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This early 19th century etching entitled "Veduta dello scavo del Foro Trajano" was created by Luigi Rossini and included in his publication "Le Antichita Romane" (The Rome of Antiquity), published in Rome in 1823. It depicts the historical victory column of Trajan standing amidst the rubble of broken columns that remain around it. The etching is presented in a black wood frame with a light brown outer mat and a dark brown inner mat. There are several frame abrasions. The print and mats are in very good condition. The frame measures 27" high, 29.07" wide and 0.5" deep. The print is framed and matted in the identical style as the another etching of an ancient Roman landmark, the Piazza Navona, which is also listed on 1stdibs, see item # LU117326144172. The pair would make an attractive display grouping of Roman architecture. A discount is available for purchase of the pair of prints. Luigi Rossini (1790-1857) like his predecessors, Giovanni Piranesi (1720–1778) and Giuseppi Vasi (1710-1782), was an architect and artist. Like Piranesi and Vasi, he wanted to glorify the architecture of ancient Rome, which he felt was deteriorating and needed to be documented. Several of the ruins he illustrated have, in fact, since disappeared leaving only his images as a record of their appearance. His images of the grand edifices of the city dramatically depict the power and glory...

Interno della Basilica della Fortuna Prenestina Image dimensions: 40x53 cm. From the collection “Le antichità de’ contorni di Roma (...)”, published in Rome, 1826 an artist's proof w...

A tall peacock blue art glass vase, handblown in Empoli, Italy, circa 1960s, and attributed to Rossini—a name associated with the region’s mid-century tradition of decorative glassma...

Exceptional, lovely and highly decorative Mid-Century Modern Spider wall lamp or sconce. Designed and manufactured by Rossini Illuminazione, Italy, 1960s. Executed in hammered coppe...

This early 19th century etching entitled "Veduta degl' Avanzi delle Torri di Belisario Dalla parte che guarda l' Interno della Città, vicino a Porta S. Giovanni, A. Mura Aureliane" (...

Veduta di Tivoli mista d'Antico, e moderno (...) From the collection: “Le antichità de' contorni di Roma ossia le più famose città del Lazio. Tivoli, Albano...

View of Castel Sant'Angelo and the Vatican is a vintage offset print on paper realized in the early 20th Century after Luigi Rossini (1790–1857). Signed on the plate on the lower le...

A magnificently detailed etching with hand colouring by Luigi Rossini (1790-1857) depicting an ancient Roman tomb on the Via Cassis near Rome. The tomb was long believed to belong to...

Avanzi della Biblioteca in Villa Adriana, di opera retticolata is an original etching realized by Luigi Rossini. From the collection “Le antichità de’ c...

An Original Watercolour by Luigi Rossini, 19th Century Provenance: Private Australian Melbourne Collection. Description: By the well-known 19th Century Italian artist Luigi Rossini...

Picturesque 1822 engraving of the pyramid built as a tomb for Gaius Cestius, circa 18 BC. Luigi Rossini (1790-1857) was an Italian artist celebrated for his view...

Veduta di un Tempio Antico, o Ninfeo, alle sponde del Lago di Castel Gandolfo (...) Image Dimensions: 45.5 x 57.5 cm From the collection “Le antichità de’ contorni di Roma”(..), Rome, 1826 by L. Rossini, an artist's proof with sharp details, representing some an Antique Temple, near the lake in Castel Gandolfo. Signed on plate “Rossini dis. e inc.” lower-left corner, with indication of date and place “Roma, 1826”. In very good conditions with some light marks. Luigi Rossini (1790 – 1857) Like Giovanni Battista Piranesi, Luigi Rossini was an architect and his etchings have the same tendency to emphasize the massive constructions of the Ancient Rome. He became famous thanks to his etchings representing Roman landscapes and antique monuments...

Veduta degli Avanzi della Villa di Domiziano da altri chiamata le Terme di Pompeo Magno Image dimensions: 46x60 cm. From the collection “Le antichità de’ contorni di Roma (...)” an a...

Avanzi delle grandi Mura Ciclopee da Vitruvio Opus Incertum, nella città di Cora Image dimensions: 47x67 cm. From the collection “Le antichità de’ contorni di Roma (...)” an artist's...

"Lago di Ninfea" is an original woodcut print on ivory-colored paper, realized by Angelo Rossini. The state of preservation of the artwork is very good. The signature of the Artist...

Ristauro del Tempio della Fortuna Prenestina. From the collection “Le antichità de’ contorni di Roma (...)” a Virtuous proof concerning the restoration of the Fortuna Prenestina Temple, with artchitectural plan, sections and some notes. Signed on plate “Rossini dis. e inc.” lower-left corner, with date and place “Roma, 1826”. In Excellent condition with some light stains. Image Dim: cm 67.5 x 51 , Dim: cm 70 x 53 Luigi Rossini (1790 – 1857) Like Giovanni Battista Piranesi, Luigi Rossini was an architect and his etchings have the same tendency to emphasize the massive constructions of the Ancient Rome. He became famous thanks to his etchings representing Roman landscapes and antique monuments...

Veduta della Gran Caduta dell'Aniene in Tivoli Image dimensions: 63x46 cm. From the series “Le antichità de’ contorni di Roma (...)” an artist's proof of technical virtuosity with sh...

Veduta delle Rovine di una Conserva d'acqua per la Villa di Domiziano vicino a Castel Gandolfo negl'Orti Lodovisi Image dimensions: 42 x 52 cm. From th...

Sepolcro Regio o Consolare inciso nella rupe del Monte Albano, or nel Convento di Fr. Frances. ni di Palazzuolo is an original etching realized by Luigi Rossini. From the series “Le ...

"Rovina della gran Basilica di S. Paolo fueri le mura accaduta" (View of the Ruins of the Great Triumphal Arch of S. Paolo Fuori le Mura) from "Le Antichita Romane" (Ancient Rome), published in Rome in 1823. It depicts the destruction of the Basilica of St. Paul after the fire of 1823. People stand in the road and on the right observing the damage amid debris, which includes many fragments of columns. The etching is presented in a silver-color wood frame with an off-white double mat with a black inner mat. There are a few small spots, but it is otherwise in very good condition. See item # LU117324669722 for another Rossini etching...

Veduta Generale del Tempio della Sibilla, e Ponte della Cascata di Tivoli Image dimensions: 61x45 cm. From the series “Le antichità de’ contorni di Roma (...)” an artist's proof with...

Avanzi delle Rovine della casa del console Ventidio Basso, non molto lungi da Quintigliolo nella Valle verso Tramontana in Tivoli. Image dimensions: 36x46 cm. From the collection “L...

Androne della Villa di Mecenate a Tivoli, per cui passava l'antica Via Consolare Tiburtina Image dimensions: 50x60 cm. From the collection “Le antichità de’ contorni di Roma (...)” a...

Interno del Pronao del Tempio d'Ercole nella città di Cora is an original etching by Luigi Rossini. From the collection “Le antichità de’ contorni di Roma”(..), Rome, 1826 by L. Rossini, an artist's proof with sharp details, showing Cora’s Ruins. Signed on plate “Rossini dis. e inc.” lower-left corner, with date and place “Roma, 1825”. In very good condition. Image Dimensions: 45 x 57 cm Luigi Rossini (1790 – 1857) Like Giovanni Battista Piranesi, Luigi Rossini was an architect and his etchings have the same tendency to emphasize the massive constructions of the Ancient Rome. He became famous thanks to his etchings representing Roman landscapes and antique monuments...

"Landscape" is an original xilograph on ivory-colored paper, realized by Angelo Rossini. The state of preservation of the artwork is very good. The signature of the Artist, on the ...

This early 19th century etching entitled "Veduta dei Grandi Avanzi delle Terme Antoniane, o di Caracalla" (The baths of Caracalla) was created by Luigi Rossini and included in his pu...

Avanzi di una Sala Termale nella Villa d'Orazio a Tivoli, sotto il convento di S. Antonio Image dimensions: 43.5 x 52 cm. From the collection “Le antichità de’ contorni di Roma (...)...

“Simple Pleasures” is a mixed-media work on wood panel by American artist Sherry Karver (b. 1965), dated 2009. The work layers a chromogenic print of pedestrians moving through a war...

Charming Vintage Italian Spider Light, c.1950s Black Lacquered Iron & Golden Amber Dimpled Glass Bring a touch of mid-century Italian charm t...

Rossini Illuminazione Spider wall lamp, 1960s Italian mid-century design made of copper, cast iron, and honey-colored glass. The iconic “spider lamp” captivates with its organic shap...

Custom Holland & Sherry white bouclé wool bench featuring a tapering oval body mounted on white oak ball feet. Also available C.O.M. International Orders: All international sales ar...

"Adam" by Sherry Camhy is a breathtaking large-scale graphite drawing that captures the essence of human form with unparalleled precision. The nude male figure stands in a classic co...

Sherry, William Grant (American, 1914-2003). ROCKPORT, MAINE, 1960. Oil on Canvas, signed lower right, and also signed, titled, dated, and inscribed on the verso "To my friends Shirl...

Holland and Sherry Grampian Brushed Wool Jacquard Lounge Chair with hardwood frame.

Colorful set of 8 glass decanters with geometric design, made by one of the many glass manufacturers based in the region of Empoli, Italy. Has "Made in Italy" embossed on the base. Would make a great addition to any collection! Excellent mint condition, no chips. One in a kind matching set. Spectacular set of eight 1960s blue Italian Empoli pressed and blown glass. Mention Italian glass and probably everyone’s mind immediately leaps to Venice and Murano. But there is another almost equally famous centre of Italian glass making known as Empoli. Empoli, a region where there were many glass companies, on the west side of Italy, southwest of Florence, has been producing and exporting glass since the 14th century. The trademark color "Empoli blue...

Expertly crafted in Italy, the Gucci Vintage Sherry Ophidia Web Navy Crossbody combines the iconic GG Supreme monogrammed canvas with a stylish blue and red web stripe and navy leath...

Girl in Red Dress by Sherry Wolf Date: 2014 Acrylic on Canvas, signed and dated lower right Size: 60 x 48 in. (152.4 x 121.92 cm)

As stylish as it is spacious, this Gucci Vintage GG Monogram Sherry Tote is the perfect accessory for your everyday needs. Featuring the iconic GG Monogram coated canvas with leather...

Beautiful and comfortable pair of Edward Wormley for Dunbar lounge chairs newly upholstered in a Holland & Sherry luxury wool. Stunning!

Sherry's paintings combine figuration and abstraction, with a series of colors and abstract forms combining to produce an image of people in groups. Czekus’ work examines the everyda...

Beautifully hand carved and gilt gold trimmed top and base baccarat crystal after dinner drinks or sherry tableware service for twelve people. Ea...

Introducing the Holland & Sherry x Galbraith & Paul Lotus Rug—a masterful fusion of craftsmanship and design. Expertly woven from 80% wool and 20% silk, this luxurious rug em...

Empoli Florence Italy Textured Vase Pattern Typical decors from the glass factories of Florence, Italy, collectively known as Empoli. Decorative glass. The city of Empoli is locat...

Sherry's paintings combine figuration and abstraction, with a series of colors and abstract forms combining to produce an image of people in groups. Czekus’ work examines the everyda...

Framed oil painting on canvas by Los Angeles artist, Sherry Schrut. The colors range from bright red and orange to cool blues and green. Signed by the ar...

Gucci GG Monogram Web Supreme Sherry Line Canvas Large Backpack, 2018. This classic Gucci Tote "Sherry" bag was handcrafted from premium brown "GG" printed canvas with adorning black...

A beautiful set of 8 sherry glasses attributed to Saint-Louis glassworks in France, circa 1820, hand-blown and cut. The finest quality.

Sherry Giryotas’s abstract paintings elicit a journey of sorts, particularly those that are predominantly blue and green with pops of red overlaid thro...

A Georgian topaz cross pendant, the centre and the arms of the Latin style cross set with sherry coloured faceted topazes, cut-down collet set to ...

Sherry Giryotas’s abstract paintings elicit a journey of sorts, particularly those that are predominantly blue and green with pops of red overlaid thro...

Sherry Giryotas' abstract paintings in this series are reminiscent of Paul Klee’s paintings with orange hues and geometrical shapes which almost take o...

Fine hand-engraved and acid-etched decanter in blown glass. The blue original stopper, the engraved leaves and grapes indicates that it meant for stori...

19th century Wedgwood sherry barrel English Wedgwood porcelain mid- 19th Century in the shape of a barrel with a tap with convex glass. A cork cap at the top. Marked at the bot...

Rare 1933 Libbey Silhouette Nash Series moonstone sherry glasses with charming monkey stems in opalescent glass designed by Douglas Nash. Libbey mark is acid etched on the bottom. 4 ...

Sherry Giryotas' abstract paintings in this series are reminiscent of Paul Klee’s paintings with orange hues and geometrical shapes which almost take o...

This is a vintage sherry decanter. An English, cut crystal glass spirit vessel, dating to the late 20th century, circa 1970. Display your favo...

Pair of 1819 engravings by Rossini of Roman Temple of Vesta.

Crafted by the prestigious Widdicomb Furniture Company for their "Sherry" collection, known for its exceptional woodwork and attention to detail, this coffee table is a perfect examp...

Sherry Giryotas’s abstract paintings are full of vibrant colors that elicit a journey of sorts, particularly those that are predominately blue and gree...

Vintage handmade Stuart crystal sherry, liqueur, or dessert wine glasses feature a band of cut abstract leaf shapes and cut panels on bowl in Arundel pattern, sculptural short stems...