18 results for "kutani"

Pair of vintage Fujita Kutani double gourd shape ceramic and brass 2 socket lamps with floral motifs in white and red. Lamps have wooden bases. Both lamp...

For your consideration a pair of Chinese table lamps. Hand painted. Kutani Revival style. Dimensions: 21" H x 6" D x 6" W Delivery within 200 miles from San Diego CA is available f...

Pair of monumental Japanese "Kutani Ware"" hand painted porcelain table lamps with Cerulean blue peacocks and flowers, circa Mid 20th Century. These amazing huge lamps are forty inch...

This mid-20th-Century pair of Japanese Kutani ware lamps features a highly celebrated Japanese literary theme known as the Thirty-Six Immortal Poets (Sanjūrokkasen). The hand-painted...

A good quality pair of late 19th Century Japanese Kutani porcelain vases / lamps. Each with the classical bold orange ground with scrolling gilded decoration. Inset hand painted pane...

A good quality late 19th century Japanese Kutani vase, having the classical orange ground, dog of faux handles to either side, classical motif dec...

Porcelain vase. Japan. 19th century. Baluster form. Kutani ware. Green type. Decoration of scholars and brocade patterns. 18" high of the vase plus the rod...

A fine quality pair of late 19th Century Japanese Kutani porcelain lamps. Each having the classical orange ground with classical scrolling gi...

A very good quality pair of Meiji period (1868-1912) Japanese Kutani vases / lamps. Each with classical motif decoration, exotic flowers and bird decoration and handles either side. ...

A unique example of kutani polychrome porcelain mounted as a lamp from the Meiji period. An intricately designed porcelain elephant with pagoda is elaborately decorated in various color. The piece features overglazed enamel work typical of Japanese Kutani-ware and sits atop a red wood base. The elephant and pagoda produce a modern lamp outfitted with a hand painted green and gold lamp...

An impressive and decorative pair of 19th Century Japanese Kutani porcelain lamps. Each with an orange ground, pierced handles to either side. Scenes of Deer feed in the woods, mount...

Pair of Kutani Meiji Period Vases Porcelain Urns Table Lamps Antiques LA light , A fine quality pair of Meiji period (1868-1912) Japanese Kutani porcelain...

Height with lampshade : 133 cm (52,3 in.) / without lampshade : 125 cm (49,2 in.) ; Lampshade - Height 74 cm (29,1 in.) ; Diameter : 86 cm (33,8 in.) Important Japanese style gourd-shaped lamp, made with a polychrome Kutani porcelain vase decorated with lake scene and flowers in cartouches, in the middle of flying waders on a red background. It is covered with its original beige pleated silk lampshade, embroided with flowers and waders. It rests on an « old gold » patinated bronze base with stylized openwork decoration, topped with a Fô dog on each foot. Related work : Japanese enamel porcelain...

Beautiful and important Japanese lamp made of satsuma porcelain and gilt bronze from the 19th century. The body of the lamp is made of satsuma porcelain, the bottom is purple color. There appear 4 characters: two mothers dressed in traditional Japanese clothes...

A pair of Chinese export hunt scene porcelain lamps, 20th century. 7 inches wide by 6 inches deep by 20 inches tall; 16 ½ inches to top of wooden cover

Mid-19th century Chinese export porcelain Rose Medallion Vase Mounted as a Lamp. Very good quality with foo lion handles; panel molded body with linen fold top. Perfection for this f...

A fine Pair of 19th century Japanese Imari Porcelain and French Gilt-Bronze Mounted Thirteen-Light Celadon Torchere Candelabra. The bottle-shaped Japonisme vases with a Royal red background, decorated with parcel-gilt and black soaring eagles in the hunt within a forestall scene. Each Vase fitted and surmounted with a French 19th century Louis XV Style 13-Light scrolled candelabrum and all raised on a circular pierced gilt-bronze plinth. circa: 1880. Imari Porcelain (????) is the name for Japanese porcelain wares made in the town of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe extensively from the port of Imari, Saga, between the second half of the 17th century and the first half of the 18th century. The Japanese as well as Europeans called them Imari. In Japanese, these porcelains are also known as Arita-yaki (???). Imari or Arita porcelain has been continously produced up through the present day. Characteristics Though there are many types of Imari, Westerners' conception of Imari in the popular sense is associated only with a type of Imari produced and exported in large quantity in mid-17th century. This type is called Kinrande. Kinrande Imari is colored porcelain with cobalt blue underglaze and red and gold overglaze. The color combination was not seen in China at that time. Traditional Ming dynasty color porcelain used dominantly red and green, probably due to scarcity of gold in China, whereas gold was abundant in Japan in those days. The subject matter of Imari is diverse, ranging from foliage and flowers to people, scenery and abstractions. Some Imari design structures such as kraak style were adopted from China, but most designs were uniquely Japanese owing to the rich Japanese tradition of paintings and costume design. The porcelain has a gritty texture on the bases, where it is not covered by glaze. There is also blue and white Imari. Kakiemon style Imari is another type of Imari, but it tends to be categorized separately in Europe. History "Imari" was simply the trans-shipment port for Arita wares. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, when kaolin was discovered in 1616 by the immigrant Korean potter, Yi Sam-pyeong (1579–1655). (He may also be known by the name, "Kanage Sambei".) Yi Sam-Pyeong, along with his extended family of 180 persons, left Korea on the offer of a privileged position in Japan. This decision was made after the occurrence of certain Japanese invasions of Korea. After Yi Sam-Pyeong's discovery, his kilns began to produce revised Korean-style blue and white porcelains, known as "Shoki-Imari". In the mid-17th century there were also a lot of Chinese refugees in Northern Kyushu due to the turmoil on Chinese continent, and it is said one of them brought coloring technique to Arita. Thus Shoki-Imari developed into Ko-KutaniImari. Ko-Kutani was produced around 1650 for both export and domestic market. Blue and white porcelain continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are accordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon style Imari, which was produced for about 50 years around 1700. Imari achieved its technical and aesthetic peak in Kakiemon style, and it dominated European market. Blue and white Kakiemon is called Ai-Kakiemon. Kakiemon style transformed into Kinrande in the 18th century. Kinrande used blue underglaze and red and gold overglaze, and later some other colors. Imari began to be exported to Europe because the Chinese kilns at Ching-te-Chen were damaged in the political chaos and the new Qing dynasty government stopped trade in 1656–1684. Exports to Europe were made through the Dutch East India Company, but the designation "Imari Porcelain" in Europe connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China began export to Europe again, since Imari was not able to compete against China due to high labor cost. By that time, however, both Imari and Kakiemon style were already so popular among Europeans, Chinese export porcelain copied both Imari and Kakiemon style, which is called Chinese Imari. At the same time, European kilns, such as Meisen also tried to copy Imari and Kakiemon. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe. Thus in western world today, two kinds of Imari can...

A wonderful quality pair of late 18th Century Japanese Arita porcelain Imari vases, each with wonderful bold colouring, depicting inset panels of exotic flowers within a ground of cl...