We didn't find any results for "gale antokal"

Canot, P.C. (French, worked in England, 1710-1777), after Willem van de Velde and Ludolph Bakhuizen. "A BRISK GALE" and "A MODERATE GALE," engravings, ...

Classic British officer's uniform c1928 by Martin Gale (LR) Art Sz: 11 1/4"H x 8 3/8"W Frame Sz: 18"H x 14 7/8"W The Royal Army Service Corps (RASC) was...

Gale John Hardy, American (1923–2014) Date: 2009 Watercolor and Ink on Paper, signed Image Size: 3.75 x 6.75 inches Size: 6.5 in. x 8.25 in. (16.51 cm x 20.96 cm) Frame Size: 13 x 15...

This contemporary abstract acrylic painting was inspired by nature. Sandra Goldie’s artwork has been praised by one of Quebec’s leading abstract artists. Leopold Plotek described th...

A Gale at Port Errol. 1923. Etching. Hardie 215, #46. 13 x 8 3/4 (sheet 16 7 /8 x 11 1/2). Edition 76. #46. Illustrated: Fine Prints of the Year, 1923. A rich...

Provence Landscape With Mountain View Artist signed lower right corner, Oil on canvas, late 1920's, size:23"25x 28"25 framed 30" x 35" GALE TURNBULL wa...

James Gale Tyler original oil painting on canvas “night sail”. In good condition measures 24x20

Gael Stack Untitled, from the Art Against AIDS Portfolio, 1988 Woodcut on paper with deckled edges. Hand signed. Numbered. Printer's and Publisher's Blindstamp. Unframed. Hand signed and numbered on the lower recto (front) with printer's and publisher's blindstamp. Edition 38/50 20 × 15 inches Publisher Little Egypt Enterprises, Houston, TX Provenance Art Against AIDS Portfolio, numbered 38/50 This beautiful limited edition woodcut by Gael Stack was published in 1988 as part of the Art Against Aids portfolio, numbered 38/50. Superb provenance as it is was acquired from the original Art Against AIDS Portfolio published in Houston, Texas. This will be the first time the work will be removed from the portfolio. The late 1980s was the height of the AIDS epidemic, and this was one of many efforts by the creative community to raise funds to assist in fighting this deadly scourge that disproportionately affected the artistic community. Measurements: 20 x 15 inches (sheet) 8 1/4 x 12 inches(image) The complete Art Against AIDS Portfolio is comprised of 10 prints, in black and white and color, from 10 artists. About Gael Stack: Gael Stack is a Texas painter. She lives in Houston and has work in the permanent collections of several museums. Stack has worked as a professor at the University of Houston...

White Iris & Spring Flowers Bouquet, Mid Century Floral Still Life Beautiful mid century floral watercolor still life of a bouquet with white irises and other blooming flowers by H...

Watercolor on paper

Eve Audierne Mountain View Landscape Oil Painting Artist signed lower right corner, Oil on canvas, 1920's, size 25 1/2" x 21 1/4", framed 32 1/2" x 28 1/4" GALE TURNBULL...

Susan Gale's work explores the nostalgia of community by highlighting the juxtaposition between the peaceful, quiet, mystery of light, and the rush of visually invoked sensation. She...

Susan Gale's work explores the nostalgia of community by highlighting the juxtaposition between the peaceful, quiet, mystery of light, and the rush of visually invoked sensation. She...

Susan Gale's work explores the nostalgia of community by highlighting the juxtaposition between the peaceful, quiet, mystery of light, and the rush of visually invoked sensation. She...

"In my paintings I take on the role of poet-painter, creating sentimental and idealized landscapes that are devoid of any figures or formal devices traditionally used to tell a story...

Susan Gale's work explores the nostalgia of community by highlighting the juxtaposition between the peaceful, quiet, mystery of light, and the rush of visually invoked sensation. She...

Art Shay Gale Sayers #40, 1966 archival pigment print 20.25 x 24.25 framed 3/3 ASY028 “Art Shay’s photography shakes you up, sets you down gently, pats you on the head and then kicks you in the ass.” Roger Ebert “[Shay’s work] ranks with some of the greats of the 20th century.” Ellen & Richard Sandor, Renowned photo collectors “I’ve admired Art Shay’s work for almost forty years, and he keeps getting better. He can do anything with a camera, but what he mostly does is capture real moments and transform them into visual poetry. His work continues to be an inspiration to me.” William Friedkin, Director of French Connection “Art Shay is one of our finest photographers. His work over the past fifty years has artfully captured the beauty, humor, and pathos of America.” Studs Terkel “Art Shay is one of the best photojournalists I know. I’ve been a fan of his work since the early 1950s - before the launch of playboy magazine.” Hugh Hefner “Algren, Terkel, Royko, they gave us a voice. Art Shay gave us a face.” Tony Fitzpatrick, Chicago Artist “Art Shay is America’s Cartier-Bresson.” Thomas Dyja, author of The Third Coast “Chicago’s Art Shay in many ways is to American photography what Nelson Algren was to American writing: that rare and absolutely necessary citizen who’s blessed with a cold eye, a clear head, and a warm heart. What is it about Chicago that keeps giving us men like this?” Russell Banks, Novelist “The best images of Simone de Beauvoir and her times have been passed down to us by Henri Cartier-Bresson, Gisele Freund, Robert Doisneau, Georges Brassai, and in America, the Chicago-based Art Shay, all world-class photographers.” Christophe Loviny, Art Editor, Paris “Art Shay is the best photo-journalist Chicago ever produced.” Arthur Siegel...

William Gale British 1823 - 1909 A Restful Moment signed with artist's monogram WG lower left oil on canvas Unframed: 30.6 by 41cm., 12 by 16¼in. Framed: 52 by 62cm., 20½ by 24½in. William Gale was a talented history and genre oil painter, born in London in 1823. He won many accolades as a student at Royal Academy Schools, and travelled to Italy in 1851 and the Middle East in 1862 and 1867. Due to his many influences , Gale's paintings are in an array of styles including sentimental, biblical, mythological subjects, portraits and orientalist pictures. Examples of his work are held by the Tate, Glasgow City Art Galleries and Museums and Art Gallery of New South Wales. William Gale was one of the many artists who, upon finishing his study at the Royal Academy Schools, set out to explore the east: namely North Africa, Algeria, Palestine and Syria. These remote countries at the crossroads of civilizations captivated his imagination, which he explored through his work. Following in the footsteps of the great Orientalists John Frederic Lewis and Jean Leon Gerome, William Gale evokes the Eastern Woman, the bright colors and delicate textures that can be found in the East. Using pure, rich glazes and extraordinary attention to detail, he renders the luxurious, beautifully embroidered headscarf. Eastern women kindled a curiosity in almost every Orientalist artist...

Pamela Burns British, b. 1938 Gale Force Winds at High Tide, 1999 pastel and pencil 29.5 x 42 cm 11 5/8 x 16 1/2 in signed, dated and titled Pamela Burns is a British painter. B...

Mel Hunter, American (1927 - 2004) - Stage Hound in Full Gale, Year: 1978, Medium: Lithograph, signed and numbered in pencil, Edition: 300, Size: 21 in. x 29 in. (53.34 cm x 73.6...

Monumental Gale Émile Gale Vosguien Blue Line multilayer glass vase: blue, green, brown, and yellow 21 x 6 in Perfect condition

Very well executed seascape. Alternate title "In Point" inscribed on the rear. 17 x 15in in frame, including linen liner. ...

Gale’s intricate assemblages comprised of found objects create rich and surreal environments. She collects whimsical items and re-contextualizes them in her art, where the final stru...

Oil on canvas, monogrammed lower left and inscribed on reverse Image size: 20 x 24 inches (51 x 61 cm) Original gilt frame Provenance Mrs. Georgina Gale (Artists Widow) Bristol, Bristol Art Gallery, A collection of paintings by William Gale, January 1914, no. 12 Private collection William Gale exhibited a number of charming genre scene's in the Pre-Raphaelite style, of which the present is an exquisite example. This work has a strong nautical theme as suggested by the title. Through the small window at the back of this interior room we glimpse the sea, seemingly calm and peaceful. Despite its appearance, the threat of sea is reminded to us with the poster over the bed inscribed with the phrase 'Man Overboard'. This is cleverly echoed by the toy sail boat that lies at an angle, tipped to one side on the bedcovers. As we examine this image of boy and mother one can also identify a picture mounted on the wall of a man in a sailors uniform...

Duncan McFarlane’s The Packet Sunbeam of Boston Picking Up the Liverpool in Heavy Gale is a striking maritime composition that captures the power and ...

Paper Size: 33 x 23.75 inches ( 83.82 x 60.325 cm ) Image Size: 26.5 x 19.75 inches ( 67.31 x 50.165 cm ) Framed: No The original exhibition poster from 1987, issued by a gallery in ...

Portrait of a Noble Lady with her dog attributed to Abraham Lambertsz. van den Tempel, Dutch 1622 - 1672 *see notes below oil on canvas, unframed canvas: 40 x 33.5 inches provenance...

Medium: pochoir (after the gouache). Printed in Paris in 1957 by Jacomet and issued in an edition of 1000 by the Galerie Berggruen for a rare catalogue. Image size: 5 x 3 3/4 inches ...

This first release exhibition billboard-poster, printed for the Musée Maillol from November 3, 2003, to March 15, 2004, was produced by Galerie Maeght and printed by Imprimerie A. Ka...

Mokuchu URUSHIBARA The Flight of the Crows at Sunset, c. 1930 Woodcut after on an ink drawing Signed with the artist's stamp On paper 39.5 x 28 cm (c. 15,35 x 11.02 in) INFORMATIO...

1966 exhibition poster for Ernst's Gallerie Alphonse Chave show. Paper Size: 28.5 x 18.75 inches ( 72 x 48 cm ) Image Size: 18.5 x 15.25 inches ( 47 x 39 cm ) Framed: Framing avai...

Medium: screenprint (after the drawing). Printed in 1963 on a special semi-transparent paper in an edition of 450 for "Naissances" and published by Galerie Der Spiegel. Size: 11 3/4 ...

Paper Size: 26 x 19.5 inches ( 66.04 x 49.53 cm ) Image Size: 26 x 19.5 inches ( 66.04 x 49.53 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age Su...

Paper Size: 25.5 x 19.75 inches ( 64.77 x 50.165 cm ) Image Size: 22.5 x 19 inches ( 57.15 x 48.26 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age Su...

Alexander CALDER (after) Tree with Blue and Red Fruits Lithograph poster Printed signature in the plate 80 x 50 cm (c. 32 x 20 in) INFORMATION : Lithograph created for the Calder e...

Medium: original etching and drypoint. Catalogue reference: Sanchez and Seydoux 1913-10. Printed in 1913 and published in Paris by Gazette des Beaux-Arts. Sheet size: 8 1/2 x 6 inche...

So Chic is a dramatic large-format double-sided billboard poster conceived by renowned French image-maker Jean-Paul Goude for Galeries Lafayette, featuring the iconic French model an...

Vibrant, festive, and unmistakably full of national pride, this circa 1950 original tourism poster from Mexico’s Dirección General de Turismo is a dazzling celebration of cultural ri...

Short Back And Sidespin by Arthur Steel London 1983 Punk Martin Gale is so potty about Snooker he’s let it go to his head. All prints are hand signed ...

Paper Size: 25.25 x 17.75 inches ( 64.135 x 45.085 cm ) Image Size: 22.75 x 17.75 inches ( 57.785 x 45.085 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling o...

This original poster, titled Slush Thrust, was created by the renowned artist James Rosenquist for an exhibition held at Galerie Ricke in Köln, Germany. The poster is pencil-signed b...

Set of 4 Limited Edition "Los Angeles Print Series, Group 2" by Rick Rodine This is a rare opportunity to acquire the artwork of a very talented artist! Mixed media acrylic and scr...

Ballads Galerie Alexandre Iolas Poster by William N. Copley (CPLY) New-York, Geneve, Milan, Paris 196, Boulevard Saint-Germain William Nelson Copley (January 24, 1919 – May 7, 1996) also known as CPLY, was an American painter, writer, gallerist, collector, patron, publisher and art entrepreneur. His works as an artist have been classified as late Surrealist and precursory to Pop Art. William N. Copley was born in New York City in 1919 to parents John and Flora Lodwell; they died shortly after in the 1919 Spanish Flu epidemic. Copley was adopted in 1921 by Ira C. Copley, the owner of sixteen newspaper companies in Chicago and San Diego. Copley was ten years old whereby the family moved to Coronado Island, California. Copley was sent to Phillips Andover and then Yale University by his adopted parents. He was drafted in the Second World War in the middle of his education at Yale, a decision negotiated by the school and the army. Copley experimented with politics upon returning home from the war, working as a reporter for his father's newspaper. By 1946, Copley met and married Marjorie Doris Wead, the daughter of a test pilot for the Navy. Doris's sister was married to John Ployardt, a Canadian-born animator and narrator at Walt Disney Studios. Copley and Ployardt soon became friends and Ployardt began introducing Copley to painting and Surrealism. The two traveled to Mexico and New York, discovering art, meeting the artists behind the works, and grasping Surrealist ideas. It was during this time that Copley and Ployardt decided to open a gallery in Los Angeles to exhibit Surrealist works. Copley and Ployardt tracked down Man Ray while living in Los Angeles. Ray then introduced them to Marcel Duchamp in New York City. There, Duchamp opened many doors for them, introducing the two to New York dealers in Surrealism. In 1948, Copley and Ployardt opened The Copley Galleries in Beverly Hills, displaying works by artists including René Magritte, Max Ernst, Yves Tanguy, Roberto Matta, Joseph Cornell, and Man Ray. Copley moved to Paris in 1949–50, leaving behind his wife and two children to continue to paint. During his time in Paris, he remained in Surrealist circles and continued to paint with a uniquely American style. Copley's first exhibition took place in Los Angeles in 1951 at Royer's Book Shop. From there Copley participated in numerous solo and group exhibitions worldwide. In 1961, Copley was given an exhibition in Amsterdam by the Stedelijk Museum. The museum became the first public institution to add a Copley to their collection. Copley's paintings throughout the 1950s and 60s dealt with ironic and humorous images of stereotypical American symbols like the Western saloon, cowboys, and pin-up girls combined with flags. His works during this period were often considered a combination of American and Mexican folk art and melded in well with the new young POP movement occurring in America when he returned to New York in the 1960s. Artists like Andy Warhol, Christo, Roy Lichtenstein and many others were frequent visitors at Copley's studio on Lower Broadway. Copley believed that pop art had always interested him, claiming American pop art had much to do with "self-disgust" and "satire." In 1967, after a divorce with his second wife, Noma, Copley and new friend Dmitri Petrov decided to publish portfolios of 20th-century artist collaborations with the abbreviation SMS (for "Shit Must Stop"). Copley's Upper West Side loft became a meeting place for performers, artists, curators, and composers to work together on the open-ended collective. The SMS portfolio...

"Galerie Maeght Theogonie" announces an exhibition of the drawings Georges Braque produced to illustrate "Theogony", the 7th century BCE work by Hesiod that narrates the birth of the...

This original first edition exhibition poster by Paul Wunderlich was created for an exhibition at the Berggruen Gallery in Paris. Printed at the renowned Mourlot Press, only 500 copi...

A fine graphite study of a rocky landscape, heightened with watercolour wash. Inscribed to the lower left 'The Land's End, from the last mock. Looking inland in a N. W. gale, Oct. 3....

Paper Size: 30.75 x 22.5 inches ( 78.105 x 57.15 cm ) Image Size: 25.5 x 20 inches ( 64.77 x 50.8 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additio...

n the sea at the end of the west Curves of orange vermillion Mathematical perfection with the sunset It leaps, it vaults over: Like an arrow straight it flies Out of the fog - sky bridge Like a flowing golden gown...

At the Pumps in a Gale in Antarctic Ocean, March 1912 - Herbert George Ponting Stamped with Scott Polar Research Institute blind stamp and numbered on revers...

Untitled - Galesburg (Cousin Candi's Wedding), 1997 Color coupler print 15 1/2 x 15 1/2 in. Titled in ink on margin Signed in ink on print verso by Chri...

Medium: Pen and Ink on Paper Signature: Signed Upper Right Caricature by George Wachsteter (1911-2004) for the popular sitcom `My Little Margie`, starring Gale Storm and Charles Far...

This exquisite lithograph after Alberto Giacometti (1901–1966), titled Femme debout et Tete d'homme (Standing Woman and Head of Man), from the folio Derriere le miroir, No. 127, orig...

This exquisite lithograph by Marc Chagall (1887–1985), titled Le Dimanche (The Sunday), from the folio Derriere le miroir, No. 67–68, originates from the 1954 edition published by Ma...

Signed, stamped, dated and numbered on the back of the print. Edition of 15.