158 results for "luxembourg gardens"

Crafted from lightweight, durable steel with delicate hand-shaped scrollwork, the 1900 Stacking Chair features an ergonomic design and stacks up to ten high. Its soft sky blue finish...

These two groups were commissioned by Jacques Stern (1839-1902) from one of the greatest animal painters of the second half of the 19th century, Auguste-Nicolas Caïn, renowned for hi...

Emile BOIZOT Paris, Luxembourg Garden - 1920 Original woodcut Handsigned in pencil Numbered /165 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind...

Figures Enjoying a Summer Afternoon in the Luxembourg Gardens Paris French Modernist 20th Century Painting Laure Noetzlin-Azam (French, 1929–2024), pupil of André Lhote Canvas: 6.25 x 10.75 inches Medium: Oil on canvas, unframed. Provenance: From the artist's estate, Paris. Condition: Good condition. Description: A delightful French Modernist painting depicting figures enjoying a summer afternoon in the Luxembourg Gardens, Paris. Painted in oil on canvas, the composition captures one of the city's most celebrated public parks, where visitors gather beneath mature trees, lounge on the iconic green garden chairs...

Abel Warshawsky (American, 1883-1962) The Luxembourg Gardens, Paris, 1909 Oil on panel Signed and dated lower right, titled verso 8.5 x 10.5 inches 13.75 x 16 inches, framed Impressionist painter A.G. Warshawsky was active in Cleveland, Paris and Monterey, California. Although Warshawsky is known as a classic Impressionist, he is also known for using a realistic style in his portraiture. Warshawsky was born in 1883 in Sharon, Pennsylvania to Ezekial and Ida Warshawsky, Jewish immigrants from Poland. The family then moved to Cleveland, Ohio. His brother Alexander (Xander) also became an accomplished painter in his own right. Warshawsky graduated from the Cleveland School of Art in 1900, taught by Louis Rorimer...

Vladimir Ilibayev(1952). Painter Born in Ventspils, Latvia in 1952. Education Studied 2 years in Moscow State University, the Faculty of Philosophy. Graduated from St. Peterburg ...

George Oberteuffer Luxembourg Gardens, Paris Signed and titled on the reverse Oil on canvas 22 x 30 inches Born in Philadelphia, George Oberteuffer is best remembered for his Impre...

JOINVILLE Antoine Victor Edmond Madeleine (1801-1849) From Ludwig Knaus (1829-1910) The Walk in Luxembourg Garden" in Paris, also called "The Privileged" Preserved at The Louvres M...

Luxembourg gardens 2024, oil on canvas, 80x55 cm Ansis Butnors (1977) Education: J. Rozentals Art School in Riga – 1989. – 1996. Latvian Academy of Art, Painting Department – 199...

Paper Size: 30 x 22 inches ( 76.2 x 55.88 cm ) Image Size: 11.75 x 18 inches ( 29.845 x 45.72 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional ...

Jim’s of Lambertville is proud to offer this artwork by: Martha Walter (1875-1976) Born in Philadelphia in 1875, Martha Walter attended Girls’ High School followed by the Pennsylva...

Figures Relaxing in the Luxembourg Gardens Paris French Modernist 20th Century Painting Laure Noetzlin-Azam (French, 1929–2024), pupil of André Lhote Canvas: 6.25 x 10.5 inches Medium: Oil on canvas, unframed. Provenance: From the artist's estate, Paris. Condition: Good condition. Description: A charming French Modernist painting depicting three figures relaxing in the Luxembourg Gardens, Paris. Painted in oil on canvas, the composition captures a leisurely afternoon, with the figures reclining on the iconic green garden chairs...

Figures Beside the Pond in the Luxembourg Gardens Paris French Modernist 20th Century Painting Laure Noetzlin-Azam (French, 1929–2024), pupil of André Lhote Canvas: 6.5 x 10.75 inches Medium: Oil on canvas, unframed. Provenance: From the artist's estate, Paris. Condition: Good condition. Description: A charming French Modernist painting depicting figures beside the pond in the Luxembourg Gardens, Paris. Painted in oil on canvas, the composition captures a peaceful summer afternoon as visitors gather around the famous ornamental basin. One figure relaxes in the iconic green garden chairs...

Born in Gardner, Massachusetts in 1876, painter, writer and teacher Emma Alice (Polly) Parker Nordell studied at the Rhode Island School of Design under Stacy Tolman and Sydney R. Burleigh, Art Students League under Frank DuMond and Robert Henri, Chase School of Art with William Merritt Chase in New York City and at the Academie de la Grand Chaumiere in Paris under the tutelage of Lucien Simon and Emile Menard...

Figure Relaxing in the Luxembourg Gardens Paris French Modernist 20th Century Painting Laure Noetzlin-Azam (French, 1929–2024), pupil of André Lhote Canvas: 8.75 x 11 inches Medium: ...

Luxembourg Garden. 2010. Watercolor on paper, 26x50 cm Watercolor artwork with Flowers Ingrida Irbe (1969) Born 15th of June 1969 in Riga Ed...

Flowers Luxembourg Garden Paris. 2010. Watercolor on paper, 26x50 cm Ingrida Irbe (1969) Born 15th of June 1969 in Riga Education: 1980....

Medium: Pen and Ink on Paper Signature: 11.00" x 11.50" Dimensions: Signed Initials Upper Right

Rūdolfs Pinnis(1902-1992)

Flowers. Luxembourg Garden. 2010. Watercolor on paper, 38x50 cm Watercolor artwork in magenta and pink colors. Ingrida Irbe (1969) Born 15th of June 1969 in Riga Education: 198...

Painter, draughtsman and poster artist, Louis Abel-Truchet (1857-1918) is, along with Henri de Toulouse-Lautrec, one of the most famous representatives of Parisian life at the end of...

Series: Dream Scapes All available sizes & editions for each size of this photograph: 30" X 132.8"- Edition of 10 40" X 177"- Edition of 7 40" X 177" - Edition of 3; Lightbox "D...

Vintage French watercolor in a playful and colorful take on the famed Luxembourg Gardens of Paris by artist Madeleine Scali (1911-2000), circa 1960. Original one-of-a-kind artwork...

Luxembourg Gardens, Paris Figures by the Fountain Signed French Oil Painting French School, late 20th century signed lower left & verso oil on canvas, unframed Canvas: 26 x 32 inch...

Peaceful watercolor of a figure sat on a park bench in the Luxembourg Gardens of Paris by French artist Madeleine Scali, circa 1960. Original one-of-a-kind artwork on paper displ...

Figure Reading Beneath a Classical Statue in the Luxembourg Gardens Paris French Modernist 20th Century Painting Laure Noetzlin-Azam (French, 1929–2024), pupil of André Lhote Canvas: 10.5 x 6.25 inches Medium: Oil on canvas, unframed. Provenance: From the artist's estate, Paris. Condition: Good condition. Description: A delightful French Modernist painting depicting a figure reading beneath a classical statue in the Luxembourg Gardens, Paris. Painted in oil on canvas, the composition captures one of the park's characteristic scenes, where visitors gather among the celebrated sculptures and tree-lined promenades to read, reflect and enjoy the tranquillity of the gardens. The central figure, distinguished by a vivid red hat and patterned blouse, sits quietly absorbed in a newspaper at the foot of the elegant stone statue, while other visitors relax nearby on the iconic green garden chairs...

Boy with Tongue Out Spearing Brass Ring, Luxembourg Garden, Paris Titled, dated and stamped with photographer's credit ink stamp and TIME Inc. copyright ink stamp on reverse Silver ...

Luxembourg Gardens by Josine Vignon (French 1922-2022) signed stamped verso oil painting on board, unframed board: 18 x 26 inches Colors: Grey colors, brown, red, blue and white Ve...

Antique Map Paris, SDUK Plan, Linen Backed, Hand Colored c.1855 This finely engraved and highly detailed map of Paris was published by the Society f...

David Drebin 30 x 72 inches Edition of 10 C-Print

Luxembourg Gardens, "Le Jardin du Luxembourg", located in Paris, a beautiful composition done by Michel Pabois. Complimentary custom framing will be done upon customer request. It was created beginning in 1612 by Marie de' Medici, the widow of King Henry IV of France, as her new residence. The garden today is known for its lawns, tree-lined promenades, flowerbeds, model sailboats on its circular basin, and picturesque Medici Fountain...

The Lily by Auguste CLESINGER (1814-1883) Outstanding bust sculpted in white Carrara marble Signed on the ribbon " J. Clésinger, 1871 " Presented on a rounded white marble base France 1871 height 76,5 cm width 48 cm depth 35 cm Noted in "Clésinger – Sa vie, ses œuvres - Le catalogue de ses œuvres", A. Estignard, Librairie H. Floury, Paris, 1900, p.169. Biography : Jean-Baptiste Auguste Clésinger, known as Auguste Clésinger (1814-1883), was a French romantic sculptor. His father, Georges-Philippe Clésinger, himself a sculptor, trained him at the School of Fine Arts in Besançon where he was a teacher. Auguste also studied sculpture under the direction of Bertel Thorwaldsen...

Framed and matted vintage lithograph poster features Theatre de L'Odeon architectural drawings by architects Charles De Wailly and Marie-Joseph Peyre. Editions Hazan poster was creat...

A stunning and high quality true pair of French 19th century Louis XVI st. patinated Bronze, Ormolu and Gris St. Anne marble statues of Mercury and Fortuna, after a model by Louis Gu...

A wonderful French 19th century Louis XVI st. Ormolu, Patinated Bronze, and Black Belgian marble statue of 'La Fortuna'. Fortuna is raised on a mottled black Belgian marble pedestal ...

Fermob - Luxembourg Armchair Design: Frédéric Sofia Born in the heart of the capital's gardens, the Fermob Luxembourg collection brings the same conviviality of the wide avenues of ...

Fermob - Luxembourg Armchair Design: Frédéric Sofia Born in the heart of the capital's gardens, the Fermob Luxembourg collection brings the same conviviality of the wide avenues of ...

Standing Male Nude (recto) Study of the Head of the Standing Male Nude (verso) Unsigned Provenance: Estate of the artist Helen Chase Storm (the artist's daughter) Jackson Chase Storm (the artist's grandson) Baker-Pisano Collection (the author of the William Merritt Chase Catalog Raisonne Project) References And Exhibitions: Pisano D8, reproduced p. 183 Rare. Chase did relatively few drawings, probably no more than 150 in total, according to the catalogue raisonne. William Merritt Chase (1840-2016) Born in Nineveh, Indiana Died New York, New York In 1883 Chase was involved in the organization of an exhibition to help raise funds for a pedestal for the Statute of Liberty...

Personnages au jardin du Luxembourg, original painting by Pierre Coquet (1926-2021) Oil on paper laid on a board Framed with a natural oak floating frame 32 x 48 x 2,5 cm (35 x 51 x ...

Helen by Auguste CLESINGER (1814-1883) Bronze sculpture with dual patina signed " J. Clésinger " on the base cast by " F. Barbedienne Fondeur " (with the foundry mark) stamped " Réd...

Fermob - Luxembourg 2-Seater Garden Bench with Armrests Design: Frédéric Sofia With this Luxembourg 2-seater garden bench with armrests, Frédéric Sofia offers a contemporary reinter...

Fermob - LUXEMBOURG Rocking Chair Design: Frédéric Sofia The Luxembourg Rocking Chair combines trendy style with timeless tradition. Its playful yet practical design makes it ideal ...

Signed watercolour on paper landscape by American post impressionist painter Maurice Brazil Prendergast. The work depicts children playing on the beach in Saint Malo, France as boats sail in the blue sea and white clouds role through the sky overhead. This work has remained in the Prendergast family for 3 generations and depicts a rare view of Saint-Malo executed during Prendergast's visit to the french coastal town in 1907 Signature: Signed lower left Dimensions: Framed: 21"x22" Unframed: 13'x14" Proveance: The collection of Charles Prendergast (1863-1948) The collection of Eugénie Prendergast-Van Kemmel (1895-1994) -wife and inheritor of the estate of Charles Prendergast The collection of Henri Van Kemmel (Lille, 1903-1963) - cousin of Eugenie Prendergast
- Madame Henri Van Kemmel Maurice Prendergast came with his family to Boston in 1861. Working in a textile store, Maurice Prendergast was at first self-taught in painting, making souvenir cards and shop signs. He went to Britain in 1886, then to Paris in 1891 and registered at the Académie Julian with Jean-Paul Laurens, Benjamin-Constant, and Charles Blanc as teachers, working also with Gustave Courtois at the Académie Colarossi. More importantly he saw the Impressionists’ paintings and the Nabis at the Galerie Durand-Ruel. He returned to the United States in 1895, settling in Winchester (Massachusetts) and went frequently to New York. In 1898 he again went to Europe where he stayed until 1900, visiting Paris, Florence, Siena, Rome, Capri, and Venice, where he spent six months. Between 1907 and the beginning of World War I he went again four times to Europe but never returned there after the war. In New York where he finally settled, with William Glackens, Robert Henri, and John Sloan among others, Prendergast was one of the members ofThe Eight, gathered by Robert Henri to counter the pervading academicism. The group exhibited in 1908 at the Macbeth Galleries and took part in the Armory Show of 1913. After that Prendergast did not exhibit again with the group. In 1914 he left Boston definitively for New York. Prendergast was in his thirties before he began to devote himself to painting. In his late beginnings he painted in the open air as the Impressionists did, mainly in watercolours with clear brushstrokes and an elegant virtuosity recalling his then admiration for James Whistler and Claude Monet. Between 1892 and 1905 he carried out two hundred monotypes, a technique of which he was the undisputed master in America at that time and which expressed the influence of Japanisme. During his stays in France he painted views of Paris, but also Brittany and Normandy. In this period, in 1896, he was chosen to illustrate My Lady Nicotine by Matthew Barrie. During his third stay in Europe, from 1898 to 1900, he painted in Paris, at Saint-Malo, and mainly in Venice, where, influenced by Vittore Carpaccio he introduced brightly coloured banners into his animated compositions. In oils he painted slowly, touching up his paintings by superimposed brushstrokes, sometimes over several years. He chose to use the divided stroke in an early period, a technique which had similarities with Post-Impressionism. After his travels in Europe and his discovery of Paul Cézanne, he evolved in the direction of the neo-Impressionism of Georges Seurat, placing little dots of colours with a knife, then of the Nabis and even later Fauvism, painting large brushed surfaces in bright colours. After 1899, his Ponte della Paglia in Venice freed itself from strict divisionism, adopting the dense composition in vertically superimposed planes of the Nabis. Like the members of the group of eight, he took his subjects from the daily life of ordinary people, in scenes in the parks or on the beaches of New England, picnics or sometimes circuses. Nevertheless the happy vision that he had of the world separated him strongly from the evolution that led his companions to paint the most miserable and populous milieus, which gave them the name of The Ashcan School. His compositions are arranged in surfaces superimposed vertically, without depth; while the Impressionists and Post-Impressionists were influenced by the layout of Japanese prints, Prendergast was inspired more by Persian miniatures. The decorative elements and the build-up of characters in crowds are placed frontally, like garlands on a tapestry, particularly as he seeks a texture effect, covered entirely by the subject without any empty spaces. His attraction to colours caused him to research all the motifs that he introduced into these compositions: umbrellas, parasols, balloons, draperies. In 1911–1912, he experimented with pastel and treated new subjects, nudes and still-lifes. After 1913, in sympathy with the Symbolists, he put nude figures and everyday characters side by side in the same composition. In his last years, and above all in the watercolours, he discarded the divided stroke and applied larger brushstrokes, similar to the technique of Henri Matisse. Fidelity to the leisurely settings and elegant grooming of the period gave his works, apart from their artistic value, a charming sociological aspect. Singular, almost marginal in his time, his paintings stand out by the density of their composition, in form and colouring, characterised by the accumulation of detail, minutiae of scenery, the serried ranks of people that animate them, the chromatic polyphony of elegance, umbrellas, parasols, and flags. He is a complete painter, particularly generous, who would never be happy to provide only samples of his art. Following Whistler and Mary Cassatt, Maurice Prendergast is one of the most interesting and original Post-Impressionist American painters, and perhaps marks exactly the boundary between the 19th and the 20th centuries. He was considered to be an ‘old master’ from 1920 on, and his works appeared in very many exhibitions of modern American painting. He had his first solo exhibition in 1897 at the Chase Gallery of Boston, where his works were noticed by Madame Montgomery Sears, who made a collection, taking the advice of Mary Cassatt. In 1915 six paintings and watercolours exhibited at the Carroll Gallery of New York established his success and drew the great collectors to him, among whom were Albert Barnes and John Quinn. Group Exhibitions 1974, Ten Americans, Andrew Crispo Gallery, New York 1976, Art of Impulse and Color, University of Maryland Art Gallery, College Park (Maryland) 1982, American Impressionists, Smithsonian Institution, Washington, DC (also presented at the Musée du Petit Palais, Paris) 1999, Town and Country: American Artists, 1870–1920 (Ville et campagne: les artistes américains, 1870–1920), Musée d’Art Américain, Giverny 2002, Japonisme in America: Works on Paper, 1880–1930 (Le Japonisme en Amérique: œuvres sur papier, 1880–1930), Musée d’Art Américain/Terra Foundation for the Arts, Giverny 2007, American Impressionists: Painters of Light and the Modern Landscape, Phillips Collection, Washington, DC 2008, Coming of Age: American Art 1850–1950, Paintings from the Addison Gallery of American Art, Massachusetts, Dulwich Picture Gallery, London 2008, Portrait of a Lady: Paintings and Photographs of American Women in France 1870–1915, Musée des Beaux-Arts, Bordeaux Solo Exhibitions 1934, Maurice Prendergast Memorial Exhibition, Whitney Museum of American Art, New York 1938, Retrospective Exhibition of the Work of Maurice and Charles Prendergast, Addison Gallery of American Art, Andover, MA 1960, Maurice Prendergast, 1859–1924, Museum of Fine Arts, Boston 1990, Art Institute of Chicago 2009, Prendergast in Italy, Peggy Guggenheim Collection, Venice Museum and Gallery Holdings Andover, MA (Addison Gal. of American Art): At the Shore, St. Malo No. 1 and 2 (c. 1907, watercolour and graphite on wove paper, 2 works); Along the Cove (1910–1913, oil on canvas); seven sketches of Paris (1893, oil on wood) Chicago (AI): In the Park (1918–1919) Chicago (Terra Foundation for American Art Collection): Festa del redentore (c. 1899, monotype); The Opera Cloak...

Transparent watercolour on paper. Image size is 21 14 inches. This lady was sketched unknowingly while she basked in the September sun in the Luxembourg Gardens in Paris. A wonderful...

This art work titled "Les Fausses Confidences" 1988 is an original color lithograph on wove paper by French artist, Jean Pierre Cassigneul, born 1935. It is hand signed and inscribe...

Fermob - Luxembourg 2-Seater Garden Bench with Armrests Design: Frédéric Sofia With this Luxembourg 2-seater garden bench with armrests, Frédéric Sofia offers a contemporary reinter...

Fermob - Luxembourg 2-Seater Garden Bench with Armrests Design: Frédéric Sofia With this Luxembourg 2-seater garden bench with armrests, Frédéric Sofia offers a contemporary reinter...

Fermob - Luxembourg 2-Seater Garden Bench with Armrests Design: Frédéric Sofia With this Luxembourg 2-seater garden bench with armrests, Frédéric Sofia offers a contemporary reinter...

Paris des Années 30, (Paris in The Thirties), French Book by Jacques Lanzmann, 1987. Numerous photographs in black and white from the Keystone Press Agency in Paris, illustrating the...

Fermob - Luxembourg 2-Seater Garden Bench with Armrests Design: Frédéric Sofia With this Luxembourg 2-seater garden bench with armrests, Frédéric Sofia offers a contemporary reinter...

This art work titled "La Lettre" 1990 is an original color lithograph on wove paper by French artist, Jean Pierre Cassigneul, born 1935. It is hand signed and Inscribed E.A. (Epreuve d'Artist) in pencil by the artist. Referenced and pictured in the artist's catalogue raisonne by Mazo. plate #23. The image size is 29.75 x 22 inches, framed size is 42.5 x 32.75 inches. Custom framed in a wooden silver frame, with fabric matting and silver color spacer. It is in excellent condition. Please note that the color of the frame on picture #1 is more gold that it is in reality, refer to picture # 7 for exact color. About the artist: Jean-Pierre Cassigneul is a French painter known for his serene portraits of women in hats that recall the French Post-Impressionist avant-garde, including the works of Pierre Bonnard and Edouard Vuillard. He was born on July 13, 1935, in Paris. He studied at the École des Beaux-Arts in Paris and went on to exhibit in various group exhibitions, including the Salon d' Automne in Paris (of which he was member), the Salon de la Jeune Peinture, He exhibited at the Beaubourg Center in Paris in 1977 and solo as of 1952, on a regular basis in France but also in New York, and Tokyo and worldwide Jean PierreCassigneul is known for his charming and extremely popular Van Dongen-influenced paintings of women in floral hats, complete with frequent allusions to other aspects of the Années Folles. 1952 First private exhibition at the Galerie Lucy Kroge in Paris aged 17. 1954 Enters into the Académie Charpentier and then decides to study under Jean Souverbie at the Ecole des Beaux-Arts de Paris. 1955 He passes his entrance exam a year later and enrolls at the "Ecole Nationale Superieure" des Beaux-Arts de Paris. Works in Chapelain-Midy’s studio. 1958 First exhibition at the Galerie des Beaux-Arts. 1959 Appointed member of the Salon d’Automne. 1956–1960 Instructed by the French painter Roger Chapelain-Midy. 1963 Present at the Salon de la Jeune Peinture for the first time. 1964 Private exhibition at the Galerie Tivey-Faucon, Paris. Meets Kiyoshi Tamenaga, who becomes his art dealer for Japan. 1965 Creation of his first lithographic works. Exhibition at the Galerie Bellechasse, Paris. 1966 Present at the International Exhibition of Figurative Art, Tokyo. Exhibition at the Galerie Bellechasse, Paris. 1968 Exhibition at the Galerie Juarez in Palm Beach, USA. Private exhibition at la Galerie Vital, Paris. 1969 Exhibition of lithographic works at the Mitsukoshi Gallery, Tokyo. 1970 January : Exhibition at the Wally Findlay Gallery, Palm Beach, then in New York. First trip to Japan, where he stays for three months. Important private exhibition at the Mitsukoshi Gallery, Tokyo. 1973 Exhibition at the Wally Findlay Gallery in Palm Beach, then in New York. Private exhibition at the Tamenaga Gallery, Tokyo. Meets art publisher Alain Mazo. 1974 Private exhibition at the Galerie Wally Findlay, Paris, then in New York. 1975 Exhibition at the Wally Findlay Gallery, New York. 1976 Private exhibition at the Mitsukoshi Gallery, Tokyo. Publication of the album “Parcs” by Editions Mazo-Paris. 1977 June : Private exhibition at the Galerie René Kieffer, Paris Private show of paintings and pastels at the Galerie Wally Findlay, Paris. 1978 Retrospective exhibition of lithographic works at Vision Nouvelle. June-July : Exhibition at the Wally Findlay Gallery, New York. Important private showat the Mitsukoshi Gallery, Tokyo. 1980 Designs his first tapestry, executed by Atelier 3...

Standing Male Nude (recto) Study of the Head of the Standing Male Nude (verso) Unsigned Provenance: Estate of the artist Helen Chase Storm (the arti...

Fermob - Luxembourg 2-Seater Garden Bench with Armrests Design: Frédéric Sofia With this Luxembourg 2-seater garden bench with armrests, Frédéric Sofia offers a contemporary reinter...

Gian Carozzi Still Life with Cuttlefish 1942 The textural elegance of Mid-century Italian Ligurian Realism This still life with cuttlefish by Gian Carozzi (1942), dating from his early years in La Spezia, depicts two cephalopods against a dark background rendered in earthy tones and fluid brushstrokes, evoking the Ligurian tradition of marine compositions. Oil on panel, in a realist style with an emphasis on texture and natural light, the work reflects his early interest in organic matter, prior to his move to Milan. In 1942, Gian Carozzi took part in the 17th edition of the Littoriali exhibition in Trieste and Vienna. Dilvo Lotti wrote in *Meridiano di Roma* that Carozzi’s work was one of the revelations of the exhibition. Also in 1942, he took part in the 1st National Art Exhibition celebrating agriculture, fruit, flowers and animals in Verona – Verona Prize. The work, signed and dated by the artist, was exhibited at the 1942 Littoriali, highlighting his involvement in the Fascist art...

Fermob - Luxembourg 2-Seater Garden Bench with Armrests Design: Frédéric Sofia With this Luxembourg 2-seater garden bench with armrests, Frédéric Sofia offers a contemporary reinter...

Fermob - Luxembourg 2-Seater Garden Bench with Armrests Design: Frédéric Sofia With this Luxembourg 2-seater garden bench with armrests, Frédéric Sofia offers a contemporary reinter...

Fermob - Luxembourg Armchair Design: Frédéric Sofia Born in the heart of the capital's gardens, the Fermob Luxembourg collection brings the same conviviality of the wide avenues of ...

Fermob - Luxembourg 2-Seater Garden Bench with Armrests Design: Frédéric Sofia With this Luxembourg 2-seater garden bench with armrests, Frédéric Sofia offers a contemporary reinter...

Massimo Vitali – Picnic Allee Limited Edition (74/120), numbered and credited in ink artist's stamp on verso. Offset Photolithograph printed in 2006 on Royal Consort Paper by Steidl ...

Fermob - Luxembourg Armchair Design: Frédéric Sofia Born in the heart of the capital's gardens, the Fermob Luxembourg collection brings the same conviviality of the wide avenues of ...