free Press, February 18 1999 "On Art" by James Auer, The Milwaukee Journal/Sentinel October 12 1999 "School of Art quadrennial exhibition" by John Aehl, The Wisconsin State Journal, January 24 1999 "Something old, something new" by C.R. Gabriel, Isthmus, February 5 1999 "Honoring our Own" Madison Magazine, January 1998 "The Madison Fifty" Madison Magazine, November 1997 "Back in the Game" by James Auer, The Milwaukee Journal/Sentinel, Nov. 26 1997 "Three artists will charm at local shows" by Joy Hakanson Colby, The Detroit News, May 8 1997 "At the Galleries" by Keri Guten Cohen, The Detroit Free Press, April 27 1997 "Talent not gender, is focus at show", by James Auer, Milwaukee Journal/Sentinel, December 11 1996 "Remarkable Women Exhibition" by James Auer, The Milwaukee Journal/Sentinel, Jan 14 1994 "In Art, these 20 made an impression in '93" by James Auer, The Milwaukee Journal, Jan 9 1994 "Window to the World" by Michelle Grabner, Milwaukee Magazine, Guide to the Arts, February 1994 "Art of Love: ..." by Elby Frieda Abbe, Milwaukee Sentinel, Let's Go. February issue 1993 "Variations on a theme", by Paul Pace, Rochester Clarion, Rochester, Mi, December 9 1993 "Work of women holds surprises in summer show", by Janice T. Paine, Milwaukee Sentinel, June 4 1993 "Remarkable Women has merit with or without it's gender theme", by James Auer, The Milwaukee Journal, June 13 1993 "Irish Landscape" Cross Country, Country Living Magazine, March (feature article) 1993 "Ireland's Wild West" On the Road, Country Living Magazine, March 1993 "Short List SoHo Gallery Exhibitions, The New Yorker, February 14 & 22 1993 "SoHo Exhibitions", Gallery Listings, New York Magazine, February 7 1993 Gallery Listings, The New York Times, January 31 1993 Tandem Press: Five years of Collaboration by Drew Stevens, University of Wisconsin Press 1992 "From the World's Hot Spots to Ardara", by Michael McHugh, The Donegal Democrat, Co. Donegal, Ireland, August 6 1992 "Exhibits spotlight women", by Janice T. Paine, Milwaukee Sentinel, June 5 1992 " Women's show proves a strong one", by James Auer, The Milwaukee Journal, May 24 199l "Tandem Press foster diverse printmaking styles", by John Carlos Cantu, Ann Arbor News, December 1 1991 "Quadrennially yours...U W art faculty exhibit show vital, vibrant", by Katherine Rogers, Wisconsin State Journal, January 6 1991 Who's Who in the Midwest 23rd Edition, A.N. Marquis, MacMillian Directory Division, Wilmette, Illinois 1990 "Impressive Art on a Small Scale", by Nancy Stapen, The Boston Globe, December 20 1990 "View from the Tower", by James Rhem, The Isthmus, December 21 1990 "NEA Survives but Artists Shiver", by Bill Moore...

Equipoise features a basin-type wall font, modeled after a nineteenth century public fountain Pylant photographed in Girona, Spain. On the wall above it is mounted a relief sculpture...

Early Italian “Grande Atlante Geografico” by Adolfo Stieler, 1914 A handsome and substantial early 20th-century Italian edition of Adolfo Stieler’s celebrated Grande Atlante Geograf...

Transport yourself to the opulent splendor of the 18th century with this exquisite find: the lid of a rare baroque hatbox dating back to around 1740. C...

A remarkable late George III silkwork picture of a shepherdess seated in a landscape with a lamb resting beneath an old oak tree. Beautifully presented behind glass in a crazed oval ...

Rare American silkwork picture. Presented in a charming gilt-effect frame with glazing. On linen.

This antique table lamp, dating to approximately 1890, features a figural fish etched glass and crystal base. The lamp is composed of multiple sections of clear glass and crystal, wi...

This contemporary Tabriz hand knotted wool rug hails from Rug & Kilim’s Homage collection, enjoying a finer take on distressed shabby chic aesthetic with fewer knots per square i...

A contact strip depicting British-born American actress Elizabeth Taylor (1932 - 2011) at an airfield, (possibly Croydon Airport, London) with her third husband, American producer Mi...

Kazak rug from Armenia,southwest Caucasus Age: circa 1880 Size: 7′.7"x4′.2" (231×127 cm) Four hooked lozenges in ivory and blue stand out on a beautiful red madder ground,flanked ...

These cushion-shaped diamond drop earrings balance softness and brilliance in a way that feels effortlessly refined. Crafted in glowing 18K yellow gold, each drop features an illusio...

English Dark Brown and Pink Floral Needlepoint Carpet Provenance: the Christopher Hodsoll Collection. England, circa 1870 This needlepoint carpet ...

Kazak rug from Armenia,southwest Caucasus Age: circa 1875 Size: 7′.5"x4′.3" (226×130 cm) This extremely attractive southwest Caucasian rug displays two columns each of three and a...

Ray Johnson, 1964. Mail art assemblage collage titled "Ed Brush," composed of cut paper stamped " Ed Brush Collage by Ray Johnson " with a paper cutout, and two mailed covers addressed by Johnson to Ed Brush- one c/o Ray Johnson and one c/o Stanton Kreider- postmarked October 20, 1964, and November 19, 1964, respectively. Mounted on board covered with fabric, board measures 13 x 11 in. Not framed. Signed on Envelopes, Stamped Collage by Ray Johnson Bio from Wikipedia: Raymond Edward "Ray" Johnson (October 16, 1927 – January 13, 1995) was an American artist. Known primarily as a collagist and correspondence artist, he was a seminal figure in the history of Neo-Dada and early Pop art and was described as "New York's most famous unknown artist".[1][3] Johnson also staged and participated in early performance art events as the founder of a far-ranging mail art network – the New York Correspondence School –which picked up momentum in the 1960s and is still active today. He is occasionally associated with members of the Fluxus movement but was never a member. He lived in New York City from 1949 to 1968, when he moved to a small town in Long Island and remained there until his suicide. Early years and education Born in Detroit, Michigan, on October 16, 1927,Ray Johnson grew up in a working-class neighborhood and attended Cass Technical High School where he was enrolled in the advertising art program. He took weekly classes at the Detroit Art Institute and spent a summer drawing at Ox-Bow School in Saugatuck, Michigan, affiliated with the Art Institute of Chicago. Johnson left Detroit after high school in the summer of 1945 to attend the progressive Black Mountain College (BMC) in North Carolina,[4][6] where he stayed for the next three years (spending the spring 1946 semester at the Art Students League in New York but returning the following summer). Josef Albers, before and after his notable sabbatical in Mexico, was in residence at Black Mountain College for six of the ten semesters that Johnson studied there. Anni Albers, Walter Gropius, Lyonel Feininger, Robert Motherwell, Ossip Zadkine, Paul Rand, Alvin Lustig, Ilya Bolotowsky, Jacob Lawrence, Beaumont Newhall, M. C. Richards, and Jean Varda also taught at BMC during Johnson's time there. Johnson decided on Albers' advice to stay at BMC for a final term in summer 1948, when the visiting faculty included John Cage, Merce Cunningham, Willem de Kooning, Buckminster Fuller, and Richard Lippold.[1] Johnson took part in "The Ruse of Medusa" – the culmination of Cunningham's Satie Festival - with Cage, Cunningham, Fuller, Willem and Elaine de Kooning, Lippold, Ruth Asawa, Arthur Penn, and others among the cast and crew. "Because of those who participated, the event has taken on the reputation of a watershed event in 'mixed media'" wrote Martin Duberman in his history of BMC. In the documentary How to Draw a Bunny, Richard Lippold confessed to carrying on a love affair with Johnson for several years. I risk to say, [that at Black Mountain College] 'anything went'—between the students and the faculty ... he would arrive every morning with a little bouquet of wild flowers, and singing. Eventually our relationship became very intimate, so I brought him back to New York ... and obviously, we didn't live together, steadily, because I had my family. We were quite close together until 1974, so that's a long period of time. From '48 to '74, twenty some years. Because it was a very intimate relationship, a loving relationship.[8] New York years Johnson moved with Richard Lippold to New York City by early 1949, rejoining Cage and Cunningham and befriending, within the next couple of years, Robert Rauschenberg, Jasper Johns, Cy Twombly, Ad Reinhardt, Stan Vanderbeek, Norman Solomon, Lucy Lippard, Sonia Sekula, Carolyn Brown and Earle Brown, Judith Malina, Diane di Prima, Julian Beck...

Bordjalou Kazak rug from Armenia,southwest Caucasus Age: circa 1875 Measurements: 6′.6"x5′.10" (198×178 cm) This extremely bold Bordjalou Kazak rug is a study in ivory,blue green,...

Vintage circa 1950 American Folk Art hand-woven wool runner rug, 1'8" x 15'2" (20 x 182 in), in green tones. Condition: good, repaired. Wear consistent with age and use. Minor fading...

Quarter-matched burr walnut veneers create an eye-catching surface across the bow-fronted tops of this matched pair of compact cabinets, showcasing rich swirling burl grain and warm ...

Striking and beautiful New England quilt in the princess feather and rose pattern. Excellent condition with a highly folky design pattern. Found in , this quilt made from blue and re...

Rare Engraved version Nils Landberg (1907–1987) was a Swedish glass designer, renowned for his work with Orrefors, one of Sweden’s most prestigious glass companies. Landberg joined ...

This beautiful diamond eternity band is hand crafted in 14 k white gold. The details are as follows : Diamond weight : 1 carat Metal : 14 K White Gold Ring Size : 6 3/4

Very fine large early 19th to late 18th Century French Needlework and Watercolor painting on silk having an exceptional gilded frame. Found in Nice, France.

Fine Vintage Persian Ardebil Rug 1'11'' x 2'11''. The light milky camel field shows a three hook fringed hexagon pole medallion in rust and dark blue, with octagon and star decoratio...

Elegant vintage ring from the 1940s–1945 featuring old-cut diamonds set in a refined design of 18k yellow gold with platinum accents. A timeless piece with classic charm and artisana...

A set of 4 vintage tan wool needlepoint panels for upholstery. 100% wool needlepoint hand embroidered on cotton canvas. Two Sets Available.

Charming c1960s hand-needlepoint cottage sampler w/ floral windowbox Art Sz: 9 3/4"H x 9 1/2"W Frame Sz: 11"H x 11"W w/ gilt bamboo frame

Sz: 18"H x 26"W

Original 19th Century Victorian King Charles Spaniel with garland adornment needlepoint slipper hand-coloured screen Wool Canvas Sz: 14 1/2"H" x 22 1/4"W Frame Sz: 19 1/2"H x 27"W...

Colourful hand-needlepoint c1960s panel depicting an oriental garden scene Art Sz: 15"H x 9"W Frame Sz: 20"H x 14"W w/ coral mat & gilt bamboo frame

This rare late 19th century Moroccan carpet highlights a powerful and rhythmic composition featuring an extraordinary sampler style patchwork field divided into distinct geometric pa...

A stunning and high quality pair of French 19th century Renaissance st. Bisque Porcelain, Ormolu, and Giltwood lamps, attributed to Sèvres. Each wonderful lamp is raised on a square ...

DOGWOOD (WHITE), NO. 10, by artist Jeri Eisenberg is green, and soft white, and tint of grey contemporary quad made of Archival pigment ink on Japanese Kozo with encaustic medium, that measures 36 x 45.5 and is priced at $4,200. DOGWOOD (WHITE), NO. 10 Edition: 1/12, 2012 *Price differs with top bars only $4000* Jeri Eisenberg works primarily with non-traditional and alternative photo-based techniques. She represses or subverts traditional photography’s emphasis on the representational qualities of the medium, and emphasizes instead the medium’s expressive nature. She employs a strong sense of materiality and seductive surfaces in her work, to evoke sense memories and visceral connections. Her work steadfastly serves as an affirmation of beauty in the everyday natural world, but is tinged with the bittersweet - a reminder of the temporal condition, and an elegy for life. EDUCATION MFA, Art Institute of Boston, Lesley University, Cambridge, MA JD, Boston University, Boston, MA BA, Kirkland College, Clinton, NY SELECTED SOLO EXHIBITIONS 2014 Cumberland Gallery, Nashville, TN 2013 Foster/White Gallery, Seattle, WA 2012 Wallspace Gallery, Santa Barbara, CA Putnam Gallery, The Dublin School, Dublin, NH 2011 Kathryn Markel Fine Arts, New York, NY John Cleary Gallery, Houston, TX Griffin Museum, Winchester, MA 2009 Corden Potts Gallery, San Francisco, CA John Cleary Gallery, Houston, TX Lanoue Fine Art, Boston, MA 2008 Galerie BMG, Woodstock, NY 2007 Gallery Saintonge, Missoula, Montana MT Exposed Gallery of Art Photography, Delmar, NY 2006 Julie Kinzelman Art, Houston, TX 2005 Galerie BMG, Woodstock, NY Carrie Haddad Gallery, Hudson, NY 2004 Lapham Gallery, Glens Falls, NY Siena College, Loudonville, NY 2003 Fulton Street Gallery, Troy, NY Adirondack Lakes Art Center, Blue Mountain Lake, NY 2001 Perella Gallery, Fulton-Montgomery Community College, Johnstown, NY Greene County Council on the Arts, Catskill, NY Carrie Haddad Gallery, Hudson, NY Northwest Nazarene University, Nampa, ID 2000 University of La Vern, La Vern, CA 1999 Spencertown Academy, Spencertown, NY Fulton Street Gallery, Troy, NY Carrie Haddad Gallery, Hudson, NY 1998 LRC Gallery, Hudson Valley Community College, Troy, NY 1996 Shelnutt Gallery, RPI, Troy, NY SELECTED GROUP EXHIBITIONS 2013 Multiple Focus: Contemporary Photography from the Collection, Albany Institute of History and Art, Albany, NY Summer Portfolio, Corden Potts Gallery, San Francisco, CA A Few of My Favorite Things, Lanoue Fine Art, Boston, MA Rejuvenation, Furchgott Sourdiffe Gallery, Shelburn, VT Have a Nice Day, Gilman Contemporary, Ketchum, ID Soft Focus, Carrie Haddad Gallery, Hudson, NY 2013 Wax is Hot, Amy Simon Gallery, Westport, CT 2012 Corden Potts Gallery, San Francisco, CA Snail Mail, Museum of Fine Arts, Houston, TX Small Packages, Cumberland Gallery, Nashville, TN Encaustic Works 2012 Invitational, R&F Gallery, Kingston NY Photograph: New Work, Carrie Haddad Gallery, Hudson, NY Deck the Walls, Catherine Couturier Gallery, Houston, TX 2011 Fotografias – Colecao Joaquim Paiva, Museu de Arte Moderna do Rio de Janeiro, Brazil Women...

TILL IT'S TIME TO GO, NO. 8, by artist Jeri Eisenberg is green, and soft pink contemporary quad made of Archival pigment ink on Japanese Kozo with encaustic medium, that measures 36 x 44.5 and is priced at $4,200. TILL IT'S TIME TO GO, NO. 8 Edition: 1/12, 2014 *Price differs with top bars only $4000* Jeri Eisenberg works primarily with non-traditional and alternative photo-based techniques. She represses or subverts traditional photography’s emphasis on the representational qualities of the medium, and emphasizes instead the medium’s expressive nature. She employs a strong sense of materiality and seductive surfaces in her work, to evoke sense memories and visceral connections. Her work steadfastly serves as an affirmation of beauty in the everyday natural world, but is tinged with the bittersweet - a reminder of the temporal condition, and an elegy for life. EDUCATION MFA, Art Institute of Boston, Lesley University, Cambridge, MA JD, Boston University, Boston, MA BA, Kirkland College, Clinton, NY SELECTED SOLO EXHIBITIONS 2014 Cumberland Gallery, Nashville, TN 2013 Foster/White Gallery, Seattle, WA 2012 Wallspace Gallery, Santa Barbara, CA Putnam Gallery, The Dublin School, Dublin, NH 2011 Kathryn Markel Fine Arts, New York, NY John Cleary Gallery, Houston, TX Griffin Museum, Winchester, MA 2009 Corden Potts Gallery, San Francisco, CA John Cleary Gallery, Houston, TX Lanoue Fine Art, Boston, MA 2008 Galerie BMG, Woodstock, NY 2007 Gallery Saintonge, Missoula, Montana MT Exposed Gallery of Art Photography, Delmar, NY 2006 Julie Kinzelman Art, Houston, TX 2005 Galerie BMG, Woodstock, NY Carrie Haddad Gallery, Hudson, NY 2004 Lapham Gallery, Glens Falls, NY Siena College, Loudonville, NY 2003 Fulton Street Gallery, Troy, NY Adirondack Lakes Art Center, Blue Mountain Lake, NY 2001 Perella Gallery, Fulton-Montgomery Community College, Johnstown, NY Greene County Council on the Arts, Catskill, NY Carrie Haddad Gallery, Hudson, NY Northwest Nazarene University, Nampa, ID 2000 University of La Vern, La Vern, CA 1999 Spencertown Academy, Spencertown, NY Fulton Street Gallery, Troy, NY Carrie Haddad Gallery, Hudson, NY 1998 LRC Gallery, Hudson Valley Community College, Troy, NY 1996 Shelnutt Gallery, RPI, Troy, NY SELECTED GROUP EXHIBITIONS 2013 Multiple Focus: Contemporary Photography from the Collection, Albany Institute of History and Art, Albany, NY Summer Portfolio, Corden Potts Gallery, San Francisco, CA A Few of My Favorite Things, Lanoue Fine Art, Boston, MA Rejuvenation, Furchgott Sourdiffe Gallery, Shelburn, VT Have a Nice Day, Gilman Contemporary, Ketchum, ID Soft Focus, Carrie Haddad Gallery, Hudson, NY 2013 Wax is Hot, Amy Simon Gallery, Westport, CT 2012 Corden Potts Gallery, San Francisco, CA Snail Mail, Museum of Fine Arts, Houston, TX Small Packages, Cumberland Gallery, Nashville, TN Encaustic Works 2012 Invitational, R&F Gallery, Kingston NY Photograph: New Work, Carrie Haddad Gallery, Hudson, NY Deck the Walls, Catherine Couturier Gallery, Houston, TX 2011 Fotografias – Colecao Joaquim Paiva, Museu de Arte Moderna do Rio de Janeiro, Brazil Women...

Brass repousse samovar. Originally used for tea or coffee. All in working order.

Art Sz: 10"H x 8 1/2"W Provenance: Gillian Dupont's The Old Habit Tack Shop Marshall, VA

Samobar with tray, bowl, and table. Russian; early 20th century, made of gilded metal; cylindrical body with a square base. Handles trimmed in turned wood with wooden knobs. Features...

Pair of Deco Modern Spears, Polished Nickel Rock Crystal, Black Marble base. Rock, Crystal is from Brazil. One of a kind decorations .

This Oushak is a very beautiful example of the masterful Turkish classical weaving. Inspired by the Vagireh sampler, the design carries the sweet scent of nostalgia with its ageless ...

Vintage Samarkand (Khotan) Rug Size: 5'6" × 10'9" (167 × 327 cm) This vintage Samarkand (Khotan) rug from the 1940s is a distinguished example of East Turkestan textile artistry, cel...

c. 1950s; Tavart Co. - Paramount, CA Vintage wooden garage door hardware salesman sample. This piece features a functional "jamb type" garage door that glides upward and features s...

Red branch coral and sterling silver earrings. Each earrings having 4 teardrop shaped stones in sterling silver setting. Arranged in a dangle design on stud posts. Unmarked. 20th cen...

Panel Sz: 22"H x 14"W Frame Sz: 28 3/4"H x 20 3/4"W Mounted on burgundy felt

Porcelain - 'Lady' figure - Vista Alegre. Porcelain sculpture by Vista Alegre. Polychrome decoration. Height: 8 cm. Mark No. 32 in use (1947-1968).

By the great California Impressionist, Samuel Hyde Harris. "Lone Pine (Cottonwoods)" c. 1940s Oil on Board 16 x 20 (image) 23 x 27 (framed) At 14 years of age Sam Hyde Harris was already a successful commercial artist. A 1903 letter of recommendation from Andre & Sleigh, stated that, "We have the pleasure in stating that Samuel Harris (aged 14 ½ years) has given every satisfaction during the 8 or 9 months he has been engaged in our Artists Department." After moving to California with his family Harris got a job as painter of signs, billboards and hand-lettered show cards in 1906. He developed a reputation for doing excellent commercial work and opened his own commercial art studio by 1914. His commercial art business received a boost in 1920 when he was hired by the Atchison, Topeka, and Santa Fe Railway Company to work on their poster advertising. He was later hired to do artwork Southern Pacific Railways as well. He began studying painting with Hanson Puthuff in 1906, and continued studying throughout much of his life. As early as 1920 he was exhibiting with the California Art Club. He continued exhibiting his paintings for the next fifty plus years including with the Painters and Sculptors of Southern California, the Pacific Advertising Club Association (1929), the San Gabriel Artists Guild, the Laguna Beach Art Association and many other venues. He won countless awards in hundreds of exhibitions throughout Southern and Northern California. Sam Hyde Harris was "Highly recognizable because of his six-foot-three stature and cigar." He "was known for his jovial personality and his love for his adopted California and her landscape." He preferred painting en plein air to the studio. He loved the outdoors. Harris's paintings employ a progressive composition, pushing the viewers eye to an unexpected place. He taught art classes at the Chouinard School of Art (1935) and for many Clubs and Groups. He met and married Marion Dodge in 1945. They moved to Alhambra in 1946. He bought Jack Wilkinson Smith's "Artists' Alley" studio on Champion Place in 1950. He loved looking at the San Gabriel Mountains from his Champion Place studio. Biography submitted by Maurine St. Gaudens, Administrator, Marion Dodge Harris Estate: Sources: Maurine St. Gaudens, Marian Yoshiki-Kovinick, Gary Lang...