103 results for "eames"

Dynamic and divine Barovier & Toso large scallop shell bowl. Exquisite in red with much gold leaf and a white Pulegoso bubbly underside. Great scal...

The ceramic charger is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. It is signed by the artist and stamped with Plum Street Pottery #129 on the verso. John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery” (now a designated historic landmark in Farmington Hills, Michigan) studio opened around 1965 and closed in the summer of 2016. It was a private studio space for John and a number of his students and assistants. He believed his shapes evolved guided by forces apparently outside his control. This was instinctual, intellectual and due to his openness to change, fusing into what he thought was the most positive force behind a potter’s approach: evolution and growth. Some have called it inspiration. John was not only a major figure in the Detroit creative community, but in the ceramics world at large. According to Shelley Selim in her book on John, “John Glick: A Legacy in Clay” John remains: “one of the most recognizable names in the field of studio pottery – known for lecturing, publishing, and offering workshops widely – and his work has been featured in well over a hundred local, national and international exhibitions since he was a college student in the late 1950s.” Along with this John has mentored over thirty studio apprentices over five and a half decades, received numerous grants and awards for his work, and has been prolific, with an estimated 300,000 ceramic wares throughout the world. He received his Masters from Cranbrook Academy of Art in Bloomfield Hills, Michigan, working with Maija Grotell, a legendary and influential teacher. Grotell was noted for her deep interest in the human connection to nature’s rhythms and patters. These ideas often grounded her dialog with her students including Glick, affecting, a profund and lasting influence on his future work. This famous Art Academy was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock (blown glass), Larry Butcher (mixed media) and Lauren Anais Hussey...

Vintage organic cattail and driftwood sculpture. Wonderfully unique and modern take on a ‘pond scene’. Cattails are composed of solid brass rods, mounted in a twisted & tiered aged p...

Two of the most elegant and important ceramic works of Vallauris artist, Marius Musara (France, 1910-1991). These French Mid-century Organic Modern sculptures or vases are beautiful, handmade, objects transposing dramatic size with a pure, sober, timeless form. In 1988, Musara was the winner of the International Biennale of contemporary ceramics, the top pottery prize in the world. The pieces are priced and sold as individual pieces. Sizes are: H 31.5 x D 8 and H 23.25 x D 10. Signed on bottom "Marius Musarra...

Found object abstract steel table top sculpture by Colorado artist. Photographed with Bertoia side chair and Eames LTW for scale.

This vintage mid-century modern ceramic planter embodies the clean lines and restrained elegance that defined California modern design of the 1950s and 1960s. Featuring a simple cyli...

Royal House Antiques Royal House Antiques is delighted to offer for sale this large antique sewing panel with embroidered top A lovely piece of Victoriana, designed for the lady of...

Ceramic vase decorated in glaze with abstract white motif and interior teal green glaze. Designed by the danish ceramist Helge Østerberg and manufactur...

Simplistic Native American pink granite sculpture on wood base. Piece is signed. Photographed with Eames chair for scale. Wood base photographed darker. See photos.

Conical lamp with sphere in satin white Carrara and black Marquina marble. It gives a distinct and elegant touch to your house. Each piece is in a way un...

Stunning two-tone glazed vase by Mari Simmulson for Upsala-Ekeby. Grey outer-yellowish green inner glazing. Photographed with Bertoia side chair and Eames LTW for scale.

Vintage hand-carved wood head. Presidential pose - somewhat reminiscent of Andrew Jackson. Artist unknown. Striking details, and standing 13” tall. Photographed with Eames dowel leg ...

The ceramic bowl is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. It is signed by the artist and stamped with Plum Street Pottery on the verso. John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery” (now a designated historic landmark in Farmington Hills, Michigan) studio opened around 1965 and closed in the summer of 2016. It was a private studio space for John and a number of his students and assistants. He believed his shapes evolved guided by forces apparently outside his control. This was instinctual, intellectual and due to his openness to change, fusing into what he thought was the most positive force behind a potter’s approach: evolution and growth. Some have called it inspiration. John was not only a major figure in the Detroit creative community, but in the ceramics world at large. According to Shelley Selim in her book on John, “John Glick: A Legacy in Clay” John remains: “one of the most recognizable names in the field of studio pottery – known for lecturing, publishing, and offering workshops widely – and his work has been featured in well over a hundred local, national and international exhibitions since he was a college student in the late 1950s.” Along with this John has mentored over thirty studio apprentices over five and a half decades, received numerous grants and awards for his work, and has been prolific, with an estimated 300,000 ceramic wares throughout the world. He received his Masters from Cranbrook Academy of Art in Bloomfield Hills, Michigan, working with Maija Grotell, a legendary and influential teacher. Grotell was noted for her deep interest in the human connection to nature’s rhythms and patters. These ideas often grounded her dialog with her students including Glick, affecting, a profund and lasting influence on his future work. This famous Art Academy was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock (blown glass), Larry Butcher (mixed media) and Lauren Anais Hussey...

'Uhuru 0.3' is a unique wooden sculpture from the 'To Boldly Go' collection by the British artist, Donald Baugh. Donald Baugh was born in London and from the ages of one to eight li...

Beautiful hand painted multi color charger with large heart. Measuring seventeen inches in diameter, it makes for a great center piece or display. Signed J. Myers 94 and photographed...

A red brown and off-white glazed stoneware vase designed and produced by John Andersson, Höganäs, Sweden, 1960s.

Very elegant and refined centerpiece/ice bowl made of Murano glass, Made in Italy, 1950s.  Large Murano glass centerpiece vase with very distinctive shape hand-blown in the style of ...

The ceramic charger with scalloped edge is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. It is signed on verso. John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery” (now a designated historic landmark in Farmington Hills, Michigan) studio opened around 1965 and closed in the summer of 2016. It was a private studio space for John and a number of his students and assistants. He believed his shapes evolved guided by forces apparently outside his control. This was instinctual, intellectual and due to his openness to change, fusing into what he thought was the most positive force behind a potter’s approach: evolution and growth. Some have called it inspiration. John was not only a major figure in the Detroit creative community, but in the ceramics world at large. According to Shelley Selim in her book on John, “John Glick: A Legacy in Clay” John remains: “one of the most recognizable names in the field of studio pottery – known for lecturing, publishing, and offering workshops widely – and his work has been featured in well over a hundred local, national and international exhibitions since he was a college student in the late 1950s.” Along with this John has mentored over thirty studio apprentices over five and a half decades, received numerous grants and awards for his work, and has been prolific, with an estimated 300,000 ceramic wares throughout the world. He received his Masters from Cranbrook Academy of Art in Bloomfield Hills, Michigan, working with Maija Grotell, a legendary and influential teacher. Grotell was noted for her deep interest in the human connection to nature’s rhythms and patters. These ideas often grounded her dialog with her students including Glick, affecting, a profund and lasting influence on his future work. This famous Art Academy was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock (blown glass), Larry Butcher (mixed media) and Lauren Anais Hussey...

A nice high quality Neo classical grand tour homage by Theodore and Alexander. It features a specimen compote mounted on a beautifully cast bronze base and then mounted on marble. It...

Large sculptural ceramic and terracotta vase made by Karen Boel - Denmark. Brutalist spirit. Dimensions: Height 37cm Width 27cm Depth 10cm Wall th...

Gunnar Nylund Rörstrand large AXK bowl blue an Ocher Hares Fur glaze Sweden 1950. This unique and large stoneware bowl is glazed with a delicate yet bold blue hares fur glaze with...

Article: Pottery ceramic vase Producer: JASBA Ceramic, Germany Decade: 1970s Original vintage 1950s pottery ceramic vase ma...

Mid-Century Modern Organic Round Stoneware Vase, Denmark, 1960s Danish stoneware vase in an organic round form, handcrafted by an independent ceramic artist in the 1960s. A fine exa...

Canary Yellow Fantoni with Green Highlights Vase for Raymor Sinned underside [Fantoni Italy for Raymor] Dimensions: 12" high 8.25" diameter

'Lun 0.2' is a unique wooden sculpture by the British artist, Donald Baugh. Donald Baugh was born in London and from the ages of one to eight lived in Jamaica with his grandparents ...

Vintage 1970s Mid-Century Modern Bruce Fox motivational desk accessory 3D Font " Excellence " in gold anodized aluminum. In fine condition, maybe needs to clean a little better, mino...

A small colourful sculpture by Dutch artists Govert Heikoop (1951-2007). Strong organic shape with bold colours, very typical of the 1980’s but sti...

'Uhuru 0.4' is a unique wooden sculpture from the 'To Boldly Go' collection by the British artist, Donald Baugh. Donald Baugh was born in London and from the ages of one to eight li...

This is a Brazilian Rosewood Wastebasket, designed by Einar Barnes for P.S. Heggen in around 1963. This piece dates to around the same time. It features a facade and an interior that...

'Masai 0.3' is a unique wooden sculpture by the British artist, Donald Baugh. Donald Baugh was born in London and from the ages of one to eight lived in Jamaica with his grandparent...

Crystal Bowl by Lars Hellsten for Swedish company Orrefors. This piece, created in the mid 20th century, is a six sided floral shaped bowl, perfect as a playful shaped catchall. Sign...

John Glick is well-known for his beautifully rendered functional pieces of art. His decorative pieces, especially his large pots, are breathtakingly powerful objects. Glick's creative genius, however, is most exquisitely shown in this unique grouping of objets d'art. The Wall Hanging has a lovely classical scroll shelf. The objets on the shelf include an apple and pear - both fruits frequently rendered by artists from the Dutch Masters to Cezanne because of their perfectly balanced shape and rich colors. In addition is a small Greek or Roman styled dish used as an oil lamp. The other three objets are mysterious twisted tube-like organic shapes. John Glick, at one of his richest, creative bests. The objets are of various sizes, movable and can be displayed as desired. The size given is the overall size of both pieces and the objets d'art. John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery” (now a designated historic landmark in Farmington Hills, Michigan) studio opened around 1965 and closed in the summer of 2016. It was a private studio space for John and a number of his students and assistants. He believed his shapes evolved guided by forces apparently outside his control. This was instinctual, intellectual and due to his openness to change, fusing into what he thought was the most positive force behind a potter’s approach: evolution and growth. Some have called it inspiration. John was not only a major figure in the Detroit creative community, but in the ceramics world at large. According to Shelley Selim in her book on John, “John Glick: A Legacy in Clay” John remains: “one of the most recognizable names in the field of studio pottery – known for lecturing, publishing, and offering workshops widely – and his work has been featured in well over a hundred local, national and international exhibitions since he was a college student in the late 1950s.” Along with this John has mentored over thirty studio apprentices over five and a half decades, received numerous grants and awards for his work, and has been prolific, with an estimated 300,000 ceramic wares throughout the world. He received his Masters from Cranbrook Academy of Art in Bloomfield Hills, Michigan, working with Maija Grotell, a legendary and influential teacher. Grotell was noted for her deep interest in the human connection to nature’s rhythms and patters. These ideas often grounded her dialog with her students including Glick, affecting, a profund and lasting influence on his future work. This famous Art Academy was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock (blown glass), Larry Butcher (mixed media) and Lauren Anais Hussey...

The Ceramic Garden Planterette is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. The piece is signed by Glick and stamped with the name of his studio: Plum Street Pottery on the verso. John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery” (now a designated historic landmark in Farmington Hills, Michigan) studio opened around 1965 and closed in the summer of 2016. It was a private studio space for John and a number of his students and assistants. He believed his shapes evolved guided by forces apparently outside his control. This was instinctual, intellectual and due to his openness to change, fusing into what he thought was the most positive force behind a potter’s approach: evolution and growth. Some have called it inspiration. John was not only a major figure in the Detroit creative community, but in the ceramics world at large. According to Shelley Selim in her book on John, “John Glick: A Legacy in Clay” John remains: “one of the most recognizable names in the field of studio pottery – known for lecturing, publishing, and offering workshops widely – and his work has been featured in well over a hundred local, national and international exhibitions since he was a college student in the late 1950s.” Along with this John has mentored over thirty studio apprentices over five and a half decades, received numerous grants and awards for his work, and has been prolific, with an estimated 300,000 ceramic wares throughout the world. He received his Masters from Cranbrook Academy of Art in Bloomfield Hills, Michigan, working with Maija Grotell, a legendary and influential teacher. Grotell was noted for her deep interest in the human connection to nature’s rhythms and patters. These ideas often grounded her dialog with her students including Glick, affecting, a profund and lasting influence on his future work. This famous Art Academy was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock (blown glass), Larry Butcher (mixed media) and Lauren Anais Hussey...

An exceptional monumental Mid-Century Modern abstract sculpture hand carved from a massive solid block of richly figured zebrawood, dating to the 1960s. Standing an impressive 28.5 i...

Royal House Antiques Royal House Antiques is delighted to offer for sale this stunning circa 1880-1920 Chinese Export hand carved dragon mantle clock with matching candlesticks A good looking and expertly carved suite...

Royal House Antiques Royal House Antiques is delighted to offer for this exquisite totally original fully restored Art Deco Zooray Highland Terrier electric heater...

Royal House Antiques is delighted to offer for sale this absolutely stunning Antique Verdigris Green Bronze Statue of a bull signed "AL Barye" for Antoine Louis Barye 1795-1875 It is a super decorative piece, after the original editions which can be found in the Metropolitan Museum of Art in New York, the National Gallery of Art in Washington, D.C, and the Victoria and Albert Museum Condition wise we have deep cleaned, hand condition waxed and hand polished it from top to bottom, there may be some age and use related patina marks based on normal use and transport, the green is just the colour of the bronze aging, it is a wonderful example that I love Dimensions Height: 37.5cm Width: 42.5cm Depth: 16cm All measurements are taken at the widest points. Should you require any additional or more specific measurements, please do not hesitate to ask. If you have any questions, we kindly ask that you contact us before purchasing. About Us Royal House Antiques is a privately owned family business, originally established in Wimbledon, SW19, and now based in Pulborough, West Sussex (RH20). We specialise in sourcing and restoring the finest luxury antique leather seating, alongside a carefully curated collection of antiques and decorative pieces dating from the 16th through to the 20th century. In addition to antiques, we regularly stock pieces from renowned designers and luxury brands, including Fritz Hansen, Ralph Lauren, Roberto Cavalli, Charles & Ray Eames, Vitra, David Linley, Rolex, Tiffany & Co, Jaeger-LeCoultre, and many others. Condition Please study the detailed photographs carefully, as they form an important part of the item's description and condition report. We encourage all prospective buyers to ask any questions before purchasing, as all items are sold as seen and as described. Royal House Antiques cannot accept responsibility for assumptions or interpretations made independently by buyers. If there is any aspect of the listing that requires clarification, we are always happy to assist. As with all genuine antiques, vintage, and period pieces, signs of age and use should be expected. Antique leather furniture...

'Kakra 0.2' is a unique wooden sculpture by the British artist, Donald Baugh. Donald Baugh was born in London and from the ages of one to eight lived in Jamaica with his grandparent...

'Masai 0.2' is a unique wooden sculpture by the British artist, Donald Baugh. Donald Baugh was born in London and from the ages of one to eight lived in Jamaica with his grandparent...

'Masai 0.1' is a unique wooden sculpture by the British artist, Donald Baugh. Donald Baugh was born in London and from the ages of one to eight lived in Jamaica with his grandparent...

'Parul 0.1' is a unique wooden sculpture by the British artist, Donald Baugh. Donald Baugh was born in London and from the ages of one to eight lived in Jamaica with his grandparent...

This unique vase by Swedish ceramist Claes Thell possesses the kind of rough beauty for which he is well-known the world-over among enthusiasts of Scandinavian ceramics. Thell deve...

We are delighted to offer for sale this lovely original 19th century Dutch oil on canvas of an old man smoking a pipe which is part of a suite I have seven of these lifestyle, natural Dutch oil paintings, the others are all listed under my other items, they each have a very serene look and feel to them This one is of an elderly gentleman smoking a pipe The condition of the oil is very good, there will be some wear around the edges and it is unframed as you can see Dimensions Height:- 40.5cm Width:- 30.5cm Depth:- 2cm Please note all measurements are taken at the widest point, if you would like any additional or specific measurements please ask. Any questions please feel free to ask before you bid. ABOUT US We are a privately owned family ran business founded in Wimbledon SW19 and now based in Pulborough RH20. We specialise in finding, restoring very fine luxury antique leather seating, along with every single other type of antique ranging...