Medium Art

Mid century French oil on canvas view of the New York City skyline by André Lwoff a noted Nobel prize winning chemist and later artist. The painting is signed bottom right and presen...

This reproduction of Letter on the Blind II by Frank Stella, published and printed by the de Young Museum in 2014, references Stella's original 1974 painting on canvas. Known for his...

ONCE I WAS THE SUN is a limited edition lithograph by the Dutch artist Karel Appel printed using hand lithography techniques on archival printmaking paper, 100% acid free. ONCE I WAS...

Julian Trevelyan 1910-1988 Ewes, 1978 etching and aquatint 64.9 x 52.2 cm 25 1/2 x 20 1/2 in with Estate stamp, numbering and title by Mary Fedden, edition of 50 + 5 AP Julian Treve...

18th Century French Terra Cotta Bust of a Young Gentleman Terra Cotta Unsigned 25 x 18 x 10 inches 41 lb.

Hazel Guggenheim King-Farlow McKinley (American, London, New Orleans, 1903-1995), "Paris Rooftops" c. 1930 Oil paint on wood panel Attributed, dated and titled verso (I am not sure in whose hand not signed by the artist herself). Dimensions H.- 18 in., W.- 15 in., Framed- H.- 26 1/2 in., W.- 23 in. Provenance: From an estate New Orleans, Louisiana. Hazel Guggenheim King-Farlow McKinley (born Barbara Hazel Guggenheim; April 30, 1903 – June 10, 1995) was an American painter, art collector, and art benefactor. Hazel Guggenheim was born in New York City to Benjamin Guggenheim and Fleurette (Seligman) Guggenheim. The marriage united two wealthy German-Jewish families. Born into the well-known Guggenheim family, a niece of Solomon Guggenheim who founded the Guggenheim Museum, she grew up in New York, alongside her sisters Benita Guggenheim and Marguerite Peggy Guggenheim who would become the influential gallery proprietor, art collector, museum founder, and midwife to the Abstract Expressionism art movement. Her father Benjamin gave up much of his financial interest in the family's mining business to start his own business in Paris. With his business failing, in 1912 he set out to return to the United States in time for McKinley's ninth birthday on the Titanic. Following the shipwreck, he drowned aged 46; his body was not recovered. McKinley inherited $450,000. She later inherited money on the deaths of her mother, and of her older sister, Benita, who died in childbirth. The loss of her father haunted McKinley for the rest of her life, and in 1969 she recorded "In Memoriam, Titanic Lifeboat Blues." McKinley began painting as a teenager and was a prolific artist throughout her life. When she fled New York for Paris at age 19 she studied at the Sorbonne and became part of 1920's bohemian Paris, France, where she was taught by key modernism artists of the time. Her primary mediums were ink, water color, tempera, and crayon. Some of her work is hand signed and some is not. In 1928 her sister Peggy moved to London and mar­ried the British writer John Holmes. In 1931, McKinley married the Englishman Denys King-Farlow. They settled in Sussex, UK, and had two children, John King-Farlow, who became a philosopher and poet, and Barbara Benita King-Farlow, who became an artist in her own right. In 1938 Peggy opened Guggenheim Jeune, a London gallery of mod­ern art, starring Wassily Kandinsky, Henry Moore, Salvador dali, Constantin Brancusi, Max Ernst, Pablo Pic­asso and Jean Miro with whom they socialized. Whilst living in the south of England with Denys King-Farlow in the 1930s, McKinley was influenced by a group of avant-garde artists, and had her first solo exhibition in London in April 1937 at the Coolings Gallery. She received instruction from British artists Rowland Suddaby, Raymond Coxon, and Edna Ginesi, becoming associated with the London Group and the Euston Road School. She painted primarily in watercolor. Her work included still-life, portraits, townscapes and landscapes. Although her first work was done in a "slightly plain palette," her later work in the 1930s brightened, sometimes falling within the realm of fauvism. "Under the influence of the Surrealist artists, Hazel's paintings after the 1930's became freer, though her work was far more whimsical and humorous than many artists more closely associated with the surrealism movement." In 1939 McKinley fled Europe due to the impending war and returned to the US, living mostly in California. She took brief art lessons from her sister Peggy's one-time husband Max Ernst and much later attended several summer schools taught by muralist and renowned teacher Xavier Gonzalez. In her life in the United States and abroad, McKinley met many prominent artists of the Paris, London, and New York art scenes including Jackson Pollock. McKinley continued to paint, and ran a small gallery of her own in the late 1950s and early 1960s in West Cornwall, Connecticut. One show at her gallery featured the works of British and Irish painters including Rowland Suddaby, Frank Beteson, Tom Nisbett, and Patrick Swift. McKinley showed two of her own works in the same exhibit, a watercolor painted at Positano, Italy and one painted at the Tuileries, Paris. Another featured work was a surrealistic water color portrait of McKinley by London artist Mervyn Peake. McKinley exhibited her work both in Europe and the United States throughout her long career, mostly at smaller venues. An incomplete listing of her exhibits and museum acquisitions of her work include: Berkshire Museum, the Galerie Raymond Duncan in Paris, Stendahl Galleries, the Jake Zeitlin Gallery, the Montgomery Museum of Fine Art, the Artists' Own Gallery in London, the Manchester City Art Gallery, and Santa Fe Art Museum. McKinley's work was only once included in a show by her sister Peggy. In 1943 McKinley was selected to exhibit a painting in Peggy's infamous show Exhibition by 31 Women in her New York gallery Art of This Century. The exhibition was radical at the time for being one of the first all-woman exhibitions, as well as showing only abstract or Surrealist works. The Exhibition by 31 Women was conceived by Peggy Guggenheim in collaboration with Marcel Duchamp, who is usually credited with suggesting the idea. The participating artists were selected by a jury that included André Breton, Max Ernst Duchamp, and Guggenheim. Advice was sought from Alfred H. Barr Jr., first director of the Museum of Modern Art in New York, who provided Guggenheim with five names, of which three were included in the exhibition, Suzy Frelinghuysen, Irene Rice Pereira, and Esphyr Slobodkina. Those already known to Guggenheim through their partners included Xenia Cage, wife of the composer John Cage, Frida Kahlo, wife of Diego Rivera, who was noted for his frescoes, Sophie Taeuber-Arp, wife of the sculptor, Hans Jean Arp, and Jacqueline Lamba, ex-wife of the surrealist André Breton. Guggenheim’s sister, Hazel Guggenheim McKinley and her daughter, Pegeen Vail Guggenheim exhibited. Also in the exhibition was the burlesque dancer, Gypsy Rose Lee, another friend of Guggenheim, who was possibly included more to help publicise the event than for her artistic skills. Other artists were friends of Guggenheim or of Max Ernst. One, Dorothea Tanning, was Ernst's lover, leading Guggenheim to say: "I realized that I should have only had thirty women in the show". Only one artist is known to have refused the invitation to submit works, Georgia O'Keeffe, who reportedly responded that she wished to be identified as a painter, and not singled out because of her gender. In the late 1950s, McKinley moved back to Europe for a while, before returning to the United States in 1969. She lived in New Orleans until her death in 1995. On her death, her only living son, John King-Farlow, wrote a poem in his mother's honor, entitled "Eulogy For My Mother (Hazel Guggenheim McKinley, Artist)." A short obituary distributed by the Associated Press noted she was a member of the illustrious New York Guggenheim family, that she was determined to make a name for herself as an artist, that her art works were shown in museums in the United States and Europe, and were in the collections of such celebrities as Greer Garson, Benny Goodman, and Jason Robards. In 1998 after her death, one of her paintings was exhibited in Peggy Guggenheim's Venice home museum the Palazzo Venier dei Leoni. Guggenheim’s work in various media and her connections to influential artists and collectors provide glimpses into the complex tapestry of the art world in the first half of the 20th century. In her later life she settled in New Orleans, where she continued painting, exhibiting, and studying art into her eighties at Newcomb College, New Orleans. She was part of a regional art scene that included Ida Kohlmeyer, George Rodrigue, Noel Rockmore and Hunt Slonem. Towards the end of her life while confined to bed, her last works were colored pen drawings and sketches. McKinley collected major contemporary artworks and she donated many of these works to public institutions. She donated over 15 works to Wakefield Art Gallery, UK, in the 1930s, and in 1938 presented the painting Cossacks...

The artwork on paper will be sent unframed to you. Maciej Olekszy was born in 1982, Poland. Graduated from the Academy of Fine Arts in Poznan, Poland in 2007. Faculty of Painting i...

Him is a photograph by French contemporary artist Camille Brasselet. This photograph is sold unframed as a print only. It is available in 2 dimensions: *75 × 50 cm (29.5 × 19.7 in)...

After Giambologna (Italian, 1529-1608) Mercury Standing on the Breath of Zeus Bronze 27.5 x 14.25 x 5.5 inches The sculpture depicts Mercury wearing his winged helmet and sandals and holding a caduceus. Created after one of Giambologna's most celebrated sculptures in the Renaissance, Mercury, was designed as part of a fountain for the Villa Medici in Rome.The head on which Mercury steps symbolizes the figure being “exhaled, purified, unburdened.” When the Giambologna sculpture...

Screenprint Edition 63 of 100 64.3 × 55.5 cm (25.3 x 21.9 in) 68.5 x 59.6 x 3.1 cm x 27 x 23.5 x 1.2 in Numbered, signed, titled and dated in pencil Condition Upon request Window-mou...

Meredith Walker’s "Seeing Bloom" is a striking original painting that fuses abstract botanical symbolism with a rich, earthen palette, capturing the viewer's attention through its el...

* No US duty or taxes to pay on this item * A beautiful signed and dated 1931 English impressionist oil on board depicting a tranquil river landscape, by D. Thomson. The work is pr...

Bonaventura Peeters the Elder (1614–1652) attr., Stormy Coastal Scene with Merchant Vessels, Galliot, and Dolphins Framed by rugged cliffs and illuminated under a dark, swirling sk...

Schism - 2021 60x80cm, Edition of 5 plus 2 Artist Proofs. Archival C-Print based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2021-1083. Not mounte...

Artist: Romare Bearden Title: The Open Door Year: 1979 Print: Lithograph on Somerset Paper Paper size : 22'' x 30'' Edition: Signed in pencil and marked 4/175 Romare Bearden is r...

Title: Reclining Nude Artist: Roser Vinardell Tolrà (Cabrera de Mar, 1941) Technique: Oil on canvas Dimensions: 46 x 65 cm (18.1 x 25.6 in) Date: 1970s Signature: Signed in the lower...

A few words of the artist about his art: When i painting landscapes, I usually choose simple geometric arrangements, contrasts of verticals and levels. I juxtapose the smooth surfac...

Spring Duet is part of Shizico Yi’s ongoing exploration of the diptych format—a project that began in 2024. Painted en plein air, every canvas captures both the landscape outside her studio and the intimate interior surrounding it. This duality unfolds across two paintings, creating a visual dialogue that shifts and harmonises like a musical duet. The work belongs to Shizico’s long-running Memory Landscape Series (est. 2015), in which she moves fluidly between mediums—installation, sculpture, painting—and across visual languages from impressionism and expressionism into abstraction. In this spring chapter, she turns to the gentle hues of the Northern European early spring: soft greens, creamy whites, pink-apricot light—tones that hold the tender, awakening atmosphere of the season. Each canvas functions like a musical note; together, the pair forms a coherent visual phrase. Their relationship is harmonious yet flexible, offering multiple ways of living with the work in your home. -Artist's Lifetime Warranty for the original artwork Details Diptych (set of 2 paintings) Medium: oil, acrylic, mixed media on canvas Size: • Each canvas: 50 × 39.5 cm • Total combined size: 50 × 79 × 1.5 cm (Unframed measurements) -Versatile Display: The diptych may be hung: • Side by side as a traditional diptych set • Separated across different walls to create visual punctuation and subtle connection between spaces This flexibility allows the work to adapt to a variety of homes and interior styles. -Guarantee End to end tracking Delivery Worldwide by Royal Mail Worldwide at lowest flat Rate £22. About the artist: Dr. Shizico Yi is a London-based artist working across installation, film, and painting. Her practice explores themes of loss, repetition, the everyday, and the significance of memory. Drawing on a background in design and film, she creates works that weave personal experience into wider social and human narratives. Yi holds a PhD in Fine Art from the University of East London (2017), an MFA, and a BA in Womenswear from the University of the Arts London. ​ Her practice also includes plein air painting from spring to autumn and studio-based work in winter, allowing place and season to inform the energy, scale, and materiality of her pieces. Her work has been exhibited internationally in the UK, Korea, and Italy, and is held in private collections across the USA, Canada, Australia, Japan, Taiwan, and the UK. Notably, Shizico Yi secured the title of Winner of the Women Film Makers: Best Shorts Competition in 2013 in Los Angeles, USA. She also serves as a guest jury member at the 14th-16th Annual New York City Independent Film Festival from 2022 to 2024 and is a curator and founder of no barking aRt...

Opera di Georgij Moroz pittore Ucraino morto nel 2015 Splendido mazzo di fiori autunnali sui toni dei viola,bianco e verde Pittura luminosa e tridimensionale Opera pubblicata sul cat...

Antique American dog portrait oil painting. Oil on board. Signed. Framed. Provenance from a Sag Harbor, NY collection. Handsomely framed in a wood molding. Excellent condition, rea...

Pablo Picasso (1881-1973) - Le vieux Roi Lithograph from 1959. The edition of 35/200 on Arches paper, signed in blue crayon. Dimensions of work: 64.5 x 49.5 cm. Hand signed. Pub...

This artwork titled "Spring Rain" 1981, Is a colors lithograph on Fabriano paper by noted Brazilian/Japanese artist Manabu Mabe, 1924-1997. It is hand signed, titled in Japanese and ...

This artwork is part of the series Return to Herself, dedicated to a woman and her body as a place of return to oneself, to an inner rhythm, rest, and silence. It explores a state in...

M.C. ESCHER (1898-1972) Metaphysics, 2008 Facsimile after the original woodcut from 1935 Signed in the plate Numbered / 450 copies (the number you can see can be different) On vellu...

Painted in 1915, Motiv från Halland is a concentrated meditation on landscape as an encounter between earth, water, and an immense Scandinavian sky. The composition is deliberately p...

The gentle light of the sunset dissolves into the foamy surf, tinting the waves with shades of rose and gold. In this moment, the ocean seems to whisper its eternal secrets, flowing ...

Ever present - 2021 80x80cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Signed on the back and with certificate. Artist inventory PL2021-1077. N...

Never ending Reading In this luminous and poetic work, a suspended moment of everyday life, infused with both serenity and the quiet solitude of modern existence. Two women, seated...

Original 1939 The Saturday Evening Post newsstand vintage poster. Archival linen backed in excellent condition. Never folded and no restoration. Grade A. Rare and charming origi...

19th Century Grand Tour after the Antique Figure of Sophocles Bronze with green patination Signed F. Barbidienne, Fondeur 25 x 8.5 x 6.5 inches Standing figure of the Greek poet, we...

Title: Spring in the North Country Medium: Oil on canvas Size: 23.5 x 31.25 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition...

Title: Cadaqués in Calm Artist: Ramón Pichot Soler (Figueres, 1924 – Barcelona, 1996) Medium: Oil on canvas Dimensions: 60 x 73 cm (23.6 x 28.7 in) With frame: 66 x 79 cm (26 x 31...

Vintage American impressionist tropical landscape oil painting. Oil on canvas. Signed. Framed. Provenance from a Sag Harbor, NY collection. Measuring: 20 by 24 inches painting alone....

Golden Light across the River E.J. Wilson ( English, 20th Century) signed oil on board, framed framed: 20 x 28 inches board : 18 x 26 inches Provenance: private collection Condition:...

Marc Chagall (1887-1985) - Le Verger (The Orchard) from Daphnis and Chloë. Lithograph from 1961. The edition of 34/60 on Arches paper with wide margins. Dimensions of work: 53.7 x...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Josue M Pierre...

David Shrigley, I Can Sing For You, 2022 Hand-signed and dated on the reverse Edition 76 of 125 75 x 56 cm Screenprint in colours Private Collection UK

Signed lower right, 'R. Emmett Owen' for Robert Emmett Owen (American, 1878-1957) and painted circa 1915. Displayed in a substantial, carved, giltwood frame Framed dimensions: 30 x 1...

5169 Antique American Large Impressionist seascape oil painting .Oil on canvas circa 1930 Framed Image size 15.5x19.5"

Mid-century oil on board of a Mediterranean coastal scene by Janoti. Signed bottom right. This artwork beautifully captures a sunlit Mediterranean landscape, dominated by the bold v...

Bansky, Morons (White) (Unsigned), 2007 Screenprint on paper 56 x 76 cm (22 x 29.9 in) Edition 324 of 500

QUILTING TIME is an original limited edition lithograph printed using traditional hand lithography methods on archival Somerset printmaking paper, 100% acid free. QUILTING TIME by th...

Title: Chanel Year: 1997 Medium: Offset lithograph on archival paper mounted on canvas Size: 30 x 21 inches Condition: Excellent Inscription: Signed in the plate Notes: This special ...

Landscape with nudes, vintage oil painting of bathing nudes in a landscape by French artist Jean Chevauchet (b.1937). An unusual and interesting almost dreamlike or indeeed Symbolis...

Kerry James Marshall Keeping the Culture, 2011 Silkscreen and linocut in colors with full margins and deckled edges on Arches paper with full margins and deckled edges 20-1/4 x 30-1/4 inches Hand signed, titled and numbered 79/100 by Kerry James Marshall in graphite pencil on the front Published by Africa House International, Chicago Unframed In September, 2025, "Kerry James Marshall: The Histories" opened at the Royal Academy of Arts in London. This major exhibition was the largest presentation of Marshall's work in the United Kingdom and Europe, and featured more than 70 works by the the artist, including a large number of paintings and a selection of prints, drawings and sculptures. Highlights of the show include a new series of paintings that explore the transatlantic slave trade, along with Knowledge and Wonder, a mural commissioned in 1995 by the Chicago Public Library that is the largest painting Marshall has produced. The exhibition at the Royal Academy will then travel to the Kunsthaus Zurich and the Musee d'Art Modern in Paris. Kerry James Marshall's 2011 "Keeping the Culture" is based upon the artist's eponymous painting done the year earlier, which is featured in the Royal Academy Exhibition. In 2013, an original painting, upon which this work is based, sold at Christie's auction. Below is the Christie's Lot Essay for that painting: ..." Set in a revolutionary apartment in the cosmos, Kerry James Marshall's Keeping the Culture optimistically anticipates a future that pays homage to the past. Ushering in a new stage of the artist's output, Keeping the Culture shifts focus from the failed utopia of urban renewal and the commemoration of civil rights era heroes in favor of a more technically refined meditation on the preservation of the traditional and spiritual values that shaped a culture. Placed in an ultramodern environment, two siblings marvel at a projection of the earth--in which Marshall has aptly positioned the African continent toward the viewer-while their affectionate parents dance in the foreground. Overlooking the milky way, Marshall's space-age flat is decorated with earthly relics-wooden tribal sculptures...

Three figures at a table during a tea break. A simple everyday scene, filled with the atmosphere of conversation.

19th Century Loch Tay Scottish Landscape in Watercolor on Paper Masterful Scottish watercolor landscape of Loch Tay with boats and small figures on the short by Aaron Edwin Penley (E...

In The Studio in Suspension, Sophie Dumont reimagines the atmosphere of a working artist’s studio, where canvases, color fields, and subtle objects appear to hover in a poised, quiet...

Adam Lehr (American, 1853-1924) Still-Life of Cherries, 1901 Oil on canvas laid on panel Signed and dated lower left 12 x 20 inches 20 x 28 inches, framed Known primarily as a still...

In this oil painting, I dove into the raw majesty of the northern landscape, melding figurative elements with impressionistic flair to capture a scene both vibrant and serene. My bru...

Karen Offutt's "Languishing" is an original, handmade painting that depicts a nude female figure covered by a sheer black fabric with peonies in the foreground. About the Artist: K...

Blue, indigo, navy, water, sky 31 x 31" Inspired by the drama of nature and light, Cynthia creates abstracted landscapes with oil on canvas.

"Aquarius" Photography 29.5" x 24" in Edition of 15 by Kseniya Vashchenko Signed and numbered by the artist. Comes with COA issued by the Artist Not framed. Ships rolled in tube. ...

Vintage American modernist abstract oil painting. Oil on board. Signed. Framed. Provenance from a Sag Harbor, NY collection. Measuring: 13 by 25 inches overall. Handsomely framed in...

The painting is painted with large brushstrokes in the style of impressionism. The idea is based on color contrasts. The variety of colors is intertwined into a beautiful bouquet Coo...

This painting invites the viewer into a quiet, surreal moment suspended between reality and dream. A young woman, draped in black, leans forward onto a round wooden table, her postur...

“Blue Sun” Tempera pencil charcoal on blue paper Shipped rolled in a tube 25x3x3in, from Florida. This piece, Blue Sun, is a striking and evocative work that captures both the sensu...

Richard K Blades is an expressive landscape painter working in the English Romantic tradition.  He follows in a long line of artists such as Turner, Constable, Seago, Daubigney and C...

Rufino Tamayo, Mexican (1899 - 1991) - Paisaje con Luna, Year: 1977, Medium: Mixografia on Arches Paper, signed and numbered in crayon, Edition: 16/100, Size: 19.75 x 27.25 in. (...

3912 19th Century French female portrait Image size 23x19.5