76 results for "tabla rasa"

BIO Artist Philomena Marano is a daughter of Brooklyn. She holds a BFA from Pratt Institute, is an intimate of the visual poetry of Coney Island, created the winning poster for the f...

BIO Artist Philomena Marano is a daughter of Brooklyn. She holds a BFA from Pratt Institute, is an intimate of the visual poetry of Coney Island, created the winning poster for the f...

"FLAT" Hand cut paper on heavy weight gessoed watercolor paper Ms. Marano is a daughter of Brooklyn. She holds a BFA from Pratt Institute, is an intimate of the visual poetry of Coney Island, created the winning poster for the first Spirit of Brooklyn poster...

LUNA'S TIRE SHOP : Hand cut paper on heavy weight gessoed watercolor paper, framed in flat gray painted wood & plexi. Ms. Marano is a daughter of Brooklyn...

Alarms, Rims,Tint is part of Marano's FLAT FIX series- Hand cut paper on heavy weight gessoed watercolor paper, framed in flat gray painted wood & plexi. Ms. Marano is a daughter of Brooklyn. She holds a BFA from Pratt Institute, is an intimate of the visual poetry of Coney Island, created the winning poster for the first Spirit of Brooklyn poster...

CAR SERVICE Hand cut paper on heavy weight gessoed watercolor paper, framed in flat gray painted wood & plexi. Ms. Marano is a daughter of Brooklyn. She holds a BFA from Pratt Institute, is an intimate of the visual poetry of Coney Island, created the winning poster for the first Spirit of Brooklyn poster...

Color Aid paper, Paint, Contemporary collage Hand cut color-aid paper Worked with Robert Indiana Philomena Marano has spent decades “penetrat[ing] th...

Dimitri incorporates and captures free form expression using urban iconography, text, collage and traditions methods.

These collages were created first in the presence of a model, working quickly, in charcoal and pastel, and again, later, alone, furiously tearing and pasting images from magazines, v...

This feminist work of a nude gazing directly at the viewer, features graphite on mylar over cut paper, aligned to amplify the forms while maintaining the delicacy of the drawing. These recently discovered 1984 oversize works on mylar and archival papers were created with a live model. The series shows the last existing observational drawings prior to the artist's switch to working with her non- dominant left hand. As a feminist, Anastasi's main focus is presenting other women. Unlike the often objectified male gaze...

These collages were created first in the presence of a model, working quickly, in charcoal and pastel, and again, later, alone, furiously tearing and pasting images from magazines, v...

Paper charcoal collage These collages were created first in the presence of a live model, working quickly, in charcoal and pastel, and again, later, alone in the studio, furiously te...

These collages were created first in the presence of a model, working quickly, in charcoal and pastel, and again, later, alone, furiously tearing and pasting images from magazines, v...

Drawing in chalk and pastel on dark grey Strathmore paper signed bottom left.

These collages were created first in the presence of a model, working quickly, in charcoal and pastel, and again, later, alone, furiously tearing and pasting images from magazines, v...

Limited palette of white green and yellow Windsor & Newton archival paper, watermark visible on verso These collages were created first in the presence of a model, working quick...

Paper paint charcoal collage Whether the subject matter is figuration or nature, Audrey Anastasi approaches all her subjects directly and unabashedly. In this work on paper, she co...

These collages were created first in the presence of a model, working quickly, in charcoal and pastel, and again, later, alone, furiously tearing and pasting images from magazines, v...

This monochromatic, predominantly black collage was created first in the presence of a model, working quickly, in charcoal and pastel. Later, alone, tearing and pasting images from p...

These collages were created first in the presence of a model, working quickly, in charcoal and pastel, and again, later, alone, furiously tearing and pasting images from magazines, v...

Starting with observational drawings from life, these works evolve through a series of variations, modifying tonality and forest elements.Even though recognizable as trees, the artis...

Acrylic, ink, glitter on canvas Dimitri operates from the idea of the “unfinished.” It informs his choice of materials and the way he handles them. It informs the imagery. The unfin...

These collages were created first in the presence of a live model, working quickly, in charcoal and pastel, and again, later, alone in the studio, furiously tearing and pasting image...

Paper charcoal collage These collages were created first in the presence of a live model, working quickly, in charcoal and pastel, and again, later, alone in the studio, furiously te...

Collage: Hand cut color-aid paper on gessoed heavyweight watercolor paper framed in a flat gray painted wood frame with plexi. Philomena is a daughter of Brooklyn. She holds a BFA fr...

These collages were created first in the presence of a model, working quickly, in charcoal and pastel, and again, later, alone, furiously tearing and pasting images from magazines, v...

These collages were created first in the presence of a model, working quickly, in charcoal and pastel, and again, later, alone, furiously tearing and pasting images from magazines, v...

These collages were created first in the presence of a model, working quickly, in charcoal and pastel, and again, later, alone, furiously tearing and pasting images from magazines, v...

Dimitri incorporates and captures free form expression using urban iconography, text, collage and traditions methods.

These collages were created first in the presence of a model, working quickly, in charcoal and pastel, and again, later, alone, furiously tearing and pasting images from magazines, v...

"Girls Play to Win" is a diptych honoring the poise and strength of the first women's American Baseball league. The AAGPBL (All American Girls Professional Baseball League) was estab...

Oil and oil stick over ink on paper. Neutral limited color, expressionist female nude with active brush strokes.

Print on circular canvas, collage, architecture, Parachute Jump, Coney Island colorful, clouds, tondo

Hand cut color-aid paper by renowned cut paper artist specializing in Brooklyn Coney Island themes. Ms. marano started her career working with Robert Indiana

Watercolor, pencil, and pen on wood

Paper paint charcoal collage ABOUT the artist: Audrey Frank Anastasi is a prolific feminist artist, working in painting, drawing, collage, mixed media, & printmaking. She is also curator, gallerist, educator and arts advocate. Most of Ms. Anastasi's figurative works are painted with her non-dominant left hand. She has created large bodies of works of birds, animals and birch trees. She has had 20 solo & 200 group shows. Her "ref-u-gee" series will be shown in 2020 at Medgar Evers College in collaboration with the Valentine Museum of Art, Brooklyn. Accompanying the show will be a limited-edition monograph w/ over 180 images and a foreword by Phyllis Braff. Ms. Anastasi's collage series was exhibited at Welancora Gallery, Brooklyn, in May, 2019. In 2018, ten paintings were exhibited in "Painting to Survive," curated by Yale critic Jonathan Weinberg. Book and catalog publications include "Stations of the Cross", SPQR press, BREUCKELEN magazine, “Audrey Frank Anastasi”, catalog essay Cindy Nemser, and "Collage," essay by Giancarlo T. Roma. Public art includes a portrait of Jo Davidson...

Charcoal, pastel lace Audrey Anastasi states: "The paper doll series was created first in the presence of a live model, working quickly, in charcoal an...

Paper paint magazine paper, charcoal, collage These collages were created first in the presence of a live model, working quickly, in charcoal and pastel, and again, later, alone in ...

These collages were created first in the presence of a model, working quickly, in charcoal and pastel, and again, later, alone, furiously tearing and pasting images from magazines, v...

These collages were created first in the presence of a model, working quickly, in charcoal and pastel, and again, later, alone, furiously tearing and pasting images from magazines, v...

These collages were created first in the presence of a model, working quickly, in charcoal and pastel, and again, later, alone, furiously tearing and pasting images from magazines, v...

These collages were created first in the presence of a model, working quickly, in charcoal and pastel, and again, later, alone, furiously tearing and pasting images from magazines, v...

These collages were created first in the presence of a model, working quickly, in charcoal and pastel, and again, later, alone, furiously tearing and pasting images from magazines, v...

"Seahorse Garden" is surprisingly hard edged and whimsical at once. It is part of my "wUNDERsea" series. The work aims to bring together the childhood wonder of visits to the aquari...

These collages were created first in the presence of a model, working quickly, in charcoal and pastel, and again, later, alone, furiously tearing and pasting images from magazines, v...

This is an unusual image in the cactus-filled desert of a squirrel reaching towards a human hand that is tenderly holding a small bird. The image is striking because of its strong g...

Paper paint printed matter on sintra board Audrey Anastasi states: "These collages were created first in the presence of a live model, working quickly, in charcoal and pastel, and ag...

Paper paint charcoal collage patterned paper Paper charcoal collage These collages were created first in the presence of a live model, working quickly, in charcoal and pastel, and ag...

These collages were created first in the presence of a model, working quickly, in charcoal and pastel, and again, later, alone, furiously tearing and pasting images from magazines, v...

These collages were created first in the presence of a model, working quickly, in charcoal and pastel, and again, later, alone, furiously tearing and pasting images from magazines, v...

Big Lolly & Cone is a mixed media piece featuring a swirly lollypop, an icon of american amusements and escapism plus an ice-cream cone, another sweet treat. The swirly lolly is ren...

Paper on 2 ply archival board Using salvaged pieces of color aid paper from my "Flat Fix" series I create compositions that are at once mechanical and whimsical.

Paper on 2 ply archival board Ms. Marano says, "Using salvaged pieces of color aid paper from my "Flat Fix" series I create compositions that are at once mechanical and whimsical." Artist Philomena Marano is a daughter of Brooklyn. She holds a BFA from Pratt Institute, is an intimate of the visual poetry of Coney Island, created the winning poster for the first Spirit of Brooklyn poster...

These collages were created first in the presence of a model, working quickly, in charcoal and pastel, and again, later, alone, furiously tearing and pasting images from magazines, v...

Mixed media on red toned archival paper signed and dated bottom left. Part of the artist series of egg walkers/ dancers. Playful twist on psychological theme ABOUT Stephen Basso St...

This is a charcoal and gouache drawing initialed on bottom left. It is signed and titled on the reverse. Including the Frame it measures 15x 11 in. Please note: THERE IS NO CHARGE ...

Blue and black toned collage. Pricing is based on value of the artwork. There is no charge for the frame Willie Torbert is a Brooklyn NY based artist. His primary medium is collage...

Pirates Den is a playful hard edge composition created in bold and delicate hand cut paper shapes mounted on a wood panel. Abstract forms hint at the unusual structures found beneath...

"Phantastical, Meaningful" is a unique combination of precisely cut colored paper layered over painted wood. It is part of a recent series I call "wUNDERsea, which heralds the wondro...

"Under the Wonder " evokes the sensation of being beneath giant ride in an amusement park plus its title suggests a double entendre; being under the b...