7 results for "ding ware song"

Elegant hand blown Victorian style crimped and ruffled Murano glass footed candy dish / bowl in blue and garnet, Italy, 19th century. This exquisite ...

Large Chinese Cloisonne enamel bowl, Qing Dynasty Exceptional and finely decorated Chinese cloisonne punch bowl with gilt metal foot and rim. The bowl has slightly flaring sides ...

This Shiwan ceramic pillow (headrest) of earthenware features a green & blue glaze. Pillows in this shape were not only used by opium smokers but most typi...

A remarkable Chinese life sized painted stucco head of a luohan, Song, Liao or Jin Dynasty, circa 11th century, China. The amazingly life-like figure depicts a luohan (sometime spelled lohan), also known as an arhat, one of the original disciples of the Buddha. The elderly man has been molded in stucco with inset glass eyes and painted with idealized, if slightly exaggerated features. The unidentified luohan sports a bald, or perhaps shaved, domed head above a bulging forehead, symbolizing his vast wisdom. The wrinkles in his furrowed brow, and creases around his eyes add to his realism. The learned man stares out wisely from deep set, heavily lidded inlaid glass eyes that catch the light. The luohan has high cheekbones and a prominent jawline. His lips full and pursed as if about to speak. The corners of his mouth turned up ever so slightly in a faint smile, causing his gaunt cheeks to dimple charismatically. A series of dots above the upper lip indicate he may originally have sported a mustache of real hair. This life sized head with extremely realistic features fits into a very narrow time frame of Chinese Buddhist art. Perhaps the most recognized group of large, finely molded Chinese luohan...

A small Kütahya style polychrome hand painted and handcrafted glazed ceramic decorative vase with an Ottoman scene. This is an intricately, hand painted vase that was made in Marmara, Turkey: Kütahya is famous for its kiln products, such as tiles and pottery, which are glazed and multicolored. It has a beautifully hand painted scene with Ottomans princes enjoying the outdoors, surrounded by flowers in burgundy, turquoise, light and dark blue and green foliage. An Islamic ceramic...

A set of very refined green glazed attendants and one sedan chair, each with benevolent facial expression, beautiful colors and lines, Ming dynasty 1368-1644. Three glazed attendants...

A large Chinese Qing dynasty porcelain wucai (five color) glazed bowl painted in underglaze blue and overglaze red, green, and yellow upon a pure white ground, and featuring a design...

A small and charming Chinese cizhou ware glazed pottery figure of a Taoist deity or official, Song to Ming Dynasty, 13th - 15th century, China, ex. Christi...

A sublime Chinese celadon glazed shallow dish or charger, Qing Dynasty, mid 18th century, China. Beautifully glazed, with a carved decoration of a group of lotus, leaves, stalks and blossoms. The interior wall with radiating S-shaped lines, a motif that is repeated on the wide rim of the dish. The back undecorated. Glazed all-over with an even bright celadon glaze, with some attractive areas of crackle. Ex. Butterfield's, San Francisco. Plate stand for display...

The bowl is potted with gently flaring sides and a neatly trimmed foot. The interior is carved in low relief with a stylized peony scroll, the broad petals and flowing tendrils rende...

Antique Chinese painted pottery standing court lady, with original pigments remaining. Age: China, Northern Wei Dynasty, A.D. 386 - 535 Size: Height 20.4 C.M. / Width 5 C.M. / Depth...

A massive pottery pair of horses standing on all fours and striding with its right hoof forward. Extended snout ends in parted lips showing teeth beneath in a braying attitude. Low relief bridle on face and well defined eyes. Raised mane down back of the neck A fantastic example of the Wei dynasty horses. Large, exquisite walking Ferghana horses with great attention paid to anatomical detail were the choice of the wealthy. The horse was second only in importance to the dragon. It was supposed to possess magical powers which the early Chinese were eager to explore. It would be the horse that would carry the deceased to the next life and it would be the amount of horses that an individual owned that would guarantee his ongoing status in the hereafter. Thermoluminescence certificate from Madrid Labs included. In southern China, people turned to Daoism, and mingqi, as well as above-ground sculptures, became ever more infused with animal iconography and energized with dynamic lines. The north of China was eventually united by nomadic Tuoba invaders who founded the Northern Wei dynasty...