Medium Art

Francis de SAINT GENIES (1925-) Violette Original lithograph Handsigned in pencil Limited /250copies On vellum 76 x 56 cm (c. 30 x 22 in) Excellent condition

Unknown/ Unidentified Artist, "Untitled", Abstract Lithograph, 25.75 x 19.75, Late 20th Century Color: Green

Artist/ School: French School, 20th century, signed Loiseau Title: Lady reclining in interior setting, window overlooking Provencal landscape beyond. Medium: oil on canvas, unfram...

A lady strolls along a woodland path in this tranquil Impressionist scene by an unknown German artist. Dappled sunlight filters through the verdant branches of fir trees, whilst the ...

Jazzu Cartes sur table Techniques mixtes sur papier fort 2024 65 x 50 cms Signé et daté au recto Titré , signé et daté au verso 690 euros

Erte Beauty and the Beast Serigraph in colors on wove paper 24 5/8 x 21 1/2 in. 1977 From the limited edition of 300 Signed and numbered in pencil Circle Fine Art Corporation, Chicag...

Artist Comments
Artist Natalie George displays a dreamy abstract landscape of lavender fields. The panorama stretches across the canvas as energetic shapes of harmonizing col...

Lithograph realized in occasion of Calder's Exhibition at Galleria Rondanini, Rome, 1976. Not signed and not numbered, as issued. Edition of 500. Excellent condition

Shepherd's Delight captures one of those fleeting moments when the sky glows at the end of a summer's day. Luminous pinks, inky blues, soft creams, and vibrant green come together in...

The painting "Tranquility on the Shore" conveys amazing calm and peace. The canvas depicts a picturesque landscape with Lake Walensee in Switzerland, surrounded by green mountains. I...

"Blue Dancer” 27.5x19.5in / 70x50cm Part of my Blue Nude series, inspired by Matisse. Ultramarine tempera on paper. Shipped rolled in a tube from Fort Lauderdale, Florida. This pa...

Fine antique oil on canvas depicting a traditional hunting still life composed of a suspended hare, pheasant, and game birds arranged in a rustic interior setting. Executed in the spirit of late 18th to early 19th century European still life painting...

The Favourite Pet, portrait of young lady with Alsatian dog. French Schoo, signed indistinctly, dated 1940 oil on canvas, framed framed: 23 x 29 inches c...

Painting size without frame: 25"x30" Painting size with frame: 31"x36" Painting is signed on lower left corner. A wonderful autumn landscape by A. C. Goodwin depicting a winding co...

Artist/ School: French expressionist/ abstract contemporary artist, 21st century Title: Abstract composition Medium: oil/mixed media painting on canvas, unframed. canvas: 25.75...

Southern California native Courtney Simone seamlessly blends her passion for abstract art with the exploration of everyday beauty, resulting in exuberantly inspired abstract figurati...

Portrait of Gentleman Smoking on Balcony with Red Foliage indistinctly signed and dated 1948 oil on canvas, framed framed: 30 x 26 inches canvas: 25.5 x 20 inches Provenance: private...

Awakening was inspired from time spent in Devon, walking and feasting on the richness that nature brings. Deep reflection and sense of space. Barry Wilson lives in East Sussex, UK, w...

“Pyle's Barn” is an oil on canvas impressionist painting by American artist, N.C. Wyeth. Howard Pyle had conducted summer classes in his Brandywine mill studio, where students work...

Medium: salvaged slate on aluminum ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both her native an...

Step into the serene charm of southern France with this captivating watercolor landscape artwork by François Pascal (France, 19th century–1948). Expertly painted on paper, this work ...

Portrait of Barbara Palmer 1st Duchess of Cleveland 1640-1709, half-length wearing a red dress and portrayed within a cartouche. Circa 1680 Oil On...

In this contemporary painting in oil on canvas, a cheerful interior scene is bright and inviting with a still life arrangement of coral red flowers in a green glass bottle next to a ...

Frans van Mieris the Elder (Leiden 1635 - Leiden 1681) Workshop Elegant company in an interior (or “Self-portrait with his family”) Oil on canvas 50 x 41 cm In a beautiful fra...

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 21033 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Katherine Bello Summer Rain Oil on Canvas 2023 Size: 30 x 30 x 1.5 inches (76.20 × 76.20 × 3.81 cm) Signed, dated and titled by hand COA provided *On Stretcher Frame, Gallery-wrappe...

Emily Berger’s paintings are based on a structure of repetitive and deliberate gesture that is intuitive but carefully considered. She brushes, wipes, rubs, and scrapes, incorporatin...

Louis XVI #7 Part of "Mixed Moods" solo show, until September 29. Original painting. Size 27.5x19.5in / 70x50cm . Acrylic on canvas. The period armchair, style Louis XVI, become th...

¨Shaman¨, inspired by Leonardo da Vinci's Salvator Mundi, recreates the theme of ancient automatic machines that told the future. The extraordinary image of Leonardo da Vinci's Salva...

Work on canvas signed lower right Dimension with frame 70 x 80 x 6 cm This striking work captures a group of French soldiers marching determinedly along a dusty road, with the distan...

Willem de Kooning Annual Spring Invitational Art Exhibition (limited edition, hand signed & numbered by Willem de Kooning), 1979 Offset lithograph (hand signed and numbered) Sign...

Antonio Diaz Cortes (Mexico, 1935) 'Primavera/otoño', 2006 woodcut on paper Velin Arches 300 g. 27.6 x 19.7 in. (70 x 50 cm.) Edition of 99 ID: DIA-106 Unframed

This lovely British Impressionist portrait oil painting is by noted Nottinghamshire artist Arthur Spooner. Painted circa 1930 it is a charming head and shoulders portrait of a young ...

The 16 in x 23 in watercolor displays striking and colorful qualities that influenced abstract expressionism for decades to come. In 2016 the Dennos Museum in Traverse City, Michigan, in homage to the very first exhibition in the Zimmerman Sculpture Court, installed the first two paintings by the former Michigan State University painting professor, Clif McChesney (1929-2011) on the Court walls, and the glass artistry of Dale Chihuly, featuring works from the Dennos Collection. In 1991, an exhibition of Dale Chihuly glass...

Colin Graeme Roe British, (1855-1910) Setter Standing Proud Oil on canvas, signed Image size: 15.25 inches x 21.25 inches Size including frame: 22.25 inches x 28.25 inches A fine s...

Antique Oil Painting of Madonna and Child Oil on canvas. Approximate dimensions 20" wide x 24" high. The frame is approximately 22" wide x 2...

Alexander John Drysdale (1870-1934) New Orleans Louisiana / New York Artist Size: 20 x 30 Frame: 26 x 36 Medium: Oil Wash? Watercolor? Dated: 1917 "Misty Bayou" Housed in the original magnificent frame. Alexander John Drysdale (1870-1934) New Orleans Louisiana / New York Artist Alexander John (A.J.) Drysdale was an early 20th century Louisiana artist who specialized in landscapes using the technique of oil wash, that gave his works a characteristic of a hazy look. Drysdale made use of this technique by diluting the oil paint with kerosene and applying it with cotton balls. Alexander John Drysdale, born in Marietta, Georgia on March 2, 1870, came to New Orleans at the age of fifteen with his parents. His father, Reverend Alexander J. Drysdale, became the rector of Christ Church Cathedral. Alex received private tutoring from a Professor Mehado and art lessons from Ida Hackell at the Southern Art Union. Later in New Orleans (1887) he studied art under Paul Poincy (1833-1909). The exact date of Drysdale's arrival in New York is unknown, but he enrolled in the Art Students League where he received instruction from Charles C. Curran and Frank Vincent DuMond. Apparently, he remained in New York for about five years and did not go to Europe for further study. After some time, Drysdale began specializing in landscapes, executed in a tonalist manner. Back in New Orleans, Drysdale was inspired by local subjects, especially swamp or bayou areas and other desolate wetlands. Over a period of many years Drysdale's landscapes evolved to a unique stylistic maturity. In 1909 he received a gold medal from the New Orleans Art Association. It is easy to see the influence of two artists that he admired: Corot and Inness. Working equally well in oil and watercolor (he also did scenes in charcoal), Drysdale usually divided his scene into halves or thirds, typically, a foreground consisting of tall swamp grasses achieved with broad vertical strokes; a middle ground consisting of a backdrop row of trees at the horizon line executed with staccato, jabbing strokes resulting in textural contrast; and a background devoted totally to a tonalist-like moisture-laden sky often hazy with no clouds or only a slight indication of them. This formulaic compositional format rendered with an economy of technique resulted in imagery with repetitious forms and shapes diffused in a nebulous space. In this regard, Drysdale's works are impressionistic; he also tended to use the violets and blues of the impressionist palette. Yet he lacked a specific interest in color and light. Although his expression of the Louisiana scenery is very personal, even mystical, the artist appears to have been very limited in subject matter. One of his last works was a mural for the Shushan (New York) Airport administration building, and shortly before his death he was employed as an artist by the Civil Works Administration. Drysdale was a member of the Arts and Crafts Club of New Orleans, and his work was in the permanent collection of the Delgado Museum for many years. The artist worked at his studio at 320 Exchange Place in the picturesque Vieux Carré until his death at the age of sixty-three. Stewart (in Painting in the South, 1983), describes how Drysdale was a shrewd businessman. He would solicit new homeowners who might need a canvas to decorate a wall, or a cotton broker who recently made the headlines. Drysdale died in New Orleans, on February 9, 1934. Sources: Louisiana Artists from the Collection of Dr. and Mrs. James W. Nelson. Baton Rouge, LA: Louisiana State University, 1968; Wiesendanger, Martin and Margaret Wiesendanger, Nineteenth Century Louisiana Painters and Paintings from the Collection of W. E. Groves. New Orleans: W. E. Groves Gallery, 1971, pp. 44-45; Painting in the South: 1584-1980, Exh. cat. Richmond, VA: Virginia Museum, 1983, pp. 106-107, 114, 276; Chambers, Bruce W., Art and Artists of the South: The Robert P. Coggins Collection of American Paintings. Exh. cat. Rochester, NY: Memorial Art Gallery of the University of Rochester, 1984, p. 88; Zellman, Michael David, 300 Years of American Art. Seacacus, NJ: Wellfleet Press, 1987, p. 634; Gerdts, William H., Art across America: Two Centuries of Regional Painting, 1710-1920. New York: Abbeville Press, 1990, vol. 2, pp. 110-111. Submitted by Richard H. Love and Michael Preston Worley, Ph.D. Biography from The Johnson Collection ALEXANDER JOHN DRYSDALE (1870–1934) Born in Marietta, Georgia, Alexander John Drysdale was the only son of an ordained Episcopal priest whose ministry required frequent moves to parishes in Georgia, Alabama, and Tennessee. In 1883, he accepted the call to become dean of Christ Church Cathedral, New Orleans, and was later elected a bishop. Alexander, thirteen years old when the family settled in New Orleans, began his art studies under the instruction of Ida C. Haskell, a California-born artist who was on the faculty of the recently established Southern Art Union. The local academy had been founded by several leading artists, including Andres Molinary, William Henry Buck...

Vintage American school signed modernist cubist still life oil painting and collage. Oil and mixed media on board. Signed. Framed. I...

Midnight blue and orange 24” original contemporary waterscape painting. A hint if olive green. Water art. Wall art inspired by nature.

Jim Dine (American, b. 1935) Tool Box 1966 Medium: Photo Screen Print and collage Dimensions: Framed 26.5 X 21.5 sheet 24 X 19 Printed by Christopher Prater; Kelpra Studios ltd, Lon...

Unidentified Artist – 19th Century "Farmers by the River" Medium: Oil on canvas Framed Dimensions: 42 x 60 cm Canvas Dimensions: 51 x 70 cm Period: 19th Century This beautifully comp...

A splendid Spanish painting from the second half of the 19th century. Oil on panel painting, signed Gallegos lower right, attributed to the great Andalusian painter José Gallegos y Arnosa...

Robert Longo (born 1953) Eric (from Men in the Cities), 2025 Medium: Screenprint and varnish on Somerset paper Dimensions: 70 × 43.5 cm Edition of 1273: Hand-signed and numbered Cond...

In "Forest Evening" Ducet reconsiders impressionist landscape paintings through a contemporary and gestual lens. Natural elements are translated into simplified forms and energetic s...

Signed lower right, 'A. Leonardi' for Achille Leonardi (Italian, 1800-1870), inscribed, '... Roma' and painted circa 1860. An exceptionally fine and detailed, nineteenth century oil...

Charles Bertie Hall, Yacht sailing in a river. Owning an Impressionist marine landscape by Charles Bertie Hall, an English/American Impressionist painter, offers a unique opportuni...

Nicolas de LARGILLIERRE (Paris 1656 - 1746) Portrait of Louis-Urbain Le Peletier, Marquis de Rosanbo, Master of Requests (1662-1730) Oil on canvas H. 75 cm; L. 60 cm Unsigned Proven...

Arthur Szyk, Polish/American (1894 - 1951) - Declaration of Independence, Year: 1950, Medium: Offset Lithograph, signed and dated in the plate lower right, Image Size: 20 x 15.5 i...

Artist: Ellen Brenner-Sorensen Title: Untitled I Year: 1991 Medium: Bronze Sculpture, signature and number inscribed Edition: 1/8 Size: 27 in. x 20 in. x 16 in. (68.58 cm x 50.8 cm x...

70x70cm, print on canvas Edition 20 pcs.

This Manolo Valdes etching with unique color collage is the 34th edition of 50.

Title: Mid Century French Architectural Abstract Ink Drawing Signed Serge Guerin by Serge Guerin (b. 1916), French signed lower right, name stamped verso Ink on artists paper, unfram...

Patrick Boudon. Inner Family. Post-war Expressionism. 1970s. Patrick Boudon. Art Informel. Ecole de Paris. Technique: oil on cardboard. This painting by Patrick Boudon from the 197...

James Brooks (1906-1992). Plantlike, c.1945. Oil on canvas measures 18 x 24 inches; 24 x 30 inches in a painted wood frame of the period. Signed "J. David Brooks" lower right, Signed...

'The Boat in Martigues', oil on canvas, by Marie de Nivouliès de Pierrefort (circa 1910). Martigues is a small port town just northwest of Marseille in the South of France. Its nickname is the Provençal Venice. Further eastward down the coast is the town of Toulon where the artist was born in 1879. Nivouliès depicts a charming sailboat tied to the small pier yet with an unfurled sail. It looks to be a wondrous day along the Mediterranean, the kind we can always dream about. The painting is over one hundred years old and is in fair condition, yet recently brought back to life by an art restoration professional. Elegantly framed, it is stabilised now for decades into the future. Signed by the artist on the lower right corner. Please enjoy the many photos accompanying the listing. Upon request, a video may be provided of the artwork. About the Artist: Although she was a direct descendant of the counts of de Pierrefort, Marie de Nivouliès de Pierrefort's (1879-1968) family was very poor. In spite of the poverty, Pierrefort attended a Catholic school run by nuns, obtaining a scholarship from the School of Fine Arts of Paris. While still a student, she attended workshops of great Impressionist masters such as Pierre Auguste Renoir (1841-1919) and Pierre Bonnard (1867-1947). In 1910 she won a travel award from the school and traveled to Tunisia where she painted several Mediterranean landscapes. In 1938 the painter moved to Rio de Janeiro, Brazil, where she painted the beautiful landscapes seen from her window. In Rio, Pierrefort had two individual exhibitions, both at the National Museum of Fine Arts, in the years 1946 and 1956. Although widowed in 1944, Pierrefort decided not to return to France until 1950. She remained there until 1959 when she definitively returned to Brazil. Her atelier in the neighbourhood of Glória was frequented by many emerging artists who learned the techniques of impressionism from her. Afterwards, Pierrefort painted for almost a decade in Brazil until she passed away in 1968 in Rio. After her death, many canvases were found in her studio but had been damaged or destroyed by humidity and by the intervention of her many cats. The painter Sergio Telles...

Medium: Intaglio on handmade washi paper Year: 2026 Sheet Size (with deckled edge): 30" H x 22" W Image Size : 24" H x 18" W Edition size: 15 Red String by Yuji Hiratsuka is an orig...

Conrad Marca-Relli Composition 2 64/75 Mixed media on guarro paper Poligrafa Edition Numbered out of 75 and signed in pencil by the artist Circa 1977 76 x 56 Perfect condition 110...

Sophisticated shades of grey and white still life with vases, shell, box and marble. Wonderful complex patterns throughout the oil painting on canvas. In excellent condition. Signed ...

Minimal, Vertical abstracted landscape painting of a fuschia pink field with evergreen and red trees under a pale blue sky "Color Field 500", painted by Tracy Helgeson in 2021 36 x ...

gymnast Original Steel Sculpture He has exhibited individually since 1970, having performed more than a hundred, being the main ones in: L'Hospitalet; Ibiza; Seville; Terrace; Rome...