103 results for "eames"

One of the nicest examples I ve owned in quite a while, stunning figured birch plywood, circa early 1946-1947, L C W (Lounge chair wood) designed by Charles and Ray Eames, Manufactur...

Charles Eames Leg Splint In Original Paper Wrapper Evans Products Company And Is Sealed. 1 Splint Designed by Charles And Ray Eames For The N...

Charles Eames Leg Splint In Original Paper Wrapper Evans Products Company And Is Sealed. 1 Splint Designed by Charles And Ray Eames For The N...

First generation, circa 1950 Charles and Ray Eames. Museum quality, sea foam green arm shell lounge chair made by Zenith Plastic Co./ Herman Miller. Features amazing exposed fibers, ...

These are miniature examples of the Eames designed stools. There are 3 different examples. These are crafted in mahogany. They were manufactured by Herman Miller. They come with the ...

1 Leg Splint In Original Paper Wrapper, Evans Products Co., And Is Sealed. 1 Leg Splint Designed For The Navy, For The United States Of America, Made Of Birch Plywood In 1943. Stock...

Vintage Oaxcan wedding bell attributed to Maria Martinez Mexico circa 1950's Adapted as a doorbell at the Charles and Ray Eames Case Study house Mol...

For your consideration a collectible vintage or antique small wooden box, likely intended for storing trinkets, cigarrets or as a decorative desk accessory. It features a distinc...

Multi-level bent ply desk tray. Walnut with brass supporting rods. A well made and designed statement piece for your desk Unsigned. 1950s

The artist, Elliot Eames Saarinen, son of Eero Saarinen, inspired by his grandmother Lilly's tender homage to her mother, Grandma Susie, created this sculpture to honor the timeless ...

Blue and white Soholm bird relief designed by Gerd Hiort Petersen, circa 1960-1970. This beautiful ceramic sculptural relief is captivating and whi...

Beautiful, large, original 1960s brass sunburst wall clock by Junghans ATO-MAT. Very beautiful, elaborate mid-century design. Battery-operated with a new clock mechanism. Dial with R...

A beautiful white matte op art relief porcelain vase from the 1960s, designed by Martin Freyer, executed by Rosenthal, Germany. In very good condition.

Gabriella Crespi brass pill cigarette card box Italian, 1970s Measures: 4.4 inches wide on each side 0.3 inches deep Born in 1922, Gabriella Crespi studies architecture at the Poli...

Chinese Export Mid Century Black cloisonne ginger jar featuring large scale chrysanthemum flower. Hand Made.

Provenance: Wright Modernist 20th Century, auction 12/7/2003, Bertoia worked with the Eames' in California in the late 1940s to develop their wire form chairs. His involvement led...

Pair of patinated candle holders designed by Carl Aubock in 1948. This signature piece from the Auböck collection is hand made manufactured in Vienna Austria workshop ever since 1948...

A monumental four foot tall Sonambient sound sculpture titled 'Sound Screen' by Val Bertoia, dated 2013 and signed, stamped, and documented by the artist. This large-scale example, n...

"Untitled" (Bush) Sculpture by Harry Bertoia, circa 1970's made of welded bronze. Harry Bertoia, was an Italian-born American artist, sound art sculptor, and...

Wonderful 1950s Mid-Century functional design, and incredible ingenious and sculptural form. This piece is unique and rare. Created in metal mesh, the base floats in symmetry as it...

A beautiful minimalist Mid-Century Modern vase or decanter, "Tuberkulinkolben" designed and executed by Carl Auböck II in the 1950s. This piece is made of handblown clear glass and f...

Whimsical "paper bag" made from cast metal from California Bronze. Would make for a fun decorative piece in any interior. Photographed atop a Cappellini sid...

A set of eight beautiful stoneware vases with amazing and rare glaze. Designed by Gunnar Nylund for Rorstrand, Sweden, 1950s. Excellent condition. Incised signature "GN" and maker...

2x Mid-Century Modern massive brass bull bookends, 1960s

1950s Vintage Mid-Century Danish Modern Smith United Kingdom Teak Bentwood Footed Desk Mantle Clock $650 1950s Very Rare, Hand Molded, Teak ,Mid Century Modern, Battery Operated, El...

Mid-Century Danish Porcelain Baca Blue Line Bowl by Nils Thorsson and Kari Christensen for Royal Copenhagen, 1960s, in Very Good conditions. Designed 1960 to 1969 This piece has an a...

A stunning and rare Bay Keramik vase finished with renowned designer Bodo Mans's 'Reims' décor (1958). BODO MANS was born in 1935. From 1949 to 1951 he apprenticed as a window dresse...

Mario Bellini for Bitossi / Raymor Rimini Blue Floral Jardiniere This beautiful mid-century modern floral jardiniere was designed by Mario Bellini, made in Italy by Bitossi, and imp...

Large 'Aorta' vase by Carl Auböck in patinated brass. This aorta-shaped vase has a rough appearance that is accentuated by shiny brass openings. Designed by Carl Auböck II in 1949. ...

Piero Fornasetti vintage ceramic storage jars, Italy, 1960s. Flour, coffee, tea There is a sugar one as well from the same collection but ...

GORGEOUS MID CENTURY MODERN LIVE-EDGE CARVED WOOD POTTERY! Dimensions: Height: 15" Width: 6-1/2" This absolute masterpiece of Wood Pottery looks sensational! It's one of the greatest examples of the "live-edge" wood carving techniques, applied to a vase. The rich wood hues the carving exposes are perfect. The contrasts and texture are a sensory delight! A rich visual cornucopia for the decorator's eye. The warmth flatters every decor and color palette! In great vintage condition! This piece of art can be used as a vase or just look absolutely fabulous, by itself, on an Italian desk, Eames shelf...

A lovely brown speckled vase designed by Gunnar Nylund at Rörstrand, the vase is 28 cm (11.2") high. It´s in excellent condition except from some m...

Circa 1965. 18" cubed. This planter was obtained from a bank in WV that also featured doors by David Gillespie of Forms and Surfaces - the company that was previously known as panelc...

This 50" tall articulating folk art wood figure is a medium sized wooden mannequin designed with lifelike proportions. Its smooth, natural wood finish showcases the grain and texture...

Wonderful Mid-Century Modern abstract Brutalist cast aluminum sculpture dating from the 1960s. I cannot find any signatures or marks but made very well. Wonderful form and design. In...

Mid-Century Modern Architectural Pottery sculptural "Double Cone" Planter by LaGardo Tackett , rarely seen double cone version with wider base than top in a white glaze. Provenance 1960s MCM building of the Odd Fellows Association Hall - St. Louis. It was used with sand for an ashtray , seen in photos 5 & 6. The 1960s MCM modification to an existing building was designed by architect William E. Duncan and demolished in the summer of 2020. Duncan not only selected these planters , the entire hall, had Saarinen , Eames, Nelson, Howard Miller and Nessen designs. The condition is good, only with minor scuffs, no chips and light staining to interior as seen in photos. Stamped Architectural Pottery made in the USA. When the planter is on its side, it reminds me of the famous brass drawer pull on Paul McCobb designed furniture. Building & Rendering Odd Fellows Association Hall at 3765 Lindell Blvd, St. Louis Mo. designed by William E. Duncan and Associate Architect Lawrence H. Smith , Delineation by Harry A, Osborn Demolished in 2020 If your into Architecture, Search for this MCM church...

The "Untitled" abstract sculpture by Robert Sestok has a very deliberate aura of strength in its columnar shape. Upon closer inspection details emerge su...

Wilhelm Kage Gustavsberg Argenta geometric midcentury abstract ceramic vase With silver decor. Signed as pictured. Very desirable complicated design.

Extremely rare combination pendant attached to custom-made chain by Harry Bertoia in sterling silver, containing one Lapis Lazuli and one Coral. This piece comes from a private collection. Provenance will accompany the piece. The work has been added to the Harry Bertoia Catalogue Raisonné and assigned the following catalogue raisonné number: D.JE.78. Although associated with Mid-Century Modern furniture, Harry Bertoia was originally a jewelry designer who used both sterling silver, precious stones and gem stones. The pendant measures: 1.25" long x 1" wide. The necklace measures: 11" length with a measurement of 22" overall length. The chain and closure are all handcrafted and in his unique design. Lapis Lazuli measures 20mm round supported by one 6 mm red coral. Total weight is 33 grams. The following is from Beverly H. Twitchell, PhD, author of Bertoia: The Metalworker, London: Phaidon, 2019. She provides a very informative critique of Bertoia and his jewelry. Wearable Art an Important Design for a Necklace “Before Harry Bertoia enrolled at the Cranbrook Academy of Art in 1937 he had already mastered traditional jewelers’ techniques, but his engagement with Modernism led him to invent and use more direct methods. Instead of precious metals and gems, Bertoia made jewelry that appealed through its design, craftsmanship and the nature of its materials. That approach would make Bertoia a direct predecessor of the American Studio Crafts movement. So complex and cumulative are human perception and memory that we often do not know from where our own ideas come and without firm evidence, it is impossible to think we can establish the origins of an artist’s ideas. While his jewelry is entirely modern, chokers with multiple small pendants had come from ancient Mediterranean cultures: Mesopotamia, Egypt, Greece and Italy, even from Europe and America at the turn of the last century. Did Bertoia see works in books, journals or at the Detroit Institute of Arts that resonated with him or did he invent this on his own, as he would so many other forms? Bertoia found inspiration in nature from an early age on a small farm in Italy and later in Cranbrook’s woods, on the beaches of southern California and in the fields near his home in eastern Pennsylvania where he lived after 1950. The fluidity and motion of the his jewelry characterize much of his art. In that spirit, too, he made jewelry that suited human anatomy and was animated by its wearer’s movement. Bertoia had the instincts of an engineer, as the intricacy of the present lot’s clasp and overall construction of the jewelry demonstrates. Large jewelry by Bertoia is very rare. A delight to the eye, and like all of Bertoia’s work it is timeless.” Harry Bertoia (1915 – 1978) was an Italian-born American artist, jewelry creator and modern furniture designer. He was born in San Lorenzo d-Arzene, Pordenone, Italy. At age 15 he moved to Detroit, Michigan to live with his older brother, Oreste. He quickly learned English and the bus schedule and enrolled in Cass Tech High School in Detroit (1930-1936) where he studied art and design and learned the skill of handmade jewelry making. At that time, there were three jewelry and metals teachers Louise Green...

Italian Murano glass sculpture vase designed by Carlo Nason for Mazzega glassworks, in clear glass with coral-colored central band, manufacturer's adhesive label Italy 1970s

An exceptional, fine and impressive antique George V English sterling silver box made in the George I style, an addition to our ornamental silverware collection. This exceptional antique George V sterling silver box has a plain circular form in the George I style. The surface of the box is plain and encircled with applied molded decoration. This impressive George I style box is fitted with a hinged hallmarked cover ornamented with a plain circular elevated panel to the center. The hinge is ornamented with a shaped undulating design in conjunction with the cover and the body. The box secures closed with a hallmarked hinged catch to the anterior edge, reflecting the same design to that of the posterior. This impressive example of antique silverware is an exceptional replica of an early Georgian...

Elegant Aldo Tura brown parchment square ice bucket or decorate box. This particular ice bucket was executed in the 1970s and is in excellent vinta...

SALE ONE WEEK ONLY UNTITLED is an abstract blackened steel sculpture that has a continuous lively movement. The positioning of the heavy metal is suggestive of dance. There are similarities to the sculptors, Robert Sestok and Tony Smith, who both worked in bronze and painted steel with similar cut out pieces and abstract designs. Untitled has a joyous aura and its small size makes it a charming intimate piece. It might have been a maquette for a much larger piece. The design works in this 14" height as it would in a 14' height. There is a Letter of Certification that will accompany the sculpture. Tony Rosenthal (1914 - 2009) is best known for creating a staggering list of monumental public art sculptures. For over seven decades Tony Rosenthal created an arc of sculpture in a variety of sizes, styles and media, including wood, steel, bronze, brass, cement and aluminum. Every day millions see, enjoy and interact with art created by Rosenthal in cities around the world. In New York City alone, five Rosenthal public art sculptures have been beloved and visible 24/7 for over four decades, yet Rosenthal is not a household name. Art dealer Joseph K. Levene, told The New York Times, Tony Rosenthal "reminds me of a character actor. You know the face but not the name. With him, you know the art." Tony Rosenthal dedicated his life to creating art and actively created sculpture everyday in his Southampton, New York studio until he passed away at the age of 94, July 28, 2009. At nine Rosenthal learned the fundamentals of carving sculpture when his mother, an opera singer enrolled him in children's classes at the Art Institute of Chicago where he learned how to carve sculptures in soap. In 1936 Rosenthal earned a B.F.A. from the University of Michigan, and in 1952 became the first instructor of sculpture at the University of California, Los Angeles. In 1950 Rosenthal was recipient of the San Francisco Museum of Modern Art’s sculpture award; in 1967, Rosenthal received the outstanding achievement award from the University of Michigan and in 1963 a Ford Foundation Grant. 
After graduating from the University of Michigan, Rosenthal became studio assistant to Alexander Archipenko, the figurative master sculptor, casting bronzes in exchange for sculpture lessons; at night, Rosenthal taught evening classes in drawing and sculpture. In 1939, Rosenthal enrolled at Cranbrook Academy of Art, studying with Carl Milles, Cranbrook's sculptor in residence; there, Rosenthal forged friendships with husband and wife designers Charles Eames and Ray Eames and the sculptor Lilian Swann Saarinen the wife of architect, Eero Saarinen.   Decades later Rosenthal acknowledged his gratitude to Cranbrook by donating his archives to them. The Cranbrook Cube, 1984, a 90" painted aluminum cube is in the Cranbrook Museum collection. In 1942, Rosenthal was drafted into the U.S. Army; while stationed in Paris Rosenthal forged friendships with George Braque, Andre Derain, Le Corbusier and Constantin Brancusi, routinely organizing and accompanying groups of soldiers on studio visits. Through multiple visits to Brancusi's Paris studio, Rosenthal learned to create and forge metal sculpture...

Blue brown ceramics brass ice bucket pitcher French Italian LaBorne Quimper vase Set of six brown and blue decorative objects. Three are by Odetta Quimper from 1930s and 1940s, One is La Borne One blue with brass parchment ice bucket (Aldo Tura attr.), One brown with brass parchment carafe (Aldo Tura Attr.) Blue and grey ceramic covered box: 3.5 inches wide, 4 inches high La Borne vase: 7.5 inches high, 4 inches wide at base, 2.5 inches wide at top Odetta Quimper small round vase...

Enrique Garcel tesselated bone shell lacquer brown brass candleholders, 1970 1980. Four candleholders that each have a different type of organic materia...

An amazing collection of German ice block glass Mid-Century Modern "Solifleur" vases, circa 1960s. These are heavy glass items in clear glass, outside like ice glass. There is a smal...

Mid-century Modern Leather Small Model of a Seal, 1960s-70s The brown leather model of a seal shows the seal with its head up with its whiskers to each side and the eyes formed by ...

Mid-Century brass sculpture of a gazelle on top of a variegated Italian green marble base circa 1960s/1970s.

Midcentury studio pottery vase with crystalline glaze - hand made featuring a wheel thrown white clay body with artistic distribution of crystal formations within the beige glaze - u...

Beautiful brown abstract terracotta sculpture, 1960s, reminding works of Henri Laurens. Great patina. . France. . Dimensions : Dimensions : 30 cm x 30 cm x 25 cm . Weight : 10.5kgs....

Apogee De La Geometrie Curviligne" Folio A rare publication of a catalogue for an exhibition of European mid-century design in October 1983 which was wide ranging in the exhibits on ...

Royal House Antiques Royal House Antiques is delighted to offer for sale this lovely antique French Baroque Repoussé gilt brass Cherub ink well letter holder stand A very decorativ...

There’s trench art, and then there’s toilet humor - this is a little bit of both! Creative & fun sculpture composed of a copper toilet float, mounted on ...

Introducing the Tubular Steel Articulating Mannequin, attributed to the renowned displays by Jack Hruska for Bloomingdale’s. Crafted with precision and innovation, this mannequin showcases seamless articulation and striking design. Made from high-quality tubular steel, it embodies durability and style, providing the perfect canvas for showcasing fashion-forward looks. Elevate your retail space or home with this iconic piece, where sophistication meets functionality in every pose. Photographed atop Eames fiberglass arm shell chair and with vintage leather mail...

Royal House Antiques is delighted to offer for sale this lovely vintage weather original patina reconstituted stone planter or trough A very good looking well made and decorative p...

Two of the most elegant and important ceramic works of Vallauris artist, Marius Musara (France, 1910-1991). These French Mid-century Organic Modern sculptures or vases are beautiful, handmade, objects transposing dramatic size with a pure, sober, timeless form. In 1988, Musara was the winner of the International Biennale of contemporary ceramics, the top pottery prize in the world. The pieces are priced and sold as individual pieces. Sizes are: H 31.5 x D 8 and H 23.25 x D 10. Signed on bottom "Marius Musarra...

A nice high quality Neo classical grand tour homage by Theodore and Alexander. It features a specimen compote mounted on a beautifully cast bronze base and then mounted on marble. It...

Simplistic Native American pink granite sculpture on wood base. Piece is signed. Photographed with Eames chair for scale. Wood base photographed darker. See photos.

The ceramic charger is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. It is signed by the artist and stamped with Plum Street Pottery #129 on the verso. John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery” (now a designated historic landmark in Farmington Hills, Michigan) studio opened around 1965 and closed in the summer of 2016. It was a private studio space for John and a number of his students and assistants. He believed his shapes evolved guided by forces apparently outside his control. This was instinctual, intellectual and due to his openness to change, fusing into what he thought was the most positive force behind a potter’s approach: evolution and growth. Some have called it inspiration. John was not only a major figure in the Detroit creative community, but in the ceramics world at large. According to Shelley Selim in her book on John, “John Glick: A Legacy in Clay” John remains: “one of the most recognizable names in the field of studio pottery – known for lecturing, publishing, and offering workshops widely – and his work has been featured in well over a hundred local, national and international exhibitions since he was a college student in the late 1950s.” Along with this John has mentored over thirty studio apprentices over five and a half decades, received numerous grants and awards for his work, and has been prolific, with an estimated 300,000 ceramic wares throughout the world. He received his Masters from Cranbrook Academy of Art in Bloomfield Hills, Michigan, working with Maija Grotell, a legendary and influential teacher. Grotell was noted for her deep interest in the human connection to nature’s rhythms and patters. These ideas often grounded her dialog with her students including Glick, affecting, a profund and lasting influence on his future work. This famous Art Academy was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock (blown glass), Larry Butcher (mixed media) and Lauren Anais Hussey...

Stunning two-tone glazed vase by Mari Simmulson for Upsala-Ekeby. Grey outer-yellowish green inner glazing. Photographed with Bertoia side chair and Eames LTW for scale.